Tag Archives: oal

OAL2017: Pintucks & Gathers

16 Jun

What up y’all, welcome back. Let’s get into this!

Short week here – we are basically assembling the skirt and attaching it to the bodice. I don’t think any of this warrants a full-fledged tutorial, but as always – I have some tips!

The first step is sewing the pintucks to the bottom of the skirt. You may have transferred those markings when you cut your fabric and marked your pattern pieces – if you didn’t (guilty!), it’s easy to draw those in now. I just measured the distance from the bottom to the lowest pintuck, and then the distance between pintucks, and used those to draw my lines on with a ruler and a chalk pen.

OAL2017- Marking pintucks

Since I wanted to see my lines from both sides of the fabric – and also because chalk tends to rub off – I thread-traced those same markings with a needle and thread. I just made giant basting stitches and went across the width of each piece. This makes is easier to see the pintucks when you are sewing them.

OAL2017 - Finished pintucks

To sew the pintucks, simply bring the two lines together and sew along the markings. Remove your markings (whether they are basting threads or just drawn on with chalk or a tailor’s pencil) and give the pintucks a good press to encourage a sharp crease.

Now you’ll want to sew your skirt pieces together at the side seams (you can also do this before you sew the pintucks, but I found that the skirt pieces are HUGE before they are gathered and that’s just too much for me haha). Finish your seams however you desire – I used French seams for mine (here is a link to the post last week about sewing French seams). Don’t worry about the center back seam just yet.

OAL2017 - Sewing gathers

There are several ways to gather the skirt before attaching it to the bodice – you can baste with a hand sewing needle as the instructions suggest, or sew 2 lines of basting stitches on your machine – but this is my preferred method as I think it’s the fastest and you don’t risk snapping your basting threads. Get a long piece of cotton crochet thread or very thick thread (such as buttonhole twist) – or even unflavored dental floss. Whatever it is, it needs to be a bit longer than the entire width of your un-gathered skirt. Take it to the machine and lay it over your seam allowance where you are gathering, then use a zigzag stitch to attach it to the fabric. Your zigzag should just straddle the string – not actually pierce it – so you may need to adjust the width of your zigzag if it’s too tight. Leave long string tails on either end.

OAL2017 - Sewing gathers

Here is what the string looks like after it’s been zigzagged. You are basically making a zigzag tunnel that the string feeds through.

OAL2017 - Sewing gathers

Now pull your string tails, which will cause the fabric to gather. Keep gathering until the skirt fits the circumference of the bodice (this is a super gathered skirt, so be patient!), match the side seams and center back/center front, then adjust the gathers so they are even all the way around the skirt. Sew into place with a straight stitch, remove your gathering string, and finish the seam allowance. Real talk: I serged this one. I am not even going to try French seaming that mess lol

OAL2017 - Gathers

My gathers!

OAL2017 - Dress

And now it looks like a dress!

All that’s left now is inserting the zipper and sewing the hem πŸ™‚ FYI – I am going on vacation next week (to BELIZE), so the blog will be quiet! I will not have access to my computer at this time, but will be back in business after I get home on the 27th. If you have burning questions, ask them now – or wait a few days πŸ™‚

Happy Friday, everyone!

OAL2017: Assembling the Bodice

9 Jun

Hey everyone, and welcome back to the second week of the 2017 OAL! This post today is all about assembling the bodice of the dress – stabilizing the neckline, sewing French seams, and attaching the facing.

A few things before we jump in:

  • The pattern I using is the Kim Dress from By Hand London, but these method should apply to most any pattern that you are sewing!
  • If you missed the first post, you can find it here.
  • If you don’t give a shit about sewalongs and hate me right now (it’s cool, I don’t give a shit about anyone else’s sewalongs either haha), I promise it will be over soon! πŸ˜‰ It is impossible to please everyone, but lord knows I try!

Your fabric should be cut, your markings all clipped and transferred to your pieces, and you should be ready to sew!

OAL2017: Stabilizing Neckline

OAL2017: Stabilizing Neckline

Before you drag your pieces over to the sewing machine, it’s a good idea to stabilize your neckline first. This will prevent it from stretching and distorting over time – which can happen both during the sewing, and over normal wear. They are multiple ways to stabilize a neckline – such a staystitching or using silk organza (here are 3 methods, all with their own tutorial!) – but for the purposes of this particular garment (considering how lightweight the fabric is, and also the overall casual-ness of the dress), I chose to use a lightweight fusible stay tape. This “extremely fine fusible knit stay tape” is the exact one I used – I bought it at my local Bernina dealer years ago, and it is especially helpful to stabilize shoulder seams on knits! Since it’s knit, it curves very easily, which makes it perfect for this pattern.

