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Completed: Scout Tee + Gorts

Today’s post features a two-fer – a top AND shorts! Woohoo! Be prepared for a slight photo overload ahead.

I’ll start with the top. This is the Scout Tee from Grainline Studio. It’s your basic woven tshirt with a scoop neck and a relaxed, boxy fit below the bust. I know everyone and their mom has made this pattern already, and I’m only a few years behind on the bandwagon! Honestly, the pattern didn’t appeal much to me until recently – I generally prefer to wear more fitted shapes, especially at the waistline. This was a bigger deal in the past when I had a larger bust – but the girls have shrank over the years, which has made me feel a little bolder about experimenting with different shapes and silhouettes, since I don’t feel like my waist is being quite as swamped as it was in the past. Plus, loose styles are waaaay more comfortable in the summer heat, since they allow a better airflow (I know most of you are thinking, “No shit, Sherlock,” but I have ignored this for most of my adult life! Cut me some slack!).

Anyway, I quite like this style on me! I guess it’s still not the most “flattering,” but I’m kind of getting to the point where I don’t care quite as much about flattering. That’s one major difference I’ve noticed about being 30 vs being 20 – I don’t really give a shit about looking ~sexy~ every time I leave the house. I’m also sure my long-term relationship has a stake in this as well, but I’ve been in long relationships in the past and my attitude was definitely the opposite. Wearing loose-fitting anything – especially around my waistline – is a pretty new style territory for me, one that I’m starting to slowly explore and actually wear out in public. Also, it’s damn comfy.

Back to the pattern! I cut the size 0 and shortened the hem by a couple of inches to give it a more cropped length (but long enough so that it still covers the waistband of my pants). The pattern was really easy to put together – it’s just a front and a back, little cap sleeves, and a neckline bound with a bias facing. I like that it fits through the shoulders and the bust, then falls straight down to the hem. Even though it’s loose, it doesn’t look sloppy. One thing I noticed is that the shoulders tend to pull toward the front – since I used a different fabric for the back, this is a lot more noticeable. It doesn’t bother me at all – I actually like the way it looks, to be honest – but I’m also not sure if it’s part of the pattern, or a fitting issue. Thoughts?

(ps, sorry about the wrinkles – like most of my makes lately, these were taken after a full day of wearing)

The fabric is what really makes this top shine, though! It is GORGEOUS, amirte?! This is a pretty special piece – it’s handwoven here in Nashville! The company who makes this beautiful cotton fabric is Shutters & Shuttles. I don’t know if they even sell yardage anymore, but they used to. I believe they sell yardage to local designers, which – ding ding ding! – is where I got my little piece from. Back when Elizabeth Suzann used to sell limited-edition tops made with this beautiful handwoven fabric (and other colors/styles of fabric as well), she had a whole stash of it. Eventually, the limited edition ended and Elizabeth’s line moved in a different direction. And then she destashed the studio, and this piece ended up in that stash bag I was telling y’all about. It was a very small piece, so it took me a while to figure out what to do with it. A lot of Georgia Tees were made using Shutters & Shuttles fabric, and they all looked awesome, so I followed that lead with my own boxy tee. Scout Tee it was! Except that I didn’t have *quite* enough fabric to cut both fronts and backs, so the fabric sat on my shelf for several months while I looked for a good color match.

When I made my coral B5526, the coral voile was stored right next to this fabric, and I realized that they were perfectly matched. Which was lucky enough in itself, because this is a really weird (albeit beautiful) coral to try to match. I bought another yard on my next Mood order, and used the voile to cut the back of this tee. I also used the voile for the bias facing at the neckline – it’s a much lighter weight with less bulk than the handwoven cotton, so it sits on the neckline a little better (plus it looks pretty on the inside!).

I got these little tags in an order from Grey’s Fabric awhile back, and I think they are so cute! I wanna be a crafty fox!

To crop the hem, I just folded up an extra-deep hem allowance and topstitched it. One, because I like the way the shirt hangs with the extra weight at the hem, and two, because I wasn’t sure if this whole slightly-cropped-tshirt thing was going to be my jam next summer. I might change my mind and want it to be longer (or even shorter, I dunno), so I left the hem allowance there as a bit of a safety measure. And also a big ol’ dangly thread, it seems.

Now for the shorts!

I made Jorts – or Gorts, as I am calling these (jorts is a really annoying way to say jean shorts, in case you were wondering!)! Remember when I utterly failed at that shit last year? Man, those shorts look fucking stupid in retrospect. What was I thinking? And if you were wondering – I never wore them beyond that blog post. They were just tooo uncomfortable and I was terrified the zipper was going to bust. They sat guiltily in my dresser for a few months before I finally chucked them.

Anyway, I’m glad I failed at that shit because I learned some very important Sewing Life Lessons:
1. Don’t make jorts out of a pattern intended for trouser shorts. It looks fucking stupid. Better to start with a jeans (pants) pattern and cut it short accordingly.
2. Jorts need fancy jean topstitching, or they aren’t proper jorts. And, they look stupid.
3. Until you figure things out otherwise, jorts need some stretch in the fabric, else they won’t be comfortable.
4. For zipper security, there needs to be a bartack connecting the fly shield to the front of the pants. This is EXTREMELY important. That’s why my zipper kept breaking on the fail pair – pulling the shorts on and off was putting way too much stress on the bottom of the zipper, which caused it to break. I eventually figured this out by inspecting a pair of my jeans – the bartack that hits right at the curve of the fly topstitching is intended to take the stress off the zipper, so you can pull on and off your tight pants. I had left that bartack off, which made my pants weak right at the crotch (kind of like most men lololol amirite)(sorry).

So, with those lessons in mind, I re-attempted the jorts. These are way better! Not perfect, but better. I know they look pretty wrinkly in these photos, but again, those are wearing wrinkles – not fitting wrinkles. Well, maybe a couple of them are fitting wrinkles. I am human, after all.

I call these Gorts because I used the Ginger jeans pattern to make them! Ahahaha aren’t I clever! I just love this pattern and I spent a solid chunk of my time in Peru dreaming about making more jeans because I just looove all the detail that goes into the topstitching – but knowing that I don’t need jeans right now, because it’s way too hot! So I was happy to compromise with shorts instead. To make the pattern shorts-appropriate, I just measured the inseam of my favorite shorts and cut that length + 1″ from the inseam of the pattern. In retrospect, I should have added a little more length so that I would have a proper cuff (I didn’t plan these to have a cuff, but they were too long once I’d already hemmed them and I didn’t feel like-rehemming). Maybe next time! Also, if I go with the future cuff, I need to widen the bottom of the shorts at the hemline, because they are a little tight at the thigh (cuffs need to be wider so that when they flip up, they are the right width. This is hard to explain without pictures, so here’s an example in this book I found. Thanks, Google Books!). Giving them a good stretch when I put them on helps, though.

For fabric, I used a stretch denim from Mood Fabrics. The weight was perfect, but the stretch was a little less than what the pattern calls for (which I determined the unscientific way by comparing it to the denim I used to make my first pair of Gingers). I added 1/4″ to the side seams to accommodate for this, but they are still a little bit stiff. The other bummer is that this fabric has a severe bleeding problem – the first time I wore these jeans, they rubbed indigo dye all over the inside of my purse. I was carrying the only nice purse I’ve ever owned, which HAPPENS to be white. Wah!! I was able to get the majority of the discoloration off with a stain remover, but now I’m afraid to sit on anything remotely light-colored. I washed the denim a second time with a cup of vinegar in the wash to set the dye, but they are still rubbing off a little.

All in all, though, I’d say these are a good practice run! When I finally make my fancy Ginger jeans with the Cone Mills denim kit that I bought earlier this year, I am hoping that I’ll have enough leftovers to make some solid Gorts. We’ll see! Pants first!

Anyway, photos:

Every time I make jeans, I want to experiment with different colored topstitching thread & serger thread – but I always punk out at the last minute. With these, I used bright blue thread for the button hole – baby steps! It also matches the lining and the serger thread.

Oh, right, and the backside of the button hole is emerald green 🙂

For the topstitching, I used my new 1/4″ foot. THAT THING IS AWESOME. There’s a dull blade that sits exactly 1/4″ from the needle, to help you align your stitching and ensures erfect parallel lines every time. Totally worth the $$$ I spent on it. Although I should probably focus on my bartacks next – those clearly need a bit more work. My machine doesn’t have a setting for bartacks, so I have to trial-and-error with experimental zigzagging.

