Tag Archives: vogue

Vogue Spring 2018

12 Apr

New Vogue patterns are out! This season, they were kind enough to give us a nice mixture of awesome and wtf.

V1587_01
Vogue 1587 / Nicola Finetti
I’m just gonna go out and say it – this is one of the ugliest dresses I’ve ever seen. Those ~statement sleeves~ combined with the cold shoulder look + strappy top just give the effect of droopy boobs trying to pretend like they don’t know each other. Oh, and don’t forget the unintentional culottes thanks to that weird curved hem. Seriously, who is wearing this shit? This designer has tons of cute stuff, but somehow manages to only license the ugliest shit for Vogue patterns. Whyyyy.

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Vogue 1589 / Guy Laroche
Despite the waterfall boob, I was gonna let this one slide. Then I saw the COMPLETELY OPEN BACK. Again- who is wearing this shit? How does the back stay in place? Do you get sideboob if you’re not careful? Does bending a certain way risk buttcrack? Asking the important questions here.

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Vogue 1577 / Guy Laroche
Who wore it better?

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Vogue 1591 / Rebecca Vallance
Ok, I actually like this. It’s not my style (not into the jumpsuit or the open back jam), but it’s super cute and I think this is one of the best versions of this sort of look I’ve seen yet. It’s pretty trendy but it’s still quite wearable, and the model looks great.

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Vogue 9318
Want to take your “secret pajama” dressing to the next level? Cut out the middleman and just wear a pillowcase!

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Vogue 9319
Fuck me, I am actually super into this. This is absolutely nothing practical about this look whatsoever but I would wear the shit out of it.

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Vogue 1585 / Rachel Comey
Vogue 1585: The Dress With the Built-In Fart Catcher

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Vogue 1583
I initially thought this top had a hoodie, and I was 100% digging it, but now I see it’s just a sad excuse for a sailor collar and I don’t know what to trust anymore.

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Vogue 9317 / Marcy Tilton
When your shirt doesn’t fit right and you’d rather try to hack some afterthought darts than re-fit the entire thing.

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Vogue 9314 / Kathryn Brenne
Is this… an updated Walkaway Dress??  How did it manage to look worse?

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Vogue 9315
Not all heroes wear capes, but these bitches ain’t letting that stop them.

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Vogue 9316
Hello, I am your present.

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Vogue 9323 / Elizabeth Gillett
Mostly just including this so we can discuss THAT SWIMSUIT. I am disappointed that it’s not included in the pattern (although I do like the cover-up options!), because I’m curious to know what kind of interior structure is included to give the model that amazing cleavage. Seriously, she’s basically got a butt under her chin. Incredible.

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Vogue 9306
Let me tell you exactly what this reminds me of:

What did you love (or hate!) about this collection? Are you just here to complain about my swearing (spoiler: save yourself the effort, I don’t careeeeeee)? How do you feel about 9320? My opinions on this one are mixed, and I can’t tell if I just like it because of the fabric choices they used.

Vogue Patterns: Spring 2018

25 Jan

Well I was planning on posting a sewing project today, but Vogue just released their newest seasonal offering of sewing patterns and I actually have opinions for once! Yay! I swear, the last several offerings have been very… vanilla. Which is great for them, but not so great for snarky posts. Hence why these tend to be so infrequent. It’s hard to poke fun when there’s nothing to poke fun at 🙂

Anyway, let’s get on it!

V9303
Vogue 9303 / Marcy Tilton
Featuring a handy snack pocket, perfect for stashing some tots.

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Vogue 1579 / Badgley Mischka
I mean, I hate the cold-shouldered look too but c’mon man you don’t have to be so dramatic about it.

V1581
Vogue 1581 / Tom & Linda Platt
When you cut your hem crooked and try to pretend like you did it on purpose and it’s actually a design element.

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Vogue 1576 / Tom & Linda Platt
Ever wanted to pretend like you were a flying squirrel? Well, I’ve got a pattern for you…

V9307
Vogue 9307 / Julio Ceaser
You could hide an entire turkey in those sleeves.

V9292
Vogue 9292
Even the model looks bored with this pattern.

V9296
Vogue 9296
Aaaaaaaand now she looks high.

As a side note: I know I am going to get a lot of backlash for this, but I cannot wait until this cold shoulder look goes out of style. It just reminds me of this fucking Replicant shirt I used to own when I was in highschool:


Yeah, I thought those little tiny shoulder slits were suuuper cool. Also, the shirt was very sparkly haha.

Ok, moving on!

V1575
Vogue 1575
Ok, for real I actually like these pieces separate. But together, they look too art teacher chic. And not, like, fun art teacher chic but like… frumpy grumpy art teacher who doesn’t allow actual artistic expression and maybe even took over finishing your project for you because she was such a fucking control freak about it. That kind of art teacher. Anyone else have one of those? Just me?

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Vogue 9299
Really?

V9304
Vogue 9304 / Kathryn Brenne
I don’t even know where to start with these. The front yoke just looks like she’s wearing her pants backwards, especially combined with those weird-ass pockets. The real kicker is how they are sewn on – the corners are loose, left to flap casually in the breeze.

I do like that sweater, though.

Completed: A Very Festive Brocade V8998

26 Dec

After many years of saying I was gonna do it and then never actually doing it… I made a Christmas party dress!

Vogue 8998

I wanted something sparkly and festive to wear to Christmas parties (before you think I go to fancy parties… I don’t. I have consistently been the most overdressed person at every party this year, not that I’m complaining!), but every year I put it off until it’s too late. This year, I was determined to use my Mood allowance to make something fabulous, so I forced myself to start early. I’m so happy it paid off!

Vogue 8998

With this make, I chose fabric before the pattern. I had an idea that I’d like to make my dress out of a sparkly brocade – a fabric that I don’t have a lot of experience with. I generally prefer a fabric that has less body, plus, my lifestyle doesn’t really warrant a need for fancy dress. This seemed like a good opportunity to jump out of my comfort zone a little, so I waited until I was back in NYC for another workshop and used that change to stop by Mood Fabrics store to pick my brocade.

