Completed: Craftsmanship Bag

23 Mar

Hi!

Another bag post today πŸ™‚ I’ve been making clothes – tons of clothes – but haven’t had the will to drag myself in front of a camera quite yet. Also, my sewing mojo completely disappeared for a minute there, and this particular project is responsible for reviving it – so it seems appropriate to give it a shoutout!

(My apologies in advance for the quality of these photos – I got a new computer and my photo editing software doesn’t work on the new one, so I’m going through a pretty intense learning curve right now. Also, way to learn on something red. Brilliant move, Lauren :P)

Craftsmanship Bag by Niizo

Craftsmanship Bag by Niizo

Anyway, my new bag! This one is another pattern/kit from Niizo, it is the Craftsmanship Bag. I have mentioned before that I don’t care to make bags (I’d rather just buy one really nice one and let someone else do all the sewing work!), but I do really love the ones from Niizo. I think one of my biggest beefs with handmade bags is the materials – they just always look, well, homemade. Quality materials is a big part of making your bag look nice – and it’s hard to source all that stuff, let alone get it to match. Then there’s the issue with the patterns themselves – they are usually much more simple than what you see in a RTW bag, which adds to that whole homemade factor. Thus is the reason why I like sewing bags from Niizo – her patterns have those cool features you see in bags at stores, and you can get a kit with all the supplies you need. The patterns are easy to follow, and the finished bag always look professional. This is my second pattern I’ve sewn from this brand (my first one was the Freedom Backpack,which you can read about my experience here. I have carried that thing several times on my last few trips – including when I went to Egypt – and it is fabulous!), and I had just as good of an experience with this project.

As I mentioned, I used the Craftsmanship Bag kit, as it includes all the materials you need to make the bag (except thread and your sewing tools). I love the quality of the materials that you get – medium weight canvas for the outer, Oxford cotton for the lining, beautiful brass hardware, rugged metal zippers – and that it’s all collected in one neat little package. You also have the option to buy the pattern separately, should you want to use your own materials for this bag. But I like having everything handed to me, so I opted for the kit! It was REAL HARD not to get the same olive green as used in the product photos, but I ended up going with red because I’ve always wanted a red handbag! I love the rich color, especially in contrast to the beige lining. It’s so pretty and happy πŸ™‚

Craftsmanship Bag by Niizo

Craftsmanship Bag by Niizo

This pattern looks deceptively simple, but it has a lot of great features that really make it special. The purse is fully lined with pockets on the inside, and includes a covered zippered pocket on the back, roomy side pockets finished with self-piping, handles and a long adjustable strap, and hand-stitched leather details. The lining pieces are interfaced for additional support (since the outer is a medium weight canvas, this makes the bag quite sturdy), and there is foam at the bottom of the bag as well. I forgot to take a photo of the bottom, but I attached mine with long diagonal rows. You can do any sort of design you want, though, which is kind of fun! πŸ™‚

Sewing-wise, this was much easier to make than the Freedom Backpack. There are tons of little pieces (like the pockets, the straps, etc) that are quick enough to put together so that you can work on this project in short little bursts. I wasn’t sure if I would have a hard time going through all the layers of at those side pockets – with the self-piping, it’s quite thick – but my sewing machine handled it fine. I used a 90/14 needle and didn’t even break one this time! πŸ™‚ I think Amy also increased some of the seam allowances on this pattern, so they’re slightly wider (still 3/8″ and under, but not like, less than 1/4″ as in the version of the backpack I sewed) and thus easier to sew. The instructions were very easy to follow and I had no problem sewing any of the pockets or zippers. Turning the bag right side out was MUCH easier than it had been with the backpack!

Craftsmanship Bag by Niizo

If you get the kit, you have the option to get the front leather piece stamped with whatever phrase you want. Obviously, I went with my own name, because I am totally one of those people who loves their name. No shame about that.

Craftsmanship Bag by Niizo

Craftsmanship Bag by Niizo

The long strap is attached by a swivel hook, so it’s completely removable if you want to carry the purse by its handles.

Craftsmanship Bag by Niizo

Craftsmanship Bag by Niizo

To be honest, I was the most excited about sewing that zippered top! I have always wanted to learn how to add a zippered top to a lined box bag, and this pattern totally delivered! It’s kind of a weird pattern piece, but it comes together SO satisfyingly and all the seams are completely enclosed.

Craftsmanship Bag by Niizo

Here is the inside of the bag. Ha! There are lined pockets on both sides. I just sewed straight down the middle of each one, so they are all the same size, but you could customize these to be whatever size you wanted – including making little pen holders.

Craftsmanship Bag by Niizo

I anticipated that it would be impossible to get a shot of the lining, so here it is flat before I put it in the bag. The lining is an Oxford cotton – about the same weight as a quilting cotton. All the lining pieces are interfaced, with the exception of the pockets. I love how the pockets are finished – they are lined with the nylon lining (the same stuff that I lined my Freedom backpack with), and the pattern pieces are measured so that the nylon is longer than the cotton, which when everything is turned and stitched down, you have a nice nylon edge. It’s a really pretty detail.

Craftsmanship Bag by Niizo

Since the bag outer is red, I decided to topstitch the lining with red thread to bring everything together. I used the triple stitch on my sewing machine so that the stitches would be thicker and thus more visible. I love the way it looks – shame it’s on the inside of the bag, ha!

Craftsmanship Bag by Niizo

Here is a picture of the bag with some of my stuff in it, to give you an idea of it’s size and what it can carry! (I should mention – the above photos are all with the bag empty. It holds its shape really well!). The side pockets are big enough to carry a water bottle – there is a dart at the bottom, so they are shaped (not flat). The water bottle in my bag is a S’Well mini, but I reckon most bottles would fit. The bag can also comfortably hold a full-sized iPad Air, and you can zip it closed. I didn’t take a photo of this, but the back pocket also easily holds my phone (which is an iPhone 6 – but there is lots of extra room, so I think a bigger phone would fit too) or my wallet. The interior pockets are also phone-sized.

Craftsmanship Bag by Niizo

And here is the bag on my dressform, to give you an idea of the size in proportion to a person. It’s not a super tiny bag, but it’s also not giant. The dimensions of my finished bag are approximately 13″ long, 7.5″ tall, and 6″ deep – which is a great size for my needs! The size is pretty similar to the handbag that I use daily, which is a Coach Crosby. Big enough to hold what I need, but not so huge that I’m tempted to fill it with everything I own.

