Mood Fabrics | LLADYBIRD

Tag Archives: Mood Fabrics

Completed: The Mission/Skater Mash-up

Now HERE’S an obvious gap in my summer wardrobe that’s finally been filled! A knit tank dress!

I think we can all agree that wearing knit dresses is the ultimate in comfort/secret pajamas. Especially when it’s nasty hot outside!! I looove my knit dresses in every season, but most of them have sleeves and I don’t like wearing sleeves when it’s more than 95 degrees outside. No way.

Since I wasn’t seeing a pattern that fit the look I was going for (and I’ll be honest – I didn’t search very hard. I have a LOT of patterns in my stash and I’d rather mash ’em up whenever possible), I used 2 patterns from my stash to create this awesome mash-up Frankenpattern. Most of this pattern – the skirt, the bodice sizing and proportions – were taken from the Lady Skater dress pattern, which is my favorite knit dress pattern ever and is basically the gift that keeps on giving. For the neckline and arm hole finagling, I copied that straight from the Mission Maxi dress pattern. The result you see here is a fitted racerback tank top with a flared skirt attached to it. Which is exactly the look I was going for. Whew.

I am all about some Frankenpattern magic, and it’s 1000x easier when you’re working with a knit fabric. Much easier to tweak with the fit, and much more forgiving if you decide to forgo a muslin (like I did. Yay! Consider this my wearable muslin, ha). Plus, if you already have a garment that fits the way you like – in my case, the bodice of this skater dress is ACE – then it’s super easy to change up the neckline/sleeve options/skirt and have a totally different garment that still fits the way you like. I love buying new patterns, but I REALLY love knocking out projects that don’t require too much fit futzing. The only fitting I had to do with this dress was take a little bit out of the underarm side seam – maybe 1/4″ on each side. Since there aren’t sleeves there, the sides need to be a little more fitted so they don’t pooch out.

I guess the one downside to this is that you don’t have a set of instructions that are tailored to your garment – but that’s never been a problem for me, as I just kind of pick and choose what techniques to use from which pattern (or I ignore the instructions completely and forge my own method). Again, this dress is a knit, so it’s pretty straight forward. I stabilized the waistline with 1/4″ woven elastic, which keeps it from sagging over the course of the day (truth: these photos were taken on day #2 of wearing this dress. Pretty good recovery there, I’d say!). The neckline and arm holes are finished with the same method outlined in the Mission Maxi instructions – it’s similar to applying bias facing, but you’re not pressing that last 1/4″ under. Instead, you just finish the edge and topstitch it down. Here’s a photo of the guts so you can see –

Clear as mud, yeah? 🙂 It resembles a coverstitch, sort of. More like a binding and less like the knit bands that are used on the Lady Skater (and it feels a bit sturdier, which made me feel ok about not stabilizing the shoulder seams). Oh, and I did all my topstitching with a straight stitch/single needle (on my regular sewing machine). A twin needle or zigzag would be fine for this, but I like the way the single needle looks. Since this isn’t an area that gets a lot of stretch, it’s ok to use a stable stitch here. I also did the same with the hem – just sewn with a straight stitch. Again, as long as it doesn’t need to stretch, it’s fine to use a non-stretch stitch!

The cotton knit fabric is from Mood Fabrics in NYC, which I bought at the store while I was there in March. I wasn’t sure what I was going to make with it (honestly, I was probably thinking Lady Skater at the time), but I was prettttty happy to use it for this dress! I didn’t bother to match the print – it’s a casual dress, and meh – and I think it looks fine.

Here’s the back, again! I like the shape of this racerback because it’s a bit more covered than your standard beater tank. Of course, my bra straps still show – again, meh, whatever. I didn’t bother hiding them for this post, mostly because I don’t hide them in real life and I’m just tryin’ to kEeP iT rEaL~

Conclusion: this dress was easy to make, is comfortable to wear, and SECRET PAJAMAS. Expect to see more of these as I churn them out.

One last thing! I wanted to direct your attention to my newest sponsor – Wawak Sewing! Unfamiliar with Wawak Sewing? They’re a giant sewing supply company – offering everything you need for your sewing studio, from Gutermann thread (Mara 100 is the jam – 1000+ yards for $2.50, oh yes oh yes) to invisible zippers (24″ for 88¢? Don’t mind if I do) to professional boiler irons (ok, that’s probably waaay too much iron for the average home seamstress, but we use these at the studio – as well as when I worked at Muna Couture – and they are seriously incredible) to hymo canvas (for tailoring! I always get my hymo/horsehair interfacing from here because the price is unreal). A lot of the items can be bought in bulk, and the price is pennies on the dollar for what you’d pay at a brick & mortar store (I’m not just talking about cheaper than Joann’s – some of this stuff is cheaper than places in the Garment District, but you get the same quality). Plus, shipping is less than $5 (and free if you buy more than $100 worth of stuff)! I highly recommend you get a free catalog because it’s really fun to flip through – like the Toys’R’Us catalog, except for grown-ups 🙂 They occasionally have sales and discounts, so it’s worth it to be on their mailing list! International peeps – you can also join this sewing party, but you’ll need to call or email to place your order (and I’m going to assume your shipping might be a little more than $5, ha).

I’ve been a loyal customer/rabid fan of Wawak Sewing for years – I started with them back when they were still Atlanta Thread Company – and I’ve had nothing but great experiences with both the service and the products. So I’m pretty thrilled to have them on board as a sponsor, as well as to join their affiliate program (sooo any purchase you make after clicking these links is gonna net me a small commission, fyi!). And you should be thrilled, too, because right now through 9/30/15, you can get 10% off your order of $50 or more at Wawak Sewing if you use the code WLB915. Can’t beat that with a stick! Thanks, Wawak Sewing! ♥

Tags: completed, dress, knit, knit dress, knit fabric, Lady Skater, mission maxi, Mood Fabrics, wawak sewing

Comments 29 Comments
Categories completed projects - new

Completed: Lace Marlborough Bras

1 Jul

Still on a lingerie kick here! Actually, these are old-ish makes – I finished both of these back in May. Whoops, sorry! Haha! I guess at least I can vouch for their wearability, since I’ve been wearing the hell out of these since I finished ’em!

I’ll start with the first one I finished, a white lace underwired bra. This is the Marlborough bra pattern from Orange Lingerie (spoiler: so is the other bra in this post). I’ve made this pattern quite a few times, but what’s different about these two bras here is that this is my first time venturing outside the world of pre-cut bra kits. I already mentioned this in my Starwatch Watson post, so here’s the Marlborough edition!

The white lace for this bra came from a new-to-me source – I have discovered a random fabric store in a REALLY random shopping center in Franklin, TN. I was actually heading into Aldi, prompted by the sweet siren song of cheap pineapples, when I noticed a sign 2 stores over that said “Fabric.” In the middle of a strip mall, no less. Turns out there actually is a quilting shop right there, called the Stitcher’s Garden (I don’t think they have a website). It’s like a quilting shop mixed with a thrift store – piles everywhere, products dating back to the 70s, and the prices are surprisingly cheap (especially considering the part of town we’re talking about here). The selection of quilting cottons available is staggering. I’m not one for buying (or sewing) quilting cottons, so unfortunately that was lost on me – but they did have a nice little selection of elastics and stretch laces! And several colors of stretch rib knit (which I will be back for, because, unf). This stretch lace was, I think, $1 a yard. It’s beautiful and great quality and it’s A DOLLAR A YARD. I bought 10 yards. I want more.

Anyway, I digress. It’s always exciting to discover a new fabric store, though!

Back to Marlborough. The white lace is way too stretchy to actually use with this pattern – the pattern calls for no more than 10% mechanical stretch, and we’re talking about some spandex shit with the lace here. Taking a cue from my lessons learned during the bra-making class that I took in January, I underlined all the pieces with white power mesh. This worked pretty well, although I think my mesh was still a touch too light (we used a firmer power mesh in the class, with great results), so next time I want to experiment with tricot lining instead (I actually have a package of the stuff that I bought from Bra Maker’s Supply and I haven’t even opened it yet). I did not underline the upper lace cup – I left that with the stretch lace stretchy (I know the pattern calls for rigid lace in the upper cup, but I really like the look/shape I get with stretch), and a bit of 1/4″ clear elastic at the top to stabilize it, as called for in the pattern (I’ve noticed my RTW lace bras don’t have this, so I am thinking about leaving it off for the next bra). The back band is simply one layer of the heavier power mesh.

