Alright y’all, I’m back with one more jeans post – the ~Designer Jeans~ Edition!
Thanks to Vogue 2442, I was able to make my own pair of Calvin Klein jeans 😀
Before we get too far into the post, though, I just want to acknowledge how absolutely stupid this envelope cover is. You can barely see any of the details of the jeans (although the butt close-up is helpful, and to be completely transparent here, it’s a nice butt), and I don’t know why that woman is holding her leg up like that because you definitely can’t do it in these jeans. Nothing about this cover art (or lack thereof) makes me want to try this pattern, but nevertheless, I persevered. For science.
Anyway, here are mine!
I went down a little rabbit hole last fall while looking at vintage jeans. I reaaaaaally wanted some vintage Calvin Kleins, if only for the brag factor, but my budget currently doesn’t allow me to spend hundreds of dollars on someone’s used jeans (RIP, the vintage market). I considered sewing them, but recalled looking up vintage CK patterns years ago and they were going for obscene wads of money. Just out of curiosity, I checked again – and was surprised to see that there are plenty to choose from for $10-$20. Calvin Klein licensed his name to Vogue patterns a bunch throughout the 80s and 90s, occasionally offering a jeans pattern. There were loads of mom jeans to choose from (including a truly horrifying Vogue 2851, I mean, come on) but I went with the OG, the Vogue 2442 from 1980. In the effort of being as science-y as possible, I re-measured myself and chose the size that closely matched my measurements – in this case, the 8.
It took me a while to find a suitable denim to make these up – I wanted something non-stretch (as the pattern calls for – this was before stretch denim was really a thing!), but not too heavy, and a lighter wash. A bunch of the stuff I was coming up with ended up being way too lightweight, or had too much stretch, so this project ended up being shelved for longer than I would have liked.
As you can see, I did end up finding a great denim – from Art Gallery Fabrics, of all places! I’ll admit that Art Gallery Fabrics wouldn’t be my first thought when it comes to denim, but they’ve been expanding their denim gallery and I was curious to see what the offerings entailed. There is a great selection of lightweight (4.5oz, like what you’d use to make a button-down top or a sundress) denims, both printed and dyed various colors. The heavier denims clock in at 10oz (which is the lighter end of a pants-weight denim, and my personal preference), and come in a smaller selection of colors, nonstretch only.
After playing with some swatches, I chose the Crosshatch Textured Denim, in the Bubbling Brook colorway. My other choice was the Solid Textured Denim in Bluebottle Field, but that was sold out, so hopefully I can try it out in the future!
Anyway, about the Crosshatch Textured Denim! First off, you probably noticed that my jeans don’t exactly have a crosshatched design on them – that’s because you are looking at the wrong side of the fabric, baby! I actually don’t mind the crosshatch look, but upon receiving the fabric I fell in LURVE with the less contrasty wrong side of the fabric, so that’s what I went with on my jeans! My sewing project, my rules! The denim was pretty stiff and definitely not soft upon first receiving; but did get really soft and supple after just one wash. Be warned that it frays a lot, though – you’ll want to make sure you finish your seams (whether serging, or zigzaging, or even binding them) because otherwise the inside of your garment will get real hairy, real fast. If that bothers you, I mean. You do you.
Other than the fraying part, this denim was easy to work with. I recently got an Oliso Steam Iron (yes, the little iron that stands up when you stop touching it and yes it never ever stops being hilarious, no matter how much I use it) and this was my first real project to use it on. It doesn’t get quite as melt-your-hands-off-hot as my industrial gravity feed iron does (granted, this is cotton, so it doesn’t really need to be beaten into submission haha), but it heats up quickly, delivers a satisfying steam burst, doesn’t auto shut off every 2 minutes, oh, and IT STANDS ON IT’S OWN LITTLE FEET. My only regret in life is that I can’t find my stick-on googly eyes, because this iron needs eyeballs. Ok moving on.