I’m not going to lie – I spent over 2 hours in that shop trying to decide. There are sooo many options, it’s a bit overwhelming! I had a couple of things in mind to narrow it down – I wanted a fabric that was primarily black, gold or silver (so I could wear it with my turquoise heels), and I was budgeting $50/yard or less (you’d be surprised how expensive brocade can get! I only needed 2 yards, which helped a lot). I wanted something that was more floral than abstract, and nothing that was super dimensional (I don’t like puffy brocade, I’ve learned). Even with those terms narrowing it down, there was a LOT of fabric to wade through. God bless all the people at Mood who helped me pull bolts and kept their grumbles to themselves every time I changed my mind. I’m sure it helped that I was there on a slow weekday morning, but still! I must have been annoying. Those people are saints haha.

Anyway, I found this fabric and eventually settled on it (someone else was considering it for their wedding party, and decided against it – so she was happy to see me buy it instead!). What you see in my photos is actually the wrong side of the fabric – the right side is more dimensional with silver + gold, as you can see here. I had a hard time deciding what size to use – and even asked IG for opinions – but ultimately decided that the wrong side really made my heart sing. Plus, it looked better with my turquoise shoes (and also, someone on IG pointed out that it looked mature and tbh I just couldn’t see past that after that fact haha). Wrong side it was, then! I did consider adding in a bit with the right side for contrast (such as at the waistband), but upon pinning the pieces to my dressform, it definitely did not work. Rather than look cool, it looked like I made a mistake. So I scrapped that idea and just went with the wrong side all over.

Vogue 8998

 

Vogue 8998

For my pattern, I used Vogue 8998. I cut a size 6 at the shoulders and bust, grading out to an 8 at the waist and hips. I made view E, but changed the skirt gathers to soft pleats. A quick muslin of the bodice showed that I needed to remove about 1″ from the shoulder to make it fit better, and I also removed 2″ from the skirt length before cutting. I made no other fitting changes.

Construction-wise, I mostly followed the pattern but changed a few things to suit me + my fabric. I did not interface the entire bodice – I get why they have you do it, but I felt like my brocade had enough body where it wasn’t needed. I did interface the midriff with silk organza, just to give it some extra stability. I also changed out the lapped zipper for an invisible zipper.

The whole dress is lined in black silk charmeuse, which gives the garment a bit of weight and makes it feel SUPER luxurious when I’m wearing it. There is 2″ wide horsehair braid at the hem to give the dress a bit of extra volume. This is one area that I totally deviated from the instructions. They have you attach the horsehair to the lining and then sew that to the outer fabric, so everything is encased… but I wanted my layers to be separate (mainly so I could show people the “right” side of the fabric haha). So I sewed the horsehair to the outer, and rolled the hem of the lining.

Vogue 8998

After a little bit of internal debate, I also added pockets (also out of silk charmeuse). I figured it would be nice to have a place to hold my phone (or stolen snacks), and I’m glad I did!

Vogue 8998

Oh, right – AND I made a matching clutch, using all leftover fabrics + my new Cricut Maker! More details on that in the next post 😛 But doesn’t it look great with my dress? haha!

Vogue 8998

Vogue 8998

Vogue 8998

Despite this being a fairly fancy, pretty $$$$ dress made with fine materials… it was really easy to sew. It’s just a basic dress (I mean, style-wise it’s technically a sundress, you know?) that is fully lined with a center back zipper. There aren’t a ton of pieces, and while I can’t say that the silk was the easiest thing I have ever cut… the brocade was super easy to work with. It doesn’t shift around, it pressed fine with high heat + a press cloth (sorry, I’m terrible but I use high heat for everything haha), and all my hand stitches disappeared which made hand sewing the hem very satisfactory! The only downside to brocade is that it sheds like CRAZY… so I just serged all my seams (even the ones that are completely covered by lining) to prevent them from fraying more. I am still finding sparkly bits of brocade in my studio. It’s kind of great.

Vogue 8998

Vogue 8998

I love the shape of the bodice, and the wide waistband.

Vogue 8998

Vogue 8998

Vogue 8998

Vogue 8998

Vogue 8998

Vogue 8998

Here you can see the “right” side of the fabric! 🙂

Whew! All right, sorry, that was a load of photos. I am so excited about this dress, though, it’s been a while since I worked on such a big, fancy project!

Vogue 8998

I’m happy to report that I have now worn this dress 4 times – 3 parties, and one night out with my coworkers for fancy drinks! It’s super comfortable to wear, and the silk lining makes it a touch more warm than I expected. A couple of the parties I went to were waaaay more low-key than this dress would require, but it actually looks super cute with my cropped Chuck sweater worn over it with a belt.

Anyway, that’s all for this dress! I’ll be back later this week to talk more about the clutch I made to go with it 🙂

**Note: The fabrics used in this post were provided to me by Mood Fabrics, in exchange for my monthly contribution to the Mood Sewing Network. All opinions are my own!

New Vogue Sewing Patterns! (+ a survey)

31 Jan

Hey everyone! I’m finally home from Egypt and nearly settled back to normal life. I will be writing a post about my trip after I finish sorting through the photos – in short, it was AMAZING and I had the best time!!! – and I also have my monthly MSN project to share! But in the meantime, I wanted to give a shoutout on behalf of my friends at the McCall Pattern Company.

MPC Logo

As you likely already know, MCP is responsible for McCall’s, Butterick, Vogue, and Kwik Sew sewing patterns. They are a small-ish company (smaller than you’d think, especially considering the massive number of patterns they publish each year) headquartered in NYC (which I visited a couple of years ago and it was pretty freaking awesome!), and make up 3 of what we consider the Big 4 when it comes to sewing patterns. I’ve sewn on their patterns for a long time – the majority of my sewing career, which spans a couple of decades – and the Vogue patterns especially are a key part to getting me where I am now in my craft. I learned so much from those designer instructions, and have made some really cool stuff! I know we – well, I, anyway haha – looove to poke fun at the ridiculous and awful Vogue offerings. It became a regular thing on my blog for a while there, and the only reason why I stopped writing those posts was because the patterns stopped being really terrible for the most part haha. It’s like, I dunno, they actually listened to us or some shit :P. Anyway, two things for this post today.