All notions were procured from my stash. I couldn’t tell you where half of them came from – although I do know that the underwire channeling was from Pacific Trimming in NYC. They have giant rolls of that stuff for super cheap, and the quality is excellent. They only have white and black, but the white can be dyed. I didn’t have any white ribbon, so the bow is nude.

I made this bra because I wanted something to wear under my white/sheer clothing without show-through. I know that nude is actually a better color for that, but white was what I had on hand and I didn’t want to experiment with dying just yet. Of course, once I started trying to wear the bra – of course it showed through like CRAZY. Duh! I realized that it wasn’t going to get worn at all the way it was (if I’m gonna wear something that doesn’t require a nude bra, then I’m gonna wear a bra that’s a fun color because come on), so I knew it needed a good dye. I’d received a good tip on Instagram to dye the bra with tea for a nice beige-y color – brilliant! I steeped some very strong black tea (English Breakfast, if you must know), let it cool a bit and then dumped the whole bra in to soak for about 30 minutes.

The final color is something much closer to that of my skin. I know I’m pale, but I’m not literally white 😉 I was curious to see how well the tea-dye would hold up with a wash – and it’s actually stuck around! I wash my lingerie with Soak, which is nice and gentle and also doesn’t require rinsing (yay!). I figured if the color faded that I’d just re-dye it (I mean, it is just tea after all), but it’s actually not faded at all. Sweet!

The second bra for this post is my floral wild-card and Mood Sewing Network project for the month of June…

Oh yeah! I found this awesome Multicolored Tropical Lace fabric at Mood Fabrics and immediately knew it needed to be a bra. Isn’t it beautiful? It’s a nylon embroidered lace with a bright all-over floral pattern printed right on top. It also has a cool finished edge (unfortunately they were too abstract for me to include in this project, but it’s there!). There are a few different colorways of the lace, which meant I spent about a week agonizing over which one to get – blue/purple, red/green, blue/beige, and beige – but I settled on this multicolor as I liked the pink repeats with the white background.

I’ll be honest – I wasn’t sure how this was going to pan out until the very end (yeah, that was a bit agonizing!), but I think it worked out all right! I used the aforementioned multi colored floral lace for the body of the bra, and cut it according to the grainline on the pattern pieces (as I’ve mentioned, this pattern requires about 10% stretch in the fabric, which usually means cutting it on the bias for firm wovens. This lace had just enough mechanical stretch so that I could cut it according to the pattern grain). Since the lace has giant open holes throughout it, I underlined each piece with a layer of power mesh to add a little bit of opacity. The back band is cut on one layer of firm power mesh. The white lace upper cup is cut using the same stretch lace as from the first bra in this post, stabilized again with 1/4″ clear elastic along the top.

For the notions, I decided to go with all white so that the colors in the fabric would really sing. All notions were pulled from my giant stash – I think (think) the bottom scallop elastic came from Madalynne. I’ve been hoarding that stuff for ages because I think it’s really pretty, and this bra seemed like the perfect excuse to finally use it. Oh, and the rings/sliders and pink bow are rescued from an old bra destined for the trash 🙂

Sewing this bra was pretty easy, but dealing with the lace was harder than I thought it would be. Because there are such large open holes in the lace pattern, that meant that topstitching the tiny seams took some finesse. I don’t want to say it was necessarily hard, because it wasn’t, but it also wasn’t a walk in the park like my white lace bra was. There were always tiny little pieces of lace that wanted to stick up and poke out and make weird lumpy shapes. And you have to topstitch the seams, because they can’t be pressed (this is a poly lace). I actually wondered if I’d even be able to wear this bra under a fitted shirt, because the topstitched seams look preeeetty lumpy, but it looks fine. Of course, it’s WAY too bright to wear under a white shirt, but whatever. That’s what the nude bra is for, ha 🙂

Anyway, bra worked out all right in the end and I’m a happy camper 🙂 I really love the shape and the colors in the lace are sooo pretty! Yeah, that lace was $40/yard, but something like this only requires maybe 1/4 yard, so it’s a good excuse to splurge on the nicer fabric 🙂 Seeing this bra actually work out makes me excited to find more cool non-kit fabrics to make more Marlboroughs out of 😀

Speaking of cool fabrics for Orange Lingerie patterns – have y’all seen her newest pattern, the Boylston balconette? OH MAN. I saw sneakies of this when I met with Norma in Paris back in November, and I’ve been soo excited about it ever since. I just bought a copy over the weekend, as well as some lingerie foam, and I can’t wait to start playing around with it! Eep!

* Note: The multi-colored floral lace fabric was provided to me by Mood Fabrics in exchange for my contribution to the Mood Sewing Network. All other fabrics and notions were purchased by me. As always, all opinions are my own!

Tags: bra, completed, floral lace, lingerie, marlborough, Mood Fabrics, Mood Sewing Network, orange lingerie, stretch lace

Comments 34 Comments
Categories completed projects - new

OAL2015: Fabric, Size & Cutting

1 Jun

Happy Monday, everyone! We are officially kicking off the OAL (Outfit Along) this morning, so I hope you’re ready for it! As I mentioned in the announcement post, we won’t actually start the sewing until later this month, on 6/22, since I’ll be traveling outside of the country and won’t have much internet access (and I hate the thought of putting up a tutorial and then not being around to answer questions! Lame!). However, I figured I’d help get you guys rolling in the meantime with choosing your fabric, size, and cutting. Then when I’m back, we can get straight into sewing so you can finish these dresses before the deadline at the end of July! Sound good?

Of course, if you don’t need the sewing tutorials, then you are absolutely free to start the sewing whenever you’d like! This just goes for those of y’all who are waiting for tutorials 🙂 For this year, I won’t be doing a full photo step-by-step of the entire pattern – but if you need those, most of the steps are similar to the ones from The 2014 OAL, so you can always browse through the tag for the tutorials. Things like sewing princess seams, sleeves or bias binding, and inserting a lapped zipper. All good stuff! Since it’s already up on the blog, I don’t see any point in reinventing the wheel (or subjecting those of y’all who aren’t following the OAL to a bunch of repeat tutorial posts, because, boo on that).

The tutorials I’ll be covering on this here blog are changing out the lining for bias facing (which can get a little weird around that back cutout, but don’t worry, I got your back!) and adding pockets. I will only be sewing View A, with the back cutout and no sleeves (that’s a lie, I’m still debating if I want to add the little cap sleeves. Decisions, decisions!). Again, the ~official~ dress pattern for the OAL is McCall’s 6887, but you are totally welcome to sew whatevererrrrr pattern you like!

First of all, here’s the fabric I’ve chosen for my dress!

This is some uhhhh-mazing Ikat cotton that I picked up from Mood Fabrics in NYC when I was there… um… March 2014. Ha! I’ve been apprehensive to sew it up because the print-matching looked to be a nightmare, and also, the fabric is pretty thick and I wasn’t entirely sure what kind of garment it would work with. I think it’ll be really nice for this dress; it has a good structure for the skirt, and the print is so fun! I haven’t decided what color bias binding to use for the insides – common sense would tell me black or white, but I’m thinking I might look for some turquoise or hot pink 🙂 Something to add a little splash of color to the inside 🙂

Here it is with my yarn for the sweater portion – this is good ol’ Cascade 220 (my one true yarnlove), in a gorgeous mint color.

Don’t know what kind of fabric to choose for your dress? First of all, think about how you want the finished dress to look – do you want a bit of structure in the skirt and bodice, or do you want everything to hang in soft folds? You will want to choose a fabric with a weight and drape that work with what you have in mind. For this particular pattern, I really like how it looks with more structured fabrics – such as linen, cotton eyelet, cotton sateen, or even quilting cotton! This blog post I wrote for last year’s OAL goes over all the details for choosing and weight and drape, and shows you the differences between several fabrics. I’d recommend checking that out first, if you’re confused!

