Tag Archives: Mood Fabrics

Completed: A Striped Coco Dress

13 Oct

Coco is one of those patterns that I loved when I first saw it (and immediately made up), promised I would make dozens more, experienced feelings of jealousy whenever I saw other people wearing it… and yet left that damn pattern hanging for 2 1/2 years. Too long!

Coco Dress

I have been slowly going through my stash, uploading fabrics to my Cora app– which takes forever, since I have to pull each piece out, photograph it, measure it, and then fill in all the details. Individually, it’s not really a time suck – but I have a lot of fabric! It’s kind of fun, though – I feel like I’m rediscovering all this great fabric I forgot I had! (very similar to how I treat doing laundry – oooh, look at all these fun clothes I forgot about in the past few days! Yay!) I’m making an effort to sew more from my stash – at least, the pieces that are suitable for the current season, and the colors/prints that work best with my current wardrobe. It’s certainly not doing me any good just hanging out on my shelf!

This navy/white striped ponte is one of those pieces that I unearthed. I bought a MASSIVE yardage of this shit when I was in Mood Fabrics… uhh, probably also in 2014. It’s a heavy, thick ponte with a very dense hand – and it was a pain in the butt to drag it all home, though of course I persisted because I am all about taking one for the (my)team. I made a couple tshirts out of the stuff, and quickly learned that I don’t like wearing tshirts out of such a heavy knit. It feels strange, like wearing a jacket you can’t take off. And while it’s a great weight for stuff like hoodies, blazers, jackets, skater dresses… I dunno, guys. I just wasn’t feeling it. So the remaining yardage has been hanging on my shelf until I managed to almost forget about it.

Coco Dress

Coco Dress

Coco Dress

So here we come right back around to Coco! I was desperately in need of a easy, mindless project that lent itself well to leaving unfinished for long periods of time in my sewing room – this was during the week that my dad was in the hospital, and while I spent most of that time sitting next to him (or camping out in the ICU waiting room, waiting my turn), I needed a day to be “normal.” I didn’t feel like sewing at all, but I knew it would calm and relax me – again, the key being something easy and mindless. So I took the pattern and fabric, both of which I’d been kind of avoiding, and channeled my energy into this project.

It’s not anything special, obviously. It’s a simple A-line knit dress with a funnel neck collar. I can – and have – made much more impressive pieces. But the simplicity was exactly what I needed – so I could turn my mind off, and just focus on making. That fact that I have a pretty great dress out of it is just a bonus πŸ˜‰

Coco Dress

Since I’ve already made this pattern and it’s fairly simple to begin with, I don’t really have much to say about the construction. I sewed the size 1 so I’d get a close fit (my measurements hover right between 1 and 2 in Tilly’s patterns), but ended up taking out another 1/2″ or so from the side seams because it still wasn’t quite fitted enough to my liking. I originally sewed the long sleeves, thinking I’ve had a cozy little ponte winter dress – but y’all, I dunno, something about all those STRIPES with those SLEEVES was just really… awful.Maybe it’s because I’m so short, but it was really overwhelming on my frame. Pulling them up to 3/4″ solved that problem, as did removing a couple of inches from the hem (I know it’s REAL short in these photos; I had a fat 1.5″ hem that I ended up letting out before I wore it out for the first time and resewing again at about 1/2″. So it’s a tiny bit longer – as in, when I raise my arms you don’t see buttcheck anymore true story ok).

I added the sleeve tabs as an afterthought – I liked the way the sleeves looked when they weren’t totally smooth. To make the tabs, they are just rectangles that I sewed with the right sides facing and then turned right sides out, sewed to the inside of the sleeve and then tacked down the other end with a button from my stash. Actually, if I recall correctly – the measurements were determined by me cutting the small pocket (included in the pattern), deciding I didn’t want to add it, and then cutting it in half to use as my tabs haha.

I sewed all the seams on my serger, except the hem and sleeve hems – which I just used a zigzag stitch for. Easy! (except when I ended up ripping out that hem later to let out some length, ugh haha) And while the dress looks like it’s black and white, I promise it is actually navy. It’s just a really really dark navy.

Coco Dress

See?! Navy! πŸ™‚

My fabric isn’t quite as beefy as what they use for the project photos – or what I used for my first Coco, even. As a result, the funnel neck is definitely a lot more floppy and slouchy. I like it, though!

Coco Dress

Sleeve tab and button. This button was seriously the closest thing I had to matchy in my stash.

Coco Dress

That’s all! I am heading out in a few hours to catch a plane to NYC – Camp Workroom Social is this weekend! πŸ˜€ I cannot WAIT to hang with all the campers and help my (well, Amy‘s πŸ™‚ ) class make some beautiful bras!

And speaking of classes – I spent the last weekend at Pintuck & Purl in Exeter, NH, where we had a lovely 4 days of sewing, eating delicious food – and drinking whiskey, because of course we did. I had an AMAZING time with amazing company – great conversation, great food, and of course, great sewing! I love doing these sorts of retreats because it’s really fun to see what everyone is working on – for this class, we had jeans, a bra, a coat, an Archer, fitting help, and a shirt dress! The only downside is that when I get home, I REALLY miss everyone because we’ve been so close for the past few days! Which basically just means I am gonna have to go back πŸ™‚ Exeter is so beautiful and Pintuck & Purl is the cutest little store with a beautiful selection. I definitely came home with some fabric and yarn, although my tiny suitcase meant that I had to restrain myself a bit πŸ™‚

See y’all next week!

Completed: Chambray Tencel Butterick 5526

3 Oct

Well, surprise surprise…. I am back again with – you guessed it! – another button-up shirt. Ha! Is this all I wear these days? Probably. I’ve been sewing – and making button-ups – for years at this point, but it still tickles me to no end that I can get them to fit every part of my body without bagginess or gaping. To hell with all those tiny safety pins and double-sided tape – I finally have buttons where the buttons need to go! Yay!

So now, my wardrobe is just slowly filling up with the button-ups of my dreams. Also, button-ups are really really really fun to make. You like making jeans and bras? You’ll love making button-ups. So many tiny pieces with lots of precise topstitching I LURVES IT β™₯

B5526 Chambray Tencel

B5526 Chambray Tencel

When I was in NYC earlier this year, I made some time during my trip for a couple hours at Mood Fabrics flagship store in the Garment District. Since I live way way outside of NYC, I don’t generally get this opportunity except once or twice a year – so I try to make it count! I always come prepared with a list and a plan – and while I allow myself to veer off the list if I see something shiny that appeals to my magpie tendencies (very much like when I go grocery shopping, although that sort of veering usually involves chocolate :P), the list is helpful for keeping me on track so my purchases are a little more focused. I don’t know if you’ve had the pleasure of shopping in the physical Mood Fabrics store, but it is QUITE overwhelming if you’re not used to it! The aisles of fabric go on forever, piled to the ceiling – and there are 3 glorious floors of it!

One of the things on my list for this trip was to find a chambray Tencel shirting. I’ve seen this all over sewing blogs and even in RTW – chambray Tencel was apparently very hot last fall (whether or not it’s still hot this fall – whatever, I like it, that’s all that matters!). I wasn’t familiar with Tencel until a couple of years ago, when I was sewing for Elizabeth Suzann and she started using it for some of her designs. Tencel is very similar to rayon – it’s a wood cellulose fiber, so it breathes beautifully, and it has an incredible drape. Unlike most of the rayons I have sewn with, this is a bit thicker and easier to handle – it’s not quite so floaty. My brief internet research also tells me that Tencel is a very environmentally friendly, and the fibers are grown sustainably. Gooooo Tencel!