You can also see that I changed up the positioning of the rivets – they are only on the front pockets. The pattern has you put 2 rivets on the back pockets, which I did with my first pair, but I never really liked the way it looked. RTW jeans don’t typically have rivets on the back pockets – ok, ok, SOME DO, but not the majority! – and I thought it made them look sort of homemade. I also recall reading, like WAY back in the past, that the original Levi’s didn’t have rivets on the back pockets because they would get too hot when the gold miners sat next to a fire. Full disclosure, it was a research paper on the history of jeans/Levi’s that my cousin wrote for one of her classes in high school, and I found it because I was snooping in her room when she wasn’t home (what? She had a really cool Barbie Dream House that she wouldn’t let me play with). That one statement was really fascinating to me and has stuck with me through the years (although I don’t remember anything else about the paper). This would have been around 1992-1993, so yeah, a while ago (and yes, I realize we are talking about a paper written by a high schooler, back before you could use the internet for research – so obviously I can be completely off my mark here). A quick Google tells me that the rivets also scratched cowboy’s saddles, which might be another reason why the back pockets ones were eliminated. Either way, I think they look weird and out-of-place on the back pockets. So front pocket rivets only for me!

And that’s it for this outfit! Tell me – has your style relaxed as you aged? Do you find yourself experimenting with new silhouettes, or do you stick with the tried and true? How do you feel about rivets on the back pockets of jeans? Do you think the cowboys were onto something?

Tags: closet case files, completed, cotton, denim, ginger jeans, gorts, Grainline Studio, handwoven, jeans, jorts, rivets, scout tee, shorts, shutters and shuttles, top, topstitching, tshirt, woven

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Categories completed projects - new

Completed: OAL2015 (M6887 dress + Vianne sweater)

31 Jul

MY GOD, you guys. I am so happy I got this finished in time for the OAL deadline! I’ve had the dress finished for a couple of weeks now, but I worried about that sweater as the time drew closer! I ended up needing to take a couple marathon days in order to finish, but I did finish! And now I’ve got an outfit to show y’all!

I’ll start with the dress. Again, this is McCall’s 6887, which I used cotton ikat fabric from Mood Fabrics to make it up with (this isn’t a Mood Fabrics allowances fabric; I bought this on my own dime while I was in NY last year). I used the version with the back cut-out, as well as the cap sleeves, omitted the lining in favor of bias facing, and added pockets. I’m not going to go into detail about the construction, since there’s a whole series of blog posts on the making of this dress! You can see them all here:

We are just gonna look at pictures instead. Btw, I walked through a lot of spiderwebs to take these. Appreciate me, dammit.

Now for the sweater part!

Vianne is a sweet little top-down cardigan with lace details and a open mesh back. It’s supposed to be knitted up in DK weight yarn, but I used Cascade 220 worsted weight and was able to get gauge using size 6 needles. I knit the size XS, and the only modification I made to the pattern was to knit full-length sleeves. As in, I followed the sleeve directions and just kept knitting/decreasing until they were long enough. I’ve found that I don’t have much need for 3/4 sleeves – if I’m cold enough to wear a sweater, I am cold enough to need the full sleeve – so I went with long sleeves. I did keep the mesh back, though. The mesh back is awesome. I found the mesh+lace a little confusing to follow, so I used a bunch of stitch markers to stay on track and that helped a lot.

While I normally finish my buttonbands with a strip of petersham ribbon for stability, I did not do that with this cardigan. Vianne is a looser fit on me, and the button bands are so wide that they don’t really stretch when they are buttoned. So I left off the petersham and just sewed the buttons directly on the ribbing. One thing I will say about using a stabilizer with your button band – it makes sewing on the buttons a helluva a lot easier! Oh well! Anyway, the buttons are vintage glass from my stash – I’ve had them for YEARS and been hoarding them for a special project, which I’m happy to have finally found! I only had 4 buttons, so I left off one of the button holes. And by “left off,” I mean I originally knit it and then later closed it up with a slipstitch haha.

As with all of Andi’s patterns, I REALLY enjoyed knitting this sweater! The yarn was so nice to work with (after a long Cascade 220 hiatus, I’m happy to be home! And I’m really happy to find a local source that is still selling it – Ewe & Company, who happen to be located here in Kingston Springs! What are the odds?) and the color is my favorite. The only thing I didn’t like was feeling rushed at the end, but that’s my own damn fault for not pacing myself earlier during the OAL. I’m glad I got it finished in time, at any rate!

As a side note, wrangling the last sleeve of the sweater got me really wanting to start doing seamed knitting. I’ve always been a fan of in-the-round, because it’s so easy, but I’m starting to feel a little comfortable and I’m kind of craving a bit of a challenge. It would be fun to learn how to properly seam a sweater. Not to mention all the pattern possibilities that open up when you’re not hung up on just one particular construction style!

Anyway, that’s it! Here is Vianne on Ravelry (spoiler: not any more info than what you see here!). Don’t forget to post your finished outfit in the OAL 2015 FO Thread on Ravelry for a chance to win prizes! We have prize donations from Indie Stitches and The McCall Pattern Company, as well as from Andi Satterlund herself (winner’s choice with all of these, so you won’t get stuck with something you don’t want!), and there will be 4 winners. Also, if you have blog posts to share with your FO, post them here so I can see! I need to get my lurk on 😉

Tags: cardigan, completed, cotton, ikat, knit, knitting, McCalls 6887, Mood Fabrics, oal, OAL2015, Vianne, wool

Comments 67 Comments
Categories completed projects - new

Completed: The Brumby Skirt

29 May

Raise your hand if you love Megan Nielsen and are excited about her return to printed patterns and the release of her new sewing app. All I can say is – YAAAAY!!!

To celebrate these big launches, Megan also dropped a new pattern into the mix – the Brumby skirt. She asked me a few weeks ago if I’d like to try out/review the new pattern – as well as the app – and considering I’d been stalking this pattern for well over a year (it’s not too hard, since she kept posting teasers of it on Instagram!), I was all YAAASSS. I wasn’t sure if I’d be able to finish the skirt – let alone post about it – before I leave for my trip next week, but curiosity got the better of me and I found myself dedicating an afternoon to Brumby Heaven.

Brumby is a simple little gathered skirt pattern, with a couple special details to make it stand a step above your basic DIY-drafted-dirndl. For one, there’s those pockets. How good are those pockets?! They are nice and deep, and what really pleases me about them is how they kind of stick out away from the skirt and give it this interesting shape. The instructions also include how to insert an exposed zipper – which, honestly, I didn’t realize there was actually a specific method on how to do this. These instructions give you a nice clean finish and a strong zipper.

The skirt has a curved waistband with side seams, as well as options for varying amounts of fullness in the gathers and different hem lengths.

What I’ve always loved about Megan’s patterns is that there isn’t necessarily anything ground-breaking about the designs – it’s clean and simple design, the building blocks of your wardrobe, to be made in a myriad of different fabrics. There are special details to make the pattern stand out above all the other similar ones available on the market – such as the curved hi-lo hem of the Briar tshirt, or the floaty circle skirt of the Tania culottes, or even the awesome pockets in this skirt. The directions are clearly laid out so that even the earliest beginner can manage them, but they also lend themselves well to customization so even an advanced sewer can find joy in making them up.

To make my Brumby, I cut the size XS and sewed up Version 1. This version has less gathers and is intended for heavier fabrics, however, I used a pretty lightweight fabric in it’s place. I’m not a huge fan of gathers at my waist – I think they add bulk in weird spots and just don’t look very good on me – but I thought the wide waistband combined with less gathers in a lighter fabric would probably work. And I think it does! My fabric is a total stash-bust, leftover chambray that I used to make this shirt last year. I bought it locally here in Nashville at The Fabric Studio, and I’ve been hanging onto the remaining yardage because I wanted to make a floaty little summer skirt with it. It’s *very* lightweight chambray – like, voile lightweight. It’s borderline sheer – with my button up, I have to wear a nude bra or you can see everything underneath haha. Anyway, it has a lovely sheen and a nice drape and it’s soooo good to sew. Making it up into this skirt was a good idea. Sorry if it’s a little wrinkled – these photos were taken after a day of wearing it.

Oh! And I also made that top – it’s my very first Butterick 5526. I hated the length of the sleeves and never wore it, so I finally just cut them off and finished the raw edges with bias facing. Much more wearable now!

