Spoiler: There are no finished projects in this post, sry2say! I’ve been working on this coat for the past week, and I thought it might be beneficial to show some progress photos as well as share some tips 🙂
Anyway, let’s get down to business. Have y’all seen the newest addition to Sewaholic patterns – Robson Coat?! AHHH. I’m on Tasia’s pattern tester email list, and every time she sends out an email for testing, I’m almost always too busy with current projects/too poor to buy fabric (as was this case) so I have to pass… and I always think, “Man, I’m going to regret passing on this.” Sure enough, when the official announcement came out, I considered punching myself in the face out of frustration, because, FUCK. That coat is awesome and I need one, weather be dammed.
What really sealed the deal for me was getting an eyeful of Novita’s lace version. It’s just jaw-droppingly beautiful, and I immediately wanted to be a shameless copycat and make my own version (of course I asked first ;)).
This is the lace I am using for my coat:
It’s from Mood, of course, and I think I bought the last of the bolt in the store so you can’t have it nyah nyah nyah 😉 It’s labeled an outwear fabric, and it’s nice and weighty for a trench coat. At $20 a yard, it was definitely a splurge (and remember – I had to buy underlining, bias binding, buttons, thread, interfacing, all that fun stuff!), but I recalled Novita saying she only used 4m to make hers, so I ordered 4 yards and it was just enough. Yay! The lace is underlined with navy cotton sateen, and the bias binding is made with white/navy polka dot cotton batiste.
I’m not going to sugarcoat – this jacket requires quite a bit of stamina to make, as it takes a loong time. I spent at least 8 hours just prepping the dang thing, before I even got to sewing! Cutting the fabric pieces (twice, since they are underlined), making my own bias binding (because I clearly don’t have enough to do as it is), attaching the interfacing, basting the underlined pieces together, marking the notches, etc etc. I chose to do all this before I started sewing, just to get it out of the way.
My garment press made fusing interfacing fun! I just stuck the pieces in the press, sprayed them with water, and set a timer on my phone for 30 seconds. After 30 seconds, I flipped the pieces, sprayed them again, and fused for another 30 seconds. Since the press doesn’t require you to stand over it and hold it down (like an iron), I could get other things done in the meantime…
Such as prepping my thread and winding bobbins. My bobbin winder is amazing and self-motorized (no holding down the pedal!), so I was actually winding bobbins, fusing interfacing, AND dicking around on Instagram at the same time! GLORY.
Since my coat has several different colors going on, I am using three different thread colors. Part of what is making this take so long is that I have to keep changing out the thread with practically every step!
Deciding on how I would handle the underlining took a lot of thought. Since my lace is see-through and the inside of the coat is not lined, I had to take that into consideration when it came to fusing the (BRIGHT WHITE) interfacing to my pieces. Thankfully, all the interfaced pieces do require a facing on the opposite side, so I simply fused my underlining to the wrong side of my cotton sateen.
Then I stacked the lace on the sateen and basted the pieces together – all 30+ of them (yeah, there are a LOT of pieces in this pattern!). THAT PART TOOK FOREVER AND EVER AND EVER. Thankfully, I was able to get them machine-basted, which definitely sped up the process – I think I would have cried if I had to hand-baste all that!
More info on underlining can be found in this blog post, fyi!
I also had to consider how my button holes would look on the lace. Fortunately, my machine makes pretty awesome button holes, so combined with my new button hole cutter, I think they look pretty profesh, yeah?
I was planning to do a whole series of posts on this coat – but honestly, once I started sewing (like, actually sewing, and not prep :B), it’s pretty fast and straight forward! There isn’t a lot to elaborate on as far as the instructions are concerned. I did want to share a how I dealt with the binding, though – the instructions just have you fold the binding in half and wrap around the edges of the seam allowance (as like this), which is fine when you’re working with a lighter weight fabric – but not two thicker fabrics sewn together! I actually tried to bind a seam as per the instructions, and then laughed for about 20 minutes when I saw how ugly and sad it turned out!
So here’s my advice to you~ for those bound seams-
First, pull your seam allowances apart (you will need to remove the basting stitches holding the layers together) and trim down the shell fabric to 1/4″. This will greatly reduce the bulk of your seams, making it easier to wrap the bias binding around the remaining seam allowances.
Here is the seam with the shell fabric (blue lace) trimmed down. You may also want to trim down your underlining at this point – not too much, just enough to get the edges even if they aren’t already. As a sidenote, sorry about all the thread/cat hair. Apparently, cotton sateen is a magnet for EVERYTHING. Who woulda thought?
Open one side of your bias tape and pin it to the seam allowances, right sides together with raw edges matching.
Sew the bias tape to the seam allowances – try to get your stitching line right along the opened fold. I use a long basting stitch for this step; it’s really just to keep things in place while you top stitch.
When you flip the binding to the other side, it should naturally fall into place.
Top stitch with a matching thread. See how nice that looks? It’s an extra step for sure, but totally worth it in my opinion. With a thicker fabric, it can be hard to get that tiny bias tape folded around the edge with an even stitch and both sides caught in the fold. I’d rather take my time and get things done right the first time, rather than try to take short-cuts that result in a personal one-on-one with my seam ripper 🙂
Another tip if you’re sewing the Robson is to be sure to aggressively grade those seam allowances by the collar, because they can get real thick real fast.
I have the body mostly done at this point and it’s become quite a beast to wrangle under the sewing machine. I’ve taken to pulling my top drawer out and using it as a tabletop for the bulk of the coat.
Since all the interior seams are finished with binding, I haven’t needed my serger at all for this project – so I took the opportunity to take it in for it’s yearly cleaning/maintenance. As you can see, Amelia is pissed that she has to share her ~window seat~ with that dumb ol’ machine.
Anyway, it’s look great so far-
I love how nicely that collar rolls! Just beautiful!
I plan to have this finished within the next week or so. Since it’s for the Mood Sewing Network, The Big Reveal won’t be until May – sorry! I’m such a tease.