Tag Archives: vogue patterns

New Vogue Sewing Patterns! (+ a survey)

31 Jan

Hey everyone! I’m finally home from Egypt and nearly settled back to normal life. I will be writing a post about my trip after I finish sorting through the photos – in short, it was AMAZING and I had the best time!!! – and I also have my monthly MSN project to share! But in the meantime, I wanted to give a shoutout on behalf of my friends at the McCall Pattern Company.

MPC Logo

As you likely already know, MCP is responsible for McCall’s, Butterick, Vogue, and Kwik Sew sewing patterns. They are a small-ish company (smaller than you’d think, especially considering the massive number of patterns they publish each year) headquartered in NYC (which I visited a couple of years ago and it was pretty freaking awesome!), and make up 3 of what we consider the Big 4 when it comes to sewing patterns. I’ve sewn on their patterns for a long time – the majority of my sewing career, which spans a couple of decades – and the Vogue patterns especially are a key part to getting me where I am now in my craft. I learned so much from those designer instructions, and have made some really cool stuff! I know we – well, I, anyway haha – looove to poke fun at the ridiculous and awful Vogue offerings. It became a regular thing on my blog for a while there, and the only reason why I stopped writing those posts was because the patterns stopped being really terrible for the most part haha. It’s like, I dunno, they actually listened to us or some shit :P. Anyway, two things for this post today.

First, the McCall Pattern Company is currently on the manhunt for some feedback, for their on-going efforts to better support the sewing community. They want to know what you love, what you hate, and how they can better serve the people who are purchasing (or stopped purchasing, for whatever reason) their product. They reached out to me to see if I would share their survey with y’all, my readers, in order to expand their reach to a more diverse audience (and thus give them more data to work with that will result in – we should hope, anyway – a better product that delights all of us!). As much as I like to pick on them for the lols, I do truly love and respect this company, and I appreciate everything they do to keep those sewing patterns in rotation every season (and give us something to laugh at if said sewing patterns are terrible). I want to see them succeed and I selfishly want those products to get even better bc, duh, that absolutely benefits me (and you!). So with that being said – if you have 5-10 minutes and feel like talking about yourself, do us all a solid and fill out this survey. We all love talking about ourselves, this should be easy πŸ˜‰ Click here to take the survey, and we all thank you in advance! β™₯

On a second note – how about we talk about those new Vogue sewing patterns? Because they just released a new batch, woohoo! As I mentioned before, I stopped writing these posts because honestly the patterns stopped being really terrible. Which is great for us – and the company, ha – but not really conductive to those quarterly bouts of entertainment. Fair warning, the majority of the stuff in this collection is actually quite nice, but there are a few wtf ones thrown in there for good measure. Ah, Vogue, always keeping us on our toes.

V1537 1

V1537 2
Vogue 1537 / Kay Unger
LOVE this cocktail dress / jacket combo. It’s like a modern version of those vintage ones that I’m always drooling over. I love dresses’ shape – fitted, high neckline, interesting back view. And I like that the jacket is a slightly more modern shape than being straight-up vintage. The whole ensemble is just beautiful.

V1536
Vogue 1536 / Tom & Linda Platt
Love this one too. Simple dress, somewhat of a statement jacket (looks normal from the front, with a party in the back. Wait. Did I just describe a mullet?). Although I’m not sure if that jacket would look fucking stupid with anything other than that dress, but, it looks AWESOME with that dress so let’s just enjoy that small victory.

V1539
Vogue 1539 / Nicola Finetti
I want to like this, I do, but I also want to hate it. I think it’s the print on the print, which is a good idea in theory (I’ve always loved a sheer layer atop a solid layer of the same print, its interesting, dimensional, and beautiful), but not with that particular print. Also, those shoes are just awful. Go ahead and fight me over that.

V1535
Vogue 1535 / Badgley Mischka
I LOVE THIS AND I NEED AN EXCUSE TO MAKE AND WEAR IT ASAP OMG. I’d be the most elegant superhero in the entire fucking ballroom, y’all.

V1533
Vogue 1533 / Bellville Sassoon
I almost hyperventilated when I saw this dress, holyyyy shit. It is absolutely breathtaking. Ever since I crept hardcore on all the designer clothes at Bergdorf Goodman earlier this month, I’ve a brand-new appreciation for really interesting and artistic garments. This dress falls square into that category, and is exactly why I love Vogue Sewing Patterns.Β  I wish I was fancy enough to justify an excuse to make and wear this. Hell, I might do it anyway, and figure out the event later haha. I don’t use this term often, but homegirl looks fierce.

V1534
Vogue 1534 / Badgley Mischka
Ok, so the pattern for this dress is reasonably simple – it’s just a lined halterneck bodice with a contrast waistband, and a floor-length skirt. There’s nothing really spectacular about it. But I do love the fabrics that were used for this garment – its an absolutely beautiful dress. This is a great example of fabric choice making or breaking a garment. The sparkles are really appealing to my magpie tendencies.

V9241
Vogue 9241 / Kathryn Brenne
Katheryn. What the fuck is this shit. What the fuck are you doing.

V1531 1
Vogue 1531 / Julia Alarcon
I came here all riled up to hate this dress, but honestly, I really love it. It can definitely go terribly, horribly wrong depending on how that cowl gets worn – but when it’s good, it is real good. I love that giant collar and all the ways you can drape it around your neck to make the dress look completely different.