I found this particular Tencel in the depths of the shirting fabrics in Mood’s store, and it was exactly what I had been dreaming of when I wrote my list. It’s drapey and nearly as soft as a baby’s butt – just like rayon – but with a thicker hand and an incredible sheen. I am pretty sure this is the same stuff available on the website, actually (also FYI, Mood Fabrics now has tons of Tencel on their site – including flannel WUT). I bought enough yardage to make a long sleeved button up, prewashed that bad boy when I got home, and set it aside to allow summer to pass before I cut into it. And finally, here we are!

B5526 Chambray Tencel

B5526 Chambray Tencel

B5526 Chambray Tencel

B5526 Chambray Tencel

B5526 Chambray Tencel

I used my very favorite shirt pattern, Butterick 5526, to sew this up. I’ve made this pattern dozens of times at this point, so there’s not much I can say about it that I haven’t already said dozens of times. I’m so familiar with this pattern, I’m pretty sure it could sew itself if I gave it a chance. I decided to mix a couple things up to make my shirt look a little more like a workshirt – rugged, casual details, but with that pretty, slim fit that only princess seams can give you. And also to make it look less like I am just wearing the exact same shirt every day. Even though I totally am.

I redrafted the back to include a yoke (and by redrafted – I mean I just sliced off the top of the pattern piece and added seam allowances, ha!) and swapped out the simple bias plackets for a more manly tower placket. I also drafted pointed pockets with matching pointed flaps (again, I am using the term “drafted” VERY VERY loosely here!). Another big change was to topstitch everything at 1/4″, instead of my usual 1/8″ edgestitching. It’s a lot more bold and pronounced, like the RTW stuff I’ve been lurking on, and gives a completely different look! I imagine that over time, the edges will curl and wave a bit and make the whole shirt look more settled in. All the interior seams are flat-felled, with the exception of the yoke – which is faced with more Tencel. Oh, and I added button tabs to the sleeves, so I could roll them up if I wanted to!

B5526 Chambray Tencel

B5526 Chambray Tencel

B5526 Chambray Tencel

B5526 Chambray Tencel

Working with Tencel wasn’t much different than any other shirting fabric I’ve used, although it does have a tendency to stretch and slide if it things it can get away with it. I added lightweight fusible interfacing to all the normal shirting bits – collar, collar stand, button placket, etc – as well as the sleeve tabs and pocket flaps, just to give them a little more structure. This fabric responds really well to heat, so I was able to steam everything easily into submission, which is a must for shirt making.

I did have one pretty big unpicking session with this shirt – for some reason, the collar ended up too big (I don’t think it stretched out, as the top collar is cut on the straight grain and was also immediately interfaced after cutting – I am thinking maybe I skewed my seam allowances somewhere, somehow?) and went almost to the ends of the collar stand. I noticed it right before I started topstitching, and while I tried to convince myself it was ok – it wasn’t, and I knew deep in my heart of hearts that it looks absolutely fucking shitty. At this point, I had already aggressively trimmed down all those seam allowances and pressed the shit out of everything, and while I could still unpick things – it would going to be a giant PITA. I left the shirt on my dress form for a few days so I could get some space, and upon revisiting, I knew I wouldn’t be happy with the collar the way it was. Considering how much time I had already spent making this shirt (and the uncertainty of knowing whether or not I’d be able to get more of this fabric to cut another one), I ultimately decided it was worth the time to unpick everything, re-sew the collar with larger seam allowances, and then re-insert it. Not gonna lie – it took me about 2 weeks of leaving the shirt wadded up in the corner of my sewing room (so it could really think about what it had done) before I got up the energy to do all that unpicking, and another week or so before I re-sewed everything. But you know what? It looks SO SO SO much better now (it’s not perfect, but it is a 1000% improvement, no question) and it was worth the anguish! Sometimes you just gotta step away from whatever is frustrating you, to get another perspective.

B5526 Chambray Tencel

B5526 Chambray Tencel

B5526 Chambray Tencel

B5526 Chambray Tencel

B5526 Chambray Tencel

B5526 Chambray Tencel

Butterick 5526 is *my* personal go-to button-up pattern for sure – I’ve got my tweaks down to a science at this point, and there’s nothing this shirt pattern can’t do for me! I love a good button-up shirt and I’m so happy to see more of this sort of pattern emerging out of the wild these days! Cashmerette’s Harrison Shirt is drafted specifically for plus sizes all the way up to an H cup (like, seriously, the double princess seams with no gape is absolutely mind-blowing to me) and Tilly & The Button’s new Rosa Shirt & Shirtdress is a gorgeous little beginner-friendly piece that will walk you through every single step (stay tuned for my Rosa review, btw, bc OF COURSE I made one of those bad boys!). I also love the Grainline Studio Archer for a more rugged/boyfriend looking shirt (lack of princess seams on this one means less fitted, but also much more suitable for those cozy plaid flannels!) aaaand I just got my hands on a copy of Deer & Doe’s MΓ©lilot shirt so that’s coming up next! What’s your favorite shirt pattern?

As a bonus, the skirt I am wearing in these photos was also made with fabric from Mood Fabrics! I used a cotton corduroy and you can read all about it in this post from earlier this year. This skirt has been on hold during the summer – it’s too hot here to wear cord, plus, it just looks silly in 100* weather – and I am excited to bring it back into wardrobe rotation with these dipping temperatures! Mustard and denim – is there a prettier color combination? I think not!

Note: The fabrics used in this post were provided to me by Mood Fabrics, as part of my participation with the Mood Sewing Network. That fabulous hat is all mine, though πŸ˜‰

Completed: Silk Chiffon Archer Button-Up

30 Aug

So I guess we are now officially in that time of the year again – when the shops are screaming FAAAAAALLL (Wool caps! Corduroy bottoms! Pumpkin spice everything!) but our temperatures are still firmly stuck in summertime. While I’m not ridiculous enough to pull on my Ugg boots when it’s still 100 degrees outside (LOL JK I don’t own Uggs hahaha) (but seriously, Ugg-watching in 100 degree weather at the ritzy mall is absolutely my favorite pasttime during these months. Bonus points if they are wearing a wool hat, too.), I still want to at least look the part of the changing seasons, which still complying with the temperatures outside. For me, that means colors and silhouettes that give a nod to fall – but sticking to lighter-weight fabrics so I’m not sweating my arse off.

So anyway , with all that being said – here’s another button-up shirt! HAHA

Silk Chiffon Archer

I used the Archer pattern to make a fall-inspired button-up, but with a twist – instead of the traditional plaid flannel (which I lurrve, but again – HOT!), I used a light and breezy wide silk chiffon from Mood Fabrics for the main, and woven silk crepe de chine for the collar, collar stand, button band, pockets, and bias facings. Mood Fabrics carries tons of colors of both of these fabrics, but I went with boring ol’ basic black. In the future, I might go completely insane and try this with a PLAID silk chiffon. Maybe.

Silk Chiffon Archer

Silk Chiffon Archer

If you are feeling some major dΓ©jΓ  vu about right now, you are absolutely correct – I totally and completely 100% shamelessly ripped off Kendra’s silk Archer from the Grainline blog. I don’t ever think I’ll look as chic as she does, but that doesn’t stop me from trying! πŸ™‚ I followed Jen’s instructions for making the Archer sleeveless (basically shortening the shoulder drop and adding some contour to the back armhole, nothing crazy here) and shortened the length by about 2″. I sewed a size 0, which is what I normally make for this pattern.