Here are some fabrics I’ve pulled off the ‘nets that would be lovely for this pattern –

Italian Red Coral Eyelet – from Mood Fabrics
This would be a great choice for adding a lining – or if you want to skip the lining and still go with bias binding finishes, make sure you get an appropriate underlining. You could also sew a matching slip 🙂

Tropical Cotton Sateen – from Mood Fabrics
Busy prints are great for hiding wonky seams, if you’re concerned about neatness 🙂 If you plan on sewing this pattern with a stretch fabric, you may want to consider sizing down (make a muslin out of similar weight/stretch fabric first, to check!).

Abstract Cotton Sateen – from Mood Fabrics
I couldn’t resist. This fabric is AMAZING.

Red and White Striped Cotton Seersucker – from Mood Fabrics
Easy to sew and lovely to wear, cotton seersucker is a great option if you live in a hot climate. I love the classic red and white stripes!

Pinstriped Linen from Blackbird Fabrics
Another good option for hot climates. This linen is similar to the stuff I used to make my linen pajamas 🙂

Denim Chambray Cotton Shirting – from A Fashionable Stitch
Ain’t nothing that says you have to use shirting to make shirts. Make yourself a comfy little dress instead 🙂

Art Gallery Fabrics: Arizona from Grey’s Fabric
Quilting cotton is a surprisingly good choice for this pattern, since it has the weight and drape that looks best with the bodice and skirt – and you have aaaalll kinds of fun prints to choose from 😀 I’ve never personally sewn with Art Gallery Fabrics, but everyone on the internet seems to go apeshit over them. At any rate, this is one helluva fun print!

A few notes about fabric:
– As I mentioned, if you’re sewing stuff that’s on the sheer side and you don’t want to mess with a lining, make sure you get an appropriate underlining fabric. I prefer to use white cotton voile or batiste (or black, or, whatever color looks best with my fabric), as it doesn’t add too much weight. If you aren’t sure about the weight, hold it with a piece of your main fabric and see how you like the way it feels. I won’t be covering underlining in this OAL, but I have a tutorial on my blog if you need help!
– Those of y’all sewing stripes or directional prints (meaning if you turn it the other way, it’s quite obviously upside-down) – make sure you buy extra fabric! Depending on the width of your fabric and the size you’re cutting, 1/2 yard – 1 yard will do.
– Prewash your fabric, however you plan on sewing your final garment. For me, that’s a cold wash and a low tumble dry (I hang my dresses to dry once they’re done – only because I hate ironing! Ha. But I always pre-shrink in the dryer just in case it accidentally gets tossed in there later down the line!).
– For your bias facings (and pockets, for that matter!), you may want to use a lighter fabric if your main fabric is a bit bulky. This is the case with my Ikat – I don’t want bulky facings, so I’m getting something lighter. Again, cotton batiste or voile is a really good choice for this, as is quilting cotton or cotton shirting. You can use almost anything, but remember that you’re dealing with skinny strips cut on the bias, so maybe don’t try the silk right now (unless you’re feeling really brazen!). Also, get something that presses well – like cotton or rayon. You will be pressing the hell out of your facings, and you want something that will respond to that. Polyester is not a good choice for this. I always stash-raid for this kind of thing, but if you’re buying, you’ll need about 1/2 a yard (and you’ll have tonssss left over to make even more bias binding, so get something you really love 🙂 ). Of course, you also buy those pre-made bias tapes – I don’t care for them, because I think the fabric is too stiff to look nice (and the color selection is very limited), but it’s definitely a lazy option if you don’t want to make your own. You’ll need the kind that is 1″ wide.
– To make your dress, you will also need interfacing, an invisible zipper (I prefer this dress finished with an invisible zipper, but you can try a lapped zipper if you’d like) and at least 3 buttons for the back, if you’re making the scoop back version.

For choosing your size, again, I will refer to you to Last year’s post in the OAL. Scroll past all the fabric, and there’s a section on choosing your size based on the finished measurements. McCall’s patterns can have quite a bit of ease in them, so this is a more accurate way of choosing the correct size. This is how I size *all* of the patterns I make, and it has yet to let me down 🙂 As an example – my body measurements put me into a size 10, but I sew the 6 (graded to 8 at the waist) for my finished garment, and it fits perfectly. Check those finished measurements!

If this is your first time making the pattern, I would strongly advise you to make a muslin mock-up of at least the bodice so you have a good idea of how the finished garment will fit. This gives you a good opportunity to make any necessary adjustments before cutting into your fabric. It’s also important if you’re sewing the version with the scoop back – I found the scoop came up higher than my bra band, and this may be the case for you as well. Can’t fix it once you’ve already sewn it up! For the muslin, you can make the whole dress if you’d like – but I just sew up the bodice and leave off any finishing. Pin the back shut as best you can to get a good assessment of the fit.

Once you’ve got your size and muslin done, THEN it’s time to cut your fabric! Refer to this post about cutting and marking fabric (also from last year’s OAL hahahaha sorry) if you need any help 🙂 You will be following the cutting guidelines that are included in your pattern; make sure you follow them carefully so you cut the correct number of pieces. The side skirt piece should be cut TWICE on the double layer, for a total of 4 pieces.

You may also want to consider adding a little extra fabric allowance below the scoop back, just to give yourself more bra coverage (I added about 1/2″). There is also a 5/8″ seam allowance there, and we’ll be sewing at 1/4″ to apply the bias, so keep that in mind as well. Your muslin will tell you exactly how much you need to add (if any at all!) to cover your bra band. Or maybe I just wear my bra band low, ha.

FINALLY, if you’re cutting stripes or plaids and need help matching – here’s another tutorial link for that. Man! I’m so glad I already wrote all these tutorials haha!

Ok, whew, I think that about covers it! Do you have any questions about the prep work that I haven’t covered in this post? Let me know before I ditch town on Thursday 6/4 and I’ll be happy to answer them as best I can 🙂 Have you chosen your fabric and yarn yet? Let’s have a look, please! 🙂

Tags: a fashionable stitch, blackbird fabrics, fabric, grey's fabrics, Mood Fabrics, oal, OAL2015, tutorial

Comments 25 Comments
Categories misc, tutorial

Completed: Another B5526 + Ginger Jeans Get-up

18 May

So sorry to dump this on y’all yet again – another collared shirt + jeans outfit combination. Yawn.

Well, to backtrack – yawn for you, but 😀 😀 😀 😀 😀 for me hahahaha. I will never get tired of this outfit combination. Or, at least, not anytime soon. Maybe never is too strong of a word to use here.

What’s mildly frustrating about writing a long-term blog (at the time of this posting, I’ve accumulated nearly 500 entries since I started waaaay back in 2009, WTF) is that you eventually reach a point when you’re just making the same thing over and over again (well… those of us who don’t make our blog our full-time income fall in this category. I’m sure if I was sponsored out the wazzoo and had all the time I spend at work to spend making content for my blog, it would be a different story, ha.). After re-assessing my wardrobe at the end of 2014 and realizing that I *still* had shitloads of clothing that I made simply for the new and shiny, I have made it a big point to really be honest with myself about whether or not I’ll actually wear something that I make. Like most people, I have a pretty predictable style. And like many sewers, I don’t want to spend a lot of time reinventing the wheel with new patterns if I can get the look I’m going for with an old TNT. So this translates to repeats upon repeats upon repeats.

So, while you might be yawning about the majority of the stuff that’s been posted in 2015… I gotta say, I am elated with the way my closet is looking these days!

With all that being said, there’s not much to report on either of these pieces since I’ve made them soooo many damn times. Jeans + collared shirt is totally my go-to when I want to feel comfortable but still look like I made an effort in the AM. I’ve found my TNT patterns and I feel good about the way they fit and the construction methods that I use.