Since I already have a nice leather handbag, I probably won’t be using this bag on the daily (unless I’m going somewhere dirty, like the flea market haha). I primarily made this bag as a replacement for my travel purse. For years, I have used a Po Campo Roscoe Crossbody bag, which I LOVEEEE, but the lining is finally falling apart. I was looking for something to replace it with that was a bit wider (the Roscoe is super flat, which is nice, but then you stuff it with your crap and then it’s not exactly flat anymore haha), and the Craftsmanship bag is exactly what I wanted. I think it’s ideal for travel – you have the option of hand or shoulder straps, there are pockets to hold a water bottle, the top zips shut and there’s a zippered pocket in the back. I haven’t traveled since finishing the bag, but it’s ready to go when I take my next trip!

Craftsmanship Bag by Niizo

Anyway, I guess that’s all for this bag! Who else is into making bags? Have y’all tried a kit/pattern from Niizo yet? What’s your favorite bag to carry – pattern or store-bought?

*Note: Niizo sent me this kit for free, as a thank you for reviewing the Freedom Backpack. I was under no obligation to post about this project, but I truly love how it turned out and felt like it deserved to be shared!

Giving New Life (+ Lining) to An Old Coat

14 Mar

Hi everyone!

Wow. It’s been a minute, huh? Many, many thanks/hugs/appreciation for everyone who reached out regarding my dad. Every single comment, email, text message, card – I read every single one of them. While I can’t possibly reply to every single one of them, I do want to thank all of you, as I found them all so comforting. I feel like I am saying this way too much lately, but y’all truly all are the best.

As it is, it’s time to jump back into real life. Actually, I did that pretty much the day after the funeral – I went to Leesburg, VA to teach a workshop at Finch Knitting and Sewing Studio, which was really wonderful and a very welcome distraction from what I had been dealing with the week prior. The next weekend, I flew to Brooklyn, NY to teach my Jeans Making Intensive and Pants Making Intensive classes at Workroom Social. I just got home about a week ago, and have spent this time trying to catch up all the things I’d set aside while I was gone- boring adult-y things, like work and cleaning my much-neglected apartment. I’ve finally gotten a chance to get back into my normal life indulgences – like sewing! – and man, it feels good to be back!

Before I get into the post, I did want to announce my next upcoming workshop in May! I will be traveling to Hyattsville, MD to teach another workshop at Three Little Birds Sewing Company May 13th and 14th (and also a meet and greet / project gossip the evening of May 12th, because wine). This is like all the other workshops I do (other than the pants-specific ones in Brooklyn, which are also Workroom Social specific ;)) – you get to choose whatever project you want to work on that weekend! Whether you want to make a lined dress, a fabulous pair of jeans, a new winter coat, your first bra, whatever – I’ll be there to support ya! And if you don’t have a particular project that is screaming for support, can I just say that this is also a great excuse to make your sewing a little more social for the weekend πŸ˜‰ I always have such a great time running these workshops, and I’m so excited to do it again!! You can read more about the workshop here, and also sign up! It’s going to be an awesome weekend πŸ˜€

Ok, now for the post!

Re-Lining a Coat - before

This is a bit different that what I usually post about – it involves repairing an existing garment, rather than making a new one from the start. I think most of us have announced at some point or another that we’d rather make a new piece than alter or repair one that needed it. I know I’m guilty of it! But lately, I’ve been making a bigger effort to reduce waste whenever I can, and repairing garments that need it is a great place to do this!

I bought this coat at Banana Republic when I was 19. I remember being super proud of the purchase – it was one of the first “nice” things I ever bought with my own money (well, and the help of some gift cards). It’s not the nicest thing I own – and I can certainly produce better garments out of my own sewing room today – but it’s followed me around for the past 12 years regardless. I love the color and I love the way it fits me. It has certainly seen it’s share of wear over the last decade, though – the lining was shredding in several places (I can specifically vouch that the lining at the hip was probably torn by my studded belt – YES, THAT’S HOW LONG I’VE HAD THIS DAMN COAT), and I recently ripped a huge hole in the sleeve lining while trying to put it on. I realized that I would either need to replace the lining entirely, or just get rid of the coat. Y’all all know that I am pretty much always up for a challenge, so I decided to give it a shot! Worst thing that could happen was that I’d ruin a coat – which, admittedly, was already kind of halfway ruined anyway.

Re-Lining a Coat

Re-Lining a Coat - before

Re-Lining a Coat - before

Here you can see some of the places the lining was tearing. The lining was also discolored, especially under the arms, and wearing very thin in several places.

I actually planned this project last year, in December. I waited until I could go to Mood Fabrics in NYC and pick my replacement lining fabric in person – the green wool is a really unique shade, and I wanted to try to match or coordinate with it as much as possible. Spoiler, I never did find a perfect match to the green (not surprised), but I found a print that I adore, so there’s that!

Re-Lining a Coat - process

This is the silk that I went home with meΒ – it was with the rest of the silk prints on the 2nd floor. I am not sure what type of silk it is specifically – it has a heavy, fluid hand just like silk charmeuse, but it is slightly textured, almost like a twill. I suspect it may also be a blend, because it didn’t take to pressing as well as I would have liked. I bought 2 yards (after consulting with the guy who cut my fabric and going by his suggestion), which ended up being plenty. I actually have leftovers – matching silk top, anyone? πŸ™‚

After I bought the lining fabric, this project had to sit on hold for about 3 weeks while I went to Egypt. I haaate leaving stuff half-finished if I’m going to be gone for longer than a weekend, and this project I especially didn’t want to have a lapse in, since I was kind of winging it. So I didn’t actually start until the end of January, but fortunately it did not take very long!

I should confess: I had every intention of turning this post into a tutorial on how to re-line a coat. I started with a bunch of photos, but as soon as I got to the sewing part – guys, it’s pretty much impossible to photograph these steps. Plus, every coat is a little bit different in how it’s constructed. So this post is more of a loose guide if you’re considering doing this yourself, and I have linked to the resources that I found useful when I was in the throes of my repair. Also, I should point out that I have made several lined coats at this point, so the process isn’t really that different from sewing a coat and then adding the lining. If you have sewn a lined coat, you can totally handle this. If you have yet to hit this milestone in your sewing practice, maybe wait before you tackle this project πŸ™‚

Re-Lining a Coat - lining removed

The first step is removing the lining from the coat entirely. This part wasn’t difficult, but it was annoyingly tedious. I knew I didn’t want to deal with the drama of drafting a lining, so I needed to keep the lining pieces as intact as possible in order to use them as my pattern pieces. I removed the lining from all the way around the facing of the coat, being sure to take notes and photos of anything that I might need to know when I was putting it back in – such as the seam allowances used, how the back pleat was sewn in, stuff like that. This was the #1 reason why I waited to start this project – I knew I’d forget everything while I was in Egypt!