Back to Brumby! I knew I wanted topstitching, but chambray is notoriously hard to thread-match, and I didn’t want my topstitching to be the first thing you noticed when you saw the skirt. I actually ended up using denim thread to topstitch this – a lightweight denim thread, but denim thread nonetheless. It’s that weird blue/navy Gutterman thread that they sell with the denim thread. The variances in color were good enough that they went well with the blues in the fabric, and they contrast nicely but they don’t really stand out. The thread is light enough so it doesn’t make the topstitched areas hang weird, so that is nice. I used white all-purposed thread in the bobbin which also probably helped.

The topstitching goes all over the skirt – down the center front, down the side seams, around the pockets, across the hem, all around the waistband, and of course, holding the zipper into place. I wanted to offset the delicate, floaty fabric with a some casual construction, and this is it! All seams are topstitched at 1/4″. I just eyeballed it on my machine, but I think I’m pretty certain I want a 1/4″ foot next time I go to the Bernina store. Feeeeeeet♥

I am really happy with how nicely the zipper went in! Like I said, there are directions in the pattern for getting a good exposed zip – and I totally didn’t realize there’s a method to doing this. I put an exposed zip in one of my tops last year (and I totally thought about wearing that top with this skirt, peplum tucked in, but ughh it won’t work because there are 2 exposed zippers and they’re different metals and wah), but that was really a matter of pressing seam allowances back and topstitching the zipper in. Poor peplum top, didn’t even have a damn chance.

I will be totally honest here and tell you that I tried the skirt on about 3/4 of the way through construction (after attaching the waistband, but before I put in the zipper) and I was COMPLETELY underwhelmed with how it looked on me. In fact, underwhelmed is too nice of a word – I hated it! It was extremely unflattering and the length made me look dumpy. Part of that was because the waistband was a little bit too big – big enough to slide around and not sit into place, and make me look wider than I am. I did some quick waistband surgery to remove about 1/4″ total from the side seams, and then I took another 1/4″ out of the zipper seams when I was inserting it. That was enough to make the waistband fitted, but not so fitted that it’s uncomfortable.

The length was another issue – I just don’t do midis, and while I did cut the pattern for the mini, there’s a huge-ass hem included so it was really long before that got turned up. I know midis are ~in~ right now, and you can tell me all you want that they might even be flattering on me – but I’m all legs when it comes to skirt length and I just.can’t.do.it. Honestly, I didn’t really love this skirt on me until the hem was turned up and topstitched into place – and then I was twirling around my sewing room in excitement like a big dork. It’s funny how much the hem can affect how something looks. Anyway, that’s a big part of the reason why my hem is serged and topstitched – I wasn’t if I’d love the finished skirt, so didn’t want to spend tooo much time on the last steps. At any rate, the serging matches the rest of the guts so whatev.

Sooo in the end, I loved the finished skirt so much that I wore it for my last hurrah of my 20s. Notes about this picture:
– That’s not what you think it is in my hand. It’s hot chicken.
– I love Giorgia Tsoukalos.
– And America.
– And also aliens.
– My coworkers at Elizabth Suzann are awesome and know how to throw (me)the best parties.

Before I jump off here, let’s talk about the Megan Nielsen Patterns app!

I will admit – other than my love for sewing blogs, I’m a bit of a paper girl when it comes to sewing media. I like paper patterns and I like having hard copies of the instructions that I can scribble notes (and mustaches) all over. While I think this app is a completely brilliant idea and may very well be the future of sewing patterns – I wasn’t sure if it would actually be useful to me (I’m old-fashioned in that sense, and I’m ok with it). However, I was willing to try it. For science. Also, it’s a free app soooo it’s not like I had anything to lose if I ended up hating it.

The main drive behind the app is basically digitizing the instructions you get with your pattern (paper or PDF). Everything from the required materials, to the cutting layouts, to each step of the instructions (cataloged in a way that’s easy to get straight to the section you need, instead of relying on the Endless Scroll) is included in the app. There are also options within the app (and each individual pattern) to view other people’s makes of this pattern, customization suggestions, and links to the tutorials that may be useful while constructing the garment.

While I probably won’t switch out my paper instructions for digital (again, mustaches), I actually do find bits of this app useful! It’s SUPER handy to have when you’re shopping and need to reference a material’s list – in the past, I’d scribble everything down on paper (all right, I still do that. No shame!), but then you lose your paper, or you find that perfect fabric that doesn’t go with anything on your “make” list, or you forget that you also needed a zipper. I love the tutorial links, as I do use a computer to look up things while I’m sewing – but more often than not, I end up spiraling down this long internet rabbit hole, where I click on links on links on links and then I forget that I was sewing! Lame! So it’s nice to have a direct link in the app, where I can go straight to the tutorial, get the info I need, and get back to the task at hand. Another thing I love about the app is that you can access any tutorial/instructions for any pattern that you own – which is awesome for when I’m using a Megan Nielsen step in a different pattern, such as stealing her Briar neckline binding for my traced tshirts. In the past, I’d just pull the paper instructions out – but I’m always afraid I’m going to lazy out and forget to put them away and eventually lose them (I mean, it must happen – I think about all those vintage patterns we buy that have the wrong instructions or extra pattern pieces in them. Yep!). With the app, everything is in one place and I can quickly find it. So I like that!

And there are notes sections in the app, for scribbling, but no places that I see where you can doodle on the croquis faces.

Anyway, you can read more about the app in this post and download it in the iTunes store FOR FREE. Those of y’all on Andriods – it’s coming! Don’t worry!

In other news, thanks for all your tips on dealing with my caffeine withdrawals! I am happy to report that I was feeling MUCH better yesterday – no more weird body aches, no more tiredness. I found some great uncaffeinated teas and I only miss coffee the tiniest bit now 🙂 To those of y’all who suggested that I drink decaf – I’m not opposed to decaf (and I drank about a cup a day while weaning off the hardcore stuff), but it does have trace amounts of caffeine in it, and my whole goal was to eliminate the stuff 100%. Mostly to see if I could 😛

*Note: Megan Nielsen provided this pattern to me free of charge, in exchange for a review. All opinions in this post are my own!

Tags: brumby, brumby skirt, chambray, completed, cotton, cotton voile, megan nielsen, megan nielsen patterns app, sewing app, skirt, voile

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Categories completed projects - new

Completed: Another B5526 + Ginger Jeans Get-up

18 May

So sorry to dump this on y’all yet again – another collared shirt + jeans outfit combination. Yawn.

Well, to backtrack – yawn for you, but 😀 😀 😀 😀 😀 for me hahahaha. I will never get tired of this outfit combination. Or, at least, not anytime soon. Maybe never is too strong of a word to use here.

What’s mildly frustrating about writing a long-term blog (at the time of this posting, I’ve accumulated nearly 500 entries since I started waaaay back in 2009, WTF) is that you eventually reach a point when you’re just making the same thing over and over again (well… those of us who don’t make our blog our full-time income fall in this category. I’m sure if I was sponsored out the wazzoo and had all the time I spend at work to spend making content for my blog, it would be a different story, ha.). After re-assessing my wardrobe at the end of 2014 and realizing that I *still* had shitloads of clothing that I made simply for the new and shiny, I have made it a big point to really be honest with myself about whether or not I’ll actually wear something that I make. Like most people, I have a pretty predictable style. And like many sewers, I don’t want to spend a lot of time reinventing the wheel with new patterns if I can get the look I’m going for with an old TNT. So this translates to repeats upon repeats upon repeats.

So, while you might be yawning about the majority of the stuff that’s been posted in 2015… I gotta say, I am elated with the way my closet is looking these days!

With all that being said, there’s not much to report on either of these pieces since I’ve made them soooo many damn times. Jeans + collared shirt is totally my go-to when I want to feel comfortable but still look like I made an effort in the AM. I’ve found my TNT patterns and I feel good about the way they fit and the construction methods that I use.

The top was made using my beloved Butterick 5526. Y’all, I don’t know if I’ll ever sew another button up pattern again! (we all know that’s a lie) I’ve gotten to the point with this one where I can bang one out in a couple of days, which is really nice when you’re coming up on a looming Mood Sewing Network deadline, ha. The fabric is this amazing tigerlily orange cotton voile from Theory, which is a bit more of a coral-y pink than it is orange in real life (I don’t know how the color translates on your screen, but on the Mood Fabrics website it’s definitely pretty muted. The real color is much closer to what you see in my photos. It’s BEAUTIFUL). It has a beautiful chambray weave, which gives the color lots of dimension. This fabric was so so nice to work with – ok, it was a shifty bitch to cut, but once I got past this point, it handled and pressed like a boss. It’s also super comfortable to wear on even the hottest day.