The top was made using my beloved Butterick 5526. Y’all, I don’t know if I’ll ever sew another button up pattern again! (we all know that’s a lie) I’ve gotten to the point with this one where I can bang one out in a couple of days, which is really nice when you’re coming up on a looming Mood Sewing Network deadline, ha. The fabric is this amazing tigerlily orange cotton voile from Theory, which is a bit more of a coral-y pink than it is orange in real life (I don’t know how the color translates on your screen, but on the Mood Fabrics website it’s definitely pretty muted. The real color is much closer to what you see in my photos. It’s BEAUTIFUL). It has a beautiful chambray weave, which gives the color lots of dimension. This fabric was so so nice to work with – ok, it was a shifty bitch to cut, but once I got past this point, it handled and pressed like a boss. It’s also super comfortable to wear on even the hottest day.

Since the fabric does have a tendency to fray, I used flat-felled seams every where in my shirt. I also left off the sleeves and finished the armhole with self bias binding – it makes the shirt really casual and, again, awesome for hot weather. The pockets are the same pockets that come with the pattern, but I made them slightly smaller because the original size was a little overwhelming on me. Buttons are from my stash; they’re just your standard white shirt buttons. Oh! And the matching thread also came from Mood Fabrics – I noticed that when I was ordering my fabric, there were thread suggestions at the bottom of the page. I figured I’d try out the service – you know, for science – and I’m super pleased with the color match. Even more pleased that I was saved a trip to the fabric store. Mostly because those tend to be very dangerous places for my wallet, ha.

The good thing about running a long-term blog and making a bunch of pattern repeats is that you will eventually bore of just making things that are passable to wear in public, and start focusing on really honing your skills to the next level. Or, at least, that’s how it worked out for me. Look at those clean finished insides! I should wear this shit wrong-side out.

I did shorten the length of the shirt by about 2″ – I think the original length was just sliiiightly too long for my height. This way I can wear it untucked or tied at the waist. If I do a half tuck, it doesn’t pooch out all weird like some of my longer shirts tend to do. As always, I finish my shirt hems with self bias facing. I think it makes for a much cleaner finish, and it’s must easier to press and sew those curves with the bias tape instead of trying to wrangle the hem itself.

For my jeans, I used my now-favorite-ever-pants-pattern, the Ginger Jeans. I’ve made this a few times before (and I definitely don’t plan on stopping – I finally was able to invest in one of the denim kits because YAY) and I’m just really happy with the way this pattern fits my body. The fabric is a cool metallic gold stretch denim. I was actually looking for white denim to make this up, despite me being a stain magnet when it comes to white. At any rate, this denim’s wrong side actually is white flecked with very subtle bits of gold, and these very well almost became white jeans. I talked myself out of it because I was afraid the not-quite-pure-white would make the jeans look like they were dirty, plus again, stain magnet. So I stuck with the gold side. Also, this denim doesn’t have as much stretch as my other denims, so the jeans are a bit tight. I had to let the side seams out to 3/8″ or else I would have never gotten these things over my ass. They’re still a bit tight – mostly around the calves – but I’m hoping that they will loosen up a little with wear.

Not much to report on construction. I used a combination of flat-felled and serged seams (as how most RTW jeans are made) and a triple stitch to really make the topstitching stand out. I would have loved to use topstitching thread, but I couldn’t find a good match with what is admittedly kind of a weird denim color. It’s gold, but it’s also kind of beige. Fortunately, Mood Fabrics REALLY came through with that thread match, as you can see in these close-ups.

What else? I did not interface the waistband (I like my jeans with an uninterfaced waistband; it’s much more comfortable. Not sure how that would work with a lower rise, but for the high rise version, it’s perfect). The jeans button is from Pacific Trimming, and the cotton pocket lining is left over from this crazy blue dress.

I will admit right now that this outfit inspiration came way of my boss’ closet. Since I do all her laundry for her (if you are new to this blog and that sounds REALLY WEIRD, I should probably point out that I’m a personal assistant 🙂 ha!), I’m always lurking on her clothes and I’m always finding inspiration in some of the strangest ways. She has a similar coral chambray shirt – hers has sleeves and a lace inset at the yoke, though – and white jeans. And I wanted that outfit for me. So I made it 😛

So, hey, in other news that doesn’t involve me making my fifty billionth b5526 – I’ve got an article out in the current issue of Seamwork Magazine! If you haven’t heard of Seamwork, it’s a sewing magazine that is published online by the masterminds behind Colette Patterns. The magazine is free to read and there are optional pattern downloads with each issue (the patterns you pay for, however). ANYWAY, my article is all about visiting Nashville! I had so much fun writing a city guide about my favorite city in the entire world, and I hope you have fun reading it (and are inspired to come visit because, hey, Nashville is awesome! Really really awesome!). You can read The Seamworker’s Guide to Visiting Nashville at Seamwork. My first published article! Yay!

Tags: 5526, bias facing, butterick, butterick 5526, button down, button-up, buttons, chambray, closet case files, completed, cotton, cotton voile, ginger, ginger jeans, jeans, Mood Fabrics, Mood Sewing Network, pants, shirt, sleeveless, top

Comments 72 Comments
Categories completed projects - new, Mood Sewing Network

Completed: A Cardigan, a Skirt, and a Tshirt!

30 Apr

Woohoo y’all get a damn TRIFECTA of garments for today’s post! Lucky you!

For my monthly Mood Sewing Network post, this month I wanted to focus on that amazing striped sweater knit that you’re probably staring at (you should be staring at it, it’s fucking awesome). But I felt really boring just making *a* sweater (a sweater that took maybe 2 hours, tops, to complete), so I overcompensated and made my entire outfit. Yay!

We’ll start with the cardigan because it truly is the star of this outfit. It’s another SBCC Cabernet cardigan, this time with my minor adjustments made to the flat pattern (you can see my leopard Cabernet cardigan here, btw!). Since I’ve already made the pattern once, there’s not really anything new to report in terms of construction.

I bought the navy and white striped fabric while I was at the Mood Fabrics flagship store in NYC in March. I got soooo much good stuff while I was there, but this particular piece really takes the cake. I swear, if the bolt hadn’t been so heavy, it probably would have jumped off the shelf and fallen directly into my arms. We were like star-crossed lovers when we caught sight of one another.

ANYWAY, gushing aside – what we have here is a cotton double knit that works and feels like the perfect sweater knit. It’s wonderfully thick and squishy, and while it does drape a little bit, it also hold it’s shape quite well. It was really the perfect fabric for this pattern, as it responds really nicely to pressing and topstitching. I was careful in my cutting to not only match up the stripes at the side seams, but also the stripes blending into the sleeve cuffs and hem bands. The neckband is actually the same striped fabric – I just positioned the pattern piece so that the widest navy stripe was the only thing that showed when it’s folded in half. I knew I wanted a solid color at that neckband, but I didn’t want to try to color match, because nope.

Because the striped knit is so thick, it was a bit of a beast to manhandle. Cutting it was painful (I REALLY need to get my scissors sharpened, dammit!) and the sewn seams were lumpy and wavy before I pressed them. It’s super important to press if you’re dealing with a fabric like this – the flatness is what makes the finished piece look so polished. Topstitching down the seam allowances also helped. As with my last cardigan, I used the straight stitch on my machine and a walking foot. The rest of the seams are serged.

The skirt is another one of my beloved Hollyburn skirts. I cannot stress this enough, but I LOOVE this pattern. SO MUCH. As soon as I finished the denim polka dot Hollyburn, I started lurking hard for a yellow twill to make another one. I really love this neon delight of a yellow, but it’s hellish looking against my skin – so obviously, the next best thing is a skirt.

I found the fabric also while I was in NYC, also at the Mood Fabrics flagship store (sorryyyyy not sorry). I actually spent a good deal of time looking for this one – I knew I wanted yellow twill, but the stuff in the twill section wasn’t quite up to snuff. Too pale, too lightweight, too much of something. This particular fabric was actually located in the denim section – I imagine there is someone, somewhere, who has made an amazing pair of jeans with this fabric.

