It just occurred to me yesterday that I never shared my Ginger Jeans that I made for my upcoming workshops! Fortunately, we had a weirdly sunny + 70° (look at how cool I am, I figured out the keyboard shortcut for making a degree sign lolz) day yesterday, so I jumped outside to take some photos! These aren’t the best – it was windy as hell, and for some reason I decided to take photos where I’d have to straddle over a fucking hole in the ground – but you know what, it works, and I’m moving on. I say this often, and it often bears repeating – no one comes to this blog for the stunning photography amirite.
Anyway.
These are my new jeans! I’ve made soooo many pairs of these Ginger Jeans that they don’t necessarily warrant their own post at this point (I mean, there are only so many times you can keep repeating the same pattern with no changes and expect people to find the information riveting haha), however, I did want to talk about this particular pair as I finally had a chance to make them in a new-to-me denim!
This denim is a super stretch denim from Robert Kaufman (FYI that’s an affiliate link). As I mentioned in my samples post, I chose this denim specifically because it was affordable, easy to source, and is great quality that is comparable to Cone Mills. I made all my workshop samples out of this denim – Robert Kaufman was generous enough to send me a couple bolts of the fabric; enough for 11 samples plus some extra so I could make a pair for myself! It’s an 8.6oz stretch denim, which is a hair lighter than most of the Cone Mills that people buy (I personally prefer the lighter weight, I find it more comfortable!). It’s also suuuuuper stretchy, which I love! Absolutely perfect for this jeans pattern.
Since this denim is indigo dyed, it is imperative that you prewash your fabric multiple times before cutting into it. It will shrink quite a bit, plus it bleeds a LOT! I only washed my samples once in cold water, and we all ended up with blue hands during class (true story; I went on a date immediately after the first night of my Nashville class and he totally called me out on that shit about halfway through haha). For these jeans, I washed + dried the denim three times before I cut it – twice with very hot water, and once with cold. This cut down significantly on the amount of bleed that I got, although they still bleed a tiny bit (not enough to damage, say, the upholstery in my car – but I do still notice a blue tint on my fingernails). Every single indigo-dyed denim I’ve used (especiallyyyy Cone Mills, oh god) does this, btw, but just be aware of it. Don’t carry a white purse, save your white undies for a different pair of pants, and for the love of god do not wash these in a load with anything but black fabric.
That being said, cutting down on the bleed does not actually fade the color. These are still super dark, even with all that hot washing.
Anyway, I made these a little over a month ago, and wore them on that first day of class so my students could see the ~jeans in action~. I’m happy to report that this fabric holds its shape really well – I’ve only washed these once since I made them (and even then it was mostly to try to bleed out more indigo, ha), and in these photos you are seeing them after about 4 days of wearing. No baggy knees or baggy butt! I still have a little bit of tightness at the calf, however, I have noticed with my more frequently-worn Gingers (i.e., the older ones) that over time the fabric will stretch and settle. I’m going to wear these a bit more and see if that happens with this fabric, before I slice up the calf and add more room on future pairs.
I also made the top I’m wearing, by the way! It’s a Grainline StudioHemlock Tee (which is free if you join their newsletter). I used a beautiful striped rayon knit from Finch, which I bought when I was there last year for a workshop.
For these particular jeans, I used the same notions that we offer students in my workshops (copper topstiching thread, matching rivets and buttons). Combined with the fabric and pattern, you can literally see what your finished jeans will look like.
BTW, I still hate setting rivets. I’m getting better at it, but I still hate it. I considered getting a special die for my snap setter, but then I realized I couldn’t drag it along to workshops (that thing is cast iron and it weighs a LOT), so what’s the point? I generally prefer the look of bartacks over rivets, anyway.
I won’t go into detail about fitting these; but you can read my Ginger Jeans tag to see previous posts about what fitting changes I have made to these jeans over time. Spoiler: It took many, many pairs with lots of tiny changes (and I’m still making changes!). Fitting is a journey, and a lot of things just aren’t clear until you’ve worn your garment around for a few days.
Flat-felled seams on the inside, quilting cotton pockets (1-2 fat quarters is all you need!), and of course a shitty little thread nest in there #honestsewing
In other news – I just had some more classes listed! You can see all my upcoming classes here on my class page, but for those who are just browsing – here are the new ones added:
March 24-25 / Jeans Making Intensive / Workroom Social, Brooklyn, NY (head’s up – we will be making a Workroom Social exclusive jeans pattern for this class! I am so excited about this one!)
August 18-19 / Jeans Making Intensive / Workroom Social, Brooklyn, NY (again, this one is using a Workroom Social pattern 😀 )
September 26-30 / Jeans & Wardrobe Basics Retreat / A Gathering of Stitches, Biddeford, ME (this one is a littttle different as we are focusing on wardrobe basics! There will be jeans-making, but there are also a couple extra days to make additional basics! Or, if you’ve already tackled jeans and wanted to try something else – such as a tshirt or button-up – bring it on!)
I have a few more classes in the works that haven’t been confirmed/listed yet (West Coast, I’m looking at you!), but I will share those as soon as I can! Other than that, pretty booked up for 2018! If you are a local shop who would like to discuss dates for 2019, please get in touch with me via email. If you are a person who wants me to come teach in your city, I encourage you to reach out to your local shop and tell them you’d like to see them host my jeans workshop 🙂
Ok, that’s all for this post! Happy Friday, y’all!
As I mentioned in my last post, I have a few workshops already lined up for the first few months of 2018 😀 I was hoping to include my sample jeans in this post, but I’ll be completely honest with you – this post ended up WAY longer than I was anticipating, so I am going to split my FO into a separate post. For this entry, I just want to talk about my upcoming workshops!
If you follow my Instagram, you may have noticed the madness when I decided to sew 11 pairs of jeans in mid-December. If that’s not crazy enough for ya, I finished all 11 pairs in LESS THAN A WEEK. Yea!! There’s a reason why my sewing industry friends call me Speedy 🙂
You’re also probably wondering why I made 11 pairs of jeans in the first place? Especially after announcing over and over that I have plenty of pants and I don’t actually need more (I’m gonna keep making pants anyway, sorry!). These jeans are actually samples for my upcoming Jeans Workshops!