Since the fabric does have a tendency to fray, I used flat-felled seams every where in my shirt. I also left off the sleeves and finished the armhole with self bias binding – it makes the shirt really casual and, again, awesome for hot weather. The pockets are the same pockets that come with the pattern, but I made them slightly smaller because the original size was a little overwhelming on me. Buttons are from my stash; they’re just your standard white shirt buttons. Oh! And the matching thread also came from Mood Fabrics – I noticed that when I was ordering my fabric, there were thread suggestions at the bottom of the page. I figured I’d try out the service – you know, for science – and I’m super pleased with the color match. Even more pleased that I was saved a trip to the fabric store. Mostly because those tend to be very dangerous places for my wallet, ha.

The good thing about running a long-term blog and making a bunch of pattern repeats is that you will eventually bore of just making things that are passable to wear in public, and start focusing on really honing your skills to the next level. Or, at least, that’s how it worked out for me. Look at those clean finished insides! I should wear this shit wrong-side out.

I did shorten the length of the shirt by about 2″ – I think the original length was just sliiiightly too long for my height. This way I can wear it untucked or tied at the waist. If I do a half tuck, it doesn’t pooch out all weird like some of my longer shirts tend to do. As always, I finish my shirt hems with self bias facing. I think it makes for a much cleaner finish, and it’s must easier to press and sew those curves with the bias tape instead of trying to wrangle the hem itself.

For my jeans, I used my now-favorite-ever-pants-pattern, the Ginger Jeans. I’ve made this a few times before (and I definitely don’t plan on stopping – I finally was able to invest in one of the denim kits because YAY) and I’m just really happy with the way this pattern fits my body. The fabric is a cool metallic gold stretch denim. I was actually looking for white denim to make this up, despite me being a stain magnet when it comes to white. At any rate, this denim’s wrong side actually is white flecked with very subtle bits of gold, and these very well almost became white jeans. I talked myself out of it because I was afraid the not-quite-pure-white would make the jeans look like they were dirty, plus again, stain magnet. So I stuck with the gold side. Also, this denim doesn’t have as much stretch as my other denims, so the jeans are a bit tight. I had to let the side seams out to 3/8″ or else I would have never gotten these things over my ass. They’re still a bit tight – mostly around the calves – but I’m hoping that they will loosen up a little with wear.

Not much to report on construction. I used a combination of flat-felled and serged seams (as how most RTW jeans are made) and a triple stitch to really make the topstitching stand out. I would have loved to use topstitching thread, but I couldn’t find a good match with what is admittedly kind of a weird denim color. It’s gold, but it’s also kind of beige. Fortunately, Mood Fabrics REALLY came through with that thread match, as you can see in these close-ups.

What else? I did not interface the waistband (I like my jeans with an uninterfaced waistband; it’s much more comfortable. Not sure how that would work with a lower rise, but for the high rise version, it’s perfect). The jeans button is from Pacific Trimming, and the cotton pocket lining is left over from this crazy blue dress.

I will admit right now that this outfit inspiration came way of my boss’ closet. Since I do all her laundry for her (if you are new to this blog and that sounds REALLY WEIRD, I should probably point out that I’m a personal assistant 🙂 ha!), I’m always lurking on her clothes and I’m always finding inspiration in some of the strangest ways. She has a similar coral chambray shirt – hers has sleeves and a lace inset at the yoke, though – and white jeans. And I wanted that outfit for me. So I made it 😛

So, hey, in other news that doesn’t involve me making my fifty billionth b5526 – I’ve got an article out in the current issue of Seamwork Magazine! If you haven’t heard of Seamwork, it’s a sewing magazine that is published online by the masterminds behind Colette Patterns. The magazine is free to read and there are optional pattern downloads with each issue (the patterns you pay for, however). ANYWAY, my article is all about visiting Nashville! I had so much fun writing a city guide about my favorite city in the entire world, and I hope you have fun reading it (and are inspired to come visit because, hey, Nashville is awesome! Really really awesome!). You can read The Seamworker’s Guide to Visiting Nashville at Seamwork. My first published article! Yay!

Tags: 5526, bias facing, butterick, butterick 5526, button down, button-up, buttons, chambray, closet case files, completed, cotton, cotton voile, ginger, ginger jeans, jeans, Mood Fabrics, Mood Sewing Network, pants, shirt, sleeveless, top

Comments 72 Comments
Categories completed projects - new, Mood Sewing Network

Completed: Be-Zazzle’d McCall’s 6887 (+ a GIVEAWAY!)

20 Apr

I shared a little sneak peek of this dress in my last post (which, by the way – if you haven’t browsed through the comments, you absolutely should! I LOVED reading everyone’s stories!), and I had quite a few comments and emails from people asking what the pattern was and where I got the fabric. I’m sorry that I had to hold out on y’all – photography was just NOT happening that day – but I’m happy to be able to share the whole shebang with you today! Hopefully you’ll think it was worth the wait 😉

Introducing – my first make for Summer 2015, the Be-Zazzle’d Pineapple dress 😀 I don’t ever name my makes (partially because that would be a LOT of names to come up with, and partially because, well, as you can clearly see – I’m not very good at naming things hahaha), but naming this one was just toooo easy. Sorry if it made you groan. DGAF.

I guess we should talk about the fabric first, because it’s slightly more of a focal point than the pattern (tho I promise we will get to the pattern soon!). It’s hard to see from these far-out pictures, but my dress is covered in tiny pineapples! Cartoon-y pineapples, to be exact, since we all know those are the cutest pineapples. And, unlike cherries, I actually really really really love pineapples. I have been known to eat an entire pineapple in one sitting, and I have no regrets. Well, maybe my mouth does, but it has learned to deal.

Here’s a close-up of the fabric. Isn’t it so awesome? It’s definitely a cutesy little novelty print, but it’s not quite so in-your-face as some of the novelty prints you find on quilting cottons. It’s a little more subtle (well, as subtle as you can get with cartoon-y pineapples on a watercolor turquoise blue background), and it’s just pretty. I love it so much!

The fabric is called “Tropical Summertime Watercolor Pineapple,” and it from Zazzle. Did you know that Zazzle prints custom, on-demand fabric? Neither did I! This is a new venture that they’ve recently rolled out, and they offered me a few yards to try out and see if I liked it. Um, you guys. IT IS AMAZING. Granted, most of the fabrics offered are Home Decor weight, but they do have a classic combed cotton (similar to quilting cotton) and a Pima cotton, which are both suitable for apparel. I decided to go with the Pima cotton, and I chose an existing design. You can absolutely design your own print – I just didn’t want to go that route personally because I don’t really have a good eye for things like fabric design! I’d rather let someone else handle that part and let me make the dress 😉

Pima cotton is very easy to work with – it’s similar to quilting cotton, just lighter (but not quite as light as, say, voile). It doesn’t fray much and it cuts and sews like a dream. It doesn’t press quite as well as some other cottons – I just used my clapper to hold the seams down while they cooled, and that worked fine (your hand also works in place of a clapper, but don’t burn yourself! Ask me how I know. Also, ask me why I ended up getting a clapper, haha). The only minor downside is that, since the fabric is printed, the design only shows on one side – so the wrong side is white. This isn’t necessarily a deal-breaker, but it’s certainly something to be aware of when choosing a pattern. You don’t want to use one that will show the wrong side of the fabric, unless that’s part of your ~design inspiration.

I pre-washed my fabric before sewing it, and I definitely got a little bit of color fading. Not as much as you’d think – the colors of the fabric upon arrival weren’t quite as neon as they are in that product photo! – but they are a little muted. I actually like them better this way, so I’m ok with that! I washed the fabric on cold and dried it on low, same as I pre-treat all of my fabric. Going forward, I plan on washing this as infrequently as I can get away with (I mean, short of stinking up a 5 foot radius around me or anything like that) and when I do wash it, I will turn it inside-out and hang it to dry on the line. I imagine if this was hand-washed and hung to dry, it would probably retain it’s colors a bit better, but I’m a woman who ain’t got time to hand-wash her clothes (and, tbh, I only line-dry because then it means I don’t have to iron hahahahahaha), so I can live with a little fading.

Now for the pattern! Since the fabric has a good amount of body, I wanted to use that to it’s advantage and make something with a bit of sleek structure. I used Mccall 6887, which has front princess seams, a scoop neck, a flared skirt – and this awesome back detail:

WHICH IS BASICALLY MY FAVORITE THING EVER AT THE MOMENT.