First, the McCall Pattern Company is currently on the manhunt for some feedback, for their on-going efforts to better support the sewing community. They want to know what you love, what you hate, and how they can better serve the people who are purchasing (or stopped purchasing, for whatever reason) their product. They reached out to me to see if I would share their survey with y’all, my readers, in order to expand their reach to a more diverse audience (and thus give them more data to work with that will result in – we should hope, anyway – a better product that delights all of us!). As much as I like to pick on them for the lols, I do truly love and respect this company, and I appreciate everything they do to keep those sewing patterns in rotation every season (and give us something to laugh at if said sewing patterns are terrible). I want to see them succeed and I selfishly want those products to get even better bc, duh, that absolutely benefits me (and you!). So with that being said – if you have 5-10 minutes and feel like talking about yourself, do us all a solid and fill out this survey. We all love talking about ourselves, this should be easy 😉 Click here to take the survey, and we all thank you in advance! ♥

On a second note – how about we talk about those new Vogue sewing patterns? Because they just released a new batch, woohoo! As I mentioned before, I stopped writing these posts because honestly the patterns stopped being really terrible. Which is great for us – and the company, ha – but not really conductive to those quarterly bouts of entertainment. Fair warning, the majority of the stuff in this collection is actually quite nice, but there are a few wtf ones thrown in there for good measure. Ah, Vogue, always keeping us on our toes.

V1537 1

V1537 2
Vogue 1537 / Kay Unger
LOVE this cocktail dress / jacket combo. It’s like a modern version of those vintage ones that I’m always drooling over. I love dresses’ shape – fitted, high neckline, interesting back view. And I like that the jacket is a slightly more modern shape than being straight-up vintage. The whole ensemble is just beautiful.

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Vogue 1536 / Tom & Linda Platt
Love this one too. Simple dress, somewhat of a statement jacket (looks normal from the front, with a party in the back. Wait. Did I just describe a mullet?). Although I’m not sure if that jacket would look fucking stupid with anything other than that dress, but, it looks AWESOME with that dress so let’s just enjoy that small victory.

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Vogue 1539 / Nicola Finetti
I want to like this, I do, but I also want to hate it. I think it’s the print on the print, which is a good idea in theory (I’ve always loved a sheer layer atop a solid layer of the same print, its interesting, dimensional, and beautiful), but not with that particular print. Also, those shoes are just awful. Go ahead and fight me over that.

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Vogue 1535 / Badgley Mischka
I LOVE THIS AND I NEED AN EXCUSE TO MAKE AND WEAR IT ASAP OMG. I’d be the most elegant superhero in the entire fucking ballroom, y’all.

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Vogue 1533 / Bellville Sassoon
I almost hyperventilated when I saw this dress, holyyyy shit. It is absolutely breathtaking. Ever since I crept hardcore on all the designer clothes at Bergdorf Goodman earlier this month, I’ve a brand-new appreciation for really interesting and artistic garments. This dress falls square into that category, and is exactly why I love Vogue Sewing Patterns.  I wish I was fancy enough to justify an excuse to make and wear this. Hell, I might do it anyway, and figure out the event later haha. I don’t use this term often, but homegirl looks fierce.

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Vogue 1534 / Badgley Mischka
Ok, so the pattern for this dress is reasonably simple – it’s just a lined halterneck bodice with a contrast waistband, and a floor-length skirt. There’s nothing really spectacular about it. But I do love the fabrics that were used for this garment – its an absolutely beautiful dress. This is a great example of fabric choice making or breaking a garment. The sparkles are really appealing to my magpie tendencies.

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Vogue 9241 / Kathryn Brenne
Katheryn. What the fuck is this shit. What the fuck are you doing.

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Vogue 1531 / Julia Alarcon
I came here all riled up to hate this dress, but honestly, I really love it. It can definitely go terribly, horribly wrong depending on how that cowl gets worn – but when it’s good, it is real good. I love that giant collar and all the ways you can drape it around your neck to make the dress look completely different.

And while we’re talking about horribly wrong things…
V1531 3

SORRY, PALATE CLEANSER:
v1531 2

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Vogue 1530 / Sandra Betzina
Ok, who’s brilliant idea was it to use auto upholstery fabrics to make this dress?

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Vogue 9239
Hey look, another example of fabric choice making or breaking a garment. In this case, broke as fuck. Those bell sleeves look absolutely stupid when sewn up in a fabric that has that much body.

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Vogue 9238
I just hate this so much.

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Vogue 9246
GUYS WHY ARE THESE SHOES BACK IN STYLE, DID WE NOT LEARN OUR LESSON THE FIRST TIME AROUND?

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Vogue 1540 / Sandra Betzina
Ok, Sandra, fine. You win this one. This one is nice. I’ll give you that.

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Vogue 9245
Yikes.

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Vogue 9243
I call this one, ‘Birthday Cake Couture.’

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Vogue 9249 / Ta Fa
Is… this a pattern for a rectangle of fabric? Really? We’re doing that now?

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Vogue 9248
Finally, a version of Trump with hands that are proportional in size to the rest of his body 😛

 

What did you think of the new Vogue patterns? Anything grab your eye and skip to the front of your queue? Anything make you cower in fear? Did you remember to take the survey? Let’s talk about it!

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Completed: Hand-Dyed Blue Silk Vogue 1395

24 Jul

Ahh, Vogue 1395. First, I made you up in cherries, and it was good. Then, I modified the shit out of you and made you up in silk plaid gingham, and it was good. And now, we’ve come full circle back to square one. And that’s good, too.

Vogue 1395, hand-dyed silkSometimes, ya just gotta stick with the ol’ TNT’d version, amirite? Vogue 1395, hand-dyed silk

I am also realizing that I took way too many pictures for a dress that will essentially warrant the same post as the cherry original, but, you know, whatever. My blog, my rules. I was having a good hair day that day. And my back yard looks BEYOND gorgeous. I will never tire of all that green!