When I first started teaching sewing back in 2014, the first place to bring me in was Workroom Social in Brooklyn, NY. There are a lot of reasons why I love working at Workroom Social and have continued to teach there over the years. Jennifer is incredibly brilliant businesswoman and teacher, plus we work super well together. One of the things she does in her workshops that I thought was SO CLEVER is to have all the sizes of the pattern made up in advance of the weekend, so that students can try the samples on. This helps them not only choose the correct size to start, but also gives the ability to do basic fitting adjustments without the need to make a muslin. I have always loved this idea and I think it’s one of many things that really sets Workroom Social apart from other sewing workshops.
Toward the end of 2017, I started thinking about what kinds of workshops I wanted to offer in 2018. I have gotten a lot of requests to bring my jeans workshops to other cities, but I was lacking the samples (I realize you can totally offer this workshop without the samples, but y’all – once I’d tried it, I didn’t want to do anything else haha). After some internal debate – as well as a few conversations with Jennifer about my plans (I wanted her blessing before I did anything – I am not in the business of stepping on anyone’s toes here, y’all) – I decided to bite the bullet and make up my own batch of Ginger Jeans samples. This ended up working out perfectly because Workroom Social is moving toward offering a different pattern for future jeans classes (something that is a bit more size-inclusive than the Ginger because, as I’m sure you know, there are plenty of people who fall outside the max size range in that pattern), so I can continue to offer workshops that feature this specific pattern without being in competition with other workshops that I teach.
Having already worked with these samples for the past couple of years, I had some ideas on how I wanted to improve my own set when it came time to make them: – Fabric: Hey, here’s a surprise for you – I didn’t use Cone Mills Denim to make my samples. I know this denim is the holy grail for sewing jeans – and for good reason, it’s a really wonderful fabric! However, it can sometimes be difficult for the average home sewist to source, and somewhat cost prohibitive depending on where you source it from (especially when you consider that you first pair of jeans may end as a wearable muslin). This was fine at Workroom Social because they were able to obtain rolls of the denim to provide to students as a kit, but y’all – I live in a small 2 bedroom house with limited storage, and I travel for my workshops. I ain’t about to buy stock in heavy-ass denim and schlep that shit around in a suitcase lol. Furthermore, Cone Mills just closed its White Oak plant at the end of 2017, which could potentially make the denim even harder to source in the future (or they move production offshore, or someone buys the plant to continue operating it – who knows? But I don’t want to bank on “maybe.”). So, with all that in mind – I wanted to make my samples out of a fabric that was easier for the average home sewist to obtain. – Washed vs Unwashed: Plain and simple, denim feels and fits differently when it’s washed. It is softer and has more stretch. I wanted my samples to be out of washed denim, to better mimic what the finished pair would feel like. – Familiarity with all sizes: Ok, this was NOT something I anticipated up front, but in hindsight this was a nice perk! Sewing every single size gave me a very hand-on experience with how they differ and how each one fits together. I don’t know if there is another person (other than Heather herself, obviously!) who has literally sewn every size in this pattern – but I have! Everything from fitting the pattern pieces on the fabric, to how the notches match up, even the differences in size grade. It was a surprisingly enlightening experience for me. As much as I’ve sewn this pattern up before and taught this class soo many times, y’all. I KNOW this pattern now. Like in a really creepy way almost haha.
So anyway, here are the details on my new samples:
– The denim I used is Robert Kaufman Super Stretch denim! At 8.6 oz, it’s on the lighter weight side – but in my experience, a lot of people actually prefer this over heavier denim (especially for very fitted jeans like the Gingers) – it makes for a more comfortable pair of pants that feel almost like leggings. Of course, using a heavier denim and/or one with less stretch is as easy as adjusting your seam allowances to accommodate, but this particular fabric is a great starting point. The fabric costs around $15/yard and is super accessible – most fabric stores carry Robert Kaufman! And as someone who has long used Robert Kaufman fabrics, I love their quality and the company has been so easy to work with. I’m pretty excited about this!
– The denim is washed one time, to remove the sizing and soften everything up. I was hoping this would also remove the indigo bleed, but it only did so a bit – it looks like 2-3 washes is the magic number (based on my personal sample pair). I love my students but idk y’all, I wasn’t about to sit and wash 30 yards of denim multiple times. You hands will be slightly tinted blue. Don’t wear white underwear and bring hand sanitizer lol.
– Each sample is sewn using the key pieces necessary for fit – front and back legs, yoke, full fly (zipper, shield, etc), and waistband. There are no pockets, no seam finishes (or hems), and there is only topstitching where necessary for fit. Furthermore, the waistband is uninterfaced, except where the button would go – this is what I prefer in my jeans, and it gives students the chance to see what that feels like when they try on the pair, so they can decide for themselves whether they want to interface their waistbands. Personally, I find it way more comfortable! I also left off the buttons – students simply pin the waistband shut when they try on the sample.
– The pattern is the Ginger Jeans pattern from Closet Case Patterns, available in sizes 0-20. My samples are View B, the high-waisted, skinny leg version.
– As a fun side note, each pair of jeans has a different colored zipper. I knew that giant box of 75+ vintage zippers in weird colors that I bought at the flea market AGES ago would eventually come in handy! 😉
To get everything sewn up in a timely fashion, I had to set things in stages. Due to the number of pairs and them all being different sizes (in all the same fabric, no less), I was unable to batch sew these like one would in production. I literally sewed each pair one at a time. I found that the fastest way to do this was to cut everything first (again, individually) and batch all the pieces together with the size clearly marked. Then, starting with the largest size and working my way down – I sewed each pair of jeans from start to finish. For fun, I timed myself – the first pair took 52 minutes, but by the time I sewed that last pair I was actually down to 32 minutes!
And then I got really into it and a little time-lapse video of myself sewing one of the pairs of jeans. Because I am a huge nerd.
I also totally broke my sewing machine during this process. At some point, I sewed over a zipper (a nylon zipper, I might add) and hit it at juuuust the right angle that it snapped the needle and everything went completely haywire. I had somehow managed to completely jack up the timing – my needle was hitting the needle threader on it’s way up, and not picking up the bobbin thread. I am lucky that we have an incredible sewing machine dealer + repairshop in the area, so I brought it to him and he was able to get everything fixed and back to normal by the next morning! I can’t even tell y’all how much I love my dealer – highly recommend them if you are in Nashville and shopping for a Bernina!
