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Completed: The Lil’ Bird Scout Tee + A Giveaway!

3 May

I’m not really sure what prompted this, but lately I’ve REALLY been loving these boxy loose shapes on me. Made in a super drapey fabric and cropped just so, I find them really flattering and even more comfortable. It’s funny – the older I get (ya know, this RIPE OLD AGE of 30 lol amirite), the more I find myself comfortable with my body – and the more I’m ok with nto wearing things that are incredibly skintight. Both of those statements seem to contradict each other, but, it is what it is!

Silk Bird Scout Tee

The Scout Tee is certainly not a new pattern – not even in my personal arsenal (I made a really fun one last year with some beautiful handwoven fabric, in case you missed it!). But hell, I have loved wearing it! My first version was made with a fabric that made it really boxy, which I liked a lot – but I wanted to see how it would feel in a drapey fabric. Spoiler alert: This is love. This is true love. I already have the next one planned.

Silk Bird Scout Tee

Silk Bird Scout Tee

Silk Bird Scout Tee

This tee is pretty similar to my last one, in terms of construction. I sewed the size 0, and the only modification I made was to deepen the hem to about 2″, which is a good slightly cropped length for me. All the seams are French seams, and the neckline is finished with self bias facing. Overall, this was really fast and easy to put together. Since there are so few pieces – just front, back, sleeve, and that bias piece – it was even quick to cut. Yay!

I love the subtle high-low hem and I think it really benefits from some extra fabric down there to give it more weight. Especially with a fabric this lightweight and floaty!

Silk Bird Scout Tee

Anyway, this post is less about the pattern and really about the fabric! What do you think of my AWESOME TROPICAL BIRD PRINTED SILK, huh?!😀

Silk Bird Scout Tee

The fabric is from Contrado, which is a company in the UK that specializes in custom printing – including on fabric! They reached out to me several months ago about trying out some fabric design, and I’ve finally had a chance to make that happen! It was the designing part that tripped me up and slowed me down so much – I’m not much of a designer, and most of my “art” involves direct copies. Tell me that I can design literally any print that I want, and watch the fear fill my eyes haha.

It seriously took me a couple of months to even think of what kind of design to do, but I had seen a few tropical bird prints floating around on RTW stuff and I immediately knew that’s the direction I wanted to take it. I googled around for some images that I liked and played around with them in my image editing software (it’s not anything fancy like Photoshop, just so we’re clear here haha. You could probably use pickmonkey.com to do your edits) until the design looked right. Then it was a matter of uploading the file to the website, making a few more minor tweaks – and that’s it! It was actually really really easy. The hard part is definitely choosing the design.

Narrowing down a fabric choice was also difficult! Contrado offers a massive array of fabric choices – over 75, in fact. From basics (such as cottons, polys, and knits) to fancier stuff (like cashmere !!!). They sent me a swatch pack so I could see all the printed samples, which made things both easier and harder:)

Silk Bird Scout Tee

The fabric I chose to print on is a beautiful silk satin. It practically drapes like a liquid and it feels really incredible against the skin. I was initially a little worried about it being SO shiny – I generally use the “wrong” side of my silks, as I don’t like really shiny stuff. But since this fabric was printed, the wrong side looked.. well, wrong. I think the nature of this design works with a shiny fabric, although now I am wondering how practical it is to make a summery sleeved top out of white silk… I sweat a lot! Ha! Well I guess I can always yank the sleeves off if it comes down to it😉

I will admit that this was not the easiest fabric to work with – the silk is quite slippery on the satin side, and there’s not much of a “grab” to the wrong side either (by “grab,” I mean like what you’d feel with a silk crepe). I chose a very simple pattern for this reason, which definitely worked in my favor. I didn’t do any sort of prepping before cutting – no stabilizers or using a rotary cutter or anything like that – and while cutting took a bit longer than it normally does, it wasn’t too terrible. I think when it comes to dealing with silks and other slippery fabrics, cutting is the worst part. Once you get past that point (assuming you cut everything correctly and on-grain), actually sewing the pieces together is relatively painless.

Silk Bird Scout Tee

Silk Bird Scout Tee

Silk Bird Scout Tee

I actually took these photos after wearing and washing the shirt, and you can see how well the colors have held up (as well as the back wrinkles – sorry about that!). Speaking of washing, I get this question ALL the time, so it bears repeating – I wash all my silk on cold in the washing machine, and hang it to dry (it’s safe in the drier as I pre-wash and use the drier, but I hate ironing so hanging to dry is the way to go!). As long as you pre-wash your silk before cutting into it, it’s safe to wash it in the machine!

One last thing – in case you were curious:)

Silk Bird Scout Tee

GIVEAWAY IS CLOSED.