For sizing, I cut the bodice in a size 6 with an A/B cup (I don’t 100% understand these cup sizes because I definitely don’t wear anything close to an A/B cup in real life, but whatever. The sewing pattern fits and that’s all that matters, I guess.) and graded out the waist and hips to the size 8. I chose these sizes based off the finished measurements, and I’m really happy with how the dress ended up fitting (my measurements put me in a “suggested” size 10, which as you could see here would have ended up way too big. Use the finished measurements, y’all! Trust me!). It’s actually pretty perfect straight out of the envelope – I didn’t have to do anything! Even the straps are a good length, which is really surprising to me as I usually have to shorten them. I cut about 3″ off the skirt length because it was otherwise unflatteringly long, but that’s typical for me.

In the future, I am going to re-draw the curve at the bottom of the back cut out, because it’s not quite in the right place. My bra tends to poke out just slightly from the bottom 😦 It’s not the worst deal – honestly, I’ll probably just make a cute bra to wear with this dress bc that’s how I roll – but it’s annoying nonetheless. I tucked it out of the way for these photos, which is why you don’t see it, but I’m pretty sure it’s just gonna hang low and be free when I’m actually wearing it.

I love the style of this dress, but I don’t completely agree with the construction methods presented in the pattern – some of them seemed needlessly complicated. The dress is designed to be worn with a lining, which finishes the neckline, arm holes and back all in one swoop. Awesome, I guess, but I definitely want to be wearing as few layers as possible during the summer! Instead of lining this dress, I finished all the openings with self bias facing. It was a slight puzzle to figure out the bottom of the back opening and dealing with that zipper, but it turned out pretty nice!

I also did not actually sew button holes to the back – I just lapped those two pieces over each other and sewed them down. The buttons are there strictly for decoration. I had every intention of adding the buttons- there is interfacing there and everything – but I realized that the buttons would gape open and look stupid, and also, they’re hard to close by myself because they’re in that weird spot in the middle of my back that I can hardly wash, let alone button. So this dress just slips right over my head. It’s a little bit of a wiggle, but it’s not too bad.

Oh, and I added pockets! The pattern doesn’t come with them, so I stole a pocket piece from another dress pattern in my stash.

There’s an invisible zipper at the center back of the skirt, which helps with getting everything on. I actually had this zipper in my stash – it’s one of those dumb metal invisible zippers (seems like a good idea, until you try sewing one and realize that it’s basically impossible for it to be concealed, which is the WHOLE FUCKING POINT of a concealed zipper. And now we all know why these zippers don’t exist anymore), which I hate, but it was the perfect color, so I took one for the team and made it happen. Also, check out my matching serger thread – also from the stash! I love it when that happens 😀

Here is the bias binding. There are two lines of stitching because I understitched the facing instead of pressing it with the first pass (here is my method for adding bias facing, if you missed that post!). Also, I cut a metric shit-ton of the bias tape and only used a fraction of it, so expect more pineapple bias facing in future blog posts.

I don’t really have anything else to say about this pattern, so have another photo of the back:

OH YEA.I definitely love this dress and I definitely plan on making more – I don’t even care if the open back is super one of a kind and that it’ll be obvious that I have several of the same dress. Whatever!

Ok everyone! So, as I mentioned in the title of this post – it’s time for another giveaway! Yay! Zazzle has generously offered to give one lucky reader a $75 gift certificate to spend on the ~custom fabric of your dreams~. You can design your own, or choose from the thousands of designs that they have available, and $75 is enough to get at least 2 yards out of most of the available designs. Below are some of my favorites (I seriously spent about 2 weeks agonizing before I finally settled on the watercolor pineapples), you can also see my entire wishlist here.

Citrus Lemon fabric

Neon 80s Fabric

Fast Food Fabric

Colorful Bright Tropical Summer Holiday Fabric

Tropical // Fruit Fabric

Nautical Watercolor Hand Painted Plaid Pattern Fabric

Nautical Watercolor Plaid Fabric

Cute pink green watercolour trendy cactus pattern fabric

Watercolour Cactus Fabric

Parrot Fabric

Kitty Fabric

And, my personal favorite: this is what I found when I searched for “Butthurt” (look – I was waiting on car repairs and I was bored, and the Zazzle app is really entertaining, ok?):

My Butt Hurts! - What? Bunny Pattern Fabric

My Butt Hurts! – What? Bunny Fabric

All right! To enter this giveaway, just leave a comment on this post (PLEASE include an email address where I can reach you – you don’t have to enter it in the comment box, but it needs to be at least viewable to me from an admin end or I can’t count your entry 😦 ) and let me know what fabric you would choose if you won. If you want to tell me what you’d make with your amazing fabric, do that too! You know I like to be nosy 🙂 This contest is open WORLDWIDE, but you must be 18 or older to enter. Winners will receive the equivalent of $75 USD and are bound by the T&C of the Zazzle gift certificate. Entries will close one week from today, MONDAY, APRIL 27, 2015 at 6:30 AM and the winner will be drawn at random.

Good luck, everyone!

** Disclosure: Zazzle provided me with this fabric free of charge, in exchange for a review. All opinions expressed in this blog post are my own, though! Also, I am an affiliate with Zazzle, so any purchases you make at Zazzle by clicking the links in this post will net me a small percentage of the sale. Which I will likely use to buy more custom-printed fabric from Zazzle. The end! 🙂

Tags: bias facing, completed, cotton, custom fabric, cut out, dress, fruity fabric, mccalls, McCalls 6887, novelty prints, on demand fabric, pima cotton, pineapples, zazzle

Comments 278 Comments
Categories completed projects - new

Completed: The Bruyère Top

29 Dec

Now that’s one plaid flannel top that definitely doesn’t look like something a man would wear, amirite.

This is the Bruyère top from Deer & Doe. I’ve actually had this pattern for quite a while – I bought it immediately after it’s release. I LOVE the cute and feminine twist it gives to a plain button down, and I knew it’d be beautiful in a plaid flannel. I’ve been sitting on it for this long because I haven’t been able to find the right plaid flannel – either the plaid was unbalanced (get out of my nightmare), or the colors were ugly, or the flannel was shitty. Or maybe a combination of the three. Either way, no Bruyère for me 😦

This plaid flannel actually came from the same place that the pattern did – aaaaaall the way from Paris, France! Yup! It was the first piece of fabric I bought during my shopping spree, from Les étoffes du Sentier. The shop had a 3 meter minimum, but it was only 5€ a meter and I figured 3 is a safe number for a button up, so I went with it. It’s a nice soft cotton plaid flannel and I like how the colors are so un-girly, especially with this pattern. And, bonus – even after plaid-matching, I have leftovers to make something else with! Yes!

First, though, check out those matched side seams! Ahhh yeah!!

And the other side!

And the back!

Hi!

Seriously, though, I’m pretty happy with how this turned out (if you couldn’t tell 😛 ). I cut the size 34, and the only fitting change I made was to remove a little bit of length from the peplum and sleeves, because I am so short. Other than that, it fits pretty well! I’m surprised at much much I like the collar – I was afraid it would look flat and dumb, but the flannel gives it some lovely body.

For cutting the plaid, I cut on the single layer and cut the waistbands, cuffs, placket and back yoke on the bias. Since the bias tends to stretch, I also cut my second yoke on the straight grain, as well as a second set of waistbands. Further, I interfaced my waistbands (to be really sure they don’t stretch out), as well as the cuffs, collar, and placket. I’m not sure why these aren’t included in the instructions, but my guess is to keep the overall look of the shirt very soft and unstructured. Which is fine, but, I do think anything that has a button will need a little extra help from interfacing. I’d definitely make some test button holes before you commit, at any rate!

I spent a really long time trying to decide how to order the construction steps for this. The instructions are fine as they are – the process for attaching the placket/collar/facing is very clever (and clean!) and it works. However, I’m a diehard who wanted flat felled seams. In addition – I wasn’t 100% on the fit of the side seams, and I wanted to sew that last so I could tweak it after attaching the placket (when sewing flat felled shirt seams, once generally attaches the sleeves before sewing the side seams. Sewing a flat felled seam in the round just sounds like a painful thing I don’t want to do). Because of how the shirt is assembled per the instructions, you can’t really switch them out – you have to have the hem sewn to add the placket, but the side seams need to be sewn to add the hem. I know this sounds really vague and probably doesn’t make sense, but if you look at the instructions for this shirt vs ones for, say, the Negroni, it will. Anyway, this is what I ended up doing:
– I left the side seams open and sewed about 2″ of the shirt hem by the placket
– Followed the instructions for adding the collar, placket and facing
– Attached the sleeves with flat-felled seams
– Sewed the side seams with flat-felled seams
– Finished the remainder of the hem

That worked out great! My shirt is finished with flat-felled seams and it looks beaaaaaauuuutiful on the inside as well as the out 😀

What else? Well, I added PEARL SNAPS. God, I love those things – nothing like being able to Hulk out of our clothes at the end of the day amirite. I feel like the very top needs a pearl snap (it’s not marked on the pattern), however, I couldn’t get the prongs through all the layers so no pearl snap there!