And while we’re talking about horribly wrong things…
V1531 3

SORRY, PALATE CLEANSER:
v1531 2

V1530
Vogue 1530 / Sandra Betzina
Ok, who’s brilliant idea was it to use auto upholstery fabrics to make this dress?

V9239
Vogue 9239
Hey look, another example of fabric choice making or breaking a garment. In this case, broke as fuck. Those bell sleeves look absolutely stupid when sewn up in a fabric that has that much body.

V9238
Vogue 9238
I just hate this so much.

V9246
Vogue 9246
GUYS WHY ARE THESE SHOES BACK IN STYLE, DID WE NOT LEARN OUR LESSON THE FIRST TIME AROUND?

V1540
Vogue 1540 / Sandra Betzina
Ok, Sandra, fine. You win this one. This one is nice. I’ll give you that.

V9245
Vogue 9245
Yikes.

V9243
Vogue 9243
I call this one, ‘Birthday Cake Couture.’

V9249
Vogue 9249 / Ta Fa
Is… this a pattern for a rectangle of fabric? Really? We’re doing that now?

V9248
Vogue 9248
Finally, a version of Trump with hands that are proportional in size to the rest of his body πŸ˜›

 

What did you think of the new Vogue patterns? Anything grab your eye and skip to the front of your queue? Anything make you cower in fear? Did you remember to take the survey? Let’s talk about it!

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New Vogue Sewing Patterns: Winter 2015

5 Oct

If you haven’t heard, Vogue Patterns just released a new collection of sewing patterns a few days ago. I haven’t had a chance to really sit down and take a look at them as I’ve been out of town the last week (where I had a wonderful time teaching in Portland, Maine, and hanging out in Boston with Jenny. Couldn’t have asked for a better week! Hope to post more about it later πŸ™‚ ), but man, this was a nice welcome back. Ha.

Surprisingly (or not, depending on your stance with Vogue), most of the patterns in this collection are relatively tame (and a few are even sorta tasty). I’m a firm believer that winter clothes are far superior to summer clothes (layers and cozy wools and tights and scarves and don’t even get me started on sparkly holiday dresses, wheee!), which may have something to do with my opinion on the new pieces.

V1475
Vogue 1475 // Badgley Mischka
Like this shiny piece of opulence. Ain’t no place in my life for a sparkly evening gown, but man, I really like this. I even like the fabric – I think it works really well with the style of the dress.

V1474
Vogue 1474 // Tom and Linda Platt
Or how about a bias floor-length gown made in a yummy silk charmeuse? Yes, please!

V9145
Vogue 9145 // Claire Shaeffer
YOU CAN JUST GET ON MY BODY ASAP.

V1468
Vogue 1468 // Nicola Finetti
Obviously there’s nothing particularly ground-breaking about this design (and I’m starting to get sick of the exposed metal zipper trend on EVERYTHING, sorry not sorry), but I like all the options for colorblocking and using different textured fabrics. Also, do I spy a new designer in the line-up?? YAY.

V1477
Vogue 1477 // Sandra Betzina
Love knit tops with interesting neckline detail like this.

V1479
Vogue 1479 // Isaac Mizrahi
I know these oversized coats are supposed to be really trendy right now, but they’re just a little too 80s-Power-Career-Woman-With-Strong-Shoulders to me.

V9160
Vogue 9160
“Excuse me! My eyes are up here!”

V1469
Vogue 1469 // Lia Lia
Even the skinniest model wearing the prettiest dress can’t escape a bad piping placement.

V1471
Vogue 1471 // Nicola Finetti
Really beautiful dress, but it should have been worn by a model with similar proportions. The waistline is way too high, yeesh. And if I’m way off my rocker and that’s the way the dress is supposed to look… double yeesh.

V9149
Vogue 9149
“We need to figure out a way to re-release this pattern but make it seem new.”
“What if we add a tail?”
“Say no more.”

Those were pretty tame. However, Vogue wouldn’t be Vogue without a little random fuckery thrown in.

V9159
Vgoue 9159
“You promised when making these pieces that you’d never wear the two of them together. The lie detector test determined that was a lie.”

V9153
Vogue 9153 // Marcy Tilton
I swear to god, every Marcy Tilton pattern is starting to look the exact same.

V9156
Vogue 9156
I totally had a pair of purple fuzzy zebra print pants when I was in high school. I guess this answers what ended up happening to them.

V9162
Vogue 9162 // Kathryn Brenne
I guess buttflaps are also making a comeback this year.

V9163
Vogue 9163
“Bitch, be cool.”

V1478
Vogue 1478 // Sandra Betzina
“Well, at least I wouldn’t skin a collie to make my backpack.”

V9164
Vogue 9164 // Kathryn Brenne
“I wish this was a hamburger instead.”

V1473
Vogue 1473 // Bellville Sassoon
Bellville Sassoon gives you wiiiiiiiings!

V9165
Vogue 9165 // Mary Jo Hiney Designs
This has to be the weirdest accessory pattern Vogue has ever released. Custom decorative boxes – complete with a notions list that rivals the entire stock of your local Joann’s. Also, the 9 year old me in is amused that the designer’s name is “hiney.” That is all.