Silk Chiffon Archer

While I have made my share of button-ups in tricky fabrics – silk georgette, silk crepe, crazy plaids, and a rayon challis that has yet-to-be-blogged – I did worry a little that this one was going to be a beast to sew. My last experience with chiffon did NOT go well (you didn’t miss anything – this was several years ago), but I think a big part of the problem was the quality of the material I was using (it was pretty cheap poly chiffon). Using a high-quality fabric makes a big difference in the ease of your sewing when it comes to tricky fabrics like this – you know they’re already on-grain (or it’s easy to straighten the grain if you need to) and the natural fiber content means you can actually press them (which, again, makes a world of difference during construction – especially for a pattern like this). With all that being said – I only used a yard of the chiffon to make this sleeveless version, which at $20.99 per yard isn’t really that expensive. I got a yard of the crepe de chine as well, but only used a fraction of that (I use silk bias on everythingggg so I have tons left over for other projects). Even having been made out of silk, it’s fairly economical! And you definitely cannot get a silk button up shirt for less than $50 in retail, at least not new. Plus, I machine-washed all my fabrics before cutting – so my silk is machine washable now πŸ˜‰

Silk Chiffon Archer

Silk Chiffon Archer

Silk Chiffon Archer

Silk Chiffon Archer

So anyway, about that sewing! I didn’t do any sort of prep before getting into cutting – in the past, I’ve used fabric stabilizer to stiffen the fabric so I’d have an easier time cutting and sewing (and yes, it does work – see the aforementioned silk georgette button-up post for my full review on that), but I didn’t bother with any of that this time. It certainly would have been easier if I had, but obviously it was doable without πŸ™‚ I did trade out my scissors and use a mat and rotary cutter to cut this, which was tremendously helpful.

Sewing was really easy and straightforward – I used a sharp 70/10 needle, polyester thread, and a lot of high heat from my iron. All seams are enclosed – the yoke and collar cover most of that, but the side seams are French-seamed, and the arm holes are finished with silk bias facing. The hem is just a simple rolled hem (I usually use bias facing there as as well, but I was afraid the crepe de chine would be too heavy for the silk chiffon). I used a super lightweight interfacing (which comes in black!) for all my interfaced areas – it gives some stability without making them weirdly stiff, which is important when you’re dealing with silk chiffon. The buttons are some vintage glass buttons that I’ve had in my stash for ages. The only thing I’m not thrilled about is the pockets – the crepe de chine sags a bit on the chiffon, so they’re not perfectly smooth when I’m wearing it (or when it’s hanging on the wall, for that matter). And also – they are a bit lopsided! Whoops! I hesitate to unpick them because I am afraid it may damage the delicate chiffon, but thankfully no one notices it – even when I point it out. Of course, that may be all you see now πŸ™‚ Sorry πŸ™‚

Oh, and in case you were wondering – I am wearing a black tank top under this, and I did not make the shorts (I WISH I did, though! Because then that would mean that I had found awesome fabric like that!). They are from Express, but the shape is quite similar to the Rite of Spring shorts. The fabric is a nice rayon challis. I pretty much never buy clothes these days, but these were given to me by my boss while she was cleaning out her closet in preparation for her cross-country move (she also gave me a pair of Jimmy Choo’s. Um, I WIN.). Speaking of which, I will be flying up to Rhode Island this week to orchestrate all the unpacking and whatever else you’re supposed to do when one moves cross-country (I’ll be staying here in Nashville and working remotely after that). I’ve never been to RI before so I’m excited to check it out! Wish me luck!

Silk Chiffon Archer

I don’t have much else to say about this pattern that hasn’t already been said to death, so I’ll keep this post reasonably brief. Yay for silk chiffon button-ups! Once we get into full-on winter mode, I think this top will continue to be useful as I can wear it under my cozy sweaters for an extra layer of warmth.

**Note: The fabrics for this project were provided to me by Mood Fabrics, as part of my participation in the Mood Sewing Network.

Completed: 2 More Scout Tees

8 Aug

Apologies in advance for the big Grainline kick I’ve been on lately. Nothing intentional, no ulterior motives – I am just really loving the patterns these days! Brace yourselves for more where this came from (oh ho ho ho wait till you see my backlog of finished projects), but first – some Scout Tees!

I made 2 Scout Tees, both of which I will be sharing in this post because I think splitting it into separate posts is a bit of an overload – especially since I’ve already made and posted about this pattern twice (see: handwoven cotton and birds). What can I say – I love this pattern and it’s been a hardworking staple in my summer wardrobe this year.

Gauze Scout Tee

First Scout is this one that I made out of a cool (both literally and figuratively) cotton gauze. The best part about this particular project is that the fabric didn’t start out as a yardage – it was actually a scarf! See?:

Gauze Scout Tee

I don’t know the true origins of the scarf; it was given to me by the one guy in my knitting group (btw, every knitting group should have a Token Dude. It really makes you feel like you made it as a knitting group coordinator haha). He was in the process of helping his mother downsize and move, and thus ended up with a big stack of fabrics that needed to be rehomed – most of which ended up in the trunk of my car. This scarf was part of that loot bag. I originally wanted to keep it as a scarf and just wear it like that, cos I looove those gorgeous gauzy scarves and yes I wear them in the summer don’t you dare judge me, but the fact is I never ever come across fabric in this weight/print and I felt like I needed to take advantage of that surprise yardage. Once I realized that I could squeeze a little woven top out of it, my game plan immediately changed.

Since Scout is intended for wovens, it was a good pattern for this project. It’s also fairly small (at least in the size that I cut, which was a 0), doesn’t have a bunch of pieces, and is narrow enough to fit on this scarf. The scarf was also fairly wide – not quite as wide as true fabric yardage, but wide enough to accommodate the pattern pieces on the fold. I had enough length so that I was able to place the print where I wanted it, as well as match it across the seams. I decided the pattern would look best with the paisley design across the hem (which I made sure to account for the hem allowance while cutting), and the white/blue scattered paisleys at the top and on the sleeves. Having a large cutting surface is ideal for this, as I was able to lay everything out and make sure I had enough fabric to match everything before I started cutting.

Gauze Scout Tee

Gauze Scout Tee

Cotton gauze is super lightweight, as well as borderline sheer, so I used French seams throughout for a neat and delicate finish. The hem is 2″ deep, to slightly crop the tee as well as give the bottom some extra weight. The sleeve hems are a simple rolled 1/4″ hem. And I used silk crepe as the neckline bias facing, instead of self-fabric (I don’t even want to think about trying to do a bias facing with this gauze – that shit would have been a nightmare!).

The finished top is definitely a bit see-through if you look very closely, but the busy print helps camouflage things. I also make sure to wear a light or flesh-colored bra underneath (I’m wearing my yellow lace Marlborough in these photos) so there’s not too much of a contrast. The only downside is that the fabric – despite being pre-washed by me, as well as whatever washing it may or may not have gotten in it’s previous life – tends to transfer blue dye on anything it constantly rubs against. Learned this one the hard way after getting home from the flea market last month and discovering that my bra straps were blue, as well as the back side (the part that goes against my body) of my mostly white purse. LAME. Thankfully, most of it washed off with some dish soap and a bit of patient scrubbing. As a side note, if anyone has a good recommendation on how to get a white canvas purse cleaned – yeah, I think I’m gonna need that. I have put that poor Kate Spade through hell and back at this point haha.

All right, second Scout Tee!

Birdy Scout Tee

Recognize this fabric?! I made a fantastic bird dress out of most of it (which is still one of my favorite things I’ve ever made to date, and I still wear it whenever I need to impress someone), but I had about 1 yard left over that I’ve been hoarding ever since, just waiting for the right project. Silk Scout Tee it is, then! And you can go ahead and laugh that I now have 2 bird print Scout Tees. It’s ok, I just really like birds πŸ˜›

Birdy Scout Tee

Birdy Scout Tee

As with the gauze Scout, this pattern is really great for letting the fabric take center stage. And same as with the gauze version, it doesn’t require a lot of fabric, so I was able to eek it out of my tiny yardage remains. Notice how completely different the shape is, though, since this georgette has a lot more drape an less body than the gauze. I think both look awesome, but this one is definitely a bit more flattering since it’s not so boxy.