Here’s the inside. I finished the edge of my facing with pinking shears – I think anything else would show a ridge on the right side. Of course, I probably should have first sewed a line of stitching before pinking, because it’s already fraying like crazy, but whatev.

I guess that’s it! Glad I finally got this finished – plaid flannel shirt of my dreamssss ♥

Hope everyone had a Merry Christmas! Just a couple days left until the end of the year – aiee!

Tags: bruyere, button-up, completed, cotton, Deer & Doe, deer and doe, flannel, france, PARIS, pearl snaps, plaid, shirt

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Categories completed projects - new

Completed: The Sureau Dress

8 Sep

You know what rules? When you have a brilliant strike of inspiration that comes together perfectly – from fabric, to pattern, to completed project.

AKA this dress.

I’ve been holding onto this silk cotton voile from Mood Fabrics since the beginning of this year (it’s sadly long gone from the site now, but they have lots of other options – including this gorgeousness. Ok, that doesn’t have silk, but it belongs in my fabric stash nonetheless). I had originally planned to make an Aubepine dress with it – but changed my mind at the last minute and ordered the Sureau instead, also from Deer & Doe (I still have the Aubepine & still plan to make it, but I’m thinking I would like it better in a dark/solid color, possibly even a lightweight knit. We’ll see!)

I LOVED sewing this dress! Too bad the pictures are kind of shitty. I promise it’s much prettier in real life – the voile is floaty, slightly sheer, and fucking ethereal. The colors are amazing and very fall-like, but the lightweight fabric keeps things from getting too sweaty.

You’ll notice that my version differs quite a bit from Deer & Doe’s – I had to make a few changes – both fitting and design – to get the look I wanted.

For fitting changes, I made a muslin and made the following adjustments:
– The front neckline was slightly gaping, so I removed a 3/8″ wedge (similar to this method)
– The upper back was a little loose, so I removed about 3/8″ from the center back, starting at the top and tapering to nothing at the bottom.
– Shortened the shoulders 1/2″
– Added 1/4″ to the side seams

I also made a couple of major design changes! The main one was that I lengthened the sleeves to be full length, and added a cuff and placket (stolen from Archer pattern). Unfortunately, I didn’t correctly measure the sleeve length – which seems to be a common mistake that I ALWAYS ALWAYS make, argh! – so they’re a tiny bit on the short side 😦 Bummer! Fortunately, the sleeve placket means I can roll them up, so there’s that.

The other ridiculously hilarious issue with the sleeves is that they are sewn on backwards – and I did that shit on purpose! Let me back up a little. When I altered the sleeve pattern to include the placket, I used my Grainline pattern as a guide. I didn’t think to make sure that I was tracing the placket to the correct side of the sleeve, so – you guessed it – the placket ended up on the front of the sleeve. Didn’t realize this until I’d already attached the cuffs and everything, derp (and didn’t have enough fabric to recut because, come on, that would make too much sense). I weighed out the options, and decided that a backwards sleeve cap was easier to forgive than a placket in the wrong place, so the back of the sleeve is now at the front, and vice versa. Fortunately, the sleeves are fairly loose & the cap is slightly gathered, so it’s not obvious that I inserted them incorrectly, and I still have plenty of room for movement. That being said, y’all all know my secret now. Don’t tell anyone.

The other design change was adding that cute little half collar! I used this tutorial to draft my little collar, and interfaced one layer of the fabric before sewing them together. I hemmed and hawwed over whether or not to include it – but ultimately, Landon & I both agreed that the dress looked weirdly unfinished without the collar at the neckline, at least with this particular fabric.

Because the fabric is so lightweight, I took extra care with the construction. All seams – including the waistline and sleeves – are sewn with a French seam, for a durable and elegant finish. The facings are finished with pinking – any other finishing would result in showing through the fabric. The instructions don’t have you interface any part of the dress, but I added interfacing to the facings, sleeve cuff, collar, and both front placket pieces (both the front and the placket facing). Again, the fabric is super lightweight, so it needed a little more support from the interfacing. Specifically, I used the Pro Sheer Elegance Couture fusible interfacing from Fashion Sewing Supply. I like that is gives a little needed support, but it doesn’t actually change the drape of the fabric. I had black on hand, which was perfect for my emerald fabric as white would have slightly shown through.

Also, ugh, guys, I know it’s REALLY short. Wasn’t planning on that! My fabric shortages meant that I couldn’t lengthen anything, and once I got the dress sewn up – I realized it would look way better with a deep 2″ hem. Which means the dress is now rill short (again, didn’t have enough fabric left to face the hem, which is how I would have normally solved that issue), but I plan on mostly wearing it with tights and/or boots sooo it’s not too bad.

Pretty much everything to do with this dress – other than my frantic last-minute pattern ordering – came out of my stash! Fabric, buttons, interfacing, even the thread – I love it when that happens!

There’s a cute little lapped zipper in the side of the dress 🙂

And that damn deep hem! Ha! I topstitched it because, I figured the rest of the dress has lots of topstitching, so it woudn’t look out of place 🙂

And that’s it! I like to wear the dress with a belt – I’m still not sold on how I look with gathered skirts (even slightly gathered, like this one), but I think the belt breaks things up nicely 🙂 I also wear it with the sleeves rolled up, because, again – they are too short (even if they look ok in the photos, trust me, once I start moving around, it’s evident that they are too short)(maybe someday I’ll have sleeves the right length. Sigh.). It’s pretty short, but not so short that I flash cheek when I bend over (as several people have been kind enough to observe and report on).

I’ll count this one as a success! 🙂 Next question – whyyy have I not been sewing Deer & Doe patterns? They are SO GOOD. I actually just ordered the Bruyere and am anxiously awaiting it’s arrival (as is apparently most of the sewing world :P). I have plaid flannel dreams for that bad boy. Man, I love sewing ♥

Tags: buttons, collar, completed, cotton, cotton voile, deer and doe, dress, Mood Fabrics, paisley, pattern, silk, sureau, voile

Comments 59 Comments
Categories completed projects - new

Completed: Ultimate Trousers

14 Aug

Hey look, here I am again – with another pair of polka dotted trousers! Are you surprised? Would you be surprised to know that I have another pair of dotty trousers sitting on my sewing table as we ~~type~~ speak? Do you think I have a problem? I’ve never considered myself a polka dot trouser kind of girl, but these sewing numbers don’t lie!

This polka dot cotton sateen is actually an old spoil from the Mood Fabrics flagship store in NYC, which I bought while I was there in March. I knew I wanted to make pants with it – what pattern specifically, I couldn’t tell you, but pants for sure! I love using cotton sateen for pants as it’s usually a good weight with a nice, heavy stretch, and the colors are always so lovely and saturated. Plus – polka dots! Yesss!!

The pattern I eventually ended up using is the Ultimate Trousers from Sew Over it. I actually tested this pattern ‘way back when earlier this year, to help get it ready for it’s print debut. I was on a pretty tight deadline during testing, which meant that I didn’t end up with a finished garment – just a muslin and a loooot of notes. This is actually pretty typical for me as a tester; I don’t always finish the pattern to the effect that it warrants a blog post! Once I got everything back to Lisa, I put the pattern on the backburner since the summer heat was starting to ramp up and I couldn’t handle the thought of wearing pants in this kind of humidity.

Anyway, we’ve got promises of cooler weather lurking on the horizon, which means it’s PANTSSS TIMEEEEE! Yay!

I did make a few changes to the pattern, both for fitting and general style. Let’s go over the fitting stuff first. Every time I make trousers, I end up doing the same adjustments across the board, especially if the pattern doesn’t include a front zip fly. I realize that trousers are kind of a scary subject for a lot of sewers, so I’m going to show y’all what I do in my fitting and hopefully that’ll shed some light on the whole matter (and even more hopefully – prove that they really aren’t so scary to fit!).