I fused my stay tape to the curved edges of both the front and back neckline, ending just before the tips of the strap ties. Since the seam allowances are 5/8″ and my stay tape is 1/2″, I made sure it was 1/4″ from the edge so I would be sure to catch it in my stitching. Since I am using stay tape, I did not staystitch these areas.

Now you’ll want to sew your front and back princess seams. Because my rayon is nice and lightweight, I using French seams, which I love because they conceal the raw edges beautifully. Pretty sure I don’t need to throw out another French seam tutorial into the WWW, but I was really having fun with this white piece of posterboard backdrop SO HERE YOU GET IT ANYWAY:

OAL2017: Sewing French Seams

I start by placing the pieces WRONG SIDES TOGETHER and sewing with a 3/8″ seam allowance. Lay the piece flat and trim the seam allowances down quite aggressively – to about 1/8″. You want them to be smaller than the second seam you sew, so they don’t peek out.

I should mention – this is assuming you are using a pattern with a 5/8″ seam allowance. If your seam allowance is larger or smaller, you’l want to adjust your math accordingly.

OAL2017: Sewing French Seams

Press the seam allowances open as best you can. They are tiny, so this won’t be the easiest thing – I’ve found I get the best luck if I use my fingernail to pry them open, and then the tip of the iron the whole way down. If you found you have cut them *too* small and simply cannot press them open, it’s acceptable to iron to one side.

At this point, your bodice is going to look at sorts of wrong. Just trust me here.

OAL2017: Sewing French Seams

Now flip your pieces so the right sides are facing, effectively sandwiching the seam you just created. I like to take this to the iron and press right around the seamline I just sewed, so everything lies flat. Then sew along the edge at a 1/4″ seam allowance.

OAL2017: Sewing French Seams

Press your seam allowances to one side, according to your pattern instructions. In the case of this pattern, we are pressing them toward the side seams.

OAL2017: Sewing French Seams

OAL2017: Sewing French Seams

Repeat for the remaining princess seams. Your front and back pieces should look like this.

OAL2017: Sewing French Seams

Finally, sew your front and back pieces together at the side seams. Again, I used French seams for this.

OAL2017: Attaching the Facing

Now to attach the facing! Start by fusing interfacing to the front and back facing pieces that you created. I used a very lightweight interfacing, and opted to cut it so that the interfacing does not extend all the way into the ties (I want those to stay soft and floppy!). To prevent a hard ridge from showing where the interfacing ends, I cut that with pinking shears.

OAL2017: Attaching the Facing

Attach the front and back facings at the side seams, and press the seam allowances open (don’t worry about using French seams for this, unless you wanna be super extra or some shit). You will also want to finish the lower edge of your facing – I serged mine, to prevent it from fraying and also from showing bulk from the outside. You can also using pinking shears here, or bind the seam allowance.

OAL2017: Attaching the Facing

Attach the facing to the bodice, all the way around the neckline and strap edges. Trim the seam allowances down, and then understitch to help turn the facing to the inside. You won’t be able to understitch all the way if you are doing tie straps – just go as far as you can.

Turn the facing to the inside of the bodice, and give it a good press. You’re done!

OAL2017: Attaching the Facing

OAL2017: Attaching the Facing

Ok, that’s all for this week! As always, let me know if you have any questions! πŸ™‚

OAL 2017: Getting Started!

1 Jun

Hello everyone, and welcome to the 2017 Outfit Along! My apologies that this post is a bit late – I moved house yesterday, and only just got my internet turned on in the new place. Taking a short break from unpacking to get this OAL rolling! Let’s do this!

The official pattern for this year is the Kim Dress from By Hand London. There are a few options for this pattern – choose between a straight or sweetheart neckline, and a gathered skirt with pintucks at the hem or a sleek tulip skirt. I will be making the sweetheart neckline with the gathered skirt, but obviously feel free to make whatever your heart is calling for – whether it’s another variation of this pattern, or a different pattern completely! We want you to love and wear what you make, so don’t waste your time on something that doesn’t check those boxes for ya πŸ˜‰

As I mentioned in my announcement post, I will not be running a full, in-depth sewalong for this pattern. I will be popping in every week with updates on my progress, as well as tips and tricks (with tutorials!) that you can apply to any pattern you are sewing – not necessarily specifically this one. However, if you are feeling that you need that extra help – there is a great sewalong on the By Hand London blog for this pattern, so please feel free to utilize that! You got this!!