Time to talk giveaway! The folks at Contrado are offering a whopping £100 voucher to use on their site, to print whateverrrrr your desires on your dream yardage! Further, this giveaway is open WORLDWIDE, so you don’t need to be a UK resident to enter! (My US folks – as of today’s currency exchange rates, that comes out to approximately $146.29, fyi!)

To enter the giveaway:
1. You need to LIKE the Contrado Facebook page. Show them your love and support!
2. Comment on this post and tell me what you’d design, and what you’d make out of said fabric.

As I said, this giveaway is open WORLDWIDE and the winner will be chosen by a random number generator. I will close the comments one week from today, on TUESDAY, MAY 10, 2016 8AM CST.

GIVEAWAY IS CLOSED.

Silk Bird Scout Tee

Good luck, everyone! ♥

Note: This fabric was provided to me by Contrado, in exchange for this giveaway post! Who’s gonna be the lucky winner?😉

Completed: Silk Polka Dot Blouse + Corduroy Skirt

29 Mar

Its time for the ~big reveal~ – my first completed outfit, sewn entirely on my new Spiegel 60609 sewing machine😀

IMG_2438

I love that this machine is pretty enough to make even a subpar photo look great:) Ha!

Silk Top & Corduroy Mini Skirt

I covered a lot of ground about the making of these garments in my previous posts, however, I’ll include some notes and highlights in this post in case you missed/skimmed/didn’t care then but suddenly care now:)

Silk Top & Corduroy Mini Skirt

The silk top was made using silk crepe from Mood Fabrics (purchased at the NYC store last year) and a combination of Butterick 5526 (my TNT button-up shirt pattern) for the body of the blouse, and vintage Simplicity 4676 for the tie neck. I used Sullivan’s Spray Stabilizer to wrangle the drapey silk into submission for ease of cutting and sewing, which worked great! The shirt is finished with French seams and self-bias facing at the arm holes and hem.

Full details on the silk top can be found in this blog post:)

Silk Top & Corduroy Mini Skirt

Silk Top & Corduroy Mini Skirt

I wanted my first project on the Spiegel 60609 to be something silk, because, honestly – I wanted to see how it could handle working with a notoriously difficult fabric. Of course, stabilizing the whole yardage first definitely helped, but that doesn’t solve all issues (such as when your sewing machine tries to eat delicate fabrics – not a problem with this one, I will add!). I’m really impressed with how the machine sewed through this fabric with absolutely no issues – it even did a great job on the button holes! I do wish that the measurements on the throat plate were marked differently, as it’s hard to get a narrow seam with what’s standard on this machine, but that’s a relative non-issue (I just use post-it notes to mark my seam allowance lines and it works fine). So yeah, Spiegel 60609 + silk gets a thumbs up from me!

Silk Top & Corduroy Mini Skirt

The mini skirt was made also on my Spiegel 60609! I used the Rosari skirt from Pauline Alice Patterns and some lightweight/stretch corduroy from Mood Fabrics. The skirt includes pockets, bound seams on the inside (for a bit of extra pretty cos why not?) and professionally set snaps down the front.

Full details on the corduroy mini can be found in this blog post!

Silk Top & Corduroy Mini Skirt//embedr.flickr.com/assets/client-code.js

I don’t necessarily find corduroy difficult to sew – most of the problem lies in making sure everything is cut and pressed correctly, as not to mess too much with the nap. Sometimes, depending on what machine I’m using, it’s a good idea to use a walking foot to help keep all layers feeding evenly, but I didn’t have any of these problems with the Spiegel 60609. The feed dogs were good enough on their own without any extra help. Always a plus!:)

Silk Top & Corduroy Mini Skirt

Silk Top & Corduroy Mini Skirt

Silk Top & Corduroy Mini Skirt

Corduroy Mini Skirt

Corduroy Mini Skirt

That’s all for this outfit! Stay tuned next month for that project – all I can say is, it’s gonna be FANCY😀

Silk Top & Corduroy Mini Skirt

Note: The fabric used is part of my monthly allowance from Mood Fabrics, as part of my involvement with the Mood Sewing Network. The Spiegel 60609 was given to me by Spiegel, and it’s awesome!

Completed: Scout Tee + Gorts

10 Aug

Today’s post features a two-fer – a top AND shorts! Woohoo! Be prepared for a slight photo overload ahead.