Ok one last nerdy thing! Doing the same sewing process over and over (and over and over) actually gave me some wonderful insight for finishing the waistband! In the past, I (and probably most of y’all) have attached it the waistband from the right side, then turned the facing (inside) to the inside and pinned it, then topstitched from the outside. This is unnecessarily fussy and I don’t know about you, but I always end up with a little section of facing that didn’t get stitched down. Jennifer had mentioned a few times in the past to flip and attach the facing first, then topstitch from the outside – which I’ve done before with other garments when it’s in the round, but I couldn’t get a clean finish right at the zipper opening. Well, y’all – 11 pairs later, I’ve definitely got it down! So here’s a mini tutorial:
Assemble your waistband as normal (sew the waistband to the facing along the top and understitch one side), then press the seam allowance of the WAISTBAND (the side that is not understitched) under to the inside. I press about a scant less than the seam allowance – so a 5/8″ seam allowance gets pressed a little between 1/2″ and 5/8″ (this allows the waistband to fully cover your stitching). Sew the facing to the top of your jeans, with the right side of the facing against the inside of the pants, like so. It will look totally wrong at this point. Trust.
Now fold the short ends of your waistband in half, with right sides facing, and the connecting line of stitching (not the understitching) right along the top of the fold. Sew across the short end to close.
When you turn the ends right side out, the waistband should fall right into place, covering the seam allowances.
Then you just pin everything down and topstitch! Since the facing was already attached, you don’t have to worry about catching it in your topstitching 🙂 Here’s another hint – start at the center back, that way your backstitching gets covered by the belt loop.
So now I want to talk about my classes! Jeans Making has been pretty popular and I am excited to take this class ~on the road~ since I realize that not everyone can come up to NYC to take a sewing class (and also, I’m selfish and I like to travel haha). I have taught this class several times at Workroom Social, and learned a lot about teaching these workshops – what works, what doesn’t work, and what I might want to change for my own classes (very little- like I said, Jennifer is VERY good at what she does! There’s a reason why I keep working with her, she is amazing and the classes at Workroom Social are wonderful!).
The main thing that Workroom Social focuses on in their classes – and I focus on as well – is the overall experience of the class. Yes, you are there to learn and we want you to learn as much as you can and feel empowered by your knowledge! But even beyond that – we want you to have FUN in the class. Based on what my students tell me, this is not always the case – which kind of makes me sad, and also explains why there are lots of people who get scared off from sewing after a single class. I always strive to give my students the very best experience, and give them my full undivided attention during the entirety of the class. This is why I rarely have photos from classes (unless someone else took them), or post on social media during my classes – I’m not using my phone in class because I want to be 100% involved with my students. I am also a firm believer in that there is no “right” or “wrong” way to do something – you do whatever works! Sewing isn’t like baking, it’s like cooking – whatever gets you the result you want is the “right” way to do it. My classes are less about doing things perfectly and more about having a good time, learning a lot, and actually finishing your project. Then when you go home and make that next pair of jeans – that’s when you can work on the perfection side!
One other thing about my classes that may be a little different – I don’t try to keep students at the same pace the entire time. If that means I have to repeat myself 10 times during a class, that’s ok (seriously, you’re not going to fluster or bother me haha)! I realize that everyone learns differently and operates at various speeds, and I don’t want to punish half the class for being at a different speed. Faster students can blaze ahead and not be bored, and the slower students aren’t stressed about keeping up. I find this to be a very positive overall experience, both in terms of people actually learning shit and also keeping the vibes of the class high.
The only thing I changed with my solo jeans classes is the time involved. Classes at Workroom Social are 2 full days. While you can definitely finish a pair of jeans in that time – I’ve had classes wrap up as early as 3 hours before the end time before – it can also be a little rushed sometimes. Workroom Social also speeds things up by having the patterns pre-traced and cut, and also providing lunch in the studio. After some thinking, I realized the fitting/cutting portion was really the big roadblock here – so for my classes, I am moving that to its own half day. This makes my classes 2.5 days, but those extra hours make a big difference (plus it makes things a little easier if you’re traveling to take the class – you can fly in that morning). Students have 4 hours to try on the samples, choose their size, cut or trace their patterns, make basic fitting adjustments if needed, and then cut and mark their fabric! Next two days go straight into sewing, with a little extra time built in so it’s not as rushed – and you can chat! Or take a break! Finish early? Cool, I’ll do some demos or talk about what shit you want (jeans-related or not)! Or we can drink and hang out and celebrate! I don’t care, we are here to have fun!
Oh yeah, one last thing – if you fall outside the size range of the Ginger Jeans pattern, that is ok! The Ames Jeans pattern from Cashmerette is available in sizes 12-28 and for two different body types (apple or pear fit). While I do not have samples available in this pattern, you can absolutely use it to take my classes and get you a pair of jeans that fits YOU. In other news, I cannot tell you how excited I am that Jenny released this pattern. I may or may not have fangirled for like 2 weeks straight haha.
Ok I swear I’m wrapping up! Here are my upcoming classes through the beginning of May (you can also see these on my Classes Page 🙂 )
Jeans Making Sewing Intensive March 24th – 25th Workroom Social / Brooklyn, NY
Pfft y’all didn’t think I leaving Workroom Social, did you? THEY CAN NEVER GET RID OF ME 🙂 This 2 day workshop in beautiful Brooklyn is all about jean-making – rumor has it we will be sewing a custom Workroom Social jeans pattern in this class 🙂
Ginger Jeans Workshop April 27th – 29th SOLD OUTÂ // May 1st – 3rd Stitch Sew Shop / Alexandria, VA
Two dates for this one! Choose either Friday – Sunday (Update: The weekend is now sold out!) or Tuesday – Thursdsay (maaaaybe you are thinking about going to the Sheep and Wool Festival that weekend? ;)). This is another one of my 2.5 day workshops where we will make Ginger Jeans!
If you are a shop who would like to host me for a Jeans Workshop, please get in touch! I still have a little bit of availability for the second half of 2018 🙂 I am especially interested in teaching on the west coast or in the UK!
If you read this entire post and you’re still somehow still here – if we ever meet irl, I totally owe you a drink haha!
Ok, I’ll be back soon to discuss my jeans made with the Robert Kaufman fabric! Have a great day, everyone!
I don’t like the cold – like, at all – but I do love the clothes that are associated with this season. Layers, textured fabrics, WOOL, dark colors and jewel tones… gimmie all of it. Flannel button-ups are at the top of my list. I love that they can be worn solo and buttoned up, layered under a sweater, or layered over a tank or tshirt and left to swing free in the breeze. Snaps at the cuffs make it easy to roll the sleeves up, snaps at the button band make it possible to Hulk out at the end of the day (don’t pretend like you don’t do this with snap-up shirts, you liar).