Re-Lining a Coat - lining removed

Pulling out lining can be kind of interesting though – you get to look into the guts of the coat and see how it was put together! I’m always fascinated to see how RTW does things, as opposed to what the home sewer does. For example, they sewed small rectangles of the lining into the seam allowances where one traditionally puts thread chains (such as under the arms). Then, the rectangles were sewn directly to the seam allowances of the outer, eliminately the time it takes to make a thread chain and attach it. I thought that was pretty cool!

Re-Lining a Coat - lining removed

Another thing I found interesting was the tailoring done on the coat. It’s actually pretty nicely tailored (with fusible interfacing), considering its just a coat from Banana Republic.

Re-Lining a Coat - process

After I had the lining out of the coat, I carefully separated all the pieces and marked which one was which. I flattened them with an iron and marked grainlines. I will be honest here – I used a similarly-styled jacket pattern I had in my stash to figure out where the grainlines were. They might be slightly off, but eh, it’s a lining. I could NOT for the life of me see where the grain was on the actually pattern pieces, and the fabric was so delicate that is just kind of disintegrated when I tried to rip it.

One thing I will point out when you are marking your pattern pieces – it is really important to mark the sleeve front and back, and also where the sleeve cap hits the shoulder seam. You can snip directly into the seam allowances before taking the pieces apart – presto, notches πŸ˜‰

From there, you just lay your pattern pieces on the fabric and cut them out. Remember, they already have seam allowances – no need to add those.

I should also point out that I did not pre-wash my silk before cutting it. Since the jacket outer is wool/polyester, it is dry clean only. Which means this silk will never hit a washing machine, so I didn’t bother to wash it! I DID wash the leftover piece after I finished the coat, and it changed the texture of the silk a bit. More on that if I ever get around to sewing that piece up haha.

Re-Lining a Coat - process

Next, you assemble the lining to make a lining-coat. Easy stuff!

Ummmm so here’s where I stopped taking pictures haha. I had to figure out how to get the lining into the coat shell, and not a single one of those steps was remotely photogenic πŸ˜‰

You have two options when putting the lining in- One, you can do it the old school couture way, and hand sew it around the entire perimeter of the facing. This is definitely the easier of the two options, but it’s more time-consuming. The second option is bagging the lining into the coat – sewing everything together at the hems and pulling the coat through a hole in the lining. This step is much more fiddly – you have to set everything up properly so you don’t twist the sleeves or whatever, and it totally looks like a hot mess until the very end. Also, I realized this a bit late in the game – but it’s reaaaally finicky to sew the lining to the facing at the neck (where the collar is). The layers are super bulky and you don’t have much of a seam allowance to work with. I made it work, obviously, but I did end up un-picking out my stitches a few times.

If you need help bagging a lining, this tutorial on bagging a lining from Grainline Studio is great. For the back vent, I watched this YouTube video from FashionSewingBlogTV on sewing a lining to a vent.

Re-Lining a Coat - process

So, I bagged my lining, pulled everything from a hole in the sleeve, and then went back on the inside and attached the lining to the shell with thread chains (I wasn’t even gonna try those weird lining rectangle things haha). Then I pressed everything really well, and attached new buttons. Oh, and I sewed the labels back on too – the original BR one, and one from Mood Fabrics (the sizing and fiber info tag is underneath the Mood tag, fyi). It’s kind of a collab coat now, you know?

Sooooo, drumroll pls…

Re-Lining a Coat - after

Yay!!! I just love it so much πŸ™‚

Re-Lining a Coat - after

Due to the new layer of silk, the jacket is actually much warmer now (the old lining was polyester). Always a plus!

Re-Lining a Coat - after

Re-Lining a Coat - after

The colorful new lining makes me so happy!

Re-Lining a Coat - after

Re-Lining a Coat - after

Re-Lining a Coat - after

Re-Lining a Coat - after

Re-Lining a Coat - after

I also replaced the buttons, with something similar but a little more refined. These buttons are from Pacific Trimming, which I also picked up while I was lining shopping. I reallllly wanted to do self-covered buttons, but I could not find anything that remotely matched this green. So I went with tortoiseshell, although these are shank buttons (the original buttons are flat).

Re-Lining a Coat - after

I really enjoyed the challenge of working on this project – in fact, taking things apart and putting them back together was how I originally taught myself how to sew, so it was a cool throwback to revisit those roots. I like doing things that force me to slow down (and/or walk away) and think, and this was definitely one of those. And hell yeah, this coat is finally back in rotation! Feels good!

Note: The silk fabric used in this post were purchased with my monthly Mood Fabrics allowance, in exchange for my participation in the Mood Sewing Network.

My Dad <3

24 Feb


Charles Michael Taylor, Sr. // July 10, 1959 – February 18, 2017

My dad passed away on Saturday. For those of you who did not have the privilege of meeting him, he was truly the greatest man I have ever known. I could not have asked for a better father to lead me through life and teach me how to treat people (and show me how to expect to be treated by a man), nor a better love story and ultimate relationship goal than the one he had with my mom. We are absolutely devastated by this loss, but also so incredibly thankful to have had him in our lives for as long as we did. He will truly, truly be missed.

My dad was an absolute badass and he excelled at pretty much everything he did. He was a business owner, a top salesman, a photographer, an incredibly skilled gardener, and could cook you the best fucking steak you’ll ever eat. He was also a distance runner, and when I say distance – I don’t mean 5ks, or even marathons. He regularly ran 500ks (unassisted, I should add) and even qualified and ran the Barkley (if you’re not familiar with this one, there is a fantastic documentary about it on Netflix right now that I highly recommend) – running was his passion, and his favorite races were the craziest ones he could find. The man loved to talk, loved to help people whenever he could, and never met a stranger. He loved to play pranks and is 100% where I get my terrible potty humor and love for butt jokes from. When I was a little kid, he convinced me he could pick up the house and I totally believed him.