Not much to say about this one that wasn’t already said about the gauze one (and hence why I’m slapping both into one post). It was sewn pretty much the exact same way – French seams, 2″ hem, etc etc. I did use self-fabric as the bias facing for this one, which I’m not entirely happy with how it lays and probably should have used silk or cotton voile instead, but whatever. I just don’t think the georgette behaves as well as a silk crepe would have. Too late now, though, cos I ain’t about to rip it out! It’s fine. IT’S FINE.

I don’t know why I got dressform and flat shots of this one and not the other, but here you go:

Birdy Scout Tee

Birdy Scout Tee

Birdy Scout Tee

Birdy Scout Tee

I’m trying really hard not to get all weird and hoardy with my favorite fabrics, because they don’t do me a lot of good just sitting on the shelf. I want to make them into things that I love so I can wear them and love them every day! It can be a little stressful when it’s fabric you know you can’t get more of in case you done goof it up (this bird stuff sold out REALLY fast!), but I’m working on trusting myself and my best judgement. Again – it’s not doing me any good sitting on the shelf! Gotta take that shit out and actually give it the use and love that it deserves!

Gauze Scout Tee

I think I’m done with Scouts for now, but that doesn’t mean I’m over the woven tshirt! Right after I finished cutting these two, Megan Nielsen released her Sudley pattern, and the blouse is giving me all kinds of heart eyes. I’d love to make a version with the back keyhole!

As a side note – hi, welcome to my living room. I think I like these pictures better than the ones in my sewing room (the only good lighting in my sewing room has some wretched boring background action), although the changing light is a bit of a challenge. I dunno. Taking photos indoors in general is a bit of a challenge, to be honest, but it sure beats standing outside with a tripod while all my neighbors snoop on me through their windows haha (which is what I imagine is happening, and more than likely actually not the case at all).

Completed: Sewaholic Pacific Shorts + Dunbar Sports Bra

12 Jul

Since moving into my new apartment last month, I have been busy discovering all the cool stuff in my area (bonus that it’s all pretty walkable/bikeable, unlike at my last place in the middle of nowhere :P). One major selling point for me was that I am now super close – about 2 blocks, and again, walkable – to a really great greenway. The multi-use paths are nice and wide, mostly shaded by the trees, and there is a big creek that runs through it which means lots of cool bridges to cross! It’s a fantastic area for both cycling *and* running, and I’ve been taking full advantage of it.

While I have my fair share of workout wear, it quickly became clear to me that what I had was lacking pretty badly, at least for running. My preferred workout of choice has traditionally been hot yoga – where I tend to wear leggings or capris (you know, for the sake of whoever is unfortunate enough to practice right behind me hahaha) and they don’t need any pockets because you are standing in one place. I find those long pant lengths to be way too hot and restrictive for running, at least in the summer time. And I definitely need a pocket to hold my phone and keys, so I can listen to music and/or podcasts and keep my hands free! I noticed that Mood Fabrics has added a lot of performance/activewear fabric to their site, so this seemed like a good excuse to stock up and try them out.

Sewaholic Pacific Shorts + Dunbar Sports Bra

Sewaholic Pacific Shorts + Dunbar Sports Bra

I ended up making 3 pairs of shorts and a sports bra. The first pair uses Midnight Black Max Dri Performance jersey, although you can see here that they are much closer to a darker grey. I love these mottled jerseys and bought them in several colors!

Also – hello from my new studio! I’m still trying to get the hang of taking photos indoors (not cool enough to lug a tripod down the greenway and take action shorts, sorry guys), so I’m sorry that these are subpar.

Sewaholic Pacific Shorts + Dunbar Sports Bra

The pattern I used is the Sewaholic Pacific Leggings – although, obviously, I made some changes to the pattern to turn them into little running shorts! This was as simple as drawing a line where I wanted the new hemline to be, making sure to include a 3/4″ seam allowance for hemming. I started out with a 4.5″ inseam, based on a pair of shorts I already had, but ended up taking another inch off before hemming. I like my shorts short enough for some buttcheek to peek out. Ain’t no shame in that.

I made this pattern before earlier this year, for a couple of full-length yoga pants (which I never posted about, ha). It’s pretty great in terms of fit. I sewed my usual Sewaholic size – a 0 – and even though the line is geared toward pear shapes, my un-pear-shaped ass fits in it just fine. The pattern has some cool seaming on the legs (which is awesome for color and pattern blocking), a nice snug waistband that stays in place, and a back zippered back pocket that is actually big enough to hold my iPhone 6 – check it out!

Sewaholic Pacific Shorts + Dunbar Sports Bra

Sewaholic Pacific Shorts + Dunbar Sports Bra

Now I can run to my heart’s content and know that my phone is safe and secure without worrying that it’s going to bounce out. This pocket is also big enough to hold my key and cash, should I need it (laugh all you want, but the greenway in question actually connects to a Target, soo… I’m just saying.).

Sewaholic Pacific Shorts + Dunbar Sports Bra

Sewaholic Pacific Shorts + Dunbar Sports Bra

The second pair of shorts is pretty much the same as the first pair, except I used the Husky Grey colorway instead. You can barely see the zipper in this picture – it’s pale blue (that was the closest match I had on hand in my stash).

As with the first pair, I used a combination of my serger + sewing machine to construct these. The zipper area gets stabilized with a piece of fusible stay tape (to keep the fabric from going haywire while you’re putting the zipper in), so it’s really easy to sew in. The waistband has clear elastic sewn inside the seam allowances at the top to keep things snug and in place. The only part I did not enjoy sewing was the gusset – that thing is super tricky! I found the only way to get it in even somewhat nicely was to baste with my sewing machine first (because you are gonna end up ripping it out multiple times, so you might as well make it easy on yourself) and then go over the basting with my serger. I am still not a huge fan of the gusset – it kind of gives me cameltoe, if we’re being completely honest here (aaand now that I’ve said THAT word, I’m gonna get some weirdos in here via Google search, lord). I just ignore it and figure – if someone is staring there hard enough to judge the ‘toe, I’ve got a much bigger problem on hand hahahah.

Sewaholic Pacific Shorts

Sewaholic Pacific Shorts

Last pair of shorts! These are a boring, basic black. The fabric is one that I have had in my stash for a couple of years – it’s a another dry-wicking activewear fabric, although I think it’s actually from Nike. My girl Lola sent me a yard of it way back in the day, so I’m not sure where it was purchased from. What I can tell you is that I put it in a really weird stash place and couldn’t find it for those 2 years, whoops. Imagine my delight when I unearthed it while packing for this recent move! Yay! In comparison to the stuff from Mood, this fabric is a lot thicker and more robust. It wears and dries about the same, but the heavier weight does make it feel like it’s a higher quality. It was a little more difficult to sew because it is more slippery, but not too bad. Even with adding a zipper and dealing with a tricky fabric, these shorts don’t take a lot of time – or fabric! – to make. And they are SO MUCH cheaper than buying some shitty Lululemon or whatever.

(In case you were curious, the yellow/grey sports bra is not a handmade – it’s RTW. I like the color combo though and would like to try something similar! Also, I have no idea what happened to the lighting in those photos! Took them at the same time as the others, wtf)

Sewaholic Dunbar Sports Bra

Finally, the sports bra! I’ll be honest – I am 100% a-ok with the stash of RTW sports bras in my drawer. I have a fairly small bust, don’t need a lot of support, and fit well within the size ranges that are available at the store. I tend to buy them on clearance, so they rarely cost me more than $15 a pop. I wasn’t totally interested in making a sports bra because what I already have works, but the Dunbar top pattern (also from Sewaholic) caught my attention enough where I figured I’d try it. I like the details and fabric combinations, and being able to use one of the cool printed Activewear fabrics that Mood Fabrics carries (or even just making a bra to match my shorts because I am SO that person) was a plus. So I tried it out, and I’m a fan! I spent a really long time debating what size to sew – and even traced the pattern just in case I chose the wrong one – but ultimately, went with my usual size 0 and the fit is pretty good. I ended up taking in the band elastic a LOT more than what the pattern calls for, but I have a small ribcage so that’s not surprising (I think the pattern calls for 26″ of elastic at the band, and my ribcage measures 27″. I needed more negative ease than that!). For the record, my full bust measures closer to the size 4, but the 0 was just the right amount negative ease for me.