This is a stretch cotton twill with lots of lycra in the content, giving it a super heavy stretch. Even though it’s on the lighter side (heavy enough to be considered a bottomweight, however), it has plenty of body that gives this skirt a great structure. The only downside to all that lycra is that it made the fabric really hard to get a good press. I ended up topstitching all the seams to keep them flat, about 1/4″ distance (as opposed to my usual 1/8″). The wider topstitching paired with this fabric really gives it a nice denim-y look, which I like. I thought about topstitching around the pocket bags to give those definition too, and “thought,” I mean I tried it and it looked absolutely terrible so I ripped it out. Don’t do that.

The back closes with a simple lapped zipper, and all the inside seams are serged. Basic stuff!

Finally, the most basic of the basics – my tshirt!

This is SUCH a simple tshirt that it hardly bears a mention, however, we’re here and it’s here so let’s just roll with it. The fabric is this sheer white slubbed rayon jersey, which was WAY more sheer than I was expecting but it’s sort of awesome. It’s suuuuper soft, drapey, and the texture of the fabric makes it a tiny bit more interesting than your average plain white tshirt. I used my always-tweaking-almost-done-tweaking Frankenpattern’d tshirt to make this. The neckline is bound using Megan Nielsen’s bound neckline method, which is hands-down my FAVORITE way to finish a neckline on a slinky knit like this. It just looks really really good, and it’s nice and sturdy. I love the traditional method, of course, but some of the more drapey fabrics don’t do so hot with that method because you have to REALLY stretch them to keep them from being floppy, which ends up with a tight neckline that’s practically gathered.

Speaking of slinky knits, binding that neckline was about the only easy part of sewing this tshirt. Talk about the slinkiest knit ever! It was worth it, though, because I can always use more white tshirts. Even if they are see-through. And yes, the pocket is totally in the wrong place and I’m totally not picking it off because I don’t think the fabric can survive that kind of trama.

Detail shots:

(that’s a Sewn with Mood Fabrics tag, by the way! 🙂 )

PHEW.

Ok, one more picture:

Only including this one because I look like I’m about to eat whatever is in my line of vision haha.

** Note: All fabrics for this project were provided to me in exchange for a review post as per my involvement with the Mood Sewing Network.

Tags: cabernet cardigan, completed, double knit, frankenpattern, hollyburn, knit, knit fabric, Mood Fabrics, Mood Sewing Network, rayon knit, sewaholic, skinny bitch curvy chick, skirt, stretch twill, stripes, summer sweater, sweater knit, top, tshirt, twill

Comments 48 Comments
Categories completed projects - new, Mood Sewing Network

Completed: the Colette Myrtle Knit Dress

17 Mar

I am so excited that today’s post doesn’t involve sleeves or pants.

It does, however, involve a navy striped knit fabric. Sorry! Don’t fall asleep on your keyboard! Landon already told me I’m not allowed to buy anymore navy striped knit fabric haha. I guess we all have a type, and I have just announced mine to the internet.

This is the Myrtle from Colette patterns, a knit dress with a cowl neckline and an elasticized waist. You guys, I’m going to be straight up front and honest with you – I apparently bought this pattern, and then somehow COMPLETELY forgot about it until a couple of weeks ago when I was digging through my pattern stash in search of another pattern. So I’m a little late on the bandwagon with this one, however, it’s probably ok timing on my end since I don’t think this sleeveless style would have gotten much wear over the winter!

Anyway, discovering the pattern and then realizing that I had the perfect knit patiently waiting to be sewn up, meant that this project skipped straight to the top of the queue and everything else had to wait. Ha ha!

My past few experiences with Colette patterns have resulted in some questionable fitting (I think I’m about sized out of their patterns – at least the knits. Wah!), so I made a muslin of the bodice before I got to sewing my fabric. This ended up being a really good idea, because the bodice was all kinds of wrong on me! I knew the bust would be big – the finished measurements for the size 0 are still about 4″ bigger than my bust, and while I know a little bit of positive ease is good with this style, that seemed like too much to me. In the end, everything about the top portion of the dress was just toooooo big and not at all proportional to my body. The arm holes were also really low – like, you could see at least half of my bra band when I stood to the side.

I ended up shortening the shoulders by more than 1″ (I start with a 1/2″ adjustment by slashing the pattern about halfway across the armsyce, to shorten the depth, but that ended up being not enough so I took the rest out of the actual shoulders after the dress was sewn up. Hence why I can’t give you an exact measurement for that adjustment) and taking in the bust by about 1/2″ on either side. I didn’t make any adjustments to the waist – it needs to be a little big so you can add the elastic – but the bust needed to be somewhat tighter or else the entire world was gon’ get a side peep show. As it stands now, I think the bust could still be sized down more, but I didn’t want to overfit the dress so I left it as is.

The dress has a clever assembly – the front is self-lined (so you don’t see any ugly wrong side in the folds of the cowl) and the front arm holes are finished with all raw edges inside the lining. The back neck and arm holes are finished with a simple turned under hem – in my case, with the twin needle. The elastic has a channel sewn, and then wide elastic is inserted and topstitched down. This was the hardest part of making the dress – I found it a bit fiddly, and as a result, my stitches at the waist aren’t exactly straight (but, I mean, who’s looking? Right? RIGHT?). I think it might be easier to just feed the elastic through the channel once both sides are sewn down. There are supposed to be pockets, but I left those off bc I hate pockets in knit dresses (and freedom, too, apparently). There is a whole sewalong dedicated to this pattern if you are interested in seeing the construction, btw. It’s hosted by Devon, aka my favorite Disney Princess.

Even with the fitting adjustments, the muslin, and the manhandled elastic – this dress came together very quickly! Its a very easy make (4 pieces, not including the pockets) and I just zipped it all through my serger and used the aforementioned twin needle for all the turned hems. It’s also insanely comfortable, and I think the looser/breezy fit is going to be my gold standard with the blazes of Hell start blasting through Tennessee this summer.

I really love this fabric, especially with how the stripes look on the cowl! The knit is a Ralph Lauren ~dazzling blue~ striped viscose jersey (their words, not mine) from Mood Fabrics’ website. It’s a nice, slinky 2 way stretch knit with a gorgeous drape that feels wonderful to wear. Definitely bought this without any idea in mind of what I’d do with it, but I think I found a good match 🙂

I seem to have no pictures of this dress without the belt (I could have sworn I took some on the dressform, but they are gone. Or else they never happened, which is likely the case here), but here’s an shot I posted on Instagram last week. I think the encased elastic is a pretty touch (you will never EVER hear me say that again, by the way), but on this dress + stripes + lose bodice with cowl neck…. just didn’t look right on me. Hence why it’s covered with a belt. I’m still not completely convinced that this dress is very flattering on me, but, I like the fabric and it’s super comfy, so it stays.

Front bodice with self-lining.

Enclosed elastic on the inside. The elastic casing is created with a zigzag stitch, per the pattern instructions.

Anyway, I think it’s pretty cute! I like it with the yellow belt, and it also looks good with my tall brown boots and a cardigan (which is how I wore it last week). The only thing to keep in mind with this pattern is that it is NOT bend-over friendly. No photo evidence to be found here, but just trust me… leaning over is the best way to give the nearest stranger an eyeful. I haven’t found a way to rectify that (some of my other cowls can be pinned to my bra cup, or even have a little piece of elastic or a weight to hold it down, but the design of this cowl doesn’t allow for that), but I thought I’d point it out. One thing I might add later down the line is some little bra strap holders at the shoulders.

SO happy we finally had a warm week here! It’s been pushing over 70 the past couple of days, with loads of sunshine, and it just feels *amazing* outside. The season of bare legs is upon us, at least for this week! Kind of a bummer that I’m going to leave all this to go to cold ol’ NY this weekend (I classify everything under 70*F as “frigid” just fyi), but I’m pretty excited for this class this weekend! Plus, fabric shopping. Can’t visit NY without coming home with a suitcase full of pretty new fabrics, amirite 😉

Tags: colette, completed, dress, dresses, knit, knit dress, Mood Fabrics, myrtle, ralph lauren, stripes, viscose

Comments 61 Comments
Categories completed projects - new

Completed: The Francoise Dress

11 Mar

Y’ALL. It’s like, practically spring here. After our freak ice and snow storm last week (which was the SECOND one we had this year – never happens! The last big ice storm we had was 20 years ago), the sunshine came back with a vengeance and obliterated the piles of snow (ok, 3″ here. THAT IS A LOT FOR NASHVILLE, OK!) within a couple of days. Thanks to the combination of 60* afternoons and the return of Daylight Savings Time, it’s really starting to feel super good here. Yay for spring!