For the first post, I’m gonna keep this one reasonably short and sweet!! This week is all about preparation!

If you still haven’t chosen your fabric, you will probably want to do that first πŸ˜‰ This particular pattern works well with a smorgasbord of fabrics – from crisp cotton lawn to slinky silk, the sky is really the limit here! The main thing you want to keep in mind when deciding on fabric is how you want the finished garment to hang when you are wearing it. Do you want a more structured garment or one with a softΒ drape? Choosing a fabric with the correct amount of body and drape is key for this. That cotton lawn will result in a more structured bodice and full skirt that wants to stand out on it’s own, verus the slinky silk will give you a soft, floaty bodice with a skirt that drapes beautifully around your body. For more in-depth information about this, see this post from a previous OAL that goes over the differences in drape and body in fabric.

OAL2017 - my fabric

Here is the fabric I am using this year – a soft rayon print from Mood Fabrics with a nice drape to it. I love wearing rayon in the summer – it breathes really well in the heat, and a dark color/pattern means that sweat is less likely to show. Rayon traditionally can be a little tricky – both to work with and care for – but I ultimately think it is worth the additional effort. This particular rayon is pretty stable and easy to work with, compared to other rayons I’ve used in the past, so I will not be doing any sort of pre-treatment to aid with sewing. That being said, if you are sewing one of the aforementioned slinky rayons – or a silk, or slippery poly, anything that wants to float off the table when you try to cut it – you may want to consider pre-treating your fabric to be a bit more stable before you cut it. You have a few options for this – for something quick and easy with no mess, spray stabilizer works very well. Just spray it on your fabric, allow to dry, and then treat it as usual. Once you are finished sewing the garment, it easily washes out so your fabric goes back to it’s glorious, drapey self. For a cheaper option, I’ve been very happy with the results I’ve gotten from using gelatine. This method is more time-consuming, but also WAY cheaper. You basically boil the gelatine in water, soak your fabric, and then spread it flat (or hang) until it’s dry (Threads has a full tutorial on their website). Again, this washes out easily once you are finished. The major downside is finding space to dry it flat – if you live in a small space, that can be tricky – but it’s a fraction of the cost of using spray stabilizer and works just as well one it has dried. I have used both of these methods with great success, it just depends on your time and budget!

Make sure you pre-wash your fabric before you do anything – you want to make sure you get all the shrinkage out before your pattern pieces are cut. I wash and dry all my fabric the same way I plan on treating it once it’s been turned into a garment. For delicate fabrics like rayon, you don’t necessarily want to throw it in the dryer every time you launder it – over time, this will break down the fibers. But I do think it’s a good idea to use the dryer for the very first pre-wash, as it will shrink up the fabric sufficiently and then if the garment does accidentally end up in the dryer, it won’t shrink more!

As a side note, there are plenty of “dry clean” only fabrics that actually can be washed in a machine. Fibers such as silk and rayon are totally machine washable – you just want to ensure that you are washed them before they are cut, again, so that you get all the shrinkage out. I wash all my silks and rayons on cold water, use the dryer for pre-washing (and hang to dry once they are finished) and have not ruined anything yet. Keep in mind that this will take a bit of the shine and stiffness out of your fabric, but I think it’s worth it to not be a slave to the dry cleaner! When in doubt, test with a swatch to make sure you are ok with how the fabric looks after it’s been laundered.

I am making a few changes to my pattern that are a bit different from how it’s drafted:
– I converted the straps to tie at the top (instead of being a continuous loop)
– Rather than line my bodice, I drafted all-in-one facings to clean finish all the top edges

For the tie-top straps, I used this tutorial from By Hand London. It’s super simple – you just trace your pattern piece, and then extend the top strap by 6″-7″, rounding out the end to a nice shape.

To draft the all-in-one-facing, here is what I did:
OAL2017 - drafting a facing

First, I marked my seam allowances on all the bodice pattern pieces. Since these bodice pieces have princess seams on both the front and back, we want to eliminate those so that the facing pieces are one continuous piece.