I have a few handmade plaid flannel shirts, all of which I love to wear, so I put a short hold on adding to that stash. I finally allowed myself this year to make 2 more – both out of plaid cotton flannel from Mood Fabrics. This is the first of the two. I haven’t taken photos of the second one yet, but rest assured – it’s almost the exact same as this one, just a different colorway. Because if I am anything, I am consistent haha.
Sizing-wise, I cut a size 0 (which is the size I pretty much always sew with Grainline). One thing I did change with this pattern was to increase the seam allowances at the side and sleeve seams to 5/8″ – the included seam allowances are 1/2″, and I actually sew them at 5/8″ since I like to flat-fell those seams. I’ve noticed that my shirts are pulling ever-so-slightly at the bust now (told ya I’ve gained some weight. And also an entire cup size, ughhhhh), so I added in that extra 1/8″ and the fit is much better now!
As I mentioned, all seams are flat-felled so there is a nice clean finish on the inside. I used a super lightweight interfacing so that everything would stay nice and soft – I didn’t want a stiff button placket in contrast to the otherwise floppy fabric. Everything is topstitched in black, and I used black snaps for closures.
My cotton flannel was found at the Mood Fabrics store in NYC, back in August. I had a hankering for a new flannel, and I wanted one that was soft and lightweight, like it had already been worn to death. I found this and another similar flannel in a different colorway, both of which work perfectly with the color palette that my closet has ended up morphing into. Since flannel tends to shrink up quite a bit, I washed and dried my fabric three times before cutting into it. I kept the sleeves slightly on the long side, again, in case they decide to shrink up (my first flannel shirt has quite short sleeves now!).
I think that’s all I can say about this make! I’ve already worn it loads and I look forward to some hardcore layering here in the next few months 😀
A couple other things of note:
1. Yes, I made my jeans! They are Gingers that I made with veeeeery stretchy twill fabric (like, they are almost jeggings haha I love them). Just some basic black pants that don’t necessarily warrant a whole post. However, here’s a shot of the butt (and my new belt) (and this shirt, too, apparently lol)
2. Yes, that’s a new hair color! After a REALLY long time (for me anyway haha) with the same color, I decided I was ready for a change! I love the new color so much!
** Note: The fabrics used in this post were provided by Mood Fabrics, in exchange for participation in the Mood Sewing Network.
Gah, it has been WAY too long since I made a pair of pants – according to my blog, that last pair was published in a February! LAME, TIME TO RECTIFY IMMEDIATELY.
Also, damn, my hair has gotten long since then. It seems to grow soo slowly until you look back and realize you’ve really gained some inches over the months, yay.
Anyway, Ginger Jeans! Again! I love this pattern so much, it’s definitely my pants TNT. The style is so classic, I can make a million pairs and have no one be the wiser that I’ve been wearing the same pattern for 6 months straight. I’m still tweaking the leg fit, but I really think the waist/hip fit is nailed down solid. And I love how it looks in different fabrics. While I primarily make this pattern up in denim, I’ve really wanted to try more colorful stretch twills. And here we are with that!
Sorry in advance for the terribly quality of these photos. Navy is almost as difficult to shoot as black, who would have thought!?
Anyway, I bought this navy stretch cotton twill from Mood Fabrics, back when I was in the NYC storefront in March – specifically with the intention of making myself some sweet pants out of the yardage. It’s a good stretch bottomweight for the kind of pants I like to wear – a lighter bottom weight (it’s still technically bottom weight, however, it’s about the lightest you can get away with – if that makes sense!) with a really good, solid amount of stretch. I have learned that I don’t like wearing really heavy fabric as pants – just don’t care at all for the way it feels. Maybe I’m sliding quickly into knit-fabrics-for-every-garment fabric territory, but I really like lightweight, super stretchy fabrics on my booty. Since that’s so freaking DIFFICULT to find with denim (get the right weight, and you lose out on recovery. Get the good recovery, and it’s like wearing raw denim in terms of stiffness, ew), cotton twill is where it’s AT. Bonus if that shit is colorful. I like colorful things.
This cotton twill seems to be a lot more along the lines of a cotton sateen, to be honest -it’s pretty shiny, for one. I rather like the effect – I think it looks a little more luxe than just a normal pair of pants – but as you can see, it highlights EVERY SINGLE wrinkle that shows up. It makes these pants look a lot more ill-fitting than they actually are… not that anyone would notice, except someone else who sews/fits, but it is what it is. I ain’t worried about it. Coupled with the fact that I like to wear my pants as skintight as if they are basically painted on, it’s pretty much wrinkle-city up in here. That’s ok, though. I will live.
I wanted to improve on the fit of my last pair – the full calf adjustment has been good in terms of allowing room for my calves and reducing the amount of knee wrinkles, however, I wasn’t happy with how wide the ankle ended up as a result. This is part of the reason why I’ve been reluctant to make this pattern again until now – that, and it’s been way too hot to wear pants for the past few months 🙂 Anyway, I have that Ginger Jeans Intensive at Workroom Social this week, so I wanted to make the pattern before I left just to brush on the construction. Which meant that I also had to figure out the leg situation. Boo.
Ultimately, I figured that since the full calf adjustment was kind of the same concept as a full bust adjustment – i.e., you slash and spread to add width to a certain part of your pattern – then reducing the circumference of the ankle would basically be the opposite of that, like a small bust adjustment.
Here is my pattern piece after adding that extra room for my calves. As you can see, quite a bit of width was added at the ankle – 1 1/8″, to be exact. I wanted to reduce that amount without actually reducing the calf width, and also maintain the grainline of the pattern so the fabric wouldn’t twist and go all haywire (this is why you can’t just… shave down the side seams to remove the width. I tried that on the jeans with a basting stitch and it was just AWFUL. Did not work at all).
My Y-shaped slash and spread worked to add that width, so I did another Y-shaped slash right around where my calf starts to taper back into “normal width” category, using the super scientific method of holding the pattern piece up to my body and drawing wild lines on the paper with a pencil. (btw, that second slash line was my first try – and I realized it was way too low, so I taped it back together haha)
Instead of spreading, I overlapped the pieces together so that the original pattern paper (without my brown craft paper addition) butted up as normal right at the ankle. As you can see, it makes a very gradual curve to the side seams – they bellow out a little where the extra width is needed, and then gently curve back to their normal width tapering to nothing at the ankle. I also straightened the grainline, after I took the photo. Sorry bout that.