Scout TeeI’ll start with the top. This is the Scout Tee from Grainline Studio. It’s your basic woven tshirt with a scoop neck and a relaxed, boxy fit below the bust. I know everyone and their mom has made this pattern already, and I’m only a few years behind on the bandwagon! Honestly, the pattern didn’t appeal much to me until recently – I generally prefer to wear more fitted shapes, especially at the waistline. This was a bigger deal in the past when I had a larger bust – but the girls have shrank over the years, which has made me feel a little bolder about experimenting with different shapes and silhouettes, since I don’t feel like my waist is being quite as swamped as it was in the past. Plus, loose styles are waaaay more comfortable in the summer heat, since they allow a better airflow (I know most of you are thinking, “No shit, Sherlock,” but I have ignored this for most of my adult life! Cut me some slack!). Scout Tee

Anyway, I quite like this style on me! I guess it’s still not the most “flattering,” but I’m kind of getting to the point where I don’t care quite as much about flattering. That’s one major difference I’ve noticed about being 30 vs being 20 – I don’t really give a shit about looking ~sexy~ every time I leave the house. I’m also sure my long-term relationship has a stake in this as well, but I’ve been in long relationships in the past and my attitude was definitely the opposite. Wearing loose-fitting anything – especially around my waistline – is a pretty new style territory for me, one that I’m starting to slowly explore and actually wear out in public. Also, it’s damn comfy.

Scout TeeBack to the pattern! I cut the size 0 and shortened the hem by a couple of inches to give it a more cropped length (but long enough so that it still covers the waistband of my pants). The pattern was really easy to put together – it’s just a front and a back, little cap sleeves, and a neckline bound with a bias facing. I like that it fits through the shoulders and the bust, then falls straight down to the hem. Even though it’s loose, it doesn’t look sloppy. One thing I noticed is that the shoulders tend to pull toward the front – since I used a different fabric for the back, this is a lot more noticeable. It doesn’t bother me at all – I actually like the way it looks, to be honest – but I’m also not sure if it’s part of the pattern, or a fitting issue. Thoughts?

(ps, sorry about the wrinkles – like most of my makes lately, these were taken after a full day of wearing) Scout Tee

The fabric is what really makes this top shine, though! It is GORGEOUS, amirte?! This is a pretty special piece – it’s handwoven here in Nashville! The company who makes this beautiful cotton fabric is Shutters & Shuttles. I don’t know if they even sell yardage anymore, but they used to. I believe they sell yardage to local designers, which – ding ding ding! – is where I got my little piece from. Back when Elizabeth Suzann used to sell limited-edition tops made with this beautiful handwoven fabric (and other colors/styles of fabric as well), she had a whole stash of it. Eventually, the limited edition ended and Elizabeth’s line moved in a different direction. And then she destashed the studio, and this piece ended up in that stash bag I was telling y’all about. It was a very small piece, so it took me a while to figure out what to do with it. A lot of Georgia Tees were made using Shutters & Shuttles fabric, and they all looked awesome, so I followed that lead with my own boxy tee. Scout Tee it was! Except that I didn’t have *quite* enough fabric to cut both fronts and backs, so the fabric sat on my shelf for several months while I looked for a good color match.

Scout TeeWhen I made my coral B5526, the coral voile was stored right next to this fabric, and I realized that they were perfectly matched. Which was lucky enough in itself, because this is a really weird (albeit beautiful) coral to try to match. I bought another yard on my next Mood order, and used the voile to cut the back of this tee. I also used the voile for the bias facing at the neckline – it’s a much lighter weight with less bulk than the handwoven cotton, so it sits on the neckline a little better (plus it looks pretty on the inside!). Scout Tee

I got these little tags in an order from Grey’s Fabric awhile back, and I think they are so cute! I wanna be a crafty fox!

Scout TeeTo crop the hem, I just folded up an extra-deep hem allowance and topstitched it. One, because I like the way the shirt hangs with the extra weight at the hem, and two, because I wasn’t sure if this whole slightly-cropped-tshirt thing was going to be my jam next summer. I might change my mind and want it to be longer (or even shorter, I dunno), so I left the hem allowance there as a bit of a safety measure. And also a big ol’ dangly thread, it seems.

Now for the shorts! Ginger Gorts

I made Jorts – or Gorts, as I am calling these (jorts is a really annoying way to say jean shorts, in case you were wondering!)! Remember when I utterly failed at that shit last year? Man, those shorts look fucking stupid in retrospect. What was I thinking? And if you were wondering – I never wore them beyond that blog post. They were just tooo uncomfortable and I was terrified the zipper was going to bust. They sat guiltily in my dresser for a few months before I finally chucked them.

Anyway, I’m glad I failed at that shit because I learned some very important Sewing Life Lessons:
1. Don’t make jorts out of a pattern intended for trouser shorts. It looks fucking stupid. Better to start with a jeans (pants) pattern and cut it short accordingly.
2. Jorts need fancy jean topstitching, or they aren’t proper jorts. And, they look stupid.
3. Until you figure things out otherwise, jorts need some stretch in the fabric, else they won’t be comfortable.
4. For zipper security, there needs to be a bartack connecting the fly shield to the front of the pants. This is EXTREMELY important. That’s why my zipper kept breaking on the fail pair – pulling the shorts on and off was putting way too much stress on the bottom of the zipper, which caused it to break. I eventually figured this out by inspecting a pair of my jeans – the bartack that hits right at the curve of the fly topstitching is intended to take the stress off the zipper, so you can pull on and off your tight pants. I had left that bartack off, which made my pants weak right at the crotch (kind of like most men lololol amirite)(sorry).