So, more about the pattern itself! Like I said, I went with the size 8, which was based on my current measurements. I did not make any prior fitting adjustments or a muslin before cutting my fabric – I just went for it! I wanted to see what would happen! (this might be my new motto for 2020). Fit-wise, this was almost perfect right out of the envelope. I did end up making a few minor tweaks before I attached the waistband – because I am extra, and I like fiddling with things! – but if I hadn’t done anything at all these still would have absolutely been wearable.
Adjustments I made:
– Removed 1/2″ from the inner thighs, keeping the crotch length intact
– Scooped 1/8″ from the front crotch curve
– 5/8″ wedge at the center back yoke + waistband
– Cut 5″ total off the hem (I have a 28″ inseam, y’all lmao)
Sorry I didn’t take before photos, but these were all minor tweaks that didn’t translate very well in a photograph. Also, when I’m fitting, I don’t want to stop to take a bunch of weird ass selfies. Sorry, not sorry! Looking at these photos, I see I could have removed a little more from the inner thighs (as evidenced by the horizontal wrinkles pointing directly at my butt), but I can assure you this is a big improvement from the start, and I actually think they look worse in the photos than in real life! But, you know, it’s good enough. I spent far too much of my past sewing days overfitting myself to the point of frustration (and sometimes, actual discomfort). Nowadays, when I feel like I’m done fiddling with it, I just stop. As long as it’s not actually uncomfortable, I think it’s good enough! It has been very liberating and I encourage y’all to consider the same outlook 🙂
The instructions on this pattern certainly were interesting! As someone who’s made loads and loads (and loads) of jeans, these were a little more based on the home-sewer, rather than how RTW jeans are made (granted, I don’t have access to vintage jeans at this time, but the 1980s isn’t exactly the same type of vintage as, say, the 40s, and generally the construction methods back then were more similar to how they are now, i.e., serging seam allowances and such). As this is an older pattern, it wasn’t common for the average home sewist to have a serger – so the instructions include turning under edges, or finishing seams with a zigzag or overcast stitch. Interestingly, there is NO interfacing called for in this pattern (I interfaced the fly facing + outer waistband, out of habit and because I know that gets the me the result I like), but they do have you add twill tape to the top and bottom edges of the curved waistband to keep it from stretching out (that was a no from me, dawg). The other weird thing I noticed was that they have you double topstitch the side seams, and not the inseam. I also skipped that part (I prefer a stronger inseam, thnx) and did it my own way. However, I did follow the instructions for the most part.
The pattern includes a back pocket topstitching design, front pocket stays (pocket lining is also from Art Gallery Fabrics, fyi!), and a two-piece curved waistband. The pants are fitted at the waist, hips and thighs, and then the leg goes straight down (which is not what the line drawing suggests; they look a little more tapered on the envelope). Since my denim is such a light color, I opted for a pale brown topstitching thread (my beloved Gutterman Mara 70), rather than gold or copper. I alter a lot of jeans for clients and one thing I’ve noticed is that most jeans use brown thread, not gold or copper! My rivets and buttons are from the Garment District (I think these rivets might actually be for bags, but whatever, I like them); I had 1 extra rivet so I attached it to one corner of the back pocket. I saw this on a pair of jeans the stylist I work with was wearing, and while I normally hate rivets on back pockets, I thought it was kinda cute.
My only issue with this pattern is the two-piece curved waistband. Since it’s in two pieces, that means there a seam at the center back – great for fitting, but it also means a lot of bulk at the center back when the inner and outer waistband are sewn together (and then later, a belt loop is sewn on top of that). I also admit that I was running on fumes by the time the waistband facing was attached, so it’s not my best work. But, it’s on the inside, so who cares!
Overall, I enjoyed making this pattern and I think the finished jeans turned out great! I love the high waist (better for wearing crop tops with!), and the straight legs are a big style departure from my usual look. I love the lighter wash and subtle texture of the AGF denim, and I love love LOVE how soft it is! I don’t feel like I even really need to break these in, which is wonderful! If you’ve been looking for a good non-stretch, not-too-heavy denim, definitely check out what Art Gallery Fabrics has to offer!
** This post was sponsored by Oliso. All fabrics were provided by Art Gallery Fabrics. As always – all thoughts, opinions, and weird ideas are my own! **
LLADYBIRD 