I had no idea if this was going to work – this is how I do my pattern adjustments (if I can’t find the answer in a book, anyway): mulling over the issue for a few months, doing some wild slashing that seems legit, and then cutting them off into shorts if it doesn’t work 🙂 Fortunately, it worked! I still have the room I need for my calves, but the ankle is fitted as it should be. And I ended up with pants instead of having to cut them into shorts, so woohoo me:)
The only other change I made to these pants, in terms of construction, was how I applied the topstitching. I usually use topstitching thread – whether matching or in a contrast color – but I didn’t have any of that on hand when I made these pants (to be frank, I barely had ANY navy thread at all during this phase. I did have a bunch of bobbins filled with navy thread, which is what I used as my main thread hahaha AND MIRACULOUSLY HAD ENOUGH YAY). Instead, I used normal polyester thread – just whatever you’d use to, I dunno, assemble a garment – and set my machine to sew on the Triple Stitch. The Triple Stitch automatically lengthens your stitch just a few mm, and then sews over the same stitch a couple of times – which results in a nice, thick, dense stitch. It looks great for topstiching and solves the problem of not having the proper thread. I actually like it better than using topstitching thread, as you are less likely to get thread nests on the underside of your fabric! The only downside is that it is a giant ass bitch to unpick, so definitely be really really sure of what you’re sewing 🙂
Anyway, I used the Triple Stitch to topstitch all my seams – including the flat-felled seams. To keep my lines even and consistent, I used my edgestitching foot to get that 1/8″ from the seamline, and then my 1/4″ foot for the second pass. The bartacks are just teensy little zigzag/satin stitch blobs, using the same navy as the topstitching. I didn’t add any rivets or contrasty anything to these pants – I wanted them to be plain and a little sleek. The pocketing is the same striped cotton I use for pretty much all my pocketing – I bought a shitload of that yardage ages ago at Mood Fabrics, and it’s like the gift that keeps on giving forever haha 🙂 I kept the longer length, just so these don’t end up being super high-waters after a couple of washes, but they look good cuffed, too 🙂
I have only had a chance to wear these once since finishing them, so I can’t 100% comment on the recovery of the stretch fabric – but at the end of the day on their inaugural wear, they stayed pretty tight and did not bag out. I’m interested to see how long they keep their shape before bagging happens, but so far so good, I think!
** Note: The fabrics used to make these pants were provided to me by Mood Fabrics, as part of my participation in the Mood Sewing Network. In case you were curious, the gingham for that shirt is also from Mood Fabrics 🙂 it’s Butterick 5526 !
Well, it’s finally too cold to take photos outdoors.
Hello, wall!
Anyway, I made another pair of Ginger jeans – and finally used up my second piece of the Cone Mills denim I’ve been hoarding since I bought it last year (FYI, in my last post it was brought to my attention that Threadbare Fabrics also sells Cone Mills denim by the yard. I haven’t ordered from them yet – but it made it much easier to cut into my precious stash knowing that I could get more of the stuff. Yay!). This is the lighter weight of the two denims I received in my kit; I think it’s a 10oz. It’s thinner and a little stretchier than what I used in my previous pair, and I like it a lot more. Actually, it’s almost identical to the denim I used in my very first pair of Gingers – same color and everything. I realize I essentially made two pairs of the same pants, but that first pair is starting to show it’s age (saying that I wear them a LOT is a huge understatement), so I am just thinking I’m ahead of the curve for once.
I was originally saving this denim to make a pair of flares – either using the Ginger jeans flare expansion add-on (um, btw, how genius is that idea?!) or the new Birkin flares that everyone is obsessing over, but in the end I just decided to remake my ol’ TNT (especially since the fabric on the first pair is a bit subpar quality, and one of these days I might have an unfortunate butt-rip happen. Hopefully not in public. I am wearing cute underwear at all times just in case, though). Like I said, I can reorder more of the Cone Mills, so perhaps there will be flares in my future. Just not this pair. No ragrets.
I wanted to improve on my last pair – they’re ok, but the bunching at the knee really bothered me way too much. I tried to research what the issue was – some people suggested that I might have knock-knees which is causing the bunching, but I’m pretty sure that’s not the case (I definitely don’t look like I have knock-knees, anyway). One of the comments in my last jeans post suggested checking out Cation Designs as she has a few posts on pants fitting. I usually refer to my pants-fitting bible, Pants for Real People, as it has never steered me wrong. However, this particular fit issue wasn’t covered in the book (I think it’s a product of tight/stretchy jeans, which they certainly don’t show any of in the book hahaha), so it was good to have a back-up resource! And this post in particular is FANTASTIC – plus, I think I found my solution! Yay! The #10 Hyperextended Calf alteration sounded like what I was dealing with – the calves of my tight pants are always REALLY tight, which then causes them to ride up and bunch at the knee (I have muscular calves, so this makes sense!). I did this alteration to my jeans pattern, adding 1 1/8″ to the calf (this was just a wild guess; I wasn’t about to slash up a pair of pants to figure out the exact amount I needed). It worked pretty well, but I think I could stand to add even a little more width. How they are now, though, is pretty magical -they only bunch a little, and I think that’s just from moving around. I don’t have giant folds of denim hanging around my knee. It is AWESOME. However, I am not a huge fan of how big it makes the ankle – I can deal with this pair, but on my next pair I would like to figure out a way to keep the tightess at the ankle while still allowing some room in the calf. Anyone have suggestions? Just tapering the ankle at the side and inseams doesn’t work, FYI. haha.
Other than that one alteration, not a lot of changes to this pair. I added the length back and then removed about 2.5″ – I wanted them to be long enough to pool a little at the ankle. I used my original Ginger pattern – the one before it was updated with a pocket stay – and sewed the size 2 instead of the 4. Topstitching and all that is pretty simple – one color of jeans topstitching thread. I did add an X to one leg in lieu of a bartack. Kind of a riff on the + on my I+W jeans haha. What, they’re made of the same denim!
This silk cami is something I made ages ago and completely forgot to photograph for my blog! It’s a Ruby Slip that I modified to include gathers at the bust and silk bias finishing on the edges and straps, and then shortened to cami length. I made this slip a couple of years ago out of some really amazing 4ply silk, and I love how it looks so it was only natural to use it for a cami pattern.