I used – again! – the Max-Dri Performance Jersey, this time in Midnight Blue – for the main color of my top. For the dark blue contrast, I used navy nylon spandex. The top gets its support by compression – which is achieved with an underlayer of Powermesh . I can’t speak for every boob out there, but my experience with the support in this bra was great. Again, I ain’t rocking a huge cup size here and I don’t need much support to begin with, so take that as you will πŸ™‚

Sewaholic Dunbar Sports Bra

Sewaholic Dunbar Sports Bra

Sewaholic Dunbar Sports Bra

Anyway, the sports bra was a bit fiddly with all the little pieces – but it was overall easy to make. I used my sewing machine for the majority of the construction and elastic application, just as you would with a regular bra. I think it turned out quite nice! I think the ability to have really cool patterned/colored sports bras (especially using some of my leftover swimwear spandex, which I am totally eyeballing now) negates the downside of how fiddly it was to sew. It wasn’t even difficult to make, just time consuming with a lot of tiny pieces. Sort of like, I dunno, a bra. lolz.

Sewaholic Pacific Shorts

Sewaholic Pacific Shorts

I’m feeling pretty good about these new additions to my drawers! I didn’t realize how much more fun it is to exercise when your clothes are fun too – even if you’re going to get all sweaty, it’s nice to feel like you look nice while you’re doing it. And speaking of sweaty – these performance fabrics have definitely lived up to their “Max-Dri” hype. I still sweat – a lot! – but they dry very quickly, which is awesome.

Sewaholic Pacific Shorts + Dunbar Sports Bra

I am pretty sure one of the things I said I would never make is activewear – so, I guess I take that back! Honestly, though, I’m running (lol) out of practical holes to fill in my closet, at least in terms of fun practical. Now I’m down to sewing things activewear, white tshirts, and panties. I really love the experience behind sewing and creating, but I don’t want to be wasteful and make things just to make them, you know? So this feels like a good compromise, even if it’s not a necessarily interesting end result.

Note: The fabrics used for some of these projects were supplied by Mood Fabrics, in exchange for my participation in the Mood Sewing Network. I should also point out that Tasia of Sewaholic sent me all the patterns in the Vancouver collection – which includes the Dunbar Top and Pacific Leggings – free of charge last year when the line launched. There was no stipulation that I needed to review the patterns, Tasia is just a nice person πŸ™‚ And I have nice things to say about her patterns because they are fucking awesome. That is all.

Sewing For My New Apartment!

28 Jun

All right, y’all, time for something different – another round of HOME SEWING PROJECTS (heh heh heh!). No wait, come back! I promise it’s at least somewhat interesting!

So, as I’ve mentioned repeatedly – I moved this month! Yay! From a basement apartment in the middle of the woods, to a second floor apartment with masses of windows in my favorite part of Nashville. Literally movin’ on up, here! :B Since things go all kinds of haywire during moving month (from packing, to moving, to unpacking, to figuring out your new neighborhood bar, etc etc), I knew I probably shouldn’t devote myself to trying to make a whole outfit or something crazy for this month’s MSN project. Never mind that I actually unpacked and set up everything in 3 days hahaha. I decided to focus my efforts on sprucing up and decorating, to get the new place real pretty instead. Not to mention, this gave me an opportunity to actually shop the home decor selection at Mood Fabrics. Yes! I don’t normally sew with home decor fabrics, like, ever (too stiff to wear, at least for me!), so that whole side of the website was so fresh and new and different and ahh I love it.

Linen apron

First up is a basic (but so useful!) apron, made using this Blue and White Striped Linen. I know, aprons are generally one of those things that people make when they are first learning how to sew haha. To be completely honest – I’ve never actually sewn an apron before (as with all my adult learning, I jumped straight into the “difficult” stuff). But I knew I needed one because I am a helluva messy cook – I get splatters everywhere and I’m always wiping my hands off on my clothes. I’m also a really clean cook – in the sense that I clean as I cook (seriously – I won’t even sit down to eat until all the cooking dishes are washed, unless there’s something that needs to be soaked. A sink full of dirty dishes stresses me out!) – so I’m also usually covered with water by the end of the prep. Using an apron might actually make me feel more like a grown-up. Plus it would be cool to wear one while whipping up a delicious meal to impress whatever man I have over. If that ever happens. BTW, Tinder is incredibly depressing hahaha. ANYWAY, MOVING ON NOW.

I didn’t use a pattern to make this, just this adjustable Unisex Apron tutorial from Purl Soho. You basically make a series of measurements directly onto the fabric to get your pattern. From there, it’s just a lot of folding, pressing, and topstitching. The tutorial was really easy to follow, and this linen was even easier to sew up. I did find that the straps were a bit too low to hit my waist – so to fix this, I folded over the top by another couple of inches and topstitched it down, which shortened the apron enough so that everything hit me in the right spot. A better fix would be to reduce the angle and length of the diagonal cuts, obviously, but since my pieces were already cut at this point, this was a quick and dirty fix!

Other changes I made to the ~design~ was to leave off the pocket (what’s the pocket for, anyway? Dirty spoons? Secret snacks? Seriously, I am not putting my phone in that mess) and also to change the webbing to some 1″ twill tape. I did try the webbing, but it was WAY too stiff to be comfortable or even tie easily. The twill tape is nice and soft and it’s much more comfortable. I also topstitched along the edge of the apron where the twill tape goes around the neck, because otherwise it tends to slide off when you’re putting it on. The topstitching anchors everything so it stays in place at the neck, but the sides/back are still adjustable πŸ™‚

Linen apron

Linen apron

Linen apron

Linen apron

Linen apron

Once I finished with the apron, I realized I had quite a bit of fabric left over (I had bought 2 yards). Not enough to make a full garment, but certainly enough for some kitchen linens! Yeah, Friday night just got WILD up in here!

Linen napkins

Linen napkins

I was able to squeeze out 7 cloth napkins, and 3 dishtowels. Yay! For the napkins (pictured above), I cut 13″x13″ squares (I know there are lots of sizes for cloth napkins, but I personally like mine to be about 12″ square) and folded each edge under 1/2″ twice, and then topstitched. Really easy, and very fast when you sew it assembly-line style πŸ™‚ This was definitely not the most exciting project, but it is certainly useful! I am trying to move away from using disposable products as much as I can, including paper products like napkins, mostly cos I’m sick of having to buy them over and over. Plus, cloth really does wipe your face off better than paper does. Now if I could just get my visiting friends to stop using paper towels to dry their hands (whyyyy do people do this, use a real towel ffs).

Linen kitchen towel

The dishtowels have a finished measurement of 25″ x 14.5″, and were sewn in the same manner as the napkins. Again, definitely a useful thing for my kitchen! I prefer smooth tea towels over the really plush terrycloth kind, at least for kitchen use, and these work exactly the same way. I love the blue stripes and I love how they look in my (admittedly boring off-white) apartment kitchen πŸ™‚

Now, linen does tend to wrinkle up like crazy and this particular linen was no exception! I will point out that it was very stiff and flat when it arrived, but washing it made it soften up very nicely. I actually washed my linen 3x in hot water (and dried on extra hot) before cutting into it, to get it to shrink as much as possible and also because that does help with preventing future wrinkles. As you can see, they still wrinkle when they are laundered, but it’s not terrible. I’ve learned that just giving them a good shake after pull them out of the wash helps a lot. I do put mine in the dryer, however, line-drying will also prevent wrinkles as well.