I don’t have muslin photos of this particular pattern, but I do have muslin photos from my archives (super unflattering muslin photos, I might add! Ha!) back when I made the Colette Clovers. Different patterns, but the concept is similar.

See all those horizontal wrinkles allll over my damn crotch? This is an indication that the crotch is way too long for me – so it’s wrinkling. The easiest way to fix this is to pinch out the excess into a long horizontal line, and transfer that to your pattern piece with slashing and taping. I’m petite, and while my torso is a pretty standard length, my crotch length is on the short side. So this is an adjustment that I have to make with *most* trouser/pant patterns. The amount can vary depending on the pattern – obviously the Clovers needed a lot taken out, and the Ultimate Trousers didn’t take much (and I just made a pattern the other day that I had to remove 2″ from!) But it’s a common adjustment for me, and this is what it looks like.

Same muslin, back view – see how tight the ass is? Like, not even flattering tight, just imma-bust-outta-here-like-a-jailbreak tight. This is fixed by adding a wedge to the back crotch depth pattern piece. How much you add will depend on how much room you need (the Ultimate Trousers didn’t need any, but the Clovers clearly needed a lot), but you can easily hack this alteration by just cutting a bigger size right there at the back crotch (this picture from Sunni’s Trouser Sewalong shows where to add length – right in that blue circle).

Here’s a pair of Clovers where I fixed the length issue, but now there’s some weird puffiness around, well, my crotch. Isn’t that flattering! You guys, this particular fit issue took me a LONG time to figure out because it seemed so weird – but it’s really not. Basically, my crotch requires a different shaped crotch curve than what is drafted for most patterns. I’m a J shape, and the majority of patterns I sew are an L shape. This is a stupid easy adjustment – you literally just redraw the curve, and once you’ve done it on one pattern, you can trace that curve to every pattern thereafter. For the first pattern, you’ll have to eyeball it (or find a pair of pants that fits and copy that crotch curve) and adjust until you get it right, which might take a couple tries. Once I figured that out – what it looked like, how to fix it – that really opened the floodgates of trouser making for me. Also, you should read this post on the Fashion Incubator.

Here is my front pattern piece with the adjusted crotch shape – I’ve already redrawn and cut my piece out, but I put it back on the table so you could see the difference in the curves. For whatever reason, I don’t need quite as aggressive a crotch curve when I’m making pants that have a front fly – it’s just trousers with a smooth front (especially if it’s sewn in a stretch woven).

You can also see where I tucked out the length horizontally. I didn’t take a photo of the back piece, but I sliced that length to hinge, and the side front has the same removal of length with it tapering to nothing at the center back/crotch, if that makes sense.

So yep, those are my pants adjustments! I know they might seem confusing, and to be honest – I learned all this when I was going through my Clover saga a few years ago (never got those pants to fit right, but I sure learned a lot in the process!). It was a LOT of trial and error, but hopefully my notes will help a least a few people go through less trial and error 🙂 As you can see, there aren’t a whole lot of adjustments needed to get a good fit on pants – but they all work together, and each one affects the other (and they are all adjustments that need to be made BEFORE cutting your fabric, which is why a muslin is SO essential when making pants!). For more fitting help, I strongly recommend investing in a copy of Pants for Real People, which is basically a pants-fitting Bible. So much good information in there, I use that book often!

Ok, now that THAT’S out of the way – let’s go back to talking about this pattern, and the style adjustments I made!

This pattern is designed to be worn cropped (or as shorts), with a faced waistline. I have learned that I really don’t care for faced waistlines, so I decided to add a waistband to my pants. I didn’t draft a waistband – I just used the facing pieces and flipped them to the top as waistband pieces (and cut two, so I could face the waistband, as you do). I think, for me, these are a little more wearable with a proper waistband. For interfacing, I used tricot fusible, which I looove because it stabilizes the fabric but doesn’t compromise the stretch of the fabric (which is what makes the darn pants so comfy to begin with!).

I also kept the length on the longer side, which means I can wear them full-length in the winter (with cool socks!) or fold them up to make them cropped. This length is straight out of the pattern, by the way – I didn’t shorten anything, and I’m 5’2″. Just fyi!

The one major design change I made to this pattern was to sew it in a stretch woven, as opposed to the firm woven (non-stretch) that the pattern calls for. For one, my muslin was a firm woven and I plain just didn’t like the way they felt! They were too restrictive! I like wearing stretch woven pants, ok. Also, it’s hard to find a good pants-weight print that isn’t a stretch woven, so there’s that. I think these are fine in the stretch fabric, although I should probably go back and size them down a little because I think the legs look kind of loose. I was trying to avoid the stovepipe legs look, just to try something different, but I think these do need a little less ease. These are a size 8, by the way!

So that’s it! Thanks Lisa (and the Sew Over It team!) for letting me test this pattern, and being so patient with me taking months to make a finished wearable garment 🙂 Londoners, if you’re still afraid to tackle the trousers, there is a whole class for making these (with tea and cakes, omg I wish I was in London) if you still wanna try them!

Those of y’all scared to try trousers – what are your thoughts? Do you think the process looks any easier? Are you going to throw caution to the wind and try anyway? Y’all – pants are fun!

* Oh yeah, and I cut my hair! I hope you like it! Well, I guess it doesn’t matter if you don’t like it – it’s not like I can stick it back on my head lololol

Tags: completed, cotton, cotton sateen, fitting, fitting and alterations, Mood Fabrics, Mood Sewing Network, pants, polka dot trench, sew over it, skinny pants, trousers, ultimate trousers

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Categories completed projects - new

Completed: McCall’s 5803

21 Jul

For the past couple of weeks, I’ve been slowing reorganizing my pattern stash. You guys, I had no idea how much shit I had stuffed in those boxes until I really started culling through them. Let’s just say I’ve made 3 trips to my local comic book store to buy more packs of 100 backing boards and clear sleeves. It’s kind of disgusting when I think about how many patterns I have (although, to be fair, most of them are old vintage ones I picked up at our flea market for next to nothing because they would have gotten thrown away otherwise oh god), and even more so when I realize I have so many that I haven’t even thought about since I took them home. On the flip side, I’ve been rediscovering a lot of cool ones!

This is McCall’s 5803 – it’s an old OOP Lizzy McGuire (lol yep) pattern that I’ve had for god knows how long. I’ve actually made this one before – in the form of a Plaid Clusterfuck – and I’ve always (well, when I remembered about it hahahahaha) wanted to made a more demure version, since I love the shape of the arm holes and button placket (and I’d love one with a proper collar and not just the stand). I swear, every time I wore that Plaid shit, I would think, “Man, I wish this didn’t have the ruffles.” So as soon as I rediscovered it, I knew I could make it happen.

My original version of this top included a big ol’ 1.5″ FBA, which was no longer needed to get a good fit (I don’t even have the original one; I sold it last year when I realized it didn’t fit me at all anymore). Since I’m too much of a stubborn ass to trace my patterns and preserve the original, that meant I had to remove the FBA by carefully peeling up tape and carefully repiecing tissue together. It worked, for the most part I guess, but something tragic happened at the waist because this baby is apparently painted on. Despite a tissue fit (and my stubborn ass thinking, “noooooo I don’t need a muslin, I’ve made this before lololol) and everything. Argh.

I also didn’t bother to staystitch the neckline (whyyy), so it stretched out a little on one side. To remedy this, I pulled that side lower while marking the button spacing, which is why it’s not even at the bottom (you probably didn’t even notice that until I said something, oh well). These types of shirts are generally hemmed during the beginning of construction, so I couldn’t fix the unevenness when I was doing the buttons, if that makes sense. I should probably unpick the hem and fix it now, but eh. It doesn’t bother me as much as it should.

I know these pictures make it hard to see what’s going on. I’m sorry 😦 You can click on them to make them bigger through Flickr, if that helps.

I let out some of the side seams to try to add a little more tummy room, and that helped a little. I’ve also just recovered from a couple weekends of eating some of the worst shit for me ever – I don’t necessarily diet, but I try to maintain regular exercise and eat things that are beneficial to my health/body and that seems to work well enough for me. After a couple of weekends of eating cupcakes and cookies and fried deliciousness in a to-go box, though, I was feeling tired and bloated and definitely like a stuffed sausage when I put this damn shirt on. I put the shirt aside for a week (wadded up in the corner, because that’s how I roll), I think it looks a bit better now that my body is back to normal. It’s definitely still pretty tight, but at least the busy print hides most of the wrinkles! Ha!