OAL2017 - drafting a facing

Once the seam allowances are marked, I overlapped the pieces as they would be sewn together (center back to side back, and center front to side front). Then I laid my pattern pieces on a sheet of blank paper (mine is just kraft paper from a roll, but you can use whatever you have on hand) and traced around the neckline, arm holes, and straps. I drew down the side about 3.5″ and center about 4″, which will be the depth of the facing.

OAL2017 - drafting a facing

I used a curved ruler to connect the center back/front with the side seam, just to give it a gentle curve. Then I transferred all my notches and grainlines, and marked the pattern pieces.

OAL2017 - drafting a facing

It’s a good idea to lay your drafted piece under your pattern pieces, just to make sure everything fits and matches up. Which this one does! Yay!

That’s all for this week! You’ll want to cut and mark your pattern pieces, and be ready to sew next week! Let me know if you have any questions about anything covered in this post or, you know, life in general πŸ™‚

Announcing the 2017 OAL!

15 May

Hi friends! It’s about mid-May, which can only mean one thing…

The Outfit-Along is back for another year! Our 4th consecutive year, to be exact πŸ˜‰ I’ve announced this annual challenge several times already (well, 3 to be exact haha), so it may not need introducing – but just in case you’re new here, I’ve got details!

I’m teaming up with knit designer extraordinaire, Andi Satterlund, to host a combination knit-along and sew-along. The idea behind the Outfit Along (OAL) is to make a complete outfit by sewing a garment and knitting a garment. This is a great opportunity to fill your wardrobe with more beautiful handmade pieces, and we’ll have two official patterns that will have additional blog support, should you need it.

The official sewing pattern will be the By Hand London Kim Dress, and the official knitting pattern will be Andi’s newest cardigan, Anaheim. I will be blogging about the official sewing pattern and Andi be blogging about the knitting pattern, so we can all sew and knit along together. If you don’t love the official patterns, you can still join in! The Outfit Along is about making an outfit you’ll actuallyΒ wear, so to participate, all you need to do is to sew a garment and knit a garment to make an outfit. You’re more than welcome to pick projects that fit your own style and skills – after all, you’ll be the one wearing it πŸ™‚ Make a pullover and shorts, make a dress and cardigan – doesn’t matter what the combination is, as long as it makes an outfit πŸ™‚

You can read all the relevant details over at Untangling Knots – as well as a FAQ for common questions – but in a nutshell:

– We will be kicking off the OAL on June 1, 2017.
– The deadline for completion is July 31, 2017, which gives you two months to finish both garments.
– There IS incentive for finishing your garments within the deadline – PRIZES!!! This year, we are welcoming back sponsor Indie Stitches, who is donating 3 prize packages consisting of 2 patterns (winner’s choice), plus free shipping. Winners will also receive 2 patterns of their choice from the Untangling Knots Ravelry store.
– To be eligible for said prizes, you must finish BOTH garments by July 31, 2017 and post them in the OAL Finished Outfit thread in the Untangling Knots group on Ravelry. Prize winners will be randomly selected from those who finish both their knit and sewn garments and post pictures in the appropriate thread by the deadline.

The official knitting pattern, Anaheim, is a sweet cross-over front cardigan that buttons at each side and features and all-over lace pattern. The pattern is knit in one piece, top down, with DK weight yarn and includes sizes XS – 3X (bonus – you can easily move the placement of the buttons to adjust the fit at the waist, should you prefer it tighter or looser). If you’ve never knit a garment before, this pattern is a great one to start with – the sweater is simple (and small!) enough to easily finish during the allotted time, and I can personally vouch that Andi’s instructions are clear and easy to follow (one of her patterns was actually my first knitted garment, too!). Plus, top-down in one piece? YAY NO SEAMING, Y’ALL!

BTW, Anaheim will be 20% off until the OAL begins on June 1st when you you checkout on Ravelry using the coupon code OAL2017 – so yes, get you that discount!

The official sewing pattern, Kim, is one I’ve personally never sewn before (YET) but I think will be a great addition to my summer wardrobe! The pattern features a princess seamed, sleeveless bodice, two neckline options (straight and sweetheart), plus two skirt options (tulip and gathered).

For this year’s OAL, I will not be doing a series of super in-depth tutorials of making the dress from start to finish (I feel like there are PLENTY of these on the internet – including one for the Kim dress!), but I will post tutorials for the changes that I am making to my version of the pattern.