My last home project doesn’t involve sewing at all – just fabric and hot glue πŸ™‚

Recovered Lampshade

I’ve had this cool gold floor lamp for several years (and my grandpa had it in his home for even MORE years before I got my hands on it), but the drum shade has definitely seen better days. It’s pretty old and brittle and will crack if you so much as look at it funny. I also wasn’t a big fan of the yellow-y off-white color, especially not for my new place. Rather than try to buy a new drum shade (because those things are $$$ – if you can even find one!), I recovered this one!

Recovered Lampshade

Recovered Lampshade

The fabric is this beauuuuutiful Peacock Geometric Chenille. The colors were perfect for my new living room, and I just love the chenille texture! The fabric was wide enough so that I only needed a half yard to cover my lampshade, but I may end up buying more to cover some pillows for my couch as well πŸ™‚ Because it’s THAT beautiful!

Anyway, covering the shade was really simple! I cut the fabric to be a couple inches taller than what I needed to cover the shade, and then turned under one long edge by 1/4″ and hot glued that to the wrong side of the fabric (since it does fray a lot, you’ll want to cover your raw edges or double turn them). Then I carefully wrapped the shade with the fabric, hot gluing as I went. The edge at the top of the shade was left raw, and then covered with this gold metallic braid. The bottom has an overlap of about 2″ of fabric (the edge with the 1/4″ turn under). When I came back around to where I started, I turned the fabric under 1/4″ and glued it down before overlapping. Done and done!

Recovered Lampshade

Here is the shade in all it’s glory, in my NEW LIVING ROOM πŸ˜€ πŸ˜€ πŸ˜€ (psst – see that chair in the background? I recovered that bad boy a couple of years ago – also thanks to Mood Fabrics! πŸ˜‰ ). Also, I totally knit that white blanket – using size 50 needles and fluffy wool roving that basically feels like a cloud. It’s a simple k2 p2 rib, and just big enough for me + my cat to cuddle up. Ravelry notes are here, if you are interested!

Ok, so real talk – sewing things for the home doesn’t exactly top my list of favorite things to make, but it’s fun to switch things up every now and then! Not to mention, in a world where greys and chevrons are the current fashion, it’s really nice to have full control over my decor (even if it means I have to be a little bit more hands-on than just throwing something in my shopping cart at Target). What about you? Do you even sew (or hot glue) for your home?

Note: Fabrics were provided to me by Mood Fabrics, as part of my involvement with the Mood Sewing Network.

Completed: Black Twill RosarΓ­ Skirt

23 May

I’m really behind on posting my projects – I finished this skirt almost two months ago, LOL WHOOPS. To add insult, I took these photos around that time as well – and have since changed my hair color :3 (spoiler: it’s still red). But these will do for now! Let’s just appreciate Past Lauren in this post, yeah?

Black Stretch Twill Rosari Skirt

Another RosarΓ­ skirt! How predictable of me. What can I say – when I like a pattern, I like it enough to make it over and over and over until everyone gets sick of it (everyone except meeeee, that is). This is my second version (you can see my first version in mustard corduroy here), and I’ll just go ahead and admit that there is a third version that’s currently waiting to be posted. Don’t look at me like that. I wanted to try all the views offered in the pattern. ha!

Black Stretch Twill Rosari Skirt

This version is the same size as my previous – 34 – with the D pockets. I am not normally drawn to things like pockets with exposed zippers, but I saw a really cool version during my daily Instagram lurking and that shit immediately moved to the top of my sewing queue. Made in black fabric (which, honestly, a black summer-weight skirt is missing from my wardrobe. Well, not anymore!) with matching snaps down the front, it kind of has a cool rocker vibe… as long as you don’t look at the person wearing it :B

Black Stretch Twill Rosari Skirt

Black Stretch Twill Rosari Skirt

I found the fabric while I was in NYC at Mood Fabrics. It is a bottom weight black cotton twill with a really generous stretch. I actually bought a lot of twill while I was there because I’ve found that I don’t like ordering stretch fabrics (for bottoms, anyway) online. I find it really unpredictable in terms with what I end up receiving (I like my pants fabric to have a LOT of stretch), and nine times out of ten I can’t be arsed to wait on a swatch and/or that shit sells out way too fast. My new strategy is to wait until I get into the Garment District (which at this point has morphed into twice a year, yay) and then just stock up my suitcases. And then fly Southwest cos, 2 free checked bags woohoo.

ANYWAY, I am all about this stretch twill! It’s nice and heavy and it has enough stretch so that the skirt can be fitted but still super comfortable. The only downside is that is shows cat hair REAL fucking bad. I think that tends to be the case with all black fabrics, but this one seems to have a special cat hair magnet. I am not the kind of person who stresses over lint and cat hair, but I actually bought a lint remover specifically for this skirt. It is that bad. And, yet, there is still fuzz all over the skirt in these photos. Oh well.

Black Stretch Twill Rosari Skirt

Black Stretch Twill Rosari Skirt

I kept the style of the skirt fairly simple because I wanted the focus to be on those pockets! The zippers are from Sil Thread in NYC, which is my favorite place to buy zippers… they cost around $1 each (more or less, depending on length) and come in a nice range of colors and metal finishes. They didn’t have quite the right length, so I just shortened them at the bottom (basically catching the zipper teeth in my topstitching and *then* cutting the excess of). Even with shortening the zipper, doing that exposed zipper pocket thing was super easy. The pocketing is used to make a facing for the cutout, and then you just slap in the zipper and topstitch it down.

Black Stretch Twill Rosari Skirt

Black Stretch Twill Rosari Skirt

Black Stretch Twill Rosari Skirt

Same as with my corduroy version, I used a professional snap setter (courtesy of Elizabeth Suzann studios) to set the snaps down the center front. I’ve used the Dritz kits before (both the hand held one that looks like a hold punch and also the little metal thing you use with a hammer) and they work ok for what they are. That being said, I have access to one of those honkin’ big cast iron ones that they use in factories, so obviously I am gonna take advantage of that haha.

The only downside to these big industrial snap setters is that they mean BUSINESS. As in, you better be real sure of your placement because that shit ain’t going nowhere once it’s set. My coworkers warned me of this, and I smugly went ahead and set the first snap at the waistband… upside down. Whoops. Thankfully, I was able to pry it out with the help of a flathead screwdriver and seam ripper, but believe me when I say that I was really sweating for a minute there.

Black Stretch Twill Rosari Skirt

Oh hey, I didn’t even show y’all the cool POCKET LINING!

Black Stretch Twill Rosari Skirt

This lil’ piece of awesome is also from Mood Fabrics – you can find it here. It’s labeled a stretch twill, so I bought a yard of it last year to make some cRaZy shorts. Unfortunately, I wasn’t thrilled with the weight (it’s a bit on the light side) and the fact that it was printed off grain and thus hard to match the print. I gave up and stashed it, and have only now found a use for it. It makes REALLY FUN pocket lining! And since it’s stretch, it stretches with the outer fabric. I thought I would be real clever and sew it wrong side facing out, so that the inside of my skirt looked super fun. The only downside is that now the inside of my pockets don’t look super fun… they’re just kind of, fabric wrong side white. Oh well. It’s not like I walk around with my pocket zippers flapping open.

If you can see in the picture, I also used the same fabric to make a bound edge for the waistband facing. I really love the way that looks, and it’s so much easier than trying to fold up the seam allowance of the facing and get everything all even when you topstitch it down.

Black Stretch Twill Rosari Skirt

I guess that’s about all the RosarΓ­ chat I have in me today! How about those zippered pockets, tho? πŸ˜‰

In Progress: Silk Polka Dot Boylston Bra

10 May

sewing with spiegel boylston bra

Hey everyone! I’m back with another bra post… again! This time, I’m trying something a little different though – I have made this bra *entirely* on my Spiegel 60609 machine. If you’ve followed my past bra posts, you will know how much I love using my old standby Bernina 350 for assembling lingerie, especially since the variety of feet that I have make things super easy. However, I was really curious to see how the Spiegel 60609 held up when it involves fussy lingerie sewing, so I used it for this project. And now I’m going to report my findings to you!