So, with all that being said – I give you my first official warm-weather make of 2015! Hey, Francoise, how you doin’?

Francoise is Tilly’s newest pattern release, and by “new” I mean it’s been around since November. Which is exactly how long I’ve been meaning to make it up. I got my hands on the pattern when I was in London (full disclosure – Tilly gave it to me when we met up and waved her hand when I offered to pay for it. It wasn’t given to me in exchange for a posted review or anything, but, I thought I’d point that out regardless! I know some people feel that a review can be biased if the reviewer didn’t personally pay for the pattern), I made a muslin while I was there, and I looked for my ~perfect~ Francoise fabric on every fabric shopping trip we made. The truth is, I was stunted on fabric choice, so the pattern had to wait while I figured my shit out.

Anyway, I think the fabric I ended up with was a pretty PERFECT match, amirite? This gorgeous purple and pink floral cotton sateen is from Mood Fabrics, and it combined with the Francoise is basically a perfect marriage. The small amount of stretch and crisp drape make it perfect for the pattern, and the simple shape and exaggerated flare make the pattern perfect for the fabric. I love it when this shit happens!

I made the size 1, based on the finished measurements. The only minor change I made was to take a slightly wider seam allowance at the top of the invisible zipper, just because it was gaping a little. I also removed about 3/4″ from the hem length. I’m 5’2″, so taller ladies may want to consider adding some length because it’s a pretty short skirt!

Cotton sateen is REALLY easy to work with – like, beginner-level easy (it doesn’t shift, doesn’t fray, presses well, etc) – so construction was super straightforward. You really just need a fresh needle and a hot iron to coax this fabric into submission. I finished all my seams with my serger, and topstitched the neckline, arm holes and hem. The neckline is finished with a facing, and the arm holes are finished with self bias facing. Both of these are covered in the pattern. I followed the pattern directions as they were written for the bias facing on the arm holes, and while they’re great – I prefer my method, as I think it’s a little easier/fool-proof.

Also, looking at that back view just made me realize that the two back prints are mirrored. HAHAHA uhh… oh, look, there’s a rouge thread, too. GOD, I need to get my shit together. Ok, moving on!

Because my print is all crazy awesome and takes all the attention, here’s a close-up of the design elements of the dress that actually make is super cute. I love the raglan seams, and the French darts are so pretty! Also – can we talk about how the floral pattern on the fabric looks like watercolors? YUM.

Now here is the dress without me or a belt. I will be honest – when I finally finished everything and put it on, I wasn’t crazy about how it looked at me. I think part of it is the color palette (I LOVE that freaking fabric, but I feel like I look like an ass every time I wear pink or purple. It’s not because of my hair color clashing or whatever. I’ve felt that way about pink and purple for a couple years now) and part of it is the fact that the dress doesn’t have a waist seam. I don’t know why, but I feel like a smooth shape with no waist seam doesn’t look right on me (is that weird?). Once I added black tights and a thin belt, I really started to see the cute factor in this dress. I think the black also tones down the overwhelming girly colors, and I like that too. Ideally, I would have loved to put a black collar on the dress, but I didn’t have any black fabric on hand. Maybe in the future I can make a detachable one, idk.

Believe it or not, I didn’t buy that zipper for this dress. No, I just *happened* to have a perfectly-matched lavender invisible zipper in my stash. Again, I don’t really wear purple (and especially not lavender), so I have no idea how that happened, but I’ve had it for a few years now. Glad I finally put that shit to good use lolol

That’s all for now! Let’s just cross our fingers that I didn’t inadvertently welcome another fucking 6 weeks of winter by announcing spring’s impending arrival. I did that a lot last year and it was way lame.

** Note: All fabrics for this project were provided to me in exchange for a review post as per my involvement with the Mood Sewing Network.

Tags: completed, cotton sateen, dress, francoise dress, Mood Fabrics, Mood Sewing Network, shift dress, Tilly, Tilly and the Buttons

Comments 58 Comments
Categories completed projects - new, Mood Sewing Network

Completed: Revisiting Red & Seafoam

20 Feb

I know I say this every year, but I am really really over winter. I mean it! I am so glad that I don’t live in a northern climate because I would not be able to handle that kind of weather ass-kicking. It’s been – what, maybe 2 months of actual cold here? Already over it. I just keep telling myself that if I can make it through March, then I’m golden. The weather will be warm after March. You know it’s gotten bad if I can’t even stand outside to take my photos. Enjoy this lovely view of my sewing room!

In the meantime, I’m introducing some springy colors to my wardrobe (and hair, hur hur hur), because sometimes I like to pretend that I can change things with my mind. Even if I can’t, the colors make me happy – and that’s a start, anyway.

So – behold! My new spring outfit of red and seafoam green. Some of y’all might find this suspiciously familiar, as I made a similarly-colored outfit 2 years ago for MSN (also: wtf? It’s been 2 years?? SHIT.). I really loved that outfit – no, I REALLY loved those pants. Sadly, they’ve gone the way of the Goodwill pile as they no longer fit (expect this mantra to be more frequent in future postings; I had a much-needed closet purge recently and there was a lot of stuff that fell in the category of ‘doesn’t fit anymore but I still want another one’), and I’ve been wanting to make a new pair for months now. The seafoam top also left in an earlier purge, so I knew I’d be making another top in the same color family. No shame.

Let’s see, where to start? Let’s start with the pants. These are my beloved Ginger Jeans, made in the high rise version out of fiesta red stretch cotton twill. Note to self: Mood was NOT KIDDING about this being a bright red. It’s practically neon. I didn’t like it at first, but it’s definitely grown on me. I do like this twill for trousers – it’s got a nice stretch, so they fit very tight without being uncomfortable. It was also really easy to work with – like denim, except not as thick.

One thing I didn’t consider when buying the fabric was what color to use for topstitching. Even though these aren’t actually jeans made of proper denim, I still wanted them to have the look of jeans (with the topstitching and such). I tried a few different red threads, and ultimately settled on a color that was about 2 shades darker red than the fabric. To make the thread thick enough to show the topstitching (since it’s not proper topstitching thread, just regular ol’ polyester that you use for whatever), I doubled it in the needle. I didn’t have two spools of this color, so I just wound a second bobbin with some of it. I know some people use a special triple stitch for this kind of topstitching, but my Bernina is pretty bare-bones and doesn’t have anything fancy like that, so I just used my regular straight stitch. Worked out just fine.

The pockets are lined with some Italian cotton from my stash; zipper is vintage, and the jeans button is from Pacific Trimming (I love those buttons, need to remember to buy more when I’m there next month!). I flat-felled every seam I could get my machine under, except the leg seams.

After making my first pair of Gingers (and wearing them to piecesss, argh, I love those pants!), I knew I’d need to make some minor fitting changes on the next pair. The crotch was shortened about 1/2″, and I also removed the extra wedge I’d added to the back crotch for butt room (as it was evidently making the thighs too large). These are not perfect, but they are much closer to ideal. The shortened crotch alone makes a huge difference in the fit; they feel much more comfortable now.

Ok, now for the button up! This is McCall’s 5803 (an OOP Lizzie McGuire pattern, ha!), which I’m so happy to see is finally working for me. After the fitting drama with the Liberty version that I made (which I still wear, but only if I’m having a very skinny day because LOL TIGHT), I knew this pattern would need some serious retweaking before I made it again. I compared with pieces to my TNT B5526 (which I feel is a good combination of fitted without being painted on), and retraced everything to include the neckline and arm holes from 5803, with the waistline from 5526. And hey – it worked!