Again, if Kim ain’t your thing – you don’t have to commit! The OAL is about what YOU want to wear, and you can absolutely choose a different pattern! πŸ™‚

As always, you can spread the word by using the hashtag #OAL2017 or use this fancy badge. And don’t forget to join the OAL2017 discussion thread in the Untangling Knots group on Ravelry, for all your OAL chatting needs. Questions? Be sure to read the FAQ on Andi’s official announcement post in case it’s already been covered, but if not… ask away! πŸ™‚

YAY I’m so excited! Who is joining in this year? πŸ˜€

OAL2016: My Finished Outfit!

29 Jul

What up, everyone! It’s practically the end of the July – two days left to go! – which means one thing ’round these parts… The Outfit-Along is nearly over!

OAL_Banner

I’ve had a lot of fun with the pieces this year – both making and wearing them! – and I’m excited to finally show you guys my finished sweater + skirt!

OAL2016: Zinone Sweater + Hollyburn Skirt

Here is the complete outfit!

The sweater is Zinone by Andi Satterlund, and the skirt is a Hollyburn from Sewaholic Patterns.

OAL2016: Zinone Sweater + Hollyburn Skirt

OAL2016: Zinone Sweater + Hollyburn Skirt

OAL2016: Zinone Sweater + Hollyburn Skirt

OAL2016: Zinone Sweater

Zinone was made using the suggested yarn, Quince + Co Sparrow (the color is Moon), which is a fingering weight linen yarn. This was my first time working with linen and OMG TRUE LOVE Y’ALL. Very easy to work with and felt so good on my hands! My gauge swatch put me at size 2 needles, and I knitted the size XS (which is my usual size for Andi’s patterns and corresponds with my bust measurement). I chose to knit the version with the partial lace back, and slightly cropped. I was originally going to do the full lace version, but I guess I’m way out of lace-knittin’ practice because I had a helluva time working this one out. Fortunately, the directions for the partial and full lace back at the same for a bit at the beginning of the pattern, which gave me plenty of time to change my mind πŸ˜› I also completely frogged the entire thing and started over after finishing the lace section, because I realized way too late that I had read the pattern wrong (which is why I was having issues in the first place). I was trying to be clever and separate my repeats with stitch markers – you can’t do that with this pattern, as some of the stitches borrow from previous repeats. Whoops. Once I realized I’d done goofed, let me tell you… it was hard to rip everything out and start over. But I’m glad I did, because my second attempt at the lace looks pretty bomb-ass, if I do say so myself πŸ˜‰

I made some slight sizing and length modifications to the sweater as well – I knitted the correct number of rows for the cropped version, but somehow it ended up really short (I am thinking I read the pattern wrong). I just continued knitting until I got to the length that I wanted, and did a couple more rounds of decreases as well. Speaking of length, this sweater is only about an inch shorter than the schematics – it’s 16.5″ long from the shoulder, which hits me right about at the belly button. The cropped version on Andi appears to be a lot shorter than mine, even though it says it’s an inch longer.

Anyway, this was a very easy and satisfying knit. I did nearly run out of yarn at the end – I bought enough for the cropped version, and ended up frogging about 3 rows of my gauge swatch. Actually, I had an extra skein but I was trying really hard not to use it so I could be cheap and return it to the store πŸ˜‰

OAL2016: Zinone Sweater

OAL2016: Zinone Sweater

I LOVE how this linen feels in the summer heat – finally, an excuse to wear my handknits even in July! πŸ˜€ And it’s pretty awesome that it’s machine washable. I haven’t done the recommend 3 washing cycles yet, though – I did one Soak wash (this is how I wash all my knits… and my lingerie for that matter. Soak is AMAZING, cannot recommend enough) and then one wash in the washing machine. My new place has me doing laundry at the ‘mat, so running 3 loads back to back to back isn’t exactly doable for me! (well, it is. But I’m not about to pay for that haha) So far, though, it has softened up considerably after even 2 washes. Can’t wait to see how it softens even more with additional wear and washing πŸ˜€

OAL2016: Zinone Sweater

OAL2016: Zinone Sweater

OAL2016: Zinone Sweater

OAL2016: Zinone Sweater

OAL2016: Zinone Sweater

Sorry, loads of photos!

OAL2016: Hollyburn Skirt

OAL2016: Hollyburn Skirt

Now for the Hollyburn!

I already wrote a couple posts about the modifications to make this particular skirt (see: Choosing Your Fabric, Flat Piping, and Installing an Exposed Zipper), so I’ll just brief over the key details here.