So, with those lessons in mind, I re-attempted the jorts. These are way better! Not perfect, but better. I know they look pretty wrinkly in these photos, but again, those are wearing wrinkles – not fitting wrinkles. Well, maybe a couple of them are fitting wrinkles. I am human, after all.

Ginger GortsI call these Gorts because I used the Ginger jeans pattern to make them! Ahahaha aren’t I clever! I just love this pattern and I spent a solid chunk of my time in Peru dreaming about making more jeans because I just looove all the detail that goes into the topstitching – but knowing that I don’t need jeans right now, because it’s way too hot! So I was happy to compromise with shorts instead. To make the pattern shorts-appropriate, I just measured the inseam of my favorite shorts and cut that length + 1″ from the inseam of the pattern. In retrospect, I should have added a little more length so that I would have a proper cuff (I didn’t plan these to have a cuff, but they were too long once I’d already hemmed them and I didn’t feel like-rehemming). Maybe next time! Also, if I go with the future cuff, I need to widen the bottom of the shorts at the hemline, because they are a little tight at the thigh (cuffs need to be wider so that when they flip up, they are the right width. This is hard to explain without pictures, so here’s an example in this book I found. Thanks, Google Books!). Giving them a good stretch when I put them on helps, though. Ginger Gorts

For fabric, I used a stretch denim from Mood Fabrics. The weight was perfect, but the stretch was a little less than what the pattern calls for (which I determined the unscientific way by comparing it to the denim I used to make my first pair of Gingers). I added 1/4″ to the side seams to accommodate for this, but they are still a little bit stiff. The other bummer is that this fabric has a severe bleeding problem – the first time I wore these jeans, they rubbed indigo dye all over the inside of my purse. I was carrying the only nice purse I’ve ever owned, which HAPPENS to be white. Wah!! I was able to get the majority of the discoloration off with a stain remover, but now I’m afraid to sit on anything remotely light-colored. I washed the denim a second time with a cup of vinegar in the wash to set the dye, but they are still rubbing off a little.

All in all, though, I’d say these are a good practice run! When I finally make my fancy Ginger jeans with the Cone Mills denim kit that I bought earlier this year, I am hoping that I’ll have enough leftovers to make some solid Gorts. We’ll see! Pants first!

Anyway, photos:

Ginger GortsGinger Gorts

Ginger GortsGinger Gorts

Every time I make jeans, I want to experiment with different colored topstitching thread & serger thread – but I always punk out at the last minute. With these, I used bright blue thread for the button hole – baby steps! It also matches the lining and the serger thread.

Ginger GortsOh, right, and the backside of the button hole is emerald green:) Ginger Gorts

For the topstitching, I used my new 1/4″ foot. THAT THING IS AWESOME. There’s a dull blade that sits exactly 1/4″ from the needle, to help you align your stitching and ensures erfect parallel lines every time. Totally worth the $$$ I spent on it. Although I should probably focus on my bartacks next – those clearly need a bit more work. My machine doesn’t have a setting for bartacks, so I have to trial-and-error with experimental zigzagging.

Ginger GortsGinger Gorts

Ginger GortsYou can also see that I changed up the positioning of the rivets – they are only on the front pockets. The pattern has you put 2 rivets on the back pockets, which I did with my first pair, but I never really liked the way it looked. RTW jeans don’t typically have rivets on the back pockets – ok, ok, SOME DO, but not the majority! – and I thought it made them look sort of homemade. I also recall reading, like WAY back in the past, that the original Levi’s didn’t have rivets on the back pockets because they would get too hot when the gold miners sat next to a fire. Full disclosure, it was a research paper on the history of jeans/Levi’s that my cousin wrote for one of her classes in high school, and I found it because I was snooping in her room when she wasn’t home (what? She had a really cool Barbie Dream House that she wouldn’t let me play with). That one statement was really fascinating to me and has stuck with me through the years (although I don’t remember anything else about the paper). This would have been around 1992-1993, so yeah, a while ago (and yes, I realize we are talking about a paper written by a high schooler, back before you could use the internet for research – so obviously I can be completely off my mark here). A quick Google tells me that the rivets also scratched cowboy’s saddles, which might be another reason why the back pockets ones were eliminated. Either way, I think they look weird and out-of-place on the back pockets. So front pocket rivets only for me! Scout Tee

And that’s it for this outfit! Tell me – has your style relaxed as you aged? Do you find yourself experimenting with new silhouettes, or do you stick with the tried and true? How do you feel about rivets on the back pockets of jeans? Do you think the cowboys were onto something?

Completed: Another B5526 + Ginger Jeans Get-up

18 May

So sorry to dump this on y’all yet again – another collared shirt + jeans outfit combination. Yawn.