Speaking of this busy print – isn’t it beeeeeautiful!? Ahh!! It was a gift from Sunni, who sent me a box of some of the most lovely fabrics earlier this year. I guess I never blogged about that, but we decided during Project Sewn that we both deserved a little treat and decided to have a fabric trade! She sent me all kinds of amazing shit – stuff that I’m now just sitting on because it’s almost too good to cut (and I’m waiting for divine inspiration)! That woman has some fabulous taste – and this is the first piece I actually made something with.

The goodness you are looking at right now is actually Liberty of London shirting cotton (I told you, that woman has some fabulous taste!) from Sunni’s personal stash. Ahh!!! I’ll admit – and y’all can chase me with pitchforks if you’d like – but I’ve never really cared much for Liberty fabrics. Sorry! I think the prints are lovely, but they also remind me way too much of my Laura Ashley bedroom from my childhood. Too girly and floraly and, well, y’all look pretty in them but I’d rather not. I’d rather be clothed in NEON! But anyway, I’ve always been curious to try it because sewists don’t only rave about the prints – they rave about the quality of the cotton as well. You know I love trying new things for science, so I was pretty excited to have my own piece to play with when I got Sunni’s package. And I do think this print is super beautiful – it’s floral, sure, but it’s not all ditzy and super pastel girly like the Liberty I always see. It’s much more along the lines of my style, and I knew it would make a fabulous top.

I’m so glad I made this work, because I would have been really really angry at myself if it had ended up being a wadder! I could probably stand to let out a couple more seams, but everything is topstitched, so it’s really a matter of me getting the energy to go through all that unpicking and retopstitching. Argh! Anyway, at least I left off the ruffles this time 😉

Anyway, here she is in all her glory! Beautiful print, topstitching (that will be the end of me), and those gorgeous buttons. If those look familiar, it’s because I used them on my Audrey in Unst cardigan. Not the same ones – my cardigan still has buttons – but from the same batch. My sister-in-law helped me pick them out for the cardigan, and I bought them from a vendor at our flea market. He had all kinds of cool vintage buttons – I think he said these are vegetable protein from the 20s? – and she actually went back afterwards and bought up the rest for me for Christmas. So awesome 🙂 So obviously, they were perfect for this shirt – both in specialness and general matchy-ness 🙂

Construction-wise, nothing new to report here. I finished the arm holes with self bias facing and topstitched with a slightly longer stitch length so the stitches would be more defined.

So, what’s the verdict on Liberty of London? Well – y’all sewists are right, this shit is a JOY to sew up! It presses well, it doesn’t show pin holes, it’s easy to cut, and the fraying is minimum. It also just feels absolutely luscious. I totally understand the rabid fangirling over this shit. I don’t know if there is much Liberty in my future – after all, it’s still hideously expensive – but considering this shirt barely took any yardage, I could probably squeeze out a special piece for another special top 🙂

So, THANK YOU, Sunni, for the amazing gift of this gorgeous fabric (not to mention the chance to get to sew on it!)! Have any of y’all ever sewn with Liberty? Are there any cool non-floral prints that I’m blindly overlooking?

Tags: a fashionable stitch, button down, button-up, buttons, collar, completed, cotton, liberty of london, McCalls 5803, shirting, sunni, top

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Categories completed projects - new

Completed: A Chambray Hawthorn

10 Jul

I know, like, everyone and their freakin’ MOM seems to have one of these dresses made up in chambray. I’m just following the crowd here, ain’t no shame in that. But there’s a pretty good reason why we all seem to gravitate toward the same fabric for the same pattern – it’s just such a perfect marriage of the two. Check it out:

If you haven’t been able to guess it yet, this is the Hawthorn from Colette Patterns. A simple and flattering style that I’ve loved ever since it came out – this is my third one, actually, although it’s been nearly a year since I last touched the pattern (see versions one and two here). I’ve been planning a few versions since, and chambray was one of them – although I had a helluva time trying to find a good chambray. But here it is! I found it!

My chambray actually came from the NYC Garment District – I picked up a couple of yards while Clare & I were chatting up Sam. I know Trice also bought some, because I totally talked her into it (no shame). At the time, I wasn’t exactly sure what I would make with the fabric – but I knew it would end up something button-down inspired. Either a shirt or a shirtwaist, but definitely something that would take advantage of the crisp hand and beautiful cotton goodness. I bought two yards, washed it when I got home, and it’s been sitting on my shelf ever since.

This particular fabric very nearly almost became a button down shirt instead of the Hawthorn it blossomed into. Like, much closer than you think – I actually had the fabric on my cutting table, with my beloved Butterick 5526 pattern, and decided at the very last minute to use this fabric to make the dress instead. I wanted a chambray button down as well (and I definitely ended up with one… out of a different chambray. More on that in another post, though!), but I realized that this fabric was simply too thick to wear as a shirt in the summer time. The chambray La Sylphide I made last year barely gets worn in the summer, as it’s just tooooooo freakin’ hot! But for the purposes of a dress, this particular fabric was perfect. So I swapped out the pattern for the Hawthorn, and got to making it happen.

There’s not much to say about the pattern itself – like I said, I’ve made the pattern before, so I don’t really have anything new to add to the table, in terms of reviewing. All fitting changes I made in my previous versions were used for this Hawthorn, and it was pretty straight forward sewing for the most part. However, my pictures turned out kinda nice (well, I think so! Good hair day!), so you have to look at all of them anyway. Sorry!

One thing I did that ended up being unintentionally hilarious was when I tried to lower the bust darts. I remembered from previous versions that they are a little high in this dress – and kind of look nipply if you catch the light right. So I redrew the point about 1″ below where they were marked on the pattern, and went about sewing as normal. Except, I dunno what happened exactly, but they ended up WAY too low! Which was a shame because they were the perfect little boob shape, just in an area where boobs (well, my boobs) don’t really belong. Before you start scrutinizing my boobs in these photos, I should mention that I fixed the dart issue. So there’s that. I don’t know where I was going with that story. Boobs.

Man, this fabric was SO MUCH FUN to work with! It’s a beautiful cotton chambray, so it presses like an angel (not sure how that would work exactly, but let’s just roll with it) and it takes well to topstitching. It’s also lovely to wear in the summer here – breathable, and a little lightweight (but still feels like a good weight for a dress). I feel like I say this with every make I, er, make, but this is totally my new favorite dress.

The collar is so good for all those tiny brooches I have that I never wear. Like this insect brooch.

The color also goes really nicely with my hair, yeah?

I think a dress like this would be good for traveling, as it’s one of those neutral-type pieces that provides a nice background to whatever other garb you are throwing on (cardigans, jewelry, shoes, etc), so you can wear it multiple times without people judging you. You know, like those ~travel articles~ in magazines that tell you to bring a classic black/white/denim/whatever solid-colored dress so you can mix up your jewelry and shoes and look like you actually brought 10 outfits? Except, I never really have a good neutral dress like this – almost everything I make has patterns, and those that are solid (such as my navy cotton sateen version of this) still feel like they really only have 1-2 pairs of shoes or whatever that ‘go’ with them. This dress, though, feels like the equivalent of blue jeans and a white tshirt. I kind of want to wear it for a week straight just to see how many different ways I could style it.

The wood buttons are from Fashion Sewing Supply, by the way! Last time I ordered interfacing from them, I ordered a couple of packets of buttons as well so I could play around with them in garments. All the buttons are shirt buttons, but they have some cool ones that aren’t so cool-looking they look kind of cheap (does that make sense? Main reason why I generally stick with plain white buttons. NOW YOU KNOW MY SECRET, I’m afraid of looking cheap!). I had no real plans for these when I ordered them, but they look beeeeautiful with this chambray!

The armholes are finished with bias binding. And check out that topstitching! I recently bought myself a topstitching foot for my Bernina, and I’ve been having a lot of fun using it to get super precise stitching. I mean, how good does that look? ALL IN THE FOOT, BABY!

As with my other two Hawthorns, I respaced my button holes so they didn’t interfere with the waist seam. There is a hook and eye at the seam to keep it closed invisibly; this way I can still wear belts with the dress.

I kept things simple with the construction and finishing and just used my serger to finish the raw edges.

And that’s it! I’d love to go through with my forever-planned other version of this dress – plaid with long sleeves. Wouldn’t that be so nice? Although it’s definitely too hot to think about sleeves right now (as Landon would say – “Sun’s out; guns out”), so I’ll stick with the sleeveless for now 🙂

Tags: bias binding, bias facing, buttons, chambray, colette patterns, completed, cotton, dress, hawthorn, sleeveless