Vogue 1395, hand-dyed silkVogue 1395, hand-dyed silk

Speaking of gorgeous- how about that hand-dyed silk that I used? I can’t take any credit for it (other than the actual sewing of the garment) – it was given to me by Elizabeth after a big studio clean-out. She made me an entire grab bag, full of mostly silks – some stamped, some natural, some dyed (in both solid colors and what you see here), and all of them amazing. I think a lot of this was leftover from discontinued collections, but some of it was from her personal stash. Needless to say, this is a woman with fabulous taste in fabric and I was really happy with everything she gave me. I also spent WAY too long agonizing over what to make with it! It was so special and I was afraid to cut into it only to later regret using it in case I later ended up having better idea.

Vogue 1395, hand-dyed silkThis piece of hand-dyed silk crepe was probably my favorite. It’s so thick and lush and it has an amazing drape. I love the soft colors so much. Pairing it up with V1395 seemed like the best idea – a pattern that I already know fits and sews up well, that I know I love to wear. I actually made this way before I even left for Peru – so, it’s been in my closet for more than a month at this point. ha. Vogue 1395, hand-dyed silk

Vogue 1395, hand-dyed silkI can’t think of anything else to say about the pattern that I haven’t already gone over in my previous posts. The giant arm hole issue has now, thankfully, been fixed, although the neckline is strangely a bit wider than it is in the cherry version (probably due to fabric choice – this crepe is a heavier than the silk cherries). I didn’t follow much in order of construction – this is made with French seams and machine-rolled hems, both of which were a lot easier than what the pattern directions were asking me to do. I also used my own method for applying the binding, again instead of following the directions. The finishing on this dress is definitely an improvement over the last dress.Vogue 1395, hand-dyed silk

Here, you can see both the arm hole and how the dress looks untied. As well as what I guess is now my superhero pose. Damn, that arm hole still looks low. It’s ok, though, because the overwrap covers it when it’s tied.

Vogue 1395, hand-dyed silkVogue 1395, hand-dyed silk

Vogue 1395, hand-dyed silkVogue 1395, hand-dyed silk

I love all the little details on this dress… especially the elastic waist. Totally buffet-friendly! 🙂

Vogue 1395, hand-dyed silkVogue 1395, hand-dyed silk

Vogue 1395, hand-dyed silkVogue 1395, hand-dyed silk

The skirt in this pattern is lined, and while I tried to get away with not lining it – I realized that the silk is pretty freaking see-through. It’s not so bad on the top, because of the overlay, but the skirt was pushing being almost sheer. For these sorts of linings, I prefer to use china silk, as it’s really thin and lightweight. Of course, I had NONE of that on hand and I didn’t feel like ordering any, so the lining I used is just white silk crepe. It makes the skirt a bit thicker and heavier than I’d prefer, but at least it’s not see-through!

Vogue 1395, hand-dyed silk

I always have a hard time cutting into fabric that is given to me – sometimes it takes me YEARS to actually settle on a pattern. I’m always paranoid that I’ll have an even better idea later down the line, and be pissed at myself for already using the fabric. But that’s kind of a crappy way of looking at things – I mean, it’s not like the fabric is doing me any good just sitting on the shelf, you know? So it feels good to get past that and actually use some of the gorgeous stuff that’s been given to me!

With that being said – I have a few more pieces that I finally cut & sewed that were also on the “too nice to actually use for something” list, so watch this space for those! Who else has dream fabric that they’re afraid to cut into? Maybe we should start a support group!

New Vogue Sewing Patterns: Fall 2015

14 Jul

Aaaaand they’re back again! I was actually right in the middle of working on a project (no shit, I just turned on my iron so I could start fusing interfacing once it was good and hot) when I noticed that Vogue had released Fall 2015 patterns. Took a quick lurk, and I’m afraid my poor project is just gonna have to wait because I have opinions and I need to share them right now!

V1466Vogue 1466 // Donna Karan Vogue 1466 – the jacket with a it’s own SARS mask! V1465

Vogue 1465 // Donna Karan

Forreal, tho, how low are those armholes? Looks like we’re fixin to head into sideboob territory any minute now. V1458 1Vogue 1458 // Ralph Rucci

I can’t wrap my head around this dress. The front looks ok (if you ignore the eye-searingly hideous fabric it’s made up with) – I’m all about some interesting seam lines à la Ralph Rucci, except that big diamond on the side just looks like a really shameful attempt at patching a hole. Then I looked at the back: V1458 2

The hell is going on back here? That wonky neckline just looks like a mistake (and now I’m noticing the wonk on the front neckline, too, ugh) and the horrible exposed darts are making me feel twitchy (especially considering they look like they’ve barely been pressed and now they’re all puffy and sad). Is the patchwork diamond pulling down that side of her dress with the weight of it’s shame? Straight outta the funny house, this dress. Ralph Rucci, ILU but why you gotta do this to yourself your patterns?? V1460Vogue 1460 // Badgley Mischka

“Ugh, when is this bitch going to shut up? I have to pee sooo bad.” V1462

Vogue 1462 // DKNY

“Hello, Ladies…”

V1461Vogue 1461 // DKNY

“You don’t understand – this is an Alaïa! It’s like a totally important designer!”V1459

Vogue 1459 // Koos Van Den Akker

I… sort of like this? Someone send help, I’m losing it.

V1467Vogue 1467 // Anne Klein

This is a seriously gorgeous jacket! The shiny buttons are cracking me up, though.V1467 2

Good day, sir!

V1463Vogue 1463 // Anne Klein

Now including eyebrows for your boobs – a must-have for the season’s fashion. V9127 1V9127 2Vogue 9127 // Vintage Vogue

Holy shit, the seaming details on this pattern are amazing. Total eye candy. Look at those little arrowhead tacks! Eep! I would totally make this just for the fun of it (and then never wear it, bc when the hell in my life does a dress like this fit?)V9135

Vogue 9135 // Kathryne Brenne

No words for this one. I think the picture is hilarious enough on it’s own.

V9140Vogue 9140 // Marcy Tilton

Oh my god, you guys – Marcy Tilton made something that actually looks normal! V9128

Vogue 9128

Who the hell chose this wretched print combination?

V9139Vogue 9139

~~ Haters gonna hate ~~ V9142

Vogue 9142

Not even an adorable little child can save you from this mistake of an outfit.

V9143Vogue 9143

VOGUE. WHAT IS HAPPENING. WHAT ARE YOU DOING. V9144

Vogue 9144

“Come and play with us. Forever… and ever… and ever.”

the-grady-twins-copy

What are you loves/hates from this collection?