And SPEAKING OF FUCKERY – I saved the very best for last!

V1472
Vogue 1472 // Zandra Rhodes
Every single thing about this outfit is insane. I couldn’t tell if that was a skirt or really low-crotch harem pants, until I looked at the line drawing – and was delighted to also discover that the look includes suspenders (to keep the skirt up, I imagine. That thing looks heavy af). And in case you don’t feel sexy when wearing an entire bolt of fabric, there’s a lovely midriff cut-out – the perfect space to allow for a little post-holiday-dinner belly expansion.

What did you think about the new Vogue collection? Anything gorgeous that needs to be a part of your wardrobe? Any random fuckery that makes you want to tear your eyes out? How do you like them new designers? Ahh, Vogue, it’s like you’re giving me Christmas 4x a year. I loves you.

Completed: The Summer DVF Wrap Dress

17 Aug

What? Did you think I was going to make it an entire year without busting out this pattern? Ha ha! Forget about it!

Vogue 1610 // DVF(No idea why I’m standing pigeon-toed in this photo, eh.)

ANYWAY. If you’ve been following my blog for a while now, you’ll know that I loveeeee me some knit wrap dress action. Specifically, some Diane Von FΓΌrstenberg knit wrap dress action. I just think she makes the prettiest dresses and I can’t get enough of them (and by “them,” I mean “knock-offs”) in my closet! I have a few that I made last year – The Wearable Muslin, The Silk Jersey and The Chic Black Wool. And now, here’s #4: The Bold Graphic Print. Just in time for the last few weeks of summer! Vogue 1610 // DVF

I have an original copy of Vogue 1610, which is a (vintage) Vogue American Designer pattern (this one featuring Diane Von FΓΌrstenberg, obviously). I found it – in my size, no less – at an estate sale for around $1 a few years ago. It’s a beautiful pattern that really lends itself well to all the hacking and modifying I’ve put it through. It’s certainly a bummer that Vogue won’t re-release this pattern for the modern sewist – and before you start pointing fingers, this has nothing to do with Vogue and everything to do with DVF not renewing the license. I’m pretty sure the McCall Pattern Company wants to re-release some DVF love just as much as you want to buy it (I mean, can you imagine how much $$ they’d make? Who can say no to that?), but it’s not really up to them to decide. Seems like the designer just doesn’t want her name on sewing patterns anymore 😦 DIANE, WHYYYY.

Anyway, back to my dress!

Vogue 1610 // DVFVogue 1610 // DVF

Taking a cue from the black wool version, I kept the original bodice from the pattern and changed out the skirt for a simple wrap skirt (specifically, I used Tilly’s Miette skirt and just made it so the wrap is in the front). I added 1″ to the overlap, so I’d have a little bit of fabric to fold back and topstitch. I like the gathered skirt that the pattern is drafted for, but I wanted this version to be a little more sleek. I originally planned this dress to include small cap sleeves – I was going to take them off my Lady Skater dress pattern – but when I tried the dress on sans sleeves, I really liked the way it looked so I kept it as-is.

Vogue 1610 // DVFI also kept a slightly longer skirt length (I know, I know… nothing about “practically knee-length” qualifies as “long,” but considering I’ve basically been exposing ass cheeks all summer, this is long for me), again, something I liked when I tried it on during construction. Vogue 1610 // DVF

Vogue 1610 // DVFI also tried something different with the front band. Normally, I sew it on like how you finish the neckline of a tshirt – stretching the band so that it fits snugly against the bust when worn. However, I lurked in on some actual DVF wrap dresses while I was in Harrod’s last year in London, and noticed that they finish their necklines a little differently. No knit bands to be found anywhere – most of them use a binding or a facing. I was keen to try this myself, so that’s what I did. I cut the band as usual and interfaced it with a lightweight knit fusible (so it has a little bit of structure, but it’s still quite stretchy). I finished one edge, sewed the facing to the outside of the garment, flipped it to the inside and understitched, and then topstitched 1″ away from the edge on the outside. I was 100% certain that I’d fucked up the dress beyond repair at that point – the back had some puckers and everything just looked kind of strange – but it all sorted itself out once I put it on and my body stretched it into shape. The addition of the interfacing gives the neckline a little bit of height, almost – especially around the neck itself. The facing is much smoother and sleeker than any band. And I can pull the dress apart a little and show some 1970s ~natural cleavage~ if I feel so inclined. Yeehaw! Vogue 1610 // DVF

Vogue 1610 // DVFNot really much else to report on construction – much of the same old, same old. I used my serger to construct, my Bernina (+ walking foot // ballpoint needle) to topstitch. For the arm holes, I just serged them and turned the hem under and topstitched with a straight stitch. So easy! I think I finished this whole thing in less than 3 hours. Vogue 1610 // DVF

Isn’t the fabric so good? When I saw it on Mood Fabrics recently, it immediately screamed WRAP DRESS and it knew it had to be mine. Sometimes, I find buying knit fabric online to be a bit of a gamble – you can’t really tell weight/hand/stretch recovery (not to mention color) from a photo and description, and occasionally I end up with stuff that wasn’t at all what I was expecting. This fabric definitely exceeded my expectations – it’s so beautiful! Very dense with a good stretch (and an awesome recovery; I wore this all day last week and it didn’t bag out at all), and the color is super saturated. It’s a little on the heavy side – but not bulky. It feels very fluid and luxurious. I wish all knits were like this. This stuff is awesome! Also, the color is “poppy” which I kept seeing as “poppy,” so, like, there’s that.