A few things I noticed that I think bear mentioning:
– I’m not a huge fan of the way the seam allowances are marked on the throat plate of this machine, as it makes it a little difficult to get a precise 1/4″ seam allowance. However, this is really easily solved by laying a piece of tape or even a Post-it note where your 1/4″ line should be. This is what I did, and it worked fine.
– The feed dogs (what move under your needle to push the fabric along) on this machine are AMAZING. Seriously, I didn’t have to pull my thread tails at all when starting or stopping a seam. The machine just pushed everything through without any snags or chewed up fabric – even with using silk crepe and teensy 1/4″ seam allowances. Color me impressed!
– The one downside I see to this machine is that you can’t move the needle in either direction – which is what I typically do to get accurate edgestitching (on my Bernina, I use the stitch-in-the-ditch foot and move the needle all the way to one side, it gives me a perfect 1/8″ without having to even really think about it). With that being said, I used the clear foot that comes with the Spiegel 60609, and found that the opening off the center of the foot is exactly 1/8″ from the needle. As long as you line this opening with the seam that you are edgestitching, you will get an accurate stitch. It does mean that you need to pay attention and maybe sew a little slower – but the 60609 also has a speed dial to slow things down, so no excuses now! πŸ™‚
– There are a BUNCH of zigzag stitches on this machine!! For elastic insertion (which I’ll go over next week in part 2), I used stitch #226. I found the width to be perfect for what I needed.

The pattern I am using for this bra is the Boylston Bra from Orange Lingerie. This beautiful balconette pattern works for both foam cups and fabric cups, and features self-fabric straps and a really nice rounded shape. I’ve made it a few times in the past, and it’s a favorite of mine πŸ™‚ I am making the size 30D.

For fabric, I am using silk crepe from Mood Fabrics (look familiar? I used it to make a top! Yay for lingerie using tiny scraps, ha!) for the outer, black power mesh from Tailor Made Shop for the back band, sheer cup lining from Bra Maker’s Supply, and black foam bra padding also from Bra Maker’s Supply. The elastics and notions are from various points in the NYC Garment District – I just have a giant stash that I pull from as I need stuff πŸ™‚

I hope you like watching step by step progress shots, because that’s what you’re getting this week! πŸ™‚

The pattern has you start by assembling the cups – there are 3 pieces that are sewn together with a 1/4″ seam allowance. Don’t know why, but I don’t have a picture of this step. You’ll just have to trust me haha πŸ™‚ Make sure you backstitch at each end, as it’s really easy for stuff to come unraveled and make your (lingerie-makin’)life hellish!

Making a Boylston Bra

For the foam cups, I cut all the same pieces and remove the 1/4″ seam allowances (more info on this here!). Then you butt the edges up against each other and attach them – in the same order as you sew the fabric cups – using a zigzag stitch.

Making a Boylston Bra

Here is what the pieces look like when they’re attached. Pardon my yellow marking – those are the pattern notch markings (I use wax instead of snipping, since the seam allowances are so tiny).

Making a Boylston Bra

Topstitching the pieces as instructed is also especially important, since a lot of fabrics used in lingerie don’t press very well. Here is what I was talking about in terms of using the foot as a topstitching guide – if you line up the open side with the edge of your fabric, as shown here, the needle will automatically hit exactly 1/8″ from the edge.

Making a Boylston Bra

The fabric straps are folded in half and then sewn to the top of the cups, as shown, with the folded edge facing the center of the bra (the raw edges will be finished with elastic eventually).

Making a Boylston Bra

Next, the foam cup is placed against the right side of the fabric cup, and pinned into place along the top edge. I also like to run that edge of the foam under the serger (with a 3 thread overlock) just to help flatten things a bit more, but that’s an optional step. Sew this seam at the normal 1/4″.

Making a Boylston Bra

After sewing, you flip the foam to the inside and pull the fabric cup taunt to the edges, and pin everything down. This might require a bit of finessing with the fabric, which is normal! It’s also normal to have some excess fabric that needs to be trimmed off. I love how this finishes the top edge of the cup and also catches the strap! Once everything is as smooth as you can get it, go ahead and baste around the raw edges to secure everything, and then trim off any excess fabric so it’s even with the edge of the foam.

Making a Boylston Bra

Assembling the bridge, cradle, and band are similar to assembling the cups – use 1/4″ seam allowances and follow the topstitching guide in the pattern. I chose to line my bridge and cradle with sheer cup lining, because it gives some extra stability to the silk crepe. Also, you can use the lining to encase the raw edges so the inside is nice and clean! You just want to lay your pieces so the fabric is on the right side, and the cup lining is on the wrong side – with the seam you’re attaching sandwiched in the middle. After sewing the seam, the outer fabric and cup lining flip up to cover the raw edges.

 

Making a Boylston Bra

After the cups and bridge/frame/band are assembled, then you put them together (and THEN it really starts to look like a bra!). This part can seem a little fiddly, but it’s doable as long as you go slow and be mindful of what you’re sewing (again, slowing down the speed on the machine helps a lot). I find it helpful to use less pins – since you’re sewing a convex curve to a concave curve, you want to be able to stretch and pull the curves as you approach them (and pinning too much can limit that, at least in my experience). I pin the beginning and end of the seam, and the notch points marked on the pattern. That’s it! Another tip is always start at the center front – it’s very important to get those edges lined up perfectly.

Making a Boylston Bra

Once everything is attached and I’m happy with how it looks, I trim down the foam seam allowance to reduce bulk. Time to add the underwire channeling! πŸ˜€ πŸ˜€ πŸ˜€

Making a Boylston Bra

I find this step a little weird to explain and even harder to photograph, so here’s a picture of the instructions. The channeling gets attached to ONLY the cups of the bra, right on the seam allowance. Ideally, I like to be right along the seamline that I just sewed, but close enough is good enough πŸ™‚

Making a Boylston Bra

Again, the little notch in the clear foot that comes with the 60609 is perfect for lining up a 1/8″ seam allowance when attaching the casing. Sew all the way around until you get to about 1/2″-3/4″ away from the edge at the underarm, and leave that part unsewn (this will make it easier to attach the underarm elastic).

Making a Boylston Bra

Here’s the casing after it’s been attached! For now, only one side is sewn down – the other side will be sewn once some of the elastics have been added.

Making a Boylston Bra

I think that’s enough bra talk for today! πŸ™‚ Next week, I’ll go over the steps for attaching the elastic and finishing the bra – aka THE FUN PART – and showing my completed Boylston! As always, let me know if you have any questions about this part of the process! πŸ™‚

One more thing! We have a giveaway winner from last week! After some careful contemplation (aka Random Number Generator, hey-o!), our winner issssss….

winner

Yay congratulations, Rosemary!! I can’t wait to see what you make with your voucher! πŸ˜€

Thanks to everyone who entered the giveaway – and big thanks Contrado for your awesomely generous prize donation!

I’ll be back next week to finish that bra! Stay tuned!

Completed: Butterick 6019

27 Apr

Butterick 6019

DRESS IS DONE, Y’ALL.

Butterick 6019 - complete!

As much as I *truly* enjoyed all the work and care that went into the making of this dress – it sure feels good to be finished with it!

A brief overview, before we go into a major picture dump – the pattern is Butterick 6019, and I made the view with the circle skirt and the halter strap. I sewed a size 6 at the bust, grading to an 8 at the waist. I also shortened the bodice 1/2″ and raised the neckline by 5/8″.

My fabric is solid black silk Faille from Mood Fabrics, which is used for the entire outside of the dress as well as the partial self-lining of the bodice. The bust cups are padded with bra foam (from my stash), the side back pieces are shirred with black elastic thread, the bodice includes lots of fabric covered boning, and the hem has 2″ wide soft black horsehair braid to give it that lovely fullness (that’s right – no petticoat or crinoline was worn for these photos!).