Vogue Spring/Summer ’15 Sewing Patterns

10 Apr

New Vogue Sewing Patterns were just released the other day! What better way to celebrate their arrival (and give myself a little more time to procrastinate getting my shit together, mostly because I CAN’T FIND MY CAMERA REMOTE, ARGH), than to rip apart the latest offerings? 😀
V1451Vogue 1451 // Donna Karan
“Hey, Ambular. Was that you going through my laundry?”
V1450Vogue 1450 // Guy Laroche
“As if! Like I would really wear something from Judy’s.”
V1444Vogue 1444 // DKNY
I know there is a whole class of sewists dedicated to making sure that their insides look as pretty as the outside (both hands raised bc I’m totally part of that camp!), but this shit is taking that to the next level.
V1446Vogue 1446 // Rebecca Taylor
Did seriously no one bother to tell this poor girl about the toilet paper stuck to her shoe?
V1454Vogue 1454 // DKNY
Vogue 1454: Includes butt canopy.
V1447Vogue 1447 Tracy Reese
REALLY cute dress pattern, awkward fabric choice.
V9100Vogue 9100
koolaidFirst thing that comes to mind every time I see that damn ripped paper background.
v9108Vogue 9108 // Marcy Tilton
As usual, Marcy Tilton does not disappoint.

V9117Vogue 9117
I’m having a really hard time trying to figure out the storyline behind this photo. Was she working on home renovations before going to lunch?
V1452Vogue 1452
Ladies, if this ensemble isn’t fabulous enough for you, just know that you can also make it out of stretch velour.
V1453Vogue 1453
Sandra Betzina, what the fuck have you done now?
V9115Vogue 9115
Kimono-no-no.
V9114Vogue 9114
The perfect pocket for stashing your extra tots.
V9111Vogue 9111
“I have given up.”
V9120Vogue 9120
Introducing the Bellow Bag: For all your accordion-hiding needs.
And finally, check out this trifecta of fuckery: Vogue 9121
V9121aA) Tragic fabric choice? Check.
V9121bB) Unnecessarily long dangly? Check.
V9121cC) Saggy boob illusion? Check.
Vogue. Please don’t ever stop.

 

(psst! If you haven’t done so already, don’t forget to enter the Sewing for Fashion designers giveaway! Entries close on Monday morning 😉 )

Vogue Sewing Patterns: Winter 2014

17 Oct

Well, well, well…  looks like the new Vogue sewing patterns are officially out! Happy day!! 😀 I’m know I’m late for this one – I hadn’t even realized that the new patterns came out (no shit, this is something that I tend to just randomly discover as I’m perusing blogs. Because, you know, joining the mailing list would be way too easy ), so I’m sorry that this is delayed! Although, to be honest, there’s really not a lot to snark here this go-round. Yay for Vogue, boo for us 🙂 Still, I didn’t want y’all to think that I’d, I dunno, gone corporate or some shit! Since my visit at the McCall Pattern Company offices, I’ve definitely had a much softer spot in my heart for the company and everyone who works there – but that doesn’t mean that we can’t still poke a little fun at ’em 🙂

One thing to keep in mind (something a lot of us – especially me! – recently learned) – with anything that is a Designer pattern, the garment you are seeing is an actual designer garment. Meaning, Vogue didn’t choose the fabric/notions and sew it up specifically for the pattern cover. It is literally a garment from the designer – labels, price tags, and all – that is being modeled. The pattern is drafted from the exact same garment (which was incredibly fascinating to hear all about), with Vogue sizing and instructions. Anyway, I’m reiterating this because any horrible fabric choices we see on the Designer patterns have nothing to do with Vogue! We should really be ripping the designer a new one (I’ve tried to note which pattern is Designer and who, so you know exactly who to direct your anger toward). That being said, any other Vogue patterns are fair game 😛

All right, onto the patterns!

V1426
Vogue 1426 // Badgley Mischka
OH MY GOD THIS DRESS HAS STARTED REPRODUCING

V1428
Vogue 1428 // Tom and Linda Platt
The question here is: Do we consider this print placement an epic fail or an epic win?

V1425
Vogue 1425 // Pamella Roland
Look at the lace at the hem. Wait for your eye to start twitching. You’re welcome.

V1427
Vogue 1427 // Donna Karan
Let’s call this one “Andre the Giant Goes to the Disco!”

V1422
Vogue 1422 // Tracy Reese
Here, Vogue decided to show you the prettiest dress/most gorgeous fabric/bestest hair ever in an attempt to distract you from what appears to be someone’s tool shed in the background.

V1423
Vogue 1423 // Bellville Sassoon
“What do you mean this isn’t how you wear a thong?”

V1424
Vogue 1424 // Rebecca Taylor
I guess the neckline is supposed to be some sort of snappy cutout, but honestly all I see when I look at this is a backwards wifebeater under a tank top.

V9046
Vogue 9046
I just wanted to point out that for once, this dress – with all it’s detailing – isn’t made up in some crazy patterned/shiny fabric, aka, you can see what is being modeled here.

V9066
Vogue 9066
~Tarp-Chic – taking camping to the next level, one business suit at a time.

V9072
Vogue 9072
If I was half this cute when I was a kid, maybe I wouldn’t be the angsty piece of shit I am today.

V9073
Vogue 9073
I just don’t know anymore.

V1429
Vogue 1429
What the everloving fuck is going on with this fabric.

V9065
Vogue 9065
If your lapels are so wide that they cover the shoulders of your SLEEVELESS BLAZER, you’re doing it wrong.

V1430
Vogue 1430
No comment on the pattern itself – my question is: Where the hell did they find this fabric, and do you think I can still get my hands on some?

V9069
Vogue 9069
Vogue 9096: The only time it’s ever socially appropriate to wear a bathrobe out in public.

V9057
Vogue 9057
The neck binding is not flat and that is bothering me way more than I care to admit.

V9060
Vogue 9060
Vogue 9060: When bad things Marcy Tilton happens to good people.

V9059
Vogue 9059
Frumpsville, population: This chick.