Gingers & B5526

Well, to backtrack – yawn for you, but😀😀😀😀😀 for me hahahaha. I will never get tired of this outfit combination. Or, at least, not anytime soon. Maybe never is too strong of a word to use here.

Gingers & B5526

What’s mildly frustrating about writing a long-term blog (at the time of this posting, I’ve accumulated nearly 500 entries since I started waaaay back in 2009, WTF) is that you eventually reach a point when you’re just making the same thing over and over again (well… those of us who don’t make our blog our full-time income fall in this category. I’m sure if I was sponsored out the wazzoo and had all the time I spend at work to spend making content for my blog, it would be a different story, ha.). After re-assessing my wardrobe at the end of 2014 and realizing that I *still* had shitloads of clothing that I made simply for the new and shiny, I have made it a big point to really be honest with myself about whether or not I’ll actually wear something that I make. Like most people, I have a pretty predictable style. And like many sewers, I don’t want to spend a lot of time reinventing the wheel with new patterns if I can get the look I’m going for with an old TNT. So this translates to repeats upon repeats upon repeats.

So, while you might be yawning about the majority of the stuff that’s been posted in 2015… I gotta say, I am elated with the way my closet is looking these days!

Gingers & B5526

Gingers & B5526

With all that being said, there’s not much to report on either of these pieces since I’ve made them soooo many damn times. Jeans + collared shirt is totally my go-to when I want to feel comfortable but still look like I made an effort in the AM. I’ve found my TNT patterns and I feel good about the way they fit and the construction methods that I use.

Gingers & B5526

Gingers & B5526

The top was made using my beloved Butterick 5526. Y’all, I don’t know if I’ll ever sew another button up pattern again! (we all know that’s a lie) I’ve gotten to the point with this one where I can bang one out in a couple of days, which is really nice when you’re coming up on a looming Mood Sewing Network deadline, ha. The fabric is this amazing tigerlily orange cotton voile from Theory, which is a bit more of a coral-y pink than it is orange in real life (I don’t know how the color translates on your screen, but on the Mood Fabrics website it’s definitely pretty muted. The real color is much closer to what you see in my photos. It’s BEAUTIFUL). It has a beautiful chambray weave, which gives the color lots of dimension. This fabric was so so nice to work with – ok, it was a shifty bitch to cut, but once I got past this point, it handled and pressed like a boss. It’s also super comfortable to wear on even the hottest day.

Since the fabric does have a tendency to fray, I used flat-felled seams every where in my shirt. I also left off the sleeves and finished the armhole with self bias binding – it makes the shirt really casual and, again, awesome for hot weather. The pockets are the same pockets that come with the pattern, but I made them slightly smaller because the original size was a little overwhelming on me. Buttons are from my stash; they’re just your standard white shirt buttons. Oh! And the matching thread also came from Mood Fabrics – I noticed that when I was ordering my fabric, there were thread suggestions at the bottom of the page. I figured I’d try out the service – you know, for science – and I’m super pleased with the color match. Even more pleased that I was saved a trip to the fabric store. Mostly because those tend to be very dangerous places for my wallet, ha.

Gingers & B5526

Gingers & B5526

The good thing about running a long-term blog and making a bunch of pattern repeats is that you will eventually bore of just making things that are passable to wear in public, and start focusing on really honing your skills to the next level. Or, at least, that’s how it worked out for me. Look at those clean finished insides! I should wear this shit wrong-side out.

Gingers & B5526

I did shorten the length of the shirt by about 2″ – I think the original length was just sliiiightly too long for my height. This way I can wear it untucked or tied at the waist. If I do a half tuck, it doesn’t pooch out all weird like some of my longer shirts tend to do. As always, I finish my shirt hems with self bias facing. I think it makes for a much cleaner finish, and it’s must easier to press and sew those curves with the bias tape instead of trying to wrangle the hem itself.

Gingers & B5526

Gingers & B5526

For my jeans, I used my now-favorite-ever-pants-pattern, the Ginger Jeans. I’ve made this a few times before (and I definitely don’t plan on stopping – I finally was able to invest in one of the denim kits because YAY) and I’m just really happy with the way this pattern fits my body. The fabric is a cool metallic gold stretch denim. I was actually looking for white denim to make this up, despite me being a stain magnet when it comes to white. At any rate, this denim’s wrong side actually is white flecked with very subtle bits of gold, and these very well almost became white jeans. I talked myself out of it because I was afraid the not-quite-pure-white would make the jeans look like they were dirty, plus again, stain magnet. So I stuck with the gold side. Also, this denim doesn’t have as much stretch as my other denims, so the jeans are a bit tight. I had to let the side seams out to 3/8″ or else I would have never gotten these things over my ass. They’re still a bit tight – mostly around the calves – but I’m hoping that they will loosen up a little with wear.