This dress was made entirely on my Spiegel 60609 sewing machine! It handled all those Faille layers like a champ, and even pleasantly surprised me with how well it shirred the back panels. In case you missed them, here are the posts I wrote detailing the making of this dress: Part 1 & Part 2.

There’s not much else to discuss since I went into a lot of detail already, so have some pictures!

Butterick 6019 - complete!

Butterick 6019 - complete!

Butterick 6019 - complete!

Butterick 6019 - complete!

Butterick 6019 - complete!

Butterick 6019 - complete!

Butterick 6019 - complete!

Butterick 6019 - complete!

So did I actually wear it to prom? You bet I did! Pretty much exactly as you see here (yeeeeah I ain’t about to spend $$ getting my hair or make-up done for some high school event lolz) – I ended up wearing simple black flats, instead of my Converse, because they seemed like a nice compromise of comfy and still a little fancy. Although my Converse would not have been out of place there – I saw lots of sneakers! Except mine are pretty dirty in comparison πŸ™‚ Speaking of high school fashions, everything is quite… sparkly these days. I definitely had THE plainest dress out of everyone there, due to my lack of beading and rhinestones. Not complaining! And it seems like long dresses – especially ones with cut outs, or two pieces that show a little midriff – are still the majority rule, at least for the school that I was at.

Here’s a picture of me + my bestie on prom night! Sorry for the grainy quality – it was dark. Hopefully we’ll have some good professional photos to share once those are developed πŸ˜€

Butterick 6019 - complete!

That’s all for now! Thanks for indulging my fancy dress dreams, y’all! And thanks to Mood Fabrics and Spiegel for letting this lil’ former homeschooler finally make it to prom! πŸ™‚

Note: The materials for this dress were provided to me from Mood Fabrics as part of my participation in the Mood Sewing Network.

In Progress: Butterick 6019 (Continued!)

20 Apr

Butterick 6019

I’m back for round two of this prom dress in-the-making extravaganza! Let’s get right to it!

After finishing the construction of the bodice, I assembled the skirt. Since I chose the option with the circle skirt, this was incredibly easy (especially compared to engineering that dang bodice!). Three pieces, three seams. I serged all the edges and pressed them open (I normally French seam my silk, but silk faille is a bit thick so it’s not really suitable for that), and also serged the edges of where the zipper will go. I don’t have a photo of all this, but, I reckon y’all know what a circle skirt looks like πŸ™‚

Butterick 6019 - progress//embedr.flickr.com/assets/client-code.js

After that, I attached the bodice to the skirt and finished the raw edges (again, with my serger). Because the center back pieces include a lining, I made sure to not stitch those down (they will be slip-stitched to the zipper later).

Butterick 6019 - progress

My dress will have a lapped zipper, so I prepared the back bodice by folding back and pressing – 5/8″ on the left side, and 1/2″ on the right side. The lining pieces were already folded back and pressed 5/8″, as per the instructions.

Butterick 6019 - progress

Butterick 6019 - progress

My zipper was quite a bit too long, but it’s easy to shorten! I just use the machine – no hand-stitching required! Mark where the zipper should end, and sew back and forth over that marking a few times with a straight stitch, then cut off the remaining zipper end about 1″ below the stitching. Easy! πŸ™‚

Butterick 6019 - progress

On the right side (the side folded under 1/2″), the zipper is sewn with the teeth up against the fold, like so. At this point, I don’t worry about the top of the zipper past the pull – you can push that under the lining and deal with it when everything is getting slip-stitched down. But you do want to be sure that the teeth of the zipper are riiiiight up in that fold’s business.

Butterick 6019 - progress

Butterick 6019 - progress

This is where the humble zipper foot comes into play. Most machines come standard with this foot. On the Spiegel 60609, it looks like this. The side is notched out to let you get really close to the zipper, like so.

Butterick 6019 - progress

Side one done, now to the second side!

Butterick 6019 - progress

The left side (the side folded under 5/8″) will be placed along the zipper tape with the folded edge right on top of the stitching you just did (on the right side), thus creating a lap. I start by matching at the waistline seam, so I can be sure the seamline is uninterrupted.

Butterick 6019 - progress

When I pull the left side open, I can see where the zipper tape needs to lay along the fold to create that overlap. I find this much easier than trying to overlap and pin while the zipper is closed.

Butterick 6019 - progress

Then you just pin all the way up (to the bodice *only*, the lining should remain free). Once you get to the top, you can tuck the remaining zipper tape down and inside where the lining will cover.

Butterick 6019 - progress

Here it is pinned front the outside. One thing I highly recommend (which I didn’t take a photo of, hm) is to hand baste the zipper into place before stitching. This ensures that everything is in the right place and won’t shift when it gets under the needle (and that you’re actually catching the zipper tape!). The topstitching step of this process is not difficult, but it can be tricky to see what you are doing! Definitely take the extra couple minutes and baste that sucker into place with some long basting stitches.

Butterick 6019 - progress

Once basted, open up the zipper and topstitch from the right side, again, keeping the lining free.

Butterick 6019 - progress

When you get to the bottom, lower your needle, lift the presser foot and pivot the fabric, then sew across the bottom of the zipper back and forth a couple times to secure everything.

Butterick 6019 - progress

Finally, pin the lining to the zipper tape and slip-stitch everything down.

Butterick 6019 - progress

Beautiful, right? πŸ™‚

Butterick 6019 - progress

Next step is hemming! Since this dress has a circle skirt, that means the bias needs to settle before hemming (otherwise, the hem will end up being super uneven!). I have a dressform for this purpose – both for hanging and hemming (if you don’t have a dressform, you can hang bias stuff on a hanger, but you’ll probably need a second person to help you with the actual hemming. There are also doodads you can use for solo-hem jobs, but I don’t have any experience with those). Bias garments need to hang for a minimum of 24 hours to get their stretch out. Being paranoid, I let this one chill for like 5 days lolol.

Butterick 6019 - progress

Once that’s done, you hold a yardstick (or in my case, a T Square) at the floor and measure the same point all the way around the hem.

Butterick 6019 - progress

I mark every couple includes or so with a pin. Look at how uneven my skirt was!

Butterick 6019 - progress

After trimming the skirt, I added 2″ wide black horsehair braid to the hem. Mostly, to give it some extra body – but also because it makes hemming easier, as the braid kind of acts like bias tape (as in it’s very flexible and curves along with the curve of the circle skirt). I started by sewing it to the right side of the side, using the width of the Spiegel 60609 presser foot as my seam allowance guide.

Butterick 6019 - progress

First press pushes the horsehair braid down and the seam allowances up.

Butterick 6019 - progress

Then second press folds everything to the inside nice and flat.

Butterick 6019 - progress

From there, it’s just endless slip stitching (well, not *too* endless – I think this took me about an episode and a half of Mad Men haha). You can topstitch at this step, but I feel like a fancy prom dress needs an invisible hem! It just looks so nice!

Butterick 6019 - progress

Here is some of the inside finishing – I added buttons for the strap, as well as ribbon loops for hanging (literally a piece of ribbon lopped and handstitched in). And my tags! I need a tag that says β™₯Made with My Spiegel 60609β™₯ hahaha

And some full shots on the form – these were taken before hemming or adding the hook & eye, but you get the idea πŸ˜‰

Butterick 6019 - progress

Butterick 6019 - progress

Let me know if you have any questions about any part of this process – I tried to explain as clearly as I could, but I have a cold right now so I’m pretty medicated haha. And the fact that I’m sewing with black fabric doesn’t help!

Super pumped for prom next week!! πŸ˜€ Is it bad that I want to wear my converse with this dress? I don’t think I’ve worn heels since I quit my office job 3 years ago! :B