V9056V9055
Vogue 9056 & Vogue 9055
So, these are pretty cute – basic knit tops with a few options. Just wondering, though, why the hell they have darts?? I thought that was the whole beauty of knits, that you could eliminate darts (barring giant FBAs or anything like that), and yet here they are. What’s the deal here?

V9074
Vogue 9074
Hey! I actually don’t hate this one. Ok, so that purse is definitely not my style, but let’s all just sit back and appreciate that it looks like a REAL PURSE you’d buy at, say, Macy’s. It doesn’t scream homemade – it actually looks pretty legit! (not that there is anything wrong with homemade purses – I’ve made my fair share of quilting cotton bags! But I think it’s safe to say one has definitely leveled up if they managed to make something that looks this pro, you know?). It even has little purse feet! Eee! Thumbs up for this one. I might pick up the pattern just to get a lurk on the instructions.

V9070
Vogue 9070
Ughhh I’m going to get so much shit for expressing my distaste – but I hate everything about this! The shape, the fabric, THE DANGLIES!

nope

Anyway- what are your thoughts? See any patterns you love or hate? I gotta say, I’m disappointed to not see any Ralph Rucci 😦 I was excited to see what they’d come up with.

EDIT Just spoke with Meg (of the McCall Pattern Company fame) and she’s going through some family things right now, so there may be a delay in replies to the comments on her end. Just FYI!

V1419 Sewalong: Fabric Selection

29 Sep

Vogue Patterns V1419 Ralph Rucci coat pattern sewalong

Good morning & happy Monday, sewalongers! Today, we are going to talk about my favorite part of coat-making (or, really – any sewing project 🙂 ) – fabric selection! Forreal, I could spend all day perusing fabrics and never feel like I’ve seen enough!
(psst – if you’re just here for the discount code, it’s at the bottom of this post 🙂 FYI)

Before we get too ahead of ourselves, though, let’s take a minute and look at the original garment:

coat inspiration

A couple things that immediately come to mind when I see this picture-
1. As far as coats go, there is not a lot of ease in this guy. This is not your wear-everywhere-and-pile-the-thick-sweaters-underneath sort of coat – it’s very fitted and the shape is quite dramatic. Something to keep in mind while choosing your fabric!
2. To get that dramatic shape, we need a choose a fabric with quite a stiff drape and a very firm hand. The original coat is made of a sort of heavy wool garbadine backed with a stiff wool flannel. The resulting fabric is very substantial – stiff and sturdy enough to hold it’s shape. If you make this coat in a fabric with a softer drape, you will not get the same end result. This could be good or bad, depending on how you want the finished coat to look!

Still having problems wrapping your head around the whole drape factor? Don’t know if you even want a coat that’s this dramatic and structured? Go ahead and start your muslin, using a fabric that is a similar weight to what you have in mind (if you can’t find muslin fabric with a stiff enough drape, try inexpensive cotton twill or even home decor fabric). That will give you a good idea of the drape you need to get the coat you want. For more information on fabric drape, check out this post I wrote a couple months ago!

Now let’s talk about possible fabric choices! With all big projects like this, I URGE you to swatch before you commit to anything! You don’t want to spend a lot of money on coating fabric, only to find out that the drape wasn’t as stiff as you were anticipating (been there, done that! And you can’t return fabric most of the time, argh!). Especially when it comes to the contrast for this coat – you want to make sure the colors work together, that the coating is the right weight/drape/hand, and that you actually *like* the way it looks in real life. I’m recommending these fabrics based on the website descriptions, but please don’t take my word for the gospel until you’ve actually touched it in real life.

Also, please keep in mind that this coat is UNLINED. You will want to choose a fabric that can easily slide over your arms – or you will need to underline the coat with something that serves that purpose. As far as I know, there’s not a way to completely line this particular coat (with all the insides hidden and all that). We will be covering underlining in this sewalong, we will NOT be covering lining. Consider yourself warned!

FOR WINTER-WEIGHT COATS WITH A STIFF DRAPE:
virgin wool
For a dense and warm coat with a nice stiff hand, you can’t go wrong with virgin wool. This fabric is not quite as stiff as the original – it will still hold that nice bell shape at the sleeves and skirt, but with softer folds. Virgin wool is actually what I bought for my coat – in a beautiful lipstick red 🙂

felt
Another great option that will provide lots of warmth and structure is wool felt. Definitely swatch this – you don’t want it to be too thick for all those seams!

boiled wool
Similar to wool felt but not as dense is heavy flannel coating. Check out that purple!

wool twill
I really love wool twill for a nice dense coating. Wool twill comes in many weights, so make sure it’s heavy enough to give the structure this coat needs.

wool twill
Here’s another nice, heavy wool twill – this one is from Marc Jacobs!

wool coating
Classic wool coatings, such as this dark turquoise solid coating will also work, as long as they are stiff enough to give the effect you want.

plum coating
This plum coating is pre interfaced!

velvet
Looking forsomething a little more fancy? Up the luxe factor with this italian velvet.

metallic brocade
Another great fabric option for this pattern (one that I believe Meg is using for her coat – although hers is this beautiful double-sided brocade!) is brocade. I love this metallic brocade!

brocade
Also, this floral brocade if you’re dying to stand out a little more.

silk brocade
Or you could go all out with this bright pink ribbed silk brocade, because YES.

FOR WINTER-WEIGHT COATS WITH A SOFTER DRAPE:
silk wool
How gorgeous is this silk wool? This fabric would give you a much softer drape than the ones above – think less of an exaggerated bell shape for the skirt and sleeves, and softer folds at the arms.

cashmere
Of course, you can’t go wrong with black cashmere coating – a true classic!

cashmere-wool
Doesn’t this wool cashmere coating just look SO snuggly? It’d be like wearing a blanket 24/7.

boiled wool
For a lighter wool weight with a very soft drape, consider boiled wool. I just love this bright purple color!