The fabric I used here is a very lightweight dotted cotton seersucker that I bought from Mood NYC last year (here it is online, BUT it’s sold out. Sorry!). It was a remnant, so I had less than a yard to work with. I’m actually really surprised that I was able to eek a shirt out of such a tiny piece – however, it is pretty wide, so there’s that. I did have to cut the bias pieces (for the arm holes and hem) out of white cotton batiste, but that’s not such a big deal.

Since the fabric is very lightweight – bordering on sheer – I used French seams to finish everything. The buttons are from my stash – I like how they kind of look like huge polka dots 🙂

Finally – the cardigan!

This part of the outfit was actually an afterthought – I bought the fabric with no real project in mind (it’s seafoam green French terry, FFS. In my experience, when you find French terry – you buy it and ask questions later!); I just knew it would look good with the red pants. I originally thought about making a hoodie with the fabric, but while flipping through my PDF patterns, I saw the Jenna Cardi first. Boom. Done.

I can’t speak for all French terrys – as some of them can be quite drapey – but this particular terry was PERFECT for this pattern. It’s got quite a bit of body and heft, which meant it took to topstitching (and button holes!) like a total champion. It was also really quick to make – even with all the extra topstitching I added – which is a bonus because, after sewing jeans and a collared shirt, I needed a quick project.

I’m really pleased with my button choice! I bought these ages ago at the flea market, been hoarding them ever since for a good match. Think I found it!

Whew, ok, so that was the longest post ever! Sorry, apparently I have a lot to say about even the most basic pieces. With that being said, I think I’ve basically lost my mojo for sewing cold weather clothes at this point. Blech stupid winter cold blues! I think I’m going to start making booty shorts and swimsuits, weather be dammed!

Speak of which, I mentioned this upwards in the post – but I’ll be in NYC next month to teach the Weekends Pants-Making Intensive at WORKROOM SOCIAL. There are still a couple spots left, if you’ve been on the fence about signing up (c’mon, lemme grab your crotch, all in the name of learning. No, that’s not creepy at all.). I won’t be arranging a big fabric shopping meet-up this time round, mostly due to time restrictions, but if anyone is interested in joining me for a drink somewhere as an informal meet-up, let me know! Trying to get a head count 🙂

** Note: All fabrics for this project were provided to be as per my involvement with the Mood Sewing Network.

Tags: button-up, cardigan, collar, completed, ginger, jeans, jenna cardi, McCalls 5803, Mood Fabrics, Mood Sewing Network, msn, NYC, pants, shirt, top, workroom social

Comments 71 Comments
Categories completed projects - new, Mood Sewing Network

Completed: The Portside Travel Set

22 Jan

For the past couple months, I’ve been planning to up my luggage game. Over the years, I’ve made do with a fairly old suitcase (handed down from my parents – I’m not sure exactly it’s age, but I know there are receipts in the pocket from when we went to Disney World in 1994, so at least 20 years!) and a really ratty/cheap duffel bag. My travel schedule is starting to ramp up this year, and one thing I don’t have is a duffel bag that is suitable for a weekend getaway. The aforementioned ratty bag was pretty small and difficult to carry comfortably. Also, I broke the zipper while I was in Paris – rather than repair it (it was really REALLY cheap – even down to the hardware, which I also threw away with the bag haha), I decided to make a new set, courtesy of Mood Fabrics.

The Portside Travel Set is the perfect pattern for my casual luggage needs – a roomy duffel bag, plus a matching dopp kit and a small zippered pouch. The pattern is designed so you can really play with color blocking and fabric options, and it’s not difficult at all to put together. The duffel bag is nice and big (20″ x 11.5″ x 12″), and includes both hand and shoulder straps (the shoulder is adjustable, as well as removable!), a zippered top, and two exterior pockets. The dopp kit has both a zippered top and a zippered exterior pocket, plus a small handle. The little zippered pouch is one of the most basic things ever – like the kind of pouch you’d make in a ‘learn to sew zippers’ class – but I can see it being very useful. And it all matches! Yay!

Anyway, let me also point out that making this set gave me an excuse to peruse the home decor section of Mood Fabrics. I rarely sew with home decor fabrics (I know some people love them for clothing, but I’m not much of a fan, unless it’s for a very specific purpose), but I totally jumped at the opportunity! There are SO many cool designs, it was really hard to narrow it down to just 3! I started with this cool turquoise geometric print, matched it to a charcoal grey faux suede, and lined the inside with grey and white polka dots (I’ve been eyeballing that polka dot fabric for over a year now – so glad to finally have an excuse to buy it!).

I went over all this briefly in my post for the Mood Sewing Network; here I’d like to talk a little more about the pattern itself. Overall, it’s a great little pattern – good instructions, the pieces fit together, and I think the end result is really nice. There were a few points in the pattern that I found a bit confusing, though. For one – I completely mixed up the main and contrast fabrics when I was planning my fabrics! I assumed the contrast was the bottom half – i.e., the part I’ve made out of suede. That’s actually the main fabric, as far as the pattern is concerned. The contrast is the top part. This isn’t marked anywhere on the pattern except on the pieces themselves, which meant I ultimately ended up marking the line drawing with a map of what piece was what before I knew what piece to cut from which fabric. The contrast and self changes for the dopp kit and pouch, so I would really recommend at least mapping out the design before you start cutting. I know I would have been PISSED if my bag had ended up with the suede being the top sections, ha.

Speaking of the suede, that wasn’t difficult to sew at all. I used a standard 80/12 needle and my normal machine feet (no need for a special Teflon foot or anything), and since my iron has a shoe, I was even able to press it and fuse interfacing to it. The bag is lightly interfaced – more so to keep the cotton from wrinkling, less for structure. It’s pretty floppy when it’s empty.

The instructions, like I said, are pretty good. The only part that really confused me was assembling the shoulder strap for the duffel bag. I have made plenty of stuff with sliders – hell, even all my bras have adjustable straps with sliders – but this bag uses D-rings for the sliders. I could not figure out how Jen did this, and even googling didn’t really help (turns out everyone else uses sliders too, who woulda thought?). I just ended up playing around with the straps and rings until it worked. Couldn’t tell ya what I did to get to that point, sorry! At least they look good now!

Also, sewing up the little dopp kit was… interesting. Not all the pieces matched up perfectly (I read this in a random google review of the pattern as well – so either we cut it wrong, which is possible, or there’s a minor drafting error. I know Jen is really precise with her drafting so I hesitate to believe that it’s an error on her part, but I thought I would point that out), but I just trimmed off the excess. We are talking about rectangles that form a bag, after all – no crazy fitting or anything. I really struggled to get the bottom sewn on square – it’s passable as it is, but it’s not my best work.

Then again, it’s a dopp kit. I’m not unpicking that shit hahaha.

I love all the neat details in this tiny bag, though! The front zippered pocket is a personal favorite – also love that little leather zipper pull! And check out that print-matching at the top zipper! That was actually unintentional, but it worked out amazingly well. I’d be lying if I said I wasn’t super impressed with myself haha.

Like I said, the pouch was really easy – like, sewn up in under 20 minutes easy. Since it’s unlined, I serged the inside with matching aqua thread (it was almost navy because I didn’t feel like re-threading the serger, until I reminded myself that I paid for this serger specifically because it self-threads haha). The zipper pull – as well as the pulls for the dopp kit – is loosely based on the pattern included in the travel kit. I had to change it up a bit to get it to fit my smaller-than-normal zippers.

One thing I did not anticipate when I started this project was how much all the materials were going to cost me – and how difficult they’d be to source. The fabric wasn’t terribly expensive (and since it’s a project for the Mood Sewing Network, it was free for me), but all those little extras add up! I found my swivel hooks and D-rings at Joann’s – not in the sewing section, but in the… dog-leash making section? Joann’s, keepin’ it weird as usual. I bought my cotton webbing from A Graff Supplies on Etsy. This was after shopping around quite a bit – Joann’s didn’t have the right colors and widths, Mood was sold out of most everything, and any other supplier I found only carried one of the two widths I needed. A Graff Supplies had both widths, with a great selection of colors – and while I did spend $15 on JUST WEBBING, I can’t imagine it being that much cheaper anywhere else. I would have loved to find nylon webbing, but cotton was much more prominent in my searches. All my zippers are from my stash – the black zip on the duffel bag is new (I bought it for a dress, which I obviously never made haha), the rest are vintage. Been looking for a use for those turquoise zippers 🙂 Oh, and the little leather scrap for the pulls is from a shop on Goldhawk Road in London. I bought it because I loved the color, bonus that it matches my bag!