The silk I used is a really wonderful new silk from Organic Cotton Plus, called Peace Silk. I really love OCP and I’ve been happy with all the fabrics I’ve received from them, and this silk is pretty fantastic too. It’s a wonderful lightweight, organic silk, with a feel similar to a thicker china silk or a less crepey crepe de chine. Really easy to work with, and feels amaaaazing after a wash in the machine. It’s called Peace Silk because it’s produced in a way that does not kill the silk worm and instead allows it to emerge from the cocoon first. While I definitely have no problem eating meat or wearing animal fibers, I thought that was a pretty neat solution! Plus, the name just makes me happy 🙂
That’s about all I have left to talk about, so here’s a bunch of pictures of my butt:
And some flat jeans shots:
Everything was constructed on my Pfaff 7570, and topstitching was done on my Bernina 350PE. I used regular black poly thread for piecing, and Gutterman jeans topstitching thread for the topstitching. The aqua serging thread is just a fun color that matched my pocketing (which I got from the free fabric pile at A Gathering of Stitches because GOD it’s beautiful!) and my zipper (from the Garment District!). I wanted to add rivets, but they need to be trimmed down and I apparently don’t own wire cutters anymore, womp womp.
Overall: A+ jeans, would sew again (and I will – I have enough Cone Mills left to make a couple pairs of jorts! HA HA HA IT NEVER ENDS).
In closing, two things:
One, here is my Calvin Klein ~modeling~ shot. Can’t you see people just banging down my door to be a jeans model? Gah.
Two, the Spiegel 60609 winner! Yay! First of all, I cannot BELIEVE how many entries that giveaway got – over 1,100! That’s definitely the biggest one I’ve ever hosted on this blog (and I guess y’all agree with me that one should never say no to a free sewing machine, amirite). Thank you for blowing up my email last week and making me feel super duper popular haha. I enjoyed reading everyone’s comments – and yes, I read every single one of them! – but there can only be one winner:
Congratulations, thefilling!! I want to also mention that this comment filled me with delight – although, what is exactly is a snapback hat? (Can I see a picture? Can you tell me more about this cheeseburger print? We have a lot to discuss, dude) We will be in touch to get your new 60609 out to you ASAP 😀 😀 😀 Happy belated Valentine’s Day!
If you’re still trying to holler at the 60609, watch this space – I have some upcoming projects and tutorials that use the machine so you can see it in ~action~. And if you don’t care about the 60609, well, I hope you at least find the content interesting 🙂
I’ve been swimming through muslin hell this whole week (crazy me decided to even make a SECOND MUSLIN to verify all my changes, wtf who am I turning into amirite), but fortunately, I have an old make from pre-Maine that I can share with y’all! Jeans! Yay!
Remember when we were all scrambling around to buy those fancy Cone Mills Denim kits with our Ginger Jeans earlier this year (and last year too, for that matter)? I’m so happy that I made space in my budget for one, because Cone Mills denim is awesome. It’s the same denim they used to make Imogene + Willie jeans (which I can personally vouch for as I own 2 pairs – they wear really well and hold their shape beautifully, which means I never need to wash them in order to shrink ’em back down at the end of the day), and although the kit wasn’t cheap – it is certainly cheaper than buying the actual jeans. By the way, if you’re thinking, “Where the hell is this kit so I can buy one???” I’m sorry to be the one to tell you that they were on limited pre-order, and have been sold out for a while now 😦 Hopefully there will be more where that came from!
EDIT I have just been informed that Threadbare Fabrics sells Cone Mills Denim! Yay!! I apologize in advance for those who end up emptying their bank accounts after reading this post 🙂
Anyway, the point of that somewhat sales-y sounding paragraph was to say that I finally used one of the pieces of my denim for this pair of pants. I received the kit way back in April and have been anxious to sew it up, but I wanted to wait until it was actually something closer to pants-season before I got too excited.
Also, just a head’s up before we delve too far into this post – sorry in advance for all the weird bobble-head shots. I didn’t realize my camera was tilted so much, and I don’t care enough to retake the photos. Also, there be VPL in most of these pictures. Not sorry about that! Deal with it!
The denim itself is what really counts when it comes to a good pair of jeans. You want a material that is a good medium weight (not too light, but also not too heavy) and if it has stretch, an awesome recovery. The single thing that’s plagued me the most when it comes to making my own pants is finding material with a good recovery! I hate having my pants bag out by the end of the day – it’s annoying enough for every day life, and utterly useless if you’re traveling and don’t have access for a quick wash (or just plain don’t own a washer and dryer, which was totally my situation up until we moved this year!). Plus, washing denim too much can fade out the color and cause the fibers to break down faster. I like my jeans to be a really deep, dark indigo blue, so fading isn’t my first choice. Figuring out fabric recovery is really difficult to do without actually wearing the fabric – which means you have to sew it first. So whenever someone gives me a head’s up on some good stretch bottomweight, I tend to snap it up without hesitation. I knew the Cone Mills denim was good stuff, so I’m glad I was able to get my hands on some before it sold out.
Having made this pattern numerous times made me feel confident enough to break into my mega-expensive denim for the pair you see here. I knew I already had the fit pretty good, so I could focus more on visual details with this version. That being said, there are a few changes to this pair that aren’t evident in my previous makes.
The biggest change is that I went up one size, to a 4. While I like the fit of the 2 (all my other Gingers are 2s, fyi!), I’ve gained a little bit of weight over the summer and I got this weird paranoia that I was in denial about my size. Those 2s are great and super comfortable, but the legs are so tight that they look painted on. I was horrified at the thought of people thinking I was trying to squeeze into a too-small size, so I went up to the next size. I think the 4 definitely fits better, but the are a little different. Namely – those wrinkles at the knee. What is the deal with those? The calves aren’t too tight (they are looser than the tightness on my 2s, and my 2s don’t wrinkle like that), so that’s not the issue. Maybe they’re too loose at the knee and need to be taken in a bit? Thoughts? Btw, the wrinkles look worse in photos than they do in real life!
Since I was going up one size and I don’t trace, I had to reprint the pattern. I know Heather updated the Ginger jeans pattern at some point last year, and I had both an original version (that I got when it was first released) and an updated version (that came with my purchased denim kit). I printed the new version so I could try it and compare to the original one. I don’t recall exactly what changes were made to the jeans, but there are some slight differences in the rise and the shaping around the crotch and hips. The waist is definitely a lot higher than it is in the original version – and this was after I shortened the crotch. The major difference in the updated version is the pocket bags – instead of normal jeans pocket bags, there is a drafted pocket stay (also called an instant tummy tuck).