FOR A LIGHTER-WEIGHT COAT:
cotton twill
Those of y’all with milder winters – no worries, I’ve got ya covered! You have a few options for making this coat in a lighter weight, while still retaining the dramatic shape. First up – consider cotton twill! I love this organic cotton twill – especially that hot pink color, yes! – but any cotton twill will work as long as it’s heavy enough to hold it’s shape. Try to avoid anything with lycra (or any stretch), as it will make sewing this coat more difficult.

silk faille
You could also make a very beautiful, very dressy lightweight coat out of silk faille.

cotton sateen
Want the shine of the silk without the price tag? Try cotton sateen – again, be sure you are getting one with no stretch and a heavier weight.

denim
I’m thinking this coat would also look really cool (in a super casual way) if it was made up in denim! Am I crazy? Give it some gold topstitching and brass buttons and it’s like the fanciest denim jacket in the world. This heavyweight Theory denim even comes pre-interfaced!

Obviously there are many, many more options for coating – including non-natural fibers (I’m not linking these because I personally don’t like to wear or sew with polyester anything! Sorry!) – but this should be enough to get the ideas flowing. In the meantime, let’s talk about underlining and contrast fabrics.

FOR UNDERLINING AND/OR CONTRAST:
For my coat, I knew I needed to underline with something because I’d otherwise have a difficult time pulling the coat on. I initially thought about using silk chaurmeuse, because I just love it, but ultimately decided to stick with the stiff drape theme and use silk taffeta. Silk taffeta is also recommended for all the contrast (as is chaurmeuse, but just between you and me – I don’t recommend the latter. Unless you just looove sewing bias chaurmeuse binding; in that case, don’t let me stop you!), so I actually bought two colors. I love silk taffeta! Obviously, you can use poly taffeta if that’s all your budget allows – but I like the added warmth that silk provides, so that’s why I went with that. Anyway, if you are underlining – you will want to buy the same amount of underlining as you are coating fabric. For contrast, buy whatever the pattern instructs you to buy.

silk taffeta
Check out this kelly green silk taffeta from Oscar de la Renta! Swanky! For something a little more understated, there is also this caviar black silk taffeta from Ralph Lauren.

poly taffeta
Love the look of silk taffeta but hate the price? There are also some beautiful polyester taffetas available, including this cool checked taffeta. This coat really isn’t suitable for plaids as the outside fabric – but as far as the contrast is concerned? Go for it!

For those of y’all who are not underlining and only need contrast for the binding, you might also consider shantung or dupioni. On a super budget? Check out cotton sateen.

Another thing to consider with the contrast fabric – there is contrast on both the outside of the coat (for the bound button holes, belt, and pocket), as well as the inside (bound seams). Keep in mind that, while the pattern is written for all contrast to be the same fabric – you don’t have to sew your coat that way. Use the fancy stuff for the outside, and bind the inside with something fun (even a woven cotton, if that’s your thing.). You’re the designer here! Just make sure to swatch so you know that you like the way your contrast looks next to your main fabric.

Couple more things, while on the fabric subject!
– Concerned about warmth, but don’t want to make the coat too bulky? Stick with natural fibers (wool coating, silk underlining) and consider interlining your coat with silk organza for an additional layer of warmth.
– Found your dream fabric but it’s just a *smidge* too drapey? Get some good interfacing and block-fuse that baby! Fashion Sewing Supply has a great super crisp interfacing, or even fusible hair canvas. FYI, this coat does not call for interfacing at all – so you only need to buy it if your fabric requires some extra heft.

Whew! I think that’s enough fabric talk for today. For sticking through it this far, I’ve got a discount for ya! Use the code “lladybird1013” to get 10% off your entire order at Mood Fabrics (not including PV codes or dress forms). This code is good through 10/13/14, so you’ve got time to swatch 🙂

I promise I will share photos of my fabric as soon as I receive it (still stalking the mailbox, daily. Ha!). In the meantime – what about you? What fabrics are you eyeballing? Do you have any fun ideas for the contrast? Is your coat a lighter weight? Let’s talk!

One last thing – time to announce the Sewtionary Giveaway winner! Lucky number generator says:

winner1

winner2

Congratulations, Jin! Crossing your scissors apparently worked 🙂 I’ll be in touch to get that book out to ya asap 🙂 Everyone else – if you’d like to pick up your own copy of the Sewtionary, you can order a signed copy at the Sewaholic website. The Sewtionary is also available on Amazon!

NYC Part 2: Touring the McCall Pattern Company

25 Aug

Ok, y’all, time for part 2 of my NYC journey – touring the offices of the McCall Pattern Company! Whoop whoop!

McCall Pattern Company Tour

Before I get too far into this post, there are a couple of things I’d like to address, as I’ve had some emails and comments about this:
– The McCall Pattern Company did NOT fly me into NY to visit their offices. Umm… I wish? I paid for my plane ticket all by myself, sorry!
– I did not come to NY specifically to visit The McCall Pattern Company – I was here to teach a workshop at Workroom Social. As soon as I announced my impending visit, I was emailed by Meg from McCall’s and offered an invite to tour the offices while I was there.
– Meg is the new Social Media Pro at McCall’s. If you’ve talked to anyone from McCall via Twitter, Instagram, their blog, etc – you were likely talking to Meg. I personally have known Meg for a couple of years now – well before she went into working for McCall’s – which is why she reached out to me to visit while I was in the city. Much to some the butthurt anonymous commentary on my blog, McCall doesn’t have a grand scheme of shutting me down (I mean, let’s be real you guys – I’m not hurting their sales when I post commentaries. There are a WHOLE lot of other sewists out there who don’t read my blog/don’t read blogs/don’t care about my opinion on Koos Van Den Akker. They still buy the patterns – some of the traffic coming directly from my blog. So there’s that.). They simply wanted to reach out and let me see the company, so, (in their own words) that when I’m talking my shit, at least I’m getting the facts straight 😉
– I’m sure there are people who are thinking about what a sellout I am right now. That’s totally fine. You do you! I got over that whole ~sooo underground anti-coporation~ shit when I was like 17. DGAF.

With all that being said – OMG! Longtime dream – accomplished! I’ve ALWAYS wanted to lurk around the offices of this pattern company (as much as I poke fun at them, it doesn’t excuse the fact that we are still talking about dream job territory here. Nevermind that I’m not a patternmaker in any sense of the imagination, nor do I plan to become one), so this was an absolute treat for me! Full disclosure – I went into the offices with every intention of taking lots of photos (hence my phone in my hand in, well, every picture haha. Wish that dress had some pockets!), but since I never end up doing what I planned, all the photos you see in this post were taking by Meg. Thanks, Meg!