Even with his cancer diagnosis, my dad was a fighter who would not be beaten down. He powered through multiple major surgeries (including rescheduling one so that he could run that damn Barkley marathon), chemo, radiation, and endless rounds of hospital and ER visits. I think of him like a blade of grass – no matter how many times he was knocked down, he always bounced right up again. He never once complained, not even when things were at their worst – he was always positive, upbeat, and lived his life to the fullest up until the very end.

The outpouring of support that I (as well as my entire family) have received since last week has been incredible and the sheer amount of comments, messages, phone calls, and texts has been a little bit overwhelming. I can’t possibly respond to all of you, but I do want you to know that I read every single one of them and they were all truly appreciated. To see the impact that my dad made on so many people – both ones he personally knew in his community, and people who never got a chance to meet him but were still inspired by him nonetheless – has been very comforting and has helped me deal with my grief. I really can’t articulate how special this man was – not just to me and my family, but to anyone who had the honor of knowing him. It is an incredible privilege to be the daughter of such an amazing man. There is no doubt in my mind that he loved all of his children and grandchildren, and he was so proud of all of us.

Love to all of you. We will miss you, Charlie T ❀

Completed: The Kelly Anorak

14 Feb

Hey guys! Thank you for all your great comments, suggestions, and feedback on my last post! I’m so happy to hear that y’all enjoyed reading it as much as I enjoyed writing it πŸ™‚ With that being said, my stint as a ~travel blogger~ is now officially over (well, until I save up money for my next trip – the verdict is still out on where exactly!) – back to regular sewing posts!

BUT before we get into the project – some class-related stuff!

  • I’ve got two classes at Workroom Social in March that both still have a couple of spots left, if you’ve been on the fence and are looking for a reason to treat yo’self πŸ˜‰ (it IS Valentine’sDay, after all! ;)) The Jeans Making Intensive is March 2-3, and the always-popular Pants Making Intensive is March 4-5! The jeans class primarily focuses on construction and finishing a pair of jeans (we use the Ginger Jeans pattern – which, btw, I’m wearing in these photos haha), while the pants class has a little more fitting involved and sews a classic pair of trousers. Both are going to be super fun and I am so excited to be back in NYC in a couple of weeks! β™₯
  • Speaking of Workroom Social – Camp Workroom Social is coming back, and I’ll be back as an assistant to Amy of Cloth Habit’s Bra Making class! Registration is currently open only to alumni, but will be open to the public soon. I cannot WAIT for another round at camp – last year was freaking amazing (and so, so, so beautiful!) and it will be so fun to reconnect with old friends and make new ones!
  • Finally, speaking of Amy and bras -she’s coming to Nashville to teach a bra making workshop at Craft South! Having worked with her at camp last year, I knew we had to have her at the shop for a workshop – she’s a fantastic teacher and so knowledgeable about bra fit! Amy will be in Nashville September 22-23 to teach her Bra Making Weekend Workshop at Craft South. The class will make Amy’s newest pattern, Harriet, as well as learn basic fitting and finishing methods. Oh, and I’ll be assisting the class πŸ™‚ I know a lot of people have been asking when we’d do a bra workshop in Nashville – so there ya go! You can sign up for the workshop here. It’s gonna be amazing!

Ok, back to sewing!

Kelly Anorak in Organic Cotton Twill from Mood Fabrics

Today’s project is actually last month’s project that I am just now getting around to posting – the Kelly Anorak from Closet Case Patterns!

While I am not typically a fan of “vacation preparation sewing” – mainly in the sense that I get really stressed with those sorts of deadlines and thus sewing doesn’t even up being very fun – I did make this jacket specifically for my trip to Egypt. I thought it would be a useful thing to bring with me – a nice light layer to ward off the morning chill in the desert, yet breathable for when the sun got all crazy in the afternoon. I also liked that it had those big, roomy pockets and was long enough to cover my butt. My orange Minoru fills most of these slots, but I’ve worn it to death over the years and it’s starting to look ratty – plus, that poly lining isn’t exactly the most breathable thing. Also, I just really love sewing jackets. Sue me πŸ˜›

Kelly Anorak in Organic Cotton Twill from Mood Fabrics

Kelly Anorak in Organic Cotton Twill from Mood Fabrics

As I said, the Kelly Anorak is a lightweight and unlined jacket – meant to be worn between seasons, not necessarily your crazy winter coat. I’ve seen some people make it out of waterproof fabric, but in my experience I usually carry an umbrella when it rains anyway (and I also own an actual rain jacket – although I still prefer the umbrella, as I don’t like getting my shoes and pants wet!), so this is good enough for a super light drizzle. The pattern features a zippered front with a snap closure placket, a 3 piece hood (which stays on your head much better than the 2 piece kind – it also doesn’t flatten one’s hair as much), big ol’ gusseted pockets, a drawstring waist, and a sleeve placket so you can roll up the sleeves. I actually saw something real similar in JCrew while I was out holiday shopping one afternoon, so I got the added bonus of being able to try the thing on before making it!

The fabric I used for this jacket is an old favorite that’s shown up in tons of my past makes – solid organic cotton twill from Mood Fabrics. The color I used specifically is Olive, and yes, I realize the color on their website photo is way off and no, I don’t know why that is. If you are picky about color, you will definitely want to order a swatch of this stuff. Anyway, I love this fabric because it is easy to work with, has a nice brilliant color, washes/wears well, and is reasonably priced (at least in my opinion!). And it comes in so many colors! Mood pretty much always carries this fabric, FYI, so even if it’s sold out on the website – either hang tight and wait for it to get restocked (I promise it will) or just call the store and have it shipped from there.

Kelly Anorak in Organic Cotton Twill from Mood Fabrics

Kelly Anorak in Organic Cotton Twill from Mood Fabrics

Kelly Anorak in Organic Cotton Twill from Mood Fabrics

Kelly Anorak in Organic Cotton Twill from Mood Fabrics

Most of the little hardware bits and pieces were picked up in the NYC Garment District when I was there in November. I knew I was going to be nitpicky about everything matching just so, so I wanted to check out the goods in person. The drawstring, grommets, cord stoppers, metal tassel ends, and zipper are all from Pacific Trimming (I knowww there are other places in the GD to buy this stuff – and maybe even for cheaper – but I just love Pacific Trimming, esp their zipper room!). The zipper is actually a Riri zipper, cos I wanted that shit to be extra fancy. I think I paid around $20 for just the zipper – so it’s not necessarily cheap at all – but it’s really nice, both in terms of how it looks and how smooth it zips! It was also nice to have it cut to the correct size, and also be able to choose both the finish of the metal teeth and the color of the zipper tape, cos again, I was feeling nitpicky about that shit! πŸ™‚ I knew this jacket was going to be a time commitment to make, and for that reason, I’m ok with spending extra money on nicer materials.