Vogue 1610 // DVFHere’s a shot of the inside. Super clean finish, yay! Vogue 1610 // DVFI think the color and style of this dress will be good for transitioning into the fall months here – where we want to pretend like it’s tall boot and wool hat weather, but it’s actually still 90+ degrees. Which means I can wear this and look cool, but still be cool. Also, I am not ready for summer to end just yet – I have a few more projects left to finish!

Note: The fabric for this dress was purchased with my allowance for the Mood Sewing Network. All comments on this blog post are just, like, my opinion, man.

Vogue Spring/Summer ’15 Sewing Patterns

10 Apr

New Vogue Sewing Patterns were just released the other day! What better way to celebrate their arrival (and give myself a little more time to procrastinate getting my shit together, mostly because I CAN’T FIND MY CAMERA REMOTE, ARGH), than to rip apart the latest offerings? πŸ˜€
V1451Vogue 1451 // Donna Karan
“Hey, Ambular. Was that you going through my laundry?”
V1450Vogue 1450 // Guy Laroche
“As if! Like I would really wear something from Judy’s.”
V1444Vogue 1444 // DKNY
I know there is a whole class of sewists dedicated to making sure that their insides look as pretty as the outside (both hands raised bc I’m totally part of that camp!), but this shit is taking that to the next level.
V1446Vogue 1446 // Rebecca Taylor
Did seriously no one bother to tell this poor girl about the toilet paper stuck to her shoe?
V1454Vogue 1454 // DKNY
Vogue 1454: Includes butt canopy.
V1447Vogue 1447 Tracy Reese
REALLY cute dress pattern, awkward fabric choice.
V9100Vogue 9100
koolaidFirst thing that comes to mind every time I see that damn ripped paper background.
v9108Vogue 9108 // Marcy Tilton
As usual, Marcy Tilton does not disappoint.

V9117Vogue 9117
I’m having a really hard time trying to figure out the storyline behind this photo. Was she working on home renovations before going to lunch?
V1452Vogue 1452
Ladies, if this ensemble isn’t fabulous enough for you, just know that you can also make it out of stretch velour.
V1453Vogue 1453
Sandra Betzina, what the fuck have you done now?
V9115Vogue 9115
Kimono-no-no.
V9114Vogue 9114
The perfect pocket for stashing your extra tots.
V9111Vogue 9111
“I have given up.”
V9120Vogue 9120
Introducing the Bellow Bag: For all your accordion-hiding needs.
And finally, check out this trifecta of fuckery: Vogue 9121
V9121aA) Tragic fabric choice? Check.
V9121bB) Unnecessarily long dangly? Check.
V9121cC) Saggy boob illusion? Check.
Vogue. Please don’t ever stop.

 

(psst! If you haven’t done so already, don’t forget to enter the Sewing for Fashion designers giveaway! Entries close on Monday morning πŸ˜‰ )

Tutorial: An Easy Elastic Waistband

29 Jan

Hey dudes! Real quick before I jump into tutorial-land this morning – New Vogue Sewing patterns are out! Over the past couple of weeks, I’ve had quite a few people ask me when I would be posting my review. Not gonna happen, guys – at least not for this set, and no, not because of anything to do with me+The McCall Pattern Company. Have you seen the new patterns? There’s really nothing to make fun of! Which is good, because it shows that Vogue is listening to our pleas, I guess, but no jokies for us this time around. The only pattern I see that I really don’t like at all is this Koos Van Den Akker monstrosity that calls itself V1441– but, again, it’s Koos Van Den Akker, which should explain everything. Kind of hard to poke fun at something that’s intentionally designed to look crazy, you know? πŸ™‚ In the news of things I do like – there’s V9077, which is a dress I don’t completely understand, but I think I like it anyway. Aaaaand, that’s about all that warrants any mention from the new collection. Sorry if you were expecting more! Trust me, you don’t want to see a post of me trying to pull humor out of a humorless situation πŸ™‚ Feel free to turn this into a debate on whether or not I’ve sold out to Vogue (the answer is no, but, I REALLY love a good conspiracy theory, and I’m sure some of y’all do too!)

Ok, so, onward to the tutorial!

wb

I’ve had a few requests for this, so here ya go – my tutorial for attaching an elastic waistband to your leggings (or skirt, or whatever. I ain’t here to judge your love for elasticized comfort!). While the usual method of leaving a hole in the seam and feeding the elastic through is definitely non-brainer easy, I prefer this particular method as it doesn’t allow the elastic to twist at all – not while you’re feeding it through the hole (that ALWAYS happens to me, ugh!), and not while you’re wearing and washing them. It stays in place and that’s pretty awesome! Also bonus is that you don’t have a tiny hole to close up afterwards. Whoop whoop!