McCall Pattern Company Tour

I got the grand tour, you guys – I saw every department, met sooo many people (except the CEO, who was unfortunately in a meeting when I arrived. Oh well! Next time!), and a few of them even knew who I was! So crazy!

One of the biggest things I learned was just how freakin’ small this company is! Sure, they had a hell of a lot more employees than any of the indie designers we know and love – but it’s not like there are thousands of them, scattered across the world in giant corporate offices, with a big fat CEO smoking a cigar in his silk bed jacket and laughing all the way to the bank (I mean, I know I just said I never actually met the CEO but I’m just gonna ASSUME here, you guys). Everything is done in-house in NYC – they produce the patterns for McCall’s, Butterick, Vogue, Kwik Sew, and even do Vogue Pattern Magazine. Each individual department is very small – some only having a couple of employees at most. It’s also one of those companies where everyone is basically family, which I just think is really nice and feels good to be around. Everyone was extremely friendly and clearly very happy to be there.

There are a LOT of rooms and departments – the fabric library (where they keep zillions of swatches, plus buttons and trims and notions and, oh god, it was heaven in there), drafting, dressmaking, customer service, in-house photography (complete with racks of clothing and even more racks of shoes aieeee), etc etc. All in all, I think I was there for about 3 hours – flitting around, chatting everyone up, getting all grabby hands on the various fabrics (and apologizing every few minutes. Forreal, my mom hates shopping with me because I’m incapable of not touching things. This is why I hate museums and love flea markets, haha).

McCall Pattern Company Tour
McCall Pattern Company Tour
Checking out the fabric room and perusing the samples was one of my favorite parts. Sooo much eye-candy!

McCall Pattern Company Tour

This look of wide-eyed wonderment was pretty much plastered to my face the entire time I was in there, ha!

Another highlight of my tour was getting to finally meet the famed Vogue Pattern Designer, Carlos Correa (I didn’t get a photo with him, but you can see him chatting about some of the designer pieces in this McCall blog post). The very first thing he said to me was, “I LOVE YOUR BLOG!” hahahahaa!! Apparently, he reads it and loves the pattern round-ups (and I reckon he’s reading it right now, so HI CARLOS!). I spent a long time in his office, talking about the pattern and their styling vs how they look in real life, and saw some of the new designs for next season as well. I can’t say much about those, but what I can say is I kept going, “Oooh! I want one of those!” haha!

McCall Pattern Company Tour

I also stopped in the Vogue Pattern Magazine offices, to chat with the Editor and LURK THOSE DESIGNER DRESSES.

Did you know that the outfits on the Vogue American Designer pattern envelopes are actual designer garments? That was news to me! Take Vogue 1409, the Saber-Toothed Tiger dress, for instance. This dress literally came from the Donna Karan Collection – and McCall’s based the pattern off it, then used the actual dress in the photoshoot. It wasn’t sewn by them, nor did they choose the fabric (since it’s from Donna Karan). If you look inside, you’ll see all the tags – including the original price tag. This is much better explained on the McCall Pattern Blog, but that’s the general gist.

McCall Pattern Company Tour

With that being said, the next order of business was to try on the $10,000 Ralph Rucci coat.

Me: If it fits, that means I get to keep it, right?
Everyone else: lolololololol

Damn, that thing was a work of ART! I know I hated on the arm holes at one point (that’s such a random thing to hate on, ha), but seeing it in person absolutely made me change my mind (and I still think it looks weird on the envelope photo, maybe it’s just the way the model is standing?). The inside is amazing – all bound seams and even some hand stitches! Apparently there’s a whole Pinterest board for lurking the inside of the designer garments, so we can all drool from far away.

After that, it was obviously time to play dress-up. Because, duh.

McCall Pattern Company Tour
McCall Pattern Company Tour

In another Ralph Rucci original (pattern is Vogue 1404), featuring the wind machine 😉 Also, those shoes are like 4 sizes too big.

McCall Pattern Company Tour
McCall Pattern Company Tour

Obviously I had to try on the Guy Laroche purple nightmare (that is actually silk chaurmeuse) (pattern is Vogue 1416. The sleeves were cracking me up to no end.

McCall Pattern Company Tour

Hahaha!
(side note: holy shit I need to touch up my hair color)

McCall Pattern Company Tour

Ughhh WANT THIS COAT (pattern is Vogue 1419)

I had an amazing time visiting the offices and meeting all the wonderful people who work so hard to produce all these patterns (whether you personally love them or not, I think we can all agree that the sheer amount of patterns they put out every year is quite impressive!). I did bring up some personal beefs – the excessive ease, the styling situation – as I feel like these are areas that do need some improvement. My opinions were definitely heard, and some things were already in the process of being addressed before I even brought them up, thanks to customer feedback. The McCall Pattern Company is absolutely interested in what the consumer has to say, and they’re making a huge effort to reach out to the online sewing community and bridge that gap. I know it’s really easy to hate on the ~big guy~ for just being there (especially when it’s a faceless corporation), but at the end of the day – I want to support the sewing community and it’s future! I’m absolutely invested in doing whatever I can to bring home sewists more options, and that includes supporting the Big 4. It was such a treat to visit the offices and get to know the people who make things happen there.

If you have a question or a complaint about a pattern from the McCall Pattern Company – contact them! They don’t know there is a problem unless you tell them, and their customer service department is extremely dedicated when it comes to helping. Follow their blog to learn more about the company, Like their Facebook page, lurk their Pinterest. Don’t be afraid to reach out and chat them up if you have a comment or concern. I’d love to see the gap close between the Big 4 and Indie pattern companies – I mean, we’re all in this for the love of sewing, right?

McCall Pattern Company Tour
(me hanging in the styling room. I was told to pretend I was fixing my hair – I promise I don’t sit at every available mirror and preen, haha! Although my hair did look really good that day. Minus the whole I need-to-redye-it situation)

Now, I can’t stop thinking about that Ralph Rucci coat…
So, like, if I paint it... I have to sew it, right? ❤️
I am definitely going to sew the shit out of that pattern. Just need to find my perfect red wool.