Gingers & B5526

Gingers & B5526

Gingers & B5526

Not much to report on construction. I used a combination of flat-felled and serged seams (as how most RTW jeans are made) and a triple stitch to really make the topstitching stand out. I would have loved to use topstitching thread, but I couldn’t find a good match with what is admittedly kind of a weird denim color. It’s gold, but it’s also kind of beige. Fortunately, Mood Fabrics REALLY came through with that thread match, as you can see in these close-ups.

What else? I did not interface the waistband (I like my jeans with an uninterfaced waistband; it’s much more comfortable. Not sure how that would work with a lower rise, but for the high rise version, it’s perfect). The jeans button is from Pacific Trimming, and the cotton pocket lining is left over from this crazy blue dress.

I will admit right now that this outfit inspiration came way of my boss’ closet. Since I do all her laundry for her (if you are new to this blog and that sounds REALLY WEIRD, I should probably point out that I’m a personal assistant:) ha!), I’m always lurking on her clothes and I’m always finding inspiration in some of the strangest ways. She has a similar coral chambray shirt – hers has sleeves and a lace inset at the yoke, though – and white jeans. And I wanted that outfit for me. So I made it😛

Gingers & B5526

So, hey, in other news that doesn’t involve me making my fifty billionth b5526 – I’ve got an article out in the current issue of Seamwork Magazine! If you haven’t heard of Seamwork, it’s a sewing magazine that is published online by the masterminds behind Colette Patterns. The magazine is free to read and there are optional pattern downloads with each issue (the patterns you pay for, however). ANYWAY, my article is all about visiting Nashville! I had so much fun writing a city guide about my favorite city in the entire world, and I hope you have fun reading it (and are inspired to come visit because, hey, Nashville is awesome! Really really awesome!). You can read The Seamworker’s Guide to Visiting Nashville at Seamwork. My first published article! Yay!

Completed: A Cardigan, a Skirt, and a Tshirt!

30 Apr

Woohoo y’all get a damn TRIFECTA of garments for today’s post! Lucky you!

Striped Cabernet Cardigan + Yellow Hollyburn

For my monthly Mood Sewing Network post, this month I wanted to focus on that amazing striped sweater knit that you’re probably staring at (you should be staring at it, it’s fucking awesome). But I felt really boring just making *a* sweater (a sweater that took maybe 2 hours, tops, to complete), so I overcompensated and made my entire outfit. Yay!

Striped Cabernet Cardigan + Yellow Hollyburn

We’ll start with the cardigan because it truly is the star of this outfit. It’s another SBCC Cabernet cardigan, this time with my minor adjustments made to the flat pattern (you can see my leopard Cabernet cardigan here, btw!). Since I’ve already made the pattern once, there’s not really anything new to report in terms of construction.

Striped Cabernet Cardigan + Yellow Hollyburn

Striped Cabernet Cardigan + Yellow Hollyburn

I bought the navy and white striped fabric while I was at the Mood Fabrics flagship store in NYC in March. I got soooo much good stuff while I was there, but this particular piece really takes the cake. I swear, if the bolt hadn’t been so heavy, it probably would have jumped off the shelf and fallen directly into my arms. We were like star-crossed lovers when we caught sight of one another.

ANYWAY, gushing aside – what we have here is a cotton double knit that works and feels like the perfect sweater knit. It’s wonderfully thick and squishy, and while it does drape a little bit, it also hold it’s shape quite well. It was really the perfect fabric for this pattern, as it responds really nicely to pressing and topstitching. I was careful in my cutting to not only match up the stripes at the side seams, but also the stripes blending into the sleeve cuffs and hem bands. The neckband is actually the same striped fabric – I just positioned the pattern piece so that the widest navy stripe was the only thing that showed when it’s folded in half. I knew I wanted a solid color at that neckband, but I didn’t want to try to color match, because nope.

Striped Cabernet Cardigan + Yellow Hollyburn

Because the striped knit is so thick, it was a bit of a beast to manhandle. Cutting it was painful (I REALLY need to get my scissors sharpened, dammit!) and the sewn seams were lumpy and wavy before I pressed them. It’s super important to press if you’re dealing with a fabric like this – the flatness is what makes the finished piece look so polished. Topstitching down the seam allowances also helped. As with my last cardigan, I used the straight stitch on my machine and a walking foot. The rest of the seams are serged.

Striped Cabernet Cardigan + Yellow Hollyburn

The skirt is another one of my beloved Hollyburn skirts. I cannot stress this enough, but I LOOVE this pattern. SO MUCH. As soon as I finished the denim polka dot Hollyburn, I started lurking hard for a yellow twill to make another one. I really love this neon delight of a yellow, but it’s hellish looking against my skin – so obviously, the next best thing is a skirt.