The only notion that I did not buy in NYC was the snaps – I just went to Elizabeth Suzann‘s studio during their lunch break and used their industrial snap setter, ha! That thing is really cool and I kiiind of wish I had one, but honestly I am always looking for an excuse to drop by and chat with my old coworkers so for that reason, I’ll continue mooching off theirs!

Since the jacket is unlined (and, for me, primarily worn wide open), I took extra care to finish all the seams for a neat interior. Most every seam is flat-felled, with the exception of the arm holes (only because I didn’t feel like futzing with that shit. I just serged them). I used two different threads to assemble the jacket – a polyester thread for the seams, and then a cotton thread for all the topstitching. I would have just sewn the entire thing with the poly thread, but the color I had on hand was off enough to where the topstitching didn’t look right – and the only thread I had in a suitable color was cotton. In my experience, cotton thread simply does not hold up as well as polyester thread, which is basically indestructible. Considering all the work that I put into this jacket, I didn’t want my threads to fail! So I just used cotton for topstitching – and used a triple stitch, partially for added durability and also because it results in a more visible stitch.

Kelly Anorak in Organic Cotton Twill from Mood Fabrics

Kelly Anorak in Organic Cotton Twill from Mood Fabrics

I will be completely honest with y’all – I didn’t exactly enjoy the process of sewing this jacket. A big part of the reason was because I was under a pretty tight deadline to finish it before my trip (even though I promised myself it was ok to take the Minoru if I didn’t finish, and that everything would be fine – I still rushed!), but I also found some of the directions to be a bit confusing. The Closet Case Patterns blog has some tutorials on the trickier steps, but some of the information actually contradicts itself in online tutorial vs pattern instructions. The zipper placket specifically was really head-scratching to me, and I had to walk away a few times. There’s a discrepancy with the seam allowances written in the pattern instructions vs the blog tutorial, which I found really confusing. I believe the version on the blog is the correct one, though, if I recall correctly! Another thing that really threw me off was that my zipper pull was on the opposite side of the tape, than what you see on the blog. Finally, I was not a fan of how wide the finished facings are – they are really really wide (too wide, in my opinion). I ended up turning them under additionally and sewing another line to make them more narrow. At the width they were as drafted, I felt like they would just end up flapping around with wear and showing my ugly white interfacing. Nope, not doing that.

Anyway, minor complaints – and may also just be personal, because all the reviews I read just gush about how clear the instructions are. So it could just be me!

As far as sizing and fit, I made a size 2 – which is my normal size for this pattern company. I actually did make a muslin, so I could double check the fit, length, and drawstring placement. The length and drawstring were perfect, and the fit was pretty good. The only thing I changed was the shape of the arm hole – it was a little too big, which made the entire jacket move along with my arms when I lifted them. I raised the bottom by about 1/2″, as well as added to the back of the arm hole, and then took a bit (maybe 3/8″) off the front of the arm hole as it was pulling. This is a pretty standard adjustment that I make to most patterns that involve sleeves. I think I just have really weird-shaped and/or small armscyes haha who knows.

One thing I wish I could have found a way to change was to make the snap on the pocket functional. It’s just there for show and to hold the flap in place – the pocket doesn’t actually snap shut. I considered adding the other side of the snap, but it would have shown on the inside of the jacket (and since you need to interface it, would not have made the inside look as nice). One idea is to interface a scrap of the twill and sew it to where the snap gets inserted, so all you see is a square of twill on the inside. I may do that in the future. It’s not a dealbreaker not being able to snap the pockets closed, but it sure would be handy.

At any rate, this jacket was TOTALLY worth the effort – I think the finished result looks pretty damn good! There’s definitely something to be said about using nice materials, as they really elevate the garment into something that looks extra nice. But I am also really happy with the craftsmanship that went into it – I’m glad I took the time to do the flat-felled seams, rip out mistakes and fix them (even though we all know that shit can be agonizing haha), and even deal with making a muslin first. All totally worth it in the end. And while I made this for Egypt and our upcoming spring weather, it’s actually been handy for the majority of January & what we’ve experienced so far in February. I realize everyone is getting pummeled by snow right now, but y’all, it’s been 70 degrees in Tennessee this past week. I am starting to wonder if we are going to skip winter entirely! I had plans to make an actual winter coat this year, but I may put it on hold until the next cold season because I’m not really feeling super motivated with the weather as it is currently!

Kelly Anorak in Organic Cotton Twill from Mood Fabrics

Kelly Anorak in Organic Cotton Twill from Mood Fabrics

Kelly Anorak in Organic Cotton Twill from Mood Fabrics

Kelly Anorak in Organic Cotton Twill from Mood Fabrics

Kelly Anorak in Organic Cotton Twill from Mood Fabrics

Kelly Anorak in Organic Cotton Twill from Mood Fabrics

Kelly Anorak in Organic Cotton Twill from Mood Fabrics

Kelly Anorak in Organic Cotton Twill from Mood Fabrics

Kelly Anorak in Organic Cotton Twill from Mood Fabrics

Kelly Anorak in Organic Cotton Twill from Mood Fabrics

Kelly Anorak in Organic Cotton Twill from Mood Fabrics

Kelly Anorak in Organic Cotton Twill from Mood Fabrics

Kelly Anorak in Organic Cotton Twill from Mood Fabrics

I used twill tape to finish the neckline (as suggested in the pattern instructions). If I’d thought about it while I was buying my supplies, I would have tried to find a tape that matched my olive fabric. Oh well! For the label, I serged around all 4 sides of a scrap of twill, then sewed my label (which is from Dutch Label Shop) on top of that before attaching it to the jacket. The hanging loop is a small piece of leather that I cut to shape and sewed on by hand.

Kelly Anorak in Organic Cotton Twill from Mood Fabrics

Kelly Anorak in Organic Cotton Twill from Mood Fabrics

Kelly Anorak in Organic Cotton Twill from Mood Fabrics

Whew! Sorry about that photo dump – I guess while I’ve gotten better at editing down and posting less photos of myself, I can’t say the same about detail shots πŸ˜‰ haha.