Anyway, I learned this method from Katie of Papercut Patterns, and it’s definitely my favorite way to elastic the shit out of my waistbands. It is my understanding that she updated that the Ooh La Leggings pattern has been updated to include this method, so this is mainly for those of us who have an older copy of the pattern and/or want to elasticize something else. It does require a little bit of finesse while sewing, but it ain’t nothing you can’t handle πŸ˜‰ This is also a great method if you are using an elastic that is too wide and thus needs to be cut down – I started with 3″ wide elastic, but I needed 1″, so I just cut right down the middle (well, ish). Since the elastic is going to be attached to the fabric by machine, it’s ok to cut is as the stitches will prevent it from unraveling over time πŸ™‚ Just make sure your elastic has a very tight weave – if it’s a loose weave, it’s best to leave it uncut as there ain’t nothing that’ll keep that shit from unraveling!

Elastic Waistband Tutorial

Start by cutting your elastic to the desired size (I prefer about 4″ of negative ease at my waist, but it’s a matter of personal preference!), including an additional 1″-2″ for overlap. Pin the elastic with the inch overlap so it makes a circle.

Elastic Waistband Tutorial

Sew down all four edges where the elastic overlaps, making sure it’s secure. Ideally, you’d use a zigzag stitch for this – but my machine was already threaded with the double needle, so I used a double needle. I have yet to have a problem with this stitch, so there’s that! I like to stitch over each area twice to be really sure that it’s secure – you don’t want your elastic coming apart after you’ve sewn it into your pants!

Elastic Waistband Tutorial

Divide the elastic into 4 equal sections, either by using a ruler or just folding it in half and half again. Mark each point with a pin, making sure one section is in the center of the part you just overlapped and sewed. If your pattern does not include notches for dividing the waist into 4 equal sections, you’ll want to do so now as well on your garment.

Elastic Waistband Tutorial

On the INSIDE of your garment, match the 4 elastic sections with the 4 pants sections, keeping the overlapped elastic at the center back. If you trimmed down the width of your elastic, it is a good idea to match this area to the raw edge of your fabric, so it will be sewn and enclosed later. You will notice that the elastic is not quite as long as the garment in each section – that’s ok, we will stretch to fit in the next step πŸ™‚

Elastic Waistband Tutorial

Using a serger (or a sewing machine with a zigzag stitch), attach the elastic to the garment. Go slowly and focus on one section at a time, stretching as much as you need to to get the pieces to fit. If you are using a serger, be careful not to trim off too much of your elastic edge – if at all possible, try not to trim off any. Keeping your elastic one uniform width will help with accurate topstitching later.

Elastic Waistband Tutorial

Your garment should look like this – on the inside, attached at the top, elastic loose at the bottom.

Elastic Waistband Tutorial

Now fold the elastic to the inside one time, which will completely encase it with fabric. Pin into place if needed – I like to pin again at the 4 equal sections (this part doesn’t have to be exact, you can just eyeball it).

Elastic Waistband Tutorial

Using a twin needle or a zigzag stitch, topstitch the elastic into place along the previously sewn edge. Gently stretch the elastic in each section, the same way you did when first attaching it. I’ve found that it’s easiest if I hold both the front and back with my hands, and gently guide the fabric as I sew. Stop with the needle down as you finish each section, readjust, and start the next section. Backstitch at the end.

If you’re using a twin needle, you’ll need to topstitch from the right side – this is where keeping the elastic a uniform width is handy. I mark my machine with a post-it note (I’m not adorable enough to use Washi tape, which I see everyone else using haha) to keep everything aligned so I catch the edge of the elastic as well as sew a straight line, but you can also feel it through all the layers. If you are using a zigzag stitch, you can get away with sewing on the wrong side so you can keep an eye on the elastic – but do try to sew a straight line, otherwise, it’ll be real obvious haha.

Elastic Waistband Tutorial

Elastic Waistband Tutorial

And that’s it! Not too hard, huh? Like I said, I really love this method because it keeps the elastic from twisting – it stays in place foreeeever! Also, the overlap at the center back is a handy way to quickly tell front from back just by feeling it – which, I don’t know about you, but I don’t sew tags in my clothes, so that’s pretty freaking useful! Only downside is that you’ll really have a lot of work to do once the elastic eventually wears out, but I personally think it’s worth it, if only to prevent elastic twist!

Let me know if you have any questions! Or if you just want to discuss those new Vogue patterns. Maybe you see something ridiculous that I overlooked??

V1419 Sewalong: Steps 64-86

10 Nov

Good morning, sewalongers! This is the week we finish up our coats – woohoo!! (and those of y’all who are not following the sewalong – this is the last week you have to skip a boring sewalong post! Woohoo!). Can you just feel the excitement radiating in the air? πŸ˜‰

So, the good news is – this is the final construction post before we have our sharextravaganza next week. The bad news – it’s a HELLUVA post. Lots and lots of pictures (in advance: I’m soooo sorry! Tried to cull them down as much as possible. On the flip side, none of them are of me πŸ˜‰ lolololol), lots of little fiddly steps here. On the flip side, this is all finishing – which means when it’s done, the coat is done – but expect this to take some time, especially since there is lots of hand sewing in this section.

Anyway, onto finishing!

The first thing you will want to do is sew the bias facing to both of the opening edges of the coat front, as well as along the neckline and across the hem. I’m not going to go into detail of how to do the facing – we’ve all done enough bias facing on this coat, I think most of us can do it in our sleep at this point πŸ˜‰ – but I did want to mention a couple little tips that helped me.