With a pocket stay, the pocket bags go all the way across the front into the fly. This helps pull everything in and give you a smooth line in the front (hence the tummy tuck name). I wasn’t sure if it would be comfortable, but I tried it anyway and I’m glad that I did! I don’t care about smooth lines or whatever (I mean, c’mon, I’m basically always rocking dem VPLs. Death to thongs!), but what I do love is that the pockets stay in place when you pull your pants on. You know how tight pants always have to get the pockets shoved back down after you go to the bathroom? Not with these babies! Plus, since the pocketing isn’t folded over anywhere, there isn’t a weird bump at the coin pocket. I never was a fan of that.
Damn, shoulda pressed those insides before taking the photo. That fly shield wrinkle looks awful.
All the topstitching and jeans-y details are what really made these fun to sew up! I just love the way jeans topstitching thread looks when sewn up against denim, so good. I kept my I+W jeans on hand and used their stitching colors as inspiration for this pair (here’s an old post where I took close-ups of the jeans right after I bought them, if you’re curious). The kits came with the zipper, button, rivets, copper topstitching thread and denim needles. However, you can buy all that stuff individually as well – Taylor Tailor has most of it in his supply shop for really reasonable prices. I did buy the orange topstitching thread from Taylor Tailor, which I think looks awesome next to the gold topstitching.
Now that I’ve overloaded you with pictures of my butt and crotch, here are some flat jeans shots.
As you can see, I used the orange topstitching thread pretty sparingly – just for the bartacks and belt loops. I can’t say I thought of this myself, as I pulled the inspo straight from my I+W jeans. They also use a third topstitching color in the second line of stitching, which is not something I did with this pair. Also note that the I+W jeans don’t use rivets, but I did use them here. I love hammering those things in and I think they really finish off the jeans nicely. I just kept them on the front pockets and coin pocket – I don’t like the look of rivets on the back pockets.
Again, using my I+W jeans as inspiration – I flat-felled only the back yoke seam, and serged + topstiched the leg seams (this will make it way easier to take in the legs if I need to, so yay!). I used orange thread in my serger, which mimics the orange bartacks. I LOVE the way it looks!
Whew! Sorry about all that cat hair!
This is my absolute favorite little detail of these pants – the side leg bartack is a little L for Lauren 🙂 On my I+W jeans, they have a little + sign on one leg in place of a bartack, and I thought, hey I can do that with an L. It’s only on one side, and it’s quite subtle unless you already know it’s there.
Welp, that ended up being a super long post! Do you see now why I love making jeans so much? All the little details are so fun and make the end result look extremely professional. Not to mention, all the customization options – from fit, to denim, to topstitching details. I’m so glad Heather released the Ginger pattern and I’m even happier than we were able to get some of that fancy-ass denim to make it up with! I still have one more piece for one more pair of jeans – and I’m thinking I might do the low-rise version next. Could be fun!
Today’s post features a two-fer – a top AND shorts! Woohoo! Be prepared for a slight photo overload ahead.
I’ll start with the top. This is the Scout Tee from Grainline Studio. It’s your basic woven tshirt with a scoop neck and a relaxed, boxy fit below the bust. I know everyone and their mom has made this pattern already, and I’m only a few years behind on the bandwagon! Honestly, the pattern didn’t appeal much to me until recently – I generally prefer to wear more fitted shapes, especially at the waistline. This was a bigger deal in the past when I had a larger bust – but the girls have shrank over the years, which has made me feel a little bolder about experimenting with different shapes and silhouettes, since I don’t feel like my waist is being quite as swamped as it was in the past. Plus, loose styles are waaaay more comfortable in the summer heat, since they allow a better airflow (I know most of you are thinking, “No shit, Sherlock,” but I have ignored this for most of my adult life! Cut me some slack!).
Anyway, I quite like this style on me! I guess it’s still not the most “flattering,” but I’m kind of getting to the point where I don’t care quite as much about flattering. That’s one major difference I’ve noticed about being 30 vs being 20 – I don’t really give a shit about looking ~sexy~ every time I leave the house. I’m also sure my long-term relationship has a stake in this as well, but I’ve been in long relationships in the past and my attitude was definitely the opposite. Wearing loose-fitting anything – especially around my waistline – is a pretty new style territory for me, one that I’m starting to slowly explore and actually wear out in public. Also, it’s damn comfy.
Back to the pattern! I cut the size 0 and shortened the hem by a couple of inches to give it a more cropped length (but long enough so that it still covers the waistband of my pants). The pattern was really easy to put together – it’s just a front and a back, little cap sleeves, and a neckline bound with a bias facing. I like that it fits through the shoulders and the bust, then falls straight down to the hem. Even though it’s loose, it doesn’t look sloppy. One thing I noticed is that the shoulders tend to pull toward the front – since I used a different fabric for the back, this is a lot more noticeable. It doesn’t bother me at all – I actually like the way it looks, to be honest – but I’m also not sure if it’s part of the pattern, or a fitting issue. Thoughts?
(ps, sorry about the wrinkles – like most of my makes lately, these were taken after a full day of wearing)
The fabric is what really makes this top shine, though! It is GORGEOUS, amirte?! This is a pretty special piece – it’s handwoven here in Nashville! The company who makes this beautiful cotton fabric is Shutters & Shuttles. I don’t know if they even sell yardage anymore, but they used to. I believe they sell yardage to local designers, which – ding ding ding! – is where I got my little piece from. Back when Elizabeth Suzann used to sell limited-edition tops made with this beautiful handwoven fabric (and other colors/styles of fabric as well), she had a whole stash of it. Eventually, the limited edition ended and Elizabeth’s line moved in a different direction. And then she destashed the studio, and this piece ended up in that stash bag I was telling y’all about. It was a very small piece, so it took me a while to figure out what to do with it. A lot of Georgia Tees were made using Shutters & Shuttles fabric, and they all looked awesome, so I followed that lead with my own boxy tee. Scout Tee it was! Except that I didn’t have *quite* enough fabric to cut both fronts and backs, so the fabric sat on my shelf for several months while I looked for a good color match.
When I made my coral B5526, the coral voile was stored right next to this fabric, and I realized that they were perfectly matched. Which was lucky enough in itself, because this is a really weird (albeit beautiful) coral to try to match. I bought another yard on my next Mood order, and used the voile to cut the back of this tee. I also used the voile for the bias facing at the neckline – it’s a much lighter weight with less bulk than the handwoven cotton, so it sits on the neckline a little better (plus it looks pretty on the inside!).