The navy rayon crepe is from StyleMaker Fabrics (who is one of our sponsors for this year’s OAL!). I added flat piping at the waistband (sewn with silk crepe – from my stash) and an exposed metal zipper to the back. I also shortened the length considerably, omitted the pockets, and used stretch interfacing on the waistband.

I sewed the entire skirt on my Spiegel 60609, and it did pretty well overall! While I don’t want to say I was concerned to see how it would handle that shifty fabric (I have sewn straight-up silk and a bra on the 60609, and it hasn’t given me any problems thus far with my fabric choices), I was still pleasantly surprised at the entire experience. I didn’t use any special stitches, and only feet that came with the machine. The zipper foot in particular was great for both applying the piping and the invisible zipper, as well as making sure the topstitching was nice and straight and close to the edge. I did find that I needed to increase the stitch length just a smidge for this fabric, as it wanted to bunch a little bit otherwise, but overall I’m pretty happy with it! I am glad that moving the needle over is an option with this machine (you just increase the zigzag width while on a straight stitch), however, I’d love to see some new feet released to use with this machine. Maybe a 1/4″ foot or an edgestitching foot? πŸ˜‰ HINT HINT.

OAL2016: Hollyburn Skirt

OAL2016: Hollyburn Skirt

OAL2016: Hollyburn Skirt

For me, the most fun part about this challenge is ending up with TWO pieces that I can mix with other garments in my wardrobe. I love this top + skirt together… but honestly, I like them even more with different things from my closet! They are definitely wearable with a bunch of what I already have (which is part of the reason why I got a little boring with the colors πŸ˜‰ I wanted the versatility!); here are a couple of examples:

OAL2016: Zinone Sweater

Zinone top + Ginger jean shorts
I don’t know about y’all, but I am LOVING the cropped trend! Slightly cropped with a slightly high-waisted bottom is my new favorite thing right now (not your cup of tea? This is the beauty of knitting your own – you get to decide the length!). I love the way this top looks tucked into a skirt, but the combination with my high-waisted Ginger shorts really makes my heart sing the most.

OAL2016: Hollyburn Skirt

Hollyburn skirt + sleeveless coral B5526 button up
I did not realize when I made this shirt that it was going to be one of my top 10 handmade garments of all time, but it is. It goes with everything. The sleeveless option + lightweight cotton fabric make it a great option for summer, and it layers beautifully under sweaters in the winter. The color is perfection and looks especially great with navy (my go-to summer dark neutral). It’s as easy to wear as a knit tshirt, but looks a helluva lot more refined and classy.

OAL2016: Zinone Sweater + Hollyburn Skirt

Anyway, I guess that’s it for this post! Those of you still scrambling to finish your outfits – you have 2 days before the deadline! Make sure you upload your finished outfit to the Official OAL2016 Finished Outfit Thread on Ravelry before 7/31/16 Midnight PDT if you wanna win one of those sweet prizes! Andi and I will be drawing 3 winners at random, who will win fabric, sewing pattern, and knitting pattern vouchers! Even if you’re not participating, do take a look at that thread! There are some amazing outfits to drool over πŸ™‚

OAL2016: Part 2 (Zipper + Finishing)

15 Jun

Hey everyone! Welcome back for the second (and final!) sewing post of the Outfit Along πŸ™‚

OAL_Banner

At this point, you should have your skirt mostly assembled (all seams except the center back seam) with the waistband partially attached (not finished). Today, we will insert the zipper and finish the waistband in one go! IΒ  am making my skirt with this awesome rayon crepe from StyleMaker Fabrics (don’t forget that there is free US shipping/discounted international shipping on all orders through 6/30/16 when you use the code OAL2016 πŸ˜‰ ), using my Spiegel 60609 sewing machine. If you missed the previous posts, here is Part 1!

For this particular skirt, I am sewing an exposed metal zipper. If you hate exposed zippers, that’s ok! You have options! Check out my tutorial for sewing a lapped zipper, and also my tutorial for sewing an invisible zipper.

For sewing the exposed zipper:

OAL2016- Sewing an Exposed Zipper
Start by marking a rectangle where the zipper is to be inserted. For a 9″ exposed zipper on a garment with a 5/8″ seam allowance (if your measurements differ, you will need to adjust these accordingly!), make a rectangle that is 10″ long and 7/8″ across. I use a Chaco Pen liner, but again – anything works! Then go over your markings with a long basting stitch on your machine. Don’t be lazy and skip this step. I know it’s tempting, but trust me on this one. The stitches will make it visible from both sides, and also won’t rub off.