V1419 Ralph Rucci Sewalong
Once I sewed the facing on and trimmed down the seam allowances, I pressed all the raw edges toward the facing, using lots of steam.

V1419 Ralph Rucci Sewalong
Then simply press the facing to the inside of the coat. You will want to hand baste this in place, which will give you greater control when top stitching (especially important at those coat front edges).

V1419 Ralph Rucci Sewalong
V1419 Ralph Rucci Sewalong
At the hem and neckline, you may find that where you are intersecting seams tends to be *very* bulky – like, so bulky that you can barely turn the facing to the inside. I used my scissors to chop out as much of the bulk as possible (being careful not to cut into the stitching line or outside of the seam allowances), and them hammered them down like crazy with my clapper, to make things very flat.

Actually, if you have a clapper – it’s a good idea to smack down those edges after you’ve top stitched them, to flatten them as much as possible and give them a nice sharp crease. This will make your coat look much more professional πŸ™‚

Now, for the button holes! Fair warning – these took foreveeeeer to finish! Lots of fiddly pieces, lots of fiddly hand stitching. I know at this point, most of y’all are probably over this coat and just want to finish so it can be worn, but please take your time with these steps. The button holes are one of the most visible parts of the coat, and you don’t want them to look sloppy!

V1419 Ralph Rucci Sewalong
Remember when we sewed around the edges of where the button holes would go? Now you need to cut right in the middle of those stitches. I first used chalk to mark where the V would start, and then cut along the lines indicated. Cut right up to the stitching, but not through it.

V1419 Ralph Rucci Sewalong
You will have a little V flap at the inside end. Fold this to the inside and press.

V1419 Ralph Rucci Sewalong
V1419 Ralph Rucci Sewalong
To make the button hole binding, find those 4 bias pieces you cut, and press down one long edge about 1/4″. You will want to cut the binding into 20 pieces – 4 pieces will be 2.5″ long, and 16 pieces will be 2.75″ long. You should have enough binding to cut exactly the number of pieces needed (if for some reason you screw up and need more binding – just salvage a piece of leftover facing, and cut it in half at the fold. Y’all have lots of bias facing left over, right? I do hahaha). Fold in 1/4″ at short edges of each little piece and press. Yes, this part takes forever. Sorry.

V1419 Ralph Rucci Sewalong
On the bottom of your button hole, pin a piece of binding with the right sides facing and the raw edges matching. The edge that meets the front edge of the coat should be flush, the edge against the end of the button hole should extend a bit farther. Be aware of what binding goes on what button hole – the 2.5″ binding is for the top 2 button holes (on the left and right side of the coat front); the remaining binding is for the remaining button holes.

V1419 Ralph Rucci Sewalong
I went ahead and pinned the top binding as well, because I am impatient.

V1419 Ralph Rucci Sewalong
Sew the binding to the coat, stitching along your original stitching lines. I found it easier to do this from the inside, so I could make sure I was sewing in the correct place. When you get to the end of your stitching line – where the stitching pivots to the end of the button hole – stop and back stitch. Do not go any farther than the existing stitching line.

V1419 Ralph Rucci Sewalong
Your binding should look like this on the outside of your coat. Notice that the stitching does not go all the way across to the tip of the binding. This is good; it means we can pull the end of the binding to the inside.

V1419 Ralph Rucci Sewalong
Here it is from the inside.

V1419 Ralph Rucci Sewalong
Starting at the open end, fold the binding to the inside and pin into place. I pinned both top and bottom because – again, impatient. You could also work with one side at a time. Whatever is easier!

V1419 Ralph Rucci Sewalong
V1419 Ralph Rucci Sewalong
For the end of the binding that is by the V you clipped, pull all the binding to the inside of the coat and pin down. This should cover the V completely, but if not, you can always clip whatever is sticking out πŸ™‚

V1419 Ralph Rucci Sewalong
Repeat for the bottom (or top). Your finished pinned button hole should look like this.

V1419 Ralph Rucci Sewalong
Here it is from the outside.

The next thing you nee to do is slipstitch alllllll those bindings invisibly to the inside of the coat. Yep! This part takes forever! I also stitched my bindings so the edges encased the edge of the coat front, as well as slip stitched the open ends together with a few stitches. When you get to where the binding covers the triangle, be sure to catch that in your stitches so the button hole is secure. Check from the front occasionally to make sure everything looks good, especially making sure that triangle is pushed all the way to the inside of the coat and not sticking out.

V1419 Ralph Rucci Sewalong
V1419 Ralph Rucci Sewalong
Once you’ve finished the torture that is slipstitching ALL THAT BINDING, give everything a good press (and maybe a smack with the clapper, too, if it needs it. Mine did!). We’re not done yet!

V1419 Ralph Rucci Sewalong
Next up is thread bartacks! Start by marking where the bartacks will go – you will have 4 total for each button hole – left and right (so a total of… 40. Woof.). There will be a bartack at each end of the button hole, plus another bartack 1/2″ from each end. I marked mind with chalk.

V1419 Ralph Rucci Sewalong
The bartacks will go faster/look better if you thread up with multiple strands. I used 3 strands of thread, and then doubled my needle, for a total of 6. You can also use embroidery floss – I just didn’t have any of the right color on hand.