The bag is REALLY floppy when it’s empty (to get these photos, it’s stuffed with every pillow from my couch, plus a couple of blankets), so it was hard to get an inside lining shot! The lining is all polka dots – the self fabric at the bottom is actually a fabric-covered removable piece of thin plastic, to keep the bottom from sagging open.

This isn’t in the instructions (hence why it’s self-fabric – I ran out of lining!), but it’s a trick I learned when I made one of those Amy Butler Weekender bags years ago (which I still have, and yes, it’s too small for a weekend! More like an overnight bag haha). You cut the plastic the same size as your bottom, remove the seam allowances, and make a fitted sleeve to cover it. I like that it’s removable because now I can roll the duffel up if I need to. As far as sourcing plastic – I ended up buying it on Amazon. The EZ Quilting Template Plastic is 18″ x 24″, which I needed (anything sold at a craft store is usually 12×12) for the base. It’s quite a bit flimsier than what I wanted – I doubled up and bought two, but it’s still not as rigid as my Weekender. Still, it’s better than nothing. Plus, I have quite a bit left that I can use for bra pattern templates, yay!

So, in case you couldn’t tell – this bag is pretty big. Like, I could probably squish myself into it if I tried hard enough:

But, like I said – it folds down pretty flat for storage (or putting in a suitcase, which is what I usually do – then I have a bag for all the fabric I buy hahahahaha):

Anyway, I’m happy to check this off my to-do list – and I can’t wait to put it to good use! It’ll definitely come in handy for my trip to Philly at the end of this month. Now I guess I just need to start looking for a new suitcase – mine is starting to give signs of wearing out (wires poking out, the zipper is struggling, corners are threadbare – I told you it was old! And very well-used 😉 ).

Just look at that unintentional print-matching. If that doesn’t make you want to run out and SEW ALL THE DUFFLES, then I don’t even know who you are anymore.

** Note: All fabrics for this project were provided to be as per my involvement with the Mood Sewing Network. Notions and pattern were purchased by me!

Tags: completed, dopp kit, duffle, Grainline Studio, Mood Fabrics, Mood Sewing Network, portside travel set, pouch, travel

Comments 75 Comments
Categories completed projects - new

Completed: My Perfect Tshirt

18 Dec

One neverending sewing quest of mine (that is admittedly quite stupid, to be honest) is the lifelong search of my perfect tshirt fit. Nice and fitted with good scoop neck – you’d think this would be easy to find, but nooo. I haven’t really found a tshirt pattern that was 100% exactly what I wanted, through and through. There have been plenty of “almosts” – you know the kind, you wear them around for a day, perform a little machine surgery in the evening, and after a couple of tweaks, they’re pretty spot-on. Those are nice. Sometimes, though, you want it to be right the first time. And therein lies my problem.

I do love the Renfrew pattern. Loooove it! It’s a really really good beginner tshirt pattern, and I love all the options it comes with. My only complaints are that it’s a bit too loose for my tastes (I think you guys have figured out by now that I prefer my clothing to be painted on), and I feel like the scoop neck sits a little too high. As far as super basic tshirt patterns go – that’s about the only option I’ve tried. Other patterns (Plantain, Briar, SJ, Coco, Bronte, etc etc) are lovely, but they’re a bit more specialized than what I’m going for (aka, PLAIN. Plain tshirt!). Nettie was real close, but it’s just a smidge too tight (I mean, that makes sense – it’s a bodysuit ffs) and I couldn’t get the shoulders and back to work with my body, no matter how much I tweaked them.

The really stupid part about this is that once I started my ~Tshirt quest~, it got harder and harder (or I got pickier and pickier). I admit, I even tried some RTW shirts to see if maybe I should just suck it up and buy them from now on – but those are even worse, not to mention most of them require some kind of tweaking (taking in the side seams, cutting off length, shoulder seams in the wrong spot, *something*). Which, I’m sorry, but I’m not going to pay $30 for a fucking tshirt that I have to then ALTER. That’s just dumb. So I kept looking for a pattern, kept not finding exactly what I wanted.

Soooo I *made* my own pattern. Before you get too excited – I didn’t draft this thing (I don’t want to say I’ll never draft a pattern ever, because I know things change – but, right now, I don’t ever want to draft patterns. Nope.). It’s a Frankenpattern that combines my favorite elements of my favorite patterns, and is now my favorite tshirt pattern. Yay for Frankenpatterns!

To make this baby up, I started with the Lady Skater bodice, because I really love the way it fits. I then compared the neckline to the one on the Nettie bodysuit, because, seriously, Nettie has the best neckline options. This resulted in me scooping the front neckline of the traced pattern just a bit more, to get that nice deep scoop (the kind of scoop that would show cleavage, if I still had cleavage to show off. Wah, I miss my boobs!). I kept the back neckline high, like a normal tshirt. I measured the length of the Lady Skater against the length of the Renfrew and some of my favorite finished tshirts, then adjusted accordingly (if you’re curious – I added the length via relatively straight line, aka, did not flare out into an hourglass shape. I don’t wear my shirt hems around my hips, so having the extra room there just looks silly. A straight cut looks better on me). Finally, I traced off the sleeves and bindings for the Lady Skater – this isn’t completely necessary, but I’ve learned that when I steal my pattern pieces from the envelope, sometimes they don’t make it back. It’s easier to just give the Frankenpattern it’s own pieces so I don’t end up digging and hunting later down the line, you know?

I think the resulting shirt is pretty close to being perfect for me! I probably need to redraw that neck curve – it looks a little square – and maybe add one more inch of length. The length here is fine-ish; I hemmed it that long so it would work with the skirt I’m wearing. But I sort of hate how it looks with pants. Or maybe I should just make higher-waisted pants? That would totally be easier, right?

Isn’t this fabric so fun? It reminds me of some of the ridiculous shit I wore in my early 20s – lots of cutesy patterns, hoodies, and hearts (I used to buy a lot of my clothes on the sales rack after Valentines Day and/or Halloween, because those are the best prints haha). I found it on the remnants rack at one of my local fabric shops, Textile Fabrics. There was a yard and a half waiting for me, and the price was something crazy good (I think it was around $11? Yay for the remnant rack! Too bad the normal prices at Textile aren’t that awesome 😛 haha). It’s acrylic, which is kind of lame and not at all warm (and honestly doesn’t wear toooo well – it’s already starting to pill a little), but at least I can throw it in the washing machine and not worry about wool shrinkage! It’s also fine for layering, as evidenced by my silk georgette button up underneath.

Oh yeah, I should add – if this outfit looks eerily similar, that’s because I took these photos on the same day I took the photos for my last blog post. HAHA. Whatever, my hair looked good that day and I had to take advantage of that.

Here it is without the under layer. I used a black rib knit for the neckband and cuffs (originally from Mood Fabrics, but it appears to be sold out on their website now), and assembled everything on my serger. The hem is finished with a twin needle. That’s it! Pretty sure this whole thing from start to finish – once I made the pattern, that is – took less than an hour to make.

Anyway, it’s nice to have a go-to pattern now that I know I can whip up and not have to fiddle with fitting! I think this particular pattern could use a couple more small tweaks, but it’s definitely on it’s way 🙂 I’ve already made a few lightweight undershirts with it, and those are great in this cold because they are fitted enough to keep the heat around my body where it belongs.

What about you? Do you have a perfect-fitting tshirt pattern (either one I’ve mentioned that just ~does it~ for you, or maybe you have a new love that you want to introduce me to!)? Have you ever Frankenpatterned something to suit your needs, or are you the sort of lucky person who gets their TNT from a purchased pattern? Are you sick of me talking about tshirts? Man, I love tshirts.