I found the fabric also while I was in NYC, also at the Mood Fabrics flagship store (sorryyyyy not sorry). I actually spent a good deal of time looking for this one – I knew I wanted yellow twill, but the stuff in the twill section wasn’t quite up to snuff. Too pale, too lightweight, too much of something. This particular fabric was actually located in the denim section – I imagine there is someone, somewhere, who has made an amazing pair of jeans with this fabric.

Striped Cabernet Cardigan + Yellow Hollyburn

This is a stretch cotton twill with lots of lycra in the content, giving it a super heavy stretch. Even though it’s on the lighter side (heavy enough to be considered a bottomweight, however), it has plenty of body that gives this skirt a great structure. The only downside to all that lycra is that it made the fabric really hard to get a good press. I ended up topstitching all the seams to keep them flat, about 1/4″ distance (as opposed to my usual 1/8″). The wider topstitching paired with this fabric really gives it a nice denim-y look, which I like. I thought about topstitching around the pocket bags to give those definition too, and “thought,” I mean I tried it and it looked absolutely terrible so I ripped it out. Don’t do that.

Striped Cabernet Cardigan + Yellow Hollyburn

The back closes with a simple lapped zipper, and all the inside seams are serged. Basic stuff!

Striped Cabernet Cardigan + Yellow Hollyburn

Finally, the most basic of the basics – my tshirt!

Striped Cabernet Cardigan + Yellow Hollyburn

This is SUCH a simple tshirt that it hardly bears a mention, however, we’re here and it’s here so let’s just roll with it. The fabric is this sheer white slubbed rayon jersey, which was WAY more sheer than I was expecting but it’s sort of awesome. It’s suuuuper soft, drapey, and the texture of the fabric makes it a tiny bit more interesting than your average plain white tshirt. I used my always-tweaking-almost-done-tweaking Frankenpattern’d tshirt to make this. The neckline is bound using Megan Nielsen’s bound neckline method, which is hands-down my FAVORITE way to finish a neckline on a slinky knit like this. It just looks really really good, and it’s nice and sturdy. I love the traditional method, of course, but some of the more drapey fabrics don’t do so hot with that method because you have to REALLY stretch them to keep them from being floppy, which ends up with a tight neckline that’s practically gathered.

Speaking of slinky knits, binding that neckline was about the only easy part of sewing this tshirt. Talk about the slinkiest knit ever! It was worth it, though, because I can always use more white tshirts. Even if they are see-through. And yes, the pocket is totally in the wrong place and I’m totally not picking it off because I don’t think the fabric can survive that kind of trama.

Detail shots:

Striped Cabernet Cardigan + Yellow Hollyburn

Striped Cabernet Cardigan + Yellow Hollyburn

Striped Cabernet Cardigan + Yellow Hollyburn

Striped Cabernet Cardigan + Yellow Hollyburn

Striped Cabernet Cardigan + Yellow Hollyburn

Striped Cabernet Cardigan + Yellow Hollyburn

Striped Cabernet Cardigan + Yellow Hollyburn

Striped Cabernet Cardigan + Yellow Hollyburn

(that’s a Sewn with Mood Fabrics tag, by the way!:) )

Striped Cabernet Cardigan + Yellow Hollyburn

Striped Cabernet Cardigan + Yellow Hollyburn

PHEW.

Ok, one more picture:

Striped Cabernet Cardigan + Yellow Hollyburn

Only including this one because I look like I’m about to eat whatever is in my line of vision haha.

** Note: All fabrics for this project were provided to me in exchange for a review post as per my involvement with the Mood Sewing Network.

Completed: Floral Butterick 5526

4 Feb

What’s that, you say? This is Butterick 5526 overkill?

deal with it
noragrets

~I DO WHAT I WANT~

B5526 Floral

In all seriousness, though, I did have a small internal debate about posting yet another shirt of the pattern I’ve talked about to death, but ultimately – I mainly use this blog as a sort of digital diary of my projects (truth: the entire purpose behind my tagging system & the Lurk My Closet pages are specifically so I can quickly find old projects without having to spend a lot of time searching haha), and I think this particular shirt has earned a spot in the archives. I’m really pleased with the resulting fit and finish, and I feel really good about the particular fabric I used (print aside – although, I gotta say, it’s pretty gorgeous!).

B5526 Floral

B5526 Floral

Unfortunately, that means I have less to talk about as I think I’ve pretty much milked this shit for all it’s worth. Fortunately, I feel really really confident in my shirtmaking skillz. I’ve pretty much got my construction down to a science, I know what fabrics are best suited for this style + the way I like it to look, and, dammit, I just really really love shirtmaking. So precise! So clean! So wearable every day basics!

B5526 Floral

As I mentioned, this is Butterick 5526, sewn up in a beautiful cotton shirting that I bought on Goldhawk Road in London. A lot of people have pointed out that the print resembles a Liberty print – and, while I agree, I also am pretttty sure it’s not the real deal. For one, I don’t remember exactly how much I paid for it, but I know it was less than the £25 they charge per meter at the Liberty store. Also, the selvedge is blank, if not missing entirely. That being said, it’s a very fine, soft shirting cotton – so maybe it fell off the truck? Maybe it’s an end bolt? An ~inspired~ knock-off? I dunno.