V1419 Ralph Rucci Sewalong
Starting on the inside, make a small knot with your thread, or tack it in a couple spots to secure it. I made a small loop and then pulled the needle through it.

V1419 Ralph Rucci Sewalong
Pull the needle to the outside and stitch across the button hole to the other side, letting the thread connect the two sides. Make another knot on the inside (or, again, secure with a few stitches), and then pull the needle back to the outside.

V1419 Ralph Rucci Sewalong
To make the bartacks, loop your thread like so.

V1419 Ralph Rucci Sewalong
Then pull the needle through the loop to create a knot (same concept as a button hole stitch, or a blanket stitch).

V1419 Ralph Rucci Sewalong
Pull the loop until it knots at the end. Repeat this over and over until you have a chain of knots that completely covers the thread. This is your bartack. Do this 4 times for every button hole. Also, have a glass of wine while you’re doing this – you’ll be sitting for a hot minute πŸ˜‰

V1419 Ralph Rucci Sewalong
Some bartack tips:
– You will get better as you do these! I recommend starting with the button side first, at the bottom button hole, so your practice attempts won’t be as easily seen πŸ™‚ Of course, you could practice on scraps first – but, naw, not me!
– Don’t pull the knots too tight, or you will distort them and they won’t be as pretty 😦
– Try to make your knots in the same direction as you go – this will keep them uniform and hopefully prevent twisting!
– If at all possible, try to do these in one sitting. The repetition means you will get better as you do it, so if you complete them all in one sitting, you won’t need to go through multiple learning curves (than if you picked it up several times during the week).
– The original Rucci coat has the bartacks continue on the back side of the bound button holes as well. The instructions for this pattern only call for the bartacking in the front (which is what I did). If you want to mimic the original and bartack the back of the button holes – well, don’t let me stop you πŸ™‚
– Don’t get too hung up on perfection – yes, you want these to look nice, but at the same time, most of them will be covered by the buttons. Not worth killing yourself over!

V1419 Ralph Rucci Sewalong
Once you’ve finished your loops, time to sew on those buttons! Sew the buttons in the middle of the binding on the left front, catching both bindings in the stitches. For the top button, sew it 1/2″ away from the edge (it won’t be quite in the middle).

V1419 Ralph Rucci Sewalong
You can also go ahead and sew those back buttons on the belt. The pattern actually has you make button holes first – which of course you can do, but I omitted mine.
One word of note about the belt – don’t try to cinch it in too tight, or you’ll create gathers on the coat sides. Pin the belt closed first, and try it on to make sure everything is smooth and flat.

Finally, all that’s left is the sleeves. Go ahead and hem them with the bias facing – same concept as the other hemming and facing we did in these steps.

V1419 Ralph Rucci Sewalong
The last thing we will do is make these little sleeve binding pieces, to cover the edge where all the crazy sleeve seams intersect. Cut 2 pieces that are approximately 1.5″ long by 1″ tall (or possibly taller, if your fabric is very thick and bulky – I cut mine 2″x2″, because my fabric required the extra room!). Fold one long edge under 1/4″ and press, and both short edges as well.

V1419 Ralph Rucci Sewalong
Sew the binding to the outside of the sleeve, with the right sides facing, at the point where all the seams intersect. Sew right along your topstitching line. If your fabric is bulky, you may want to trim down the seam allowance of this binding piece.

V1419 Ralph Rucci Sewalong
Turn the binding to the inside, wrapping around the sleeve hem and being sure that all folded edges are tucked under. Slipstitch around the 3 edges and press. Again, this is a good time to use your clapper to really flatten those seams. Gah, you guys must think I have stock in clappers at this point hahaha.

V1419 Ralph Rucci Sewalong
V1419 Ralph Rucci Sewalong
Your finished sleeve will look like this. Yes, some of my top stitching is wonky. Oh well!

Whew! That’s all for this post – AND THIS COAT! How’s everyone coming along with their coats? I’ve been loving all the progressing (and some completed!) coats that are popping up in the Flickr Group. You’re SO almost done!! If you want to show off your coat in our Parade of Coats next week (which, obvs, you should!), you have a few options – you can upload to the the Flickr Group, and you can also upload to the Pinterest Fan Gallery. Be sure to use the hashtag #v1419Sewalong so you’ll appear in our Tagboard, where we will also be pulling finished coat photos. Can’t wait to see everyone’s coats!! πŸ˜€

V1419 Sewalong: Steps 23-50

27 Oct

Good morning & happy Monday, sewalongers! This week, we’ll be sewing up a large chunk of the coat – finishing the main construction, in fact! By the time you are done with step 50, you will be able to actually try on your coat πŸ˜€ Woohoo!! I know a post with 27 steps seems ridiculously long, and it sort of is – but keep in mind that at least a third of those steps are just instructing you how to sew on the bias binding. So it’s really not that bad! Although, I will be the first to warn you – this part can be a little time-consuming. You can do it, though! Just take your time and definitely take a nice break if you feel yourself getting overwhelmed/frustrated πŸ™‚

This week, for my sewalong post, I’ll be doing the same sort of post as from last week and just giving some general tips and cheerleading. I don’t think this part of the sewing really requires step-by-step directions – which, due to the sheer size of the coat, is kind of difficult to do as it is – and the directions on this pattern are insanely good anyway. Seriously, they’ve really restored my faith in Vogue patterns with this coat.