I leave you with one last photo of me. Sorry, not sorry:

Kelly Anorak in Organic Cotton Twill from Mood FabricsNote: The fabrics used for this project was provided to me by Mood Fabrics, in exchange for my participation in the Mood Sewing Network.

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My Trip to Egypt!

6 Feb

The Great Pyramids of Giza

All right, y’all! I’m home, I’m settled, my fabric has been pre-washed (oh yes, I bought fabric) and I’ve sorted through the mounds of photos I took during the 10 days I spent in Egypt. Now it’s time to post about it! To be honest, when I originally planned and booked this trip, I wasn’t intending on writing a blog post about it at all – like when I went to Peru, I was anticipating a personal trip that would basically only be beneficial to me (and also, this is SO not a travel blog. As you know!). However, I have gotten a lot of questions about the trip – what I did, how I planned it, did I feel safe, etc etc – while posting about it on Instagram, not to mention dozens of requests for a post. So, here you go. My trip to Egypt, 2017!

In an effort to keep this blog sewing-related, this will be the ONLY post I write about traveling to Egypt. That being said, it’s a looong one. Grab a cup of coffee and maybe a snack, you’re gonna be knee-deep in this one for a while! Those of y’all who don’t give a flying fuck about this content, great. This is the only post you have to skip over πŸ˜‰

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New Vogue Sewing Patterns! (+ a survey)

31 Jan

Hey everyone! I’m finally home from Egypt and nearly settled back to normal life. I will be writing a post about my trip after I finish sorting through the photos – in short, it was AMAZING and I had the best time!!! – and I also have my monthly MSN project to share! But in the meantime, I wanted to give a shoutout on behalf of my friends at the McCall Pattern Company.

MPC Logo

As you likely already know, MCP is responsible for McCall’s, Butterick, Vogue, and Kwik Sew sewing patterns. They are a small-ish company (smaller than you’d think, especially considering the massive number of patterns they publish each year) headquartered in NYC (which I visited a couple of years ago and it was pretty freaking awesome!), and make up 3 of what we consider the Big 4 when it comes to sewing patterns. I’ve sewn on their patterns for a long time – the majority of my sewing career, which spans a couple of decades – and the Vogue patterns especially are a key part to getting me where I am now in my craft. I learned so much from those designer instructions, and have made some really cool stuff! I know we – well, I, anyway haha – looove to poke fun at the ridiculous and awful Vogue offerings. It became a regular thing on my blog for a while there, and the only reason why I stopped writing those posts was because the patterns stopped being really terrible for the most part haha. It’s like, I dunno, they actually listened to us or some shit :P. Anyway, two things for this post today.

First, the McCall Pattern Company is currently on the manhunt for some feedback, for their on-going efforts to better support the sewing community. They want to know what you love, what you hate, and how they can better serve the people who are purchasing (or stopped purchasing, for whatever reason) their product. They reached out to me to see if I would share their survey with y’all, my readers, in order to expand their reach to a more diverse audience (and thus give them more data to work with that will result in – we should hope, anyway – a better product that delights all of us!). As much as I like to pick on them for the lols, I do truly love and respect this company, and I appreciate everything they do to keep those sewing patterns in rotation every season (and give us something to laugh at if said sewing patterns are terrible). I want to see them succeed and I selfishly want those products to get even better bc, duh, that absolutely benefits me (and you!). So with that being said – if you have 5-10 minutes and feel like talking about yourself, do us all a solid and fill out this survey. We all love talking about ourselves, this should be easy πŸ˜‰ Click here to take the survey, and we all thank you in advance! β™₯

On a second note – how about we talk about those new Vogue sewing patterns? Because they just released a new batch, woohoo! As I mentioned before, I stopped writing these posts because honestly the patterns stopped being really terrible. Which is great for us – and the company, ha – but not really conductive to those quarterly bouts of entertainment. Fair warning, the majority of the stuff in this collection is actually quite nice, but there are a few wtf ones thrown in there for good measure. Ah, Vogue, always keeping us on our toes.

V1537 1

V1537 2
Vogue 1537 / Kay Unger
LOVE this cocktail dress / jacket combo. It’s like a modern version of those vintage ones that I’m always drooling over. I love dresses’ shape – fitted, high neckline, interesting back view. And I like that the jacket is a slightly more modern shape than being straight-up vintage. The whole ensemble is just beautiful.

V1536
Vogue 1536 / Tom & Linda Platt
Love this one too. Simple dress, somewhat of a statement jacket (looks normal from the front, with a party in the back. Wait. Did I just describe a mullet?). Although I’m not sure if that jacket would look fucking stupid with anything other than that dress, but, it looks AWESOME with that dress so let’s just enjoy that small victory.

V1539
Vogue 1539 / Nicola Finetti
I want to like this, I do, but I also want to hate it. I think it’s the print on the print, which is a good idea in theory (I’ve always loved a sheer layer atop a solid layer of the same print, its interesting, dimensional, and beautiful), but not with that particular print. Also, those shoes are just awful. Go ahead and fight me over that.

V1535
Vogue 1535 / Badgley Mischka
I LOVE THIS AND I NEED AN EXCUSE TO MAKE AND WEAR IT ASAP OMG. I’d be the most elegant superhero in the entire fucking ballroom, y’all.

V1533
Vogue 1533 / Bellville Sassoon
I almost hyperventilated when I saw this dress, holyyyy shit. It is absolutely breathtaking. Ever since I crept hardcore on all the designer clothes at Bergdorf Goodman earlier this month, I’ve a brand-new appreciation for really interesting and artistic garments. This dress falls square into that category, and is exactly why I love Vogue Sewing Patterns.Β  I wish I was fancy enough to justify an excuse to make and wear this. Hell, I might do it anyway, and figure out the event later haha. I don’t use this term often, but homegirl looks fierce.

V1534
Vogue 1534 / Badgley Mischka
Ok, so the pattern for this dress is reasonably simple – it’s just a lined halterneck bodice with a contrast waistband, and a floor-length skirt. There’s nothing really spectacular about it. But I do love the fabrics that were used for this garment – its an absolutely beautiful dress. This is a great example of fabric choice making or breaking a garment. The sparkles are really appealing to my magpie tendencies.

V9241
Vogue 9241 / Kathryn Brenne
Katheryn. What the fuck is this shit. What the fuck are you doing.