At any rate, it’s gorgeous. I just love the colors – the florals are a little less girly here, a little more of that 60s groovy that I’m really drawn to lately. The fabric itself is soft and has just enough drape to really make the shirt hang nicely. I’ve learned that I don’t care for true cotton shirtings in this pattern – when they’re stiff, I don’t think they look right on me. Give me something softer with a little bit of drape, like a cotton voile!

B5526 Floral

I don’t have any ~special tips~ for working with this fabric. Same as it ever was – just use a new needle, take your time with cutting and sewing, enjoy the ride, etc etc.

B5526 Floral

Oh, I think I nailed down a good sleeve length! Butterick 5526 in polka dot chambray (that’s my favorite one and I wear it ALL THE TIME. I have to hide it from myself so I don’t have too much of a good thing, ha) started out with sleeves too long, and I debated shortening them – but after a conversation with Landon, he brilliantly pointed out that they might shrink up a little after a couple of washes (even with prewashing, this can happen – which is always something I consider with pants, but never shirts. Which is why all my flannels have sleeves that are too short now haha). So I decided to leave the sleeves long and wait – and I’m so glad I did, because that’s exactly what happened. They shrank and are the perfect length now. So for this shirt, I used the same sleeve length and I think it’ll shrink up just right. The placket fits and it’s the right length (unlike my silk georgette B5526, wah), which is pretty prime if you ask me.

B5526 Floral

The only change I made to this version was to remove a few inches of length. I’ve always felt that my collared shirts were a little too long, at least when worn over my higher-waisted pants (and no matter what I do, they look weird tucked in. Half tuck, full tuck, no tuck, doesn’t matter. I get this weird tuck gut and, ugh), so I copied the length from my Liberty button up and transferred it to this pattern. I am MUCH happier with the length now; I think it works better with my proportions.

B5526 Floral

The shirt is constructed entirely with flat-felled seams. Here is a flat-felled boob for your perusal.

B5526 Floral

B5526 Floral

I also added sleeve tabs, so I could roll up the sleeves when the weather decides to warm up. Didn’t want to choose between long or short sleeves, so I chose both! Also, bonus background cat. I think she was screaming for me to feed her at that point (I’m sure you can tell just by looking at my portly feline that she is indeed not starving, but she would lead you to believe otherwise).

B5526 Floral

Here it is with the sleeves rolled up. I love these tabs because I think the rolled up sleeves look neater when buttoned into place. Of course, that means there is a visible button and some stitching on the outside of the sleeve, but I can deal with that. I was curious as to whether I’d find the tab annoying when it’s not being used (aka rubbing against my arm on the inside of my sleeve), but I have some pajamas that use the same concept and they don’t bother me at all.

B5526 Floral

B5526 Floral

B5526 Floral

B5526 Floral

Did you notice the buttons? Here’s a close-up:

B5526 Floral

Haha! I always save the buttons from Landon’s shirts when they are getting thrown away (we are talking super worn out to the point of not being worthy of donated), since I tend to be pretty conservative with my button choices and, hey, free buttons. I almost didn’t want to go with these because I’m not crazy about the branding on them, but, whatever. They match the print really well. Can’t argue with that. And I do love American Eagle – or, at least I did when I was a teen (yes, this is the same teen/same time when I was wearing black vinyl pants. What can I say, I like their take on the classics haha), I haven’t been in there recently enough to form an judgement opinion.

B5526 Floral

That’s all I got! Kind of a boring post, but quite a useful garment. I am really enjoying making the same pattern over and over – no need to reinvent the wheel with my fitting, and it’s kind of fun to see the obvious improvements with each make. I’ve had a few people ask me if I have plants to make the new Sewaholic Granville Shirt, and while the pattern looks beautiful, I think I’m just going to stick with what I know I already love and has been fitted to my liking. Again, not trying to reinvent the wheel here! Although, I’ve been watching the shirtmaking posts with great interest. There’s always so much to learn, I love it!

As a side note – those are my Ginger jeans I’m wearing in these photos. I’ve been wearing them off and on for about 2 weeks, and they’ve held up their shape really nicely. I’m actually pretty surprised – most of my handmade pants need to be washed after about 2 wears because they stretch out all crazy and don’t recover until they hit the dryer. The denim I used for these jeans is nowhere near the quality of my I+W jeans, but I don’t have any complaints (except for that I didn’t consider shrinkage when drying, and now they are a tiny bit short. On the flip side – this might be the first time pants have ever had too short of an inseam on me, which is sort of exciting it’s in own way). Now if only I had more… Heather, will you pls go denim shopping with me again? Thnx.

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