OAL2016- Sewing an Exposed Zipper
If your fabric is very lightweight and/or drapey, you will want to interface the area where the zipper is going, just to give it some extra support. I cut strips of lightweight fusible and applied them over my basting lines.

OAL2016- Sewing an Exposed Zipper
Clip into the bottom corner of the rectangle at a 45 degree angle, being careful not to snip into your basting lines.

OAL2016- Sewing an Exposed Zipper
Fold along the vertical basting stitches and press.

OAL2016- Sewing an Exposed Zipper

OAL2016- Sewing an Exposed Zipper
Starting at the horizontal basting stitches, sew the center back seam at 5/8″, ending at the hem.

OAL2016- Sewing an Exposed Zipper
Press the seam allowances open.

OAL2016- Sewing an Exposed Zipper
On the right side of the skirt, lay the zipper face down with the bottom facing toward the waistband. Line the horizontal basting stitching just below the zipper stop.

OAL2016- Sewing an Exposed Zipper

OAL2016- Sewing an Exposed Zipper
Sew along the horizontal basting ONLY, using a zipper foot. PROTIP: I just found this out, but you *can* move the needle of the Spiegel 60609. While the machine is on straight stitch (#1), increase the zigzag width to 7.0 and that will move the needle! So you can get RIGHT UP IN THERE to do that zipper!

OAL2016- Sewing an Exposed Zipper
Here is the bottom of my zipper after it is attached. You only need to sew along the basting stitches – not the entire width of the zipper tape.

OAL2016- Sewing an Exposed Zipper
Flip the zipper to the inside of the skirt and press the line you just sewed.

OAL2016- Sewing an Exposed Zipper

OAL2016- Sewing an Exposed Zipper
Now turn back the skirt pieces, one at a time, and sew the zipper tape to the skirt along the vertical basting stitches, starting at the zipper top stop and ending at the bottom stop (don’t sew all the way to the very end of the tape). Again, use a zipper foot and move your needle over to one side if you can.

OAL2016- Sewing an Exposed Zipper
Here is what things should look like after you’ve attached both sides. Note that the top of the zipper will NOT reach the top of the waistband – it should only go about halfway, since we are folding the waistband to the inside. On the Hollyburn, there is a notch to indicate where the waistband folds – so the zipperΒ  stop should reach that notch.

OAL2016- Sewing an Exposed Zipper
Now we need to finish the waistband. Fold the seam allowance (5/8″) along the long raw edge to the inside, and press. You may trim this seam allowance down to 1/4″ if it’s bulky.

OAL2016- Sewing an Exposed Zipper
Fold the remaining bits of the top of the zipper tape toward the inside of the waistband, and pin to keep them out of the way (if you accidentally sewed down this part, you gotta unpick πŸ˜‰ ).

OAL2016- Sewing an Exposed Zipper

OAL2016- Sewing an Exposed Zipper
Now fold the waistband down to meet right below (about 1/8″) the stitching line at the top of the skirt, making sure that the top zipper stop is even with the top of the waistband fold. Make sure the raw edges are tucked in around the zipper and pin everything into place.

OAL2016- Sewing an Exposed Zipper

OAL2016- Sewing an Exposed Zipper
Now to topstitch! Starting at the top of the zipper, topstitch 1/8″ from the edge down to the seamline where the skirt meets the waistband, lower your needle and pivot. Then continue around the entire waistband until you reach the other side of the zipper, pivot, and sew back up to the top.

Alternately, you can also topstitch around the entire exposed zipper – but you’ll need to sew down the waistband in a second pass πŸ™‚

OAL2016- Sewing an Exposed Zipper

OAL2016- Sewing an Exposed Zipper
Now pat yourself on the back for sewing an AWESOME EXPOSED ZIPPER WTF.

Finally, just a couple more things to finish your skirt! If you want to add belt loops or the waistband tabs, you can do so now. Then you just need to hem. I ended up taking about 3″ off my skirt length to make it more of a mini, and then finished with a double turned hem (1/4″ on the first turn, 3/4″ on the second) that is simply topstitched. Here are my hemming tutorials if you need a refresher!

That’s all for today! As always, please let me know if you have any questions!! How is your sewing coming along? πŸ™‚