V1531 1
Vogue 1531 / Julia Alarcon
I came here all riled up to hate this dress, but honestly, I really love it. It can definitely go terribly, horribly wrong depending on how that cowl gets worn – but when it’s good, it is real good. I love that giant collar and all the ways you can drape it around your neck to make the dress look completely different.

And while we’re talking about horribly wrong things…
V1531 3

SORRY, PALATE CLEANSER:
v1531 2

V1530
Vogue 1530 / Sandra Betzina
Ok, who’s brilliant idea was it to use auto upholstery fabrics to make this dress?

V9239
Vogue 9239
Hey look, another example of fabric choice making or breaking a garment. In this case, broke as fuck. Those bell sleeves look absolutely stupid when sewn up in a fabric that has that much body.

V9238
Vogue 9238
I just hate this so much.

V9246
Vogue 9246
GUYS WHY ARE THESE SHOES BACK IN STYLE, DID WE NOT LEARN OUR LESSON THE FIRST TIME AROUND?

V1540
Vogue 1540 / Sandra Betzina
Ok, Sandra, fine. You win this one. This one is nice. I’ll give you that.

V9245
Vogue 9245
Yikes.

V9243
Vogue 9243
I call this one, ‘Birthday Cake Couture.’

V9249
Vogue 9249 / Ta Fa
Is… this a pattern for a rectangle of fabric? Really? We’re doing that now?

V9248
Vogue 9248
Finally, a version of Trump with hands that are proportional in size to the rest of his body πŸ˜›

 

What did you think of the new Vogue patterns? Anything grab your eye and skip to the front of your queue? Anything make you cower in fear? Did you remember to take the survey? Let’s talk about it!

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Completed: Static Sweater

11 Jan

This was my last finished knitted project of 2016, and my first *blogged* knitted project for 2017!

Static Sweater

I finished it just in time, too – Tennessee has finally decided that it is indeed winter, and dropped the temperatures to match!

Static Sweater

I haven’t knit as many sweaters this year (or, in 2016) as I did in the past – when I started knitting, I was on a huuuuuge cardigan kick. I knit SO MANY FUCKING CARDIGANS. I still love cardigans, but I rarely wear those OG knits from my first couple of years as a knitter. Most of them were great for my lifestyle at the time – I worked in an office and I needed to cover up my shoulders to make my dresses more appropriate for work. Now that I’m not stuck in a dress code, I rarely wear cardigans in the summer, unless I’m anticipating some crazy A/C abuse (Tennesseans looove their A/C). I have found that I prefer to knit and wear full-on sweaters – when I knit in the round, there’s no purling (woohoo), so it’s faster, and I find them more versatile and easier to wear than cardigans. Again, I don’t live in a climate that really needs a million sweaters – so I focus my knitting attention primarily on socks these days haha. But it’s fun to knit a sweater every once in a while!

Static Sweater

Static Sweater

Static Sweater

I have been loving these marled yarns that seemingly EVERYONE is knitting right now, and I wanted a nice cozy turtleneck to add to my (tiny) sweater collection. Something with minimal shaping – but not overly loose – and long enough to cover my butt (I feel like the older I get, the more my butt gets cold. What gives with that? Do I have a sensitive butt now?). Finding the yarn was really really easy. Finding the pattern was another challenge in itself.

First, the yarn. I was given an opportunity to review some yarn from We Are Knitters, which I totally agreed to do because 1. Yarn is really expensive; and 2. We sell some of these kits at Craft South, so I thought it would be nice to actually see what they were about. Of course, I’m super cheeky so I asked for an entire kit to make my sweater – specifically, I had my eye on the Kide Sweater. I love that loose, slouchy shape, the not-too-tight turtleneck, and I thought it would look great in that Petite Wool spotted black colorway.

Similar to Wool and the Gang kits, the We Are Knitters kit includes everything you need to make and finish the project – in this case, I got the pattern, 6 balls of the Petite Wool (which is basically a bulky yarn), a set of US 11 straight wooden needles, a WAK tag to sew inside my sweater, and a plastic needle to weave in the ends. It came in a recyclable paper bag. The pricing structure is similar to Wool and the Gang, maybe a little bit cheaper. I think the stuff that comes with WATG is a little bit nicer, though – for example, the WATG needle (for weaving in the ends) is metal, and the WAK needle is plastic. The WATG knitting needles are rosewood, and they are suuuper nice. I was not very impressed with the WAK knitting needles – they are also wood (beechwood), but they just feel a bit cheap. Very lightweight and the tips are not smooth. They were the wrong size for my gauge, so I did not use them for this project. I also preferred the WATG yarn over the WAK yarn, but they aren’t exactly the same thing so I don’t know if that’s really a fair comparison.

The WAK Petite Wool yarn is really pretty, but it’s not the easiest to knit with as it is spun very loosely. It’s almost like a thin roving – it’s twisted just enough to get the two colors together, but because it’s not twisted very tightly, it’s prone to pulling apart or getting split with your needle when you knit into it. It’s quite lofty, which makes it a HUGE PAIN IN THE BUTT to unknit, since it really just wants to cling to itself forever. That being said – it feels good in the hands, knits up gorgeously, and is incredibly warm to wear. I have worn this sweater several times – including a 20 degree day in NYC this past weekend – and the cold couldn’t penetrate that barrier. It’s not super itchy to begin with, but I washed it in a Wrapture (which is a no-rinse wool wash with lanolin) and it got even softer. Love love love wearing this yarn.

My real beef with this kit was the pattern itself. The images on the website are really nice, which is what initially drew me in. However… it’s a pretty terrible pattern. It’s definitely very beginner-based, but I don’t think you’d end up with a nice sweater if you followed these instructions. The sweater is essentially knit in two giant pieces that get connected at the side seams. This includes the sleeves. So you start out really small, gradually increase until the piece is torso-sized, and then gradually decrease to the wrist of the second sleeve… then you sew the two pieces together all the way up the side and sleeve seams. I am not crazy about batwing sleeves on a bulky sweater (which is basically what this will end up being), and I feel like something knit out of yarn this heavy needs more structure to keep it from getting weighed down. I also don’t like the way this yarn looks sideways – which is how the stitches will end up, based on the pattern shape. Had I known this, I would have only asked for yarn, not a full kit – but unfortunately you don’t get to see the pattern schematics until it’s in your hands. So I scrapped the pattern and picked a different one, because at the end of the day – I’m the one knitting and wearing this sweater, and I want it to be something I actually truly love.