I got these little tags in an order from Grey’s Fabric awhile back, and I think they are so cute! I wanna be a crafty fox!
To crop the hem, I just folded up an extra-deep hem allowance and topstitched it. One, because I like the way the shirt hangs with the extra weight at the hem, and two, because I wasn’t sure if this whole slightly-cropped-tshirt thing was going to be my jam next summer. I might change my mind and want it to be longer (or even shorter, I dunno), so I left the hem allowance there as a bit of a safety measure. And also a big ol’ dangly thread, it seems.
Now for the shorts!
I made Jorts – or Gorts, as I am calling these (jorts is a really annoying way to say jean shorts, in case you were wondering!)! Remember when I utterly failed at that shit last year? Man, those shorts look fucking stupid in retrospect. What was I thinking? And if you were wondering – I never wore them beyond that blog post. They were just tooo uncomfortable and I was terrified the zipper was going to bust. They sat guiltily in my dresser for a few months before I finally chucked them.
Anyway, I’m glad I failed at that shit because I learned some very important Sewing Life Lessons:
1. Don’t make jorts out of a pattern intended for trouser shorts. It looks fucking stupid. Better to start with a jeans (pants) pattern and cut it short accordingly.
2. Jorts need fancy jean topstitching, or they aren’t proper jorts. And, they look stupid.
3. Until you figure things out otherwise, jorts need some stretch in the fabric, else they won’t be comfortable.
4. For zipper security, there needs to be a bartack connecting the fly shield to the front of the pants. This is EXTREMELY important. That’s why my zipper kept breaking on the fail pair – pulling the shorts on and off was putting way too much stress on the bottom of the zipper, which caused it to break. I eventually figured this out by inspecting a pair of my jeans – the bartack that hits right at the curve of the fly topstitching is intended to take the stress off the zipper, so you can pull on and off your tight pants. I had left that bartack off, which made my pants weak right at the crotch (kind of like most men lololol amirite)(sorry).
So, with those lessons in mind, I re-attempted the jorts. These are way better! Not perfect, but better. I know they look pretty wrinkly in these photos, but again, those are wearing wrinkles – not fitting wrinkles. Well, maybe a couple of them are fitting wrinkles. I am human, after all.
I call these Gorts because I used the Ginger jeans pattern to make them! Ahahaha aren’t I clever! I just love this pattern and I spent a solid chunk of my time in Peru dreaming about making more jeans because I just looove all the detail that goes into the topstitching – but knowing that I don’t need jeans right now, because it’s way too hot! So I was happy to compromise with shorts instead. To make the pattern shorts-appropriate, I just measured the inseam of my favorite shorts and cut that length + 1″ from the inseam of the pattern. In retrospect, I should have added a little more length so that I would have a proper cuff (I didn’t plan these to have a cuff, but they were too long once I’d already hemmed them and I didn’t feel like-rehemming). Maybe next time! Also, if I go with the future cuff, I need to widen the bottom of the shorts at the hemline, because they are a little tight at the thigh (cuffs need to be wider so that when they flip up, they are the right width. This is hard to explain without pictures, so here’s an example in this book I found. Thanks, Google Books!). Giving them a good stretch when I put them on helps, though.
For fabric, I used a stretch denim from Mood Fabrics. The weight was perfect, but the stretch was a little less than what the pattern calls for (which I determined the unscientific way by comparing it to the denim I used to make my first pair of Gingers). I added 1/4″ to the side seams to accommodate for this, but they are still a little bit stiff. The other bummer is that this fabric has a severe bleeding problem – the first time I wore these jeans, they rubbed indigo dye all over the inside of my purse. I was carrying the only nice purse I’ve ever owned, which HAPPENS to be white. Wah!! I was able to get the majority of the discoloration off with a stain remover, but now I’m afraid to sit on anything remotely light-colored. I washed the denim a second time with a cup of vinegar in the wash to set the dye, but they are still rubbing off a little.
All in all, though, I’d say these are a good practice run! When I finally make my fancy Ginger jeans with the Cone Mills denim kit that I bought earlier this year, I am hoping that I’ll have enough leftovers to make some solid Gorts. We’ll see! Pants first!
Anyway, photos:
Every time I make jeans, I want to experiment with different colored topstitching thread & serger thread – but I always punk out at the last minute. With these, I used bright blue thread for the button hole – baby steps! It also matches the lining and the serger thread.
Oh, right, and the backside of the button hole is emerald green 🙂
For the topstitching, I used my new 1/4″ foot. THAT THING IS AWESOME. There’s a dull blade that sits exactly 1/4″ from the needle, to help you align your stitching and ensures erfect parallel lines every time. Totally worth the $$$ I spent on it. Although I should probably focus on my bartacks next – those clearly need a bit more work. My machine doesn’t have a setting for bartacks, so I have to trial-and-error with experimental zigzagging.
You can also see that I changed up the positioning of the rivets – they are only on the front pockets. The pattern has you put 2 rivets on the back pockets, which I did with my first pair, but I never really liked the way it looked. RTW jeans don’t typically have rivets on the back pockets – ok, ok, SOME DO, but not the majority! – and I thought it made them look sort of homemade. I also recall reading, like WAY back in the past, that the original Levi’s didn’t have rivets on the back pockets because they would get too hot when the gold miners sat next to a fire. Full disclosure, it was a research paper on the history of jeans/Levi’s that my cousin wrote for one of her classes in high school, and I found it because I was snooping in her room when she wasn’t home (what? She had a really cool Barbie Dream House that she wouldn’t let me play with). That one statement was really fascinating to me and has stuck with me through the years (although I don’t remember anything else about the paper). This would have been around 1992-1993, so yeah, a while ago (and yes, I realize we are talking about a paper written by a high schooler, back before you could use the internet for research – so obviously I can be completely off my mark here). A quick Google tells me that the rivets also scratched cowboy’s saddles, which might be another reason why the back pockets ones were eliminated. Either way, I think they look weird and out-of-place on the back pockets. So front pocket rivets only for me!
And that’s it for this outfit! Tell me – has your style relaxed as you aged? Do you find yourself experimenting with new silhouettes, or do you stick with the tried and true? How do you feel about rivets on the back pockets of jeans? Do you think the cowboys were onto something?