That being said, let’s jump in!

As with last week, you will need to follow the steps outlined in the pattern for constructing the coat. Don’t try to skip a step, or jump ahead – the instructions are written in a way to give you the best result with as little hair-pulling as possible (hair-pulling will still probably happen, though, just fyi). Be sure that you have clearly marked your pattern pieces with all notches and symbols – it is critical with this pattern that everything is marked to give you the very best results. Trust me! Also, pay attention to the side that you are sewing the bias binding (and thus which side you will end up topstitching), as we want our topstitching and everything to be symmetrical on the finished coat.

The sleeve dart will be bound with the bias tape, just as all the seams are. If you are having issues keeping the seam allowance at the bottom (where the tip of the dart just kind of wanders off the edge of the fabric), try sewing with the bias binding on the bottom, with the raw edge at your 5/8″ mark. You can also mark the bias tape at 5/8″ in that area, but I found just using the guidelines on the machine’s throat plate was good enough for me πŸ™‚

V1419 Ralph Rucci Sewalong

Don’t forget to staystitch your sleeve where directed (the blue lines in that photo… hopefully your sewing is straighter than my computer drawing skills πŸ˜‰ ). This is essential for attaching the sleeve to the coat.

V1419 Ralph Rucci Sewalong
For attaching the coat front and back to the sleeves, here are a few tips I have picked up:

  • Use a basting stitch to attach the pieces together first. When you sew the binding, you will use a normal stitch length, so basting is fine for this part. The basting will come in handy if you need to unpick anything (either because you didn’t sew over the basting, or you got a pucker, or whatever).
  • Some of this pieces have GIGANTIC curves and require some crazy easing. Feel free to clip as much as you need to get everything to lie flat. I personally didn’t clip at all – I just put the bigger side on the bottom when I sewed and let the feed dogs ease everything. Absolutely make sure you check for puckers before moving on to the next step.
  • When attaching the binding, I found it easiest to sew with the binding on the bottom, so I could be sure I was sewing over my basting line (and thus have less to unpick).
  • Clip those seam allowances aggressively – like 1/8″. This will not only give you enough room to fold over the binding for topstitching, but it will also allow those curved areas to lie flat without needing to clip (obviously, if you clipped the seam allowances to attach the pieces together, you’ll probably cut most of that off. That’s ok! πŸ™‚ ).
  • As I have mentioned before, I found the topstitching much easier if the binding was basted down by hand first. If you baste right along the edge of the binding, you can sew inside the stitching line and be sure that you caught the fold. Further, it means you don’t have to worry about pins πŸ™‚
  • Again, do NOT be afraid to beat those seams into submission if they are feeling bulky.

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At some point during this section, you will find yourself wrangling a whole lotta coat and you might feel a little overwhelmed. Stay with it! You can do this!

V1419 Ralph Rucci Sewalong

Once you’ve attached the front and back at the top of the sleeve, you will end up with something like this.

V1419 Ralph Rucci Sewalong

Make sure you spread it out on the floor so you can really appreciate how completely ridiculous everything looks.

The next few steps are going to seem REALLY weird, but just roll with it-

V1419 Ralph Rucci Sewalong

First, you will attach your coat front to coat back at the side and skirt seams. Once finished, you will end up with something that resembles a coat with armpit vents. This is actually a great time to try the coat on, BTW – I pin basted a few seams together just to be sure things were rolling smoothly along (what can I say – even with a muslin, I’m paranoid). I ended up sewing this seam at 1/2″ seam allowance instead of 5/8″, just to give myself a tiny bit more waist room.

V1419 Ralph Rucci Sewalong

The next step will have you sew up the section right above the waist and below the gusset, and then apply the binding.

V1419 Ralph Rucci Sewalong

Finally, you get to close up the sleeves! Yay!

Ok, so Laura tweeted me about step 50 being impossible.

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It’s definitely not impossible – but is DOES require some finesse! If you’ve ever flat-felled a sleeve seam (while it was attached to the rest of the shirt), you are probably familiar with this kind of sewing wrangling. Basically, you will sew very slowly – like an inch or two at a time – being sure to lower the needle every time you stop to readjust (lowering the needle is pretty important, else your coat may shift which will result in a wonky line), so you can be sure you’re sewing through one layer of coat. It *is* possible to sew this seam, you just need patience πŸ™‚ I basted my binding into place by hand (if you’ve been pinning up to this point, you may want to consider basting for just this one seam – it’ll make things a LOT easier if you don’t have to deal with pins) and sewed from the wrong side, so I could keep an eye on my binding and make sure I was catching it. This doesn’t result in the prettiest topstitching ever, but, you know what? It’s an underarm seam. Ain’t nobody gonna be looking at that anyway.

Anyway, here’s my coat up to this point:

V1419 Ralph Rucci Sewalong

V1419 Ralph Rucci Sewalong

We are getting there!

As a side note, it was brought to my attention last week that I sewed the binding on my belt incorrectly. WHOOPS! The binding should actually all face to the inside – there are photos on the McCall blog for clarification. I decided to leave mine because I like the way it looks, but just fyi if you are going for something that is closer to the original!

How are y’all feeling about your coats this week? Any burning questions about this set of steps? Holler at me in the comments!