Static Sweater

Sooo, looking for another pattern ended up taking me WAY too long. It is apparently quite difficult to find a semi-fitted, turtleneck sweater knit out of a bulky yarn that does not have cables or lacework. I started with Caribou Trails, bc it had everything I wanted and I figured I could omit the side cable without any problems – but after downloading, I realized the instructions don’t include any neckline shaping. You basically knit the tube for the turtleneck and just go straight down. My WATG Teen Spirit Sweater is shaped like this, and it’s not the worst, but I don’t want to knit any other sweaters like that. Actual neckline shaping means the front dips a little lower than the back, and it doesn’t push against your collarbone. Caribou Trails got scrapped (bummer that I had to pay for it to learn this, but I’m not going to argue with a knitwear designer over $5, I mean, come on haha) and I resumed my search until I found Eased, which was WAY more up my alley! Good fit, good length, and the turtleneck almost looks like a hoodie without a hood. And it had that neckline shaping I wanted, so, sold πŸ™‚ The pattern I used is the version for bulky yarn, but I may go back and knit the version in the lighter weight yarn as well.

Static Sweater

Static Sweater

The pattern was super easy to follow, so not a lot to report there. I knit and washed a couple of gauge swatches until I settled on size 10 needles, which gave me a lovely feeling knit fabric. After washing, I figured that the back (purl) side looked much nicer than the front (knit) side, so I just knit the sweater as instructed and then turned it inside out after I finished it haha. I love the effect – the sweater looks like old-school TV static πŸ˜‰ As a side note, this Misfits song was stuck in my head pretty much the entire time I was knitting it haha

I knit the size 33 and the only fitting adjustment I made was to add another round of decreases to the sleeve so they’d be more fitted at the wrist. Something went haywire with my row gauge, btw – I calculated it in my gauge swatch, and measured carefully to ensure that the sleeves would be long enough (after measuring some of my other sweaters and deciding that 19″ was a good sleeve length for a sweater like this), but they still ended up too short. I didn’t realize it until after I wore it for a day and moved around a bit. That was pretty easy to fix – I just undid my cast-off, put the stitches back on the needles, and knit another 16 rounds (4″ with my gauge) in rib knit. I need to re-block the sweater as you can see a slight difference between the original rib knit ending and the new rib knit beginning, but I did this right before I left for NYC and I wanted to take the sweater with me. These photos are the original shorter length sleeves, fyi.

The collar is my favorite part, but man, those instructions are weird! You knit in the round, add yarn-over button holes (so far, so normal)… then instead of binding off, you whipstitch all the live stitches to the inside of the collar. I am guessing that the bind-off would make the collar lay weird, or maybe not be as stretchy, so I followed the instructions with a blind trust, but I was definitely a little concerned about just sewing down live stitches. It did turn out nice, though! The only thing I don’t like is how thick the top of the collar is, so I am going to focus on flattening that more when I re-block the sweater. I may also try a steam iron, we’ll see. One last thing – instead of doing a crochet chain drawstring, I just used black twill tape. I think it looks nicer, that is all.

Static Sweater

I do NOT know why the left sleeve looks so much shorter, ignore that! I promise they are the same length HAHA

Static Sweater

Static Sweater

Overall, I do love the yarn and the finished sweater. Not especially impressed with the pattern itself, although I think it’s probably fine for a super beginner who just wants to finish a sweater and not necessarily fuss over fine details. I think it is the same for the supplies that were included in the kit – they aren’t terrible, but they’re not the best quality I’ve used. A beginner who’s working on their first project wouldn’t know the difference, and wouldn’t have a problem with using them. But the yarn itself is fabulous to wear and I definitely recommend that, whether or not you decide to get the kit as well (you can buy yarn in bulk lots of 5 or 10, and it’s a little more discounted than buying the balls individually).

Speaking of balls of yarn, I only used about 4.5 to knit this sweater… so I still have another ball and a half to knit something else with. Probably a hat! If you have a good/plain beanie pattern suggestion (bulky weight yarn, approx 250~ yards), holler!

Static Sweater

On an unrelated note – I just got back from a full-on tourist weekend in NYC and, omg you guys, so amazing. I stayed in the Kimberly Hotel, which is way different from my normal housing – it’s not the cheapest hotel (rates start around $150/night), but it is really well-priced for the area it is in. It’s very central, and an easy 10-15 minute walk to lots of cool things -including the Garment District (YEP!), Central Park, the Natural History Museum – not to mention there are tons of great restaurants just in the surrounding blocks. In addition, there’s a sweet rooftop lounge with really good food and drinks, the rooms are quite nice (I think I might have had a spiritual moment every morning in that WATERFALL SHOWER) and the people who work there are incredibly good at what they do and incredibly intent on not letting you open your own door or hail your own cab πŸ˜‰ Not an experience I’ve ever personally had before, but now I see why people opt for those fancy hotels!

Since this was a fun / non-work trip for me, I did a lot more touristy-type stuff – although I did nip in the Garment District to grab a couple things (really, I got out of there with the smallest bag ever haha). If you haven’t checked out the Tenement Museum, PUT THAT ON YOUR LIST. It’s not really sewing related (I guess the workers were in the garment industry, but that’s about it), but it’s an AMAZING museum. One of my top 10 for sure. Another thing I really enjoyed doing was walking to Bergdorf Goodman and creeping on all the designer clothes. I only had an hour before I had to catch my flight home, but OH MY GOD I could have stayed there all day. I have never ever understood the appeal of designer clothes – but that stuff is so impeccably made, and it’s fascinating to look at. Some of the pieces made me want to cry over how beautiful they were, as cheesy as that sounds haha. And while I have always found designer stuff to be really over-the-top and kind of goofy looking, seeing it in person really makes you appreciate the artistic side of it. I never thought I would say that I love Gucci, but, their 2017 Resort collection is killer. And the Valentino 2017 Resort collection literally brought a tear to my eye when I was oogling over it. I NEED TO FIND THAT TROPICAL SILK ASAP.

Static Sweater

In other news, I’m heading out again this Saturday for my trip to Egypt! I won’t be posting on this blog during that time, so expect some silence. If you want to keep up with me via social media, I will be posting on Instagram (assuming I can get some internet signal over there haha), so you can follow that if you feel so inclined! Otherwise, I’ll see y’all later! β™₯

*Note* The yarn was provided to me by We Are Knitters, in exchange for a post review. Although they also supplied a pattern and needles, I used ones that I purchased on my own. All opinions in this review are 100% mine!

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