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V1419 Sewalong: Cutting and Prepping

13 Oct

Good morning, sewalongers! (sewalongees?) Today we are going to go over the final prep work before we start sewing (next week! Eep!). This is the last slow post of the sewalong, which gives you another week to perfect your muslin and choose your fabric. Of course, these posts will also be up indefinitely so don’t feel like you have to rush to keep up!

blog-sewalong-image-650x563

The very first thing you need to do – yes, before you do anything else with that lovely fabric – is pretreat your fabric. How you pretreat your fabric will depend on the fiber you chose, as well as how you plan on cleaning the coat in the future. For those of you who are sewing wool (like meee!), this means you need to get any shrinkage out of your fabric *before* you cut the pattern pieces – otherwise, once you start steaming that bad boy, you may end up shrinking pieces and that’s no good. There are lots of ways to pretreat wool – and none of them involve washing the fabric (please don’t do that!). You can either steam the piece yourself (this involves lots of steam and probably a lot of time), take it to the dry cleaner and have them pretreat it (this involves money)(and also dry cleaning), or you can shrink it up in the dryer (which is what I do). Here’s a blog post outlining the entire process, but basically – you just need to throw your wool in the dryer (finish the edges if necessary to prevent unraveling), add a couple of towels that are soaked in hot water (and then wrung out, so they’re not dripping) and blast the dryer on high heat for however long it takes before everything is dry. Easy! This is the method I use for all my wool fabrics. If you are at all hesitant, try it out on a swatch first :)

For other fabric types that are not wool – you may not need to pretreat (unless you plan on washing the coat in the washing machine? If then, defintely prewash that shit!). If using a cotton or silk, you may want to at least steam the crap out of it just to be sure there is no shrinkage. Polys should be fine and not shrink at all.

Once you’ve pretreated your fabric in whatever way need, then it’s time to cut! I’m not going to go over cutting here – I assume anyone brave enough to tackle sewing a coat is probably fine to cut fabric without guidance :) – but if you need a refresher, here is an old post I wrote about cutting and marking your pattern pieces. One thing I did notice while I was cutting my fabric – I was able to reconfigure the layout and use slightly less fabric. Don’t be afraid to change up the layout if your fabric is wide enough, just be sure that you are keeping all the pattern pieces on the proper grain.

If you are including an underlining for your coat, you will need to cut out pieces 2, 3, 4, 7, 8 & 9 from your underlining fabric.

For the contrast – specifically, all those bias pieces – I found it easier to draw the pattern pieces directly on the fabric, rather than try to pin a bunch of stuff and then try to cut a straight line and nope.

V1419 Sewalong: Prep

The long, straight pieces – I just measured them and use a ruler and marking pencil to draw them on my taffeta. For the big bias contrast pieces (those giant parallelograms), I pinned down the pattern piece, traced around the edges with my marking pencil, and then used a ruler to draw in the lines 2″ apart (as they are on the pattern piece). I did all this on the flat fabric before I cut anything out, and I think it made things a lot easier!

Once you’ve cut out all your pattern pieces, you will need to apply the underlining (assuming you are underlining – if not, skip ahead and start marking your pieces). Underlining is very easy. It is also very time-consuming – so I recommend watching some crappy TV or something equally entertaining while you do it :) For this sewalong, I won’t be going over underlining, but here is a tutorial if you need one. Some things to keep in mind:
– Sometimes you can get away with basting the pieces together by machine. This coat is not the time to try that method. Because the pieces are very large, you run the risk of shifting your fabric – which will give you bubbles or hang weird if you’re not careful. Try to keep things as flat as possible. Meaning: sit at a table, underline by hand. Watch a movie. Drink some wine. Whatever makes you happy!
– I use silk thread to underline, because it removes very easily. I also happen to have several spools on hand in strange colors, so that’s a big part of the reason. I realize silk thread is a bit expensive, so don’t feel like you have to break your budget on some thread that’s about to get pulled out as soon as you sew a seam. Use whatever you got! I would recommend using a threat in a contrasting color, just so it’s easier to see/remove.
– Feel free to use giant stitches. You’re just basting the pieces together to keep them from shifting when you sew them. Big stitches are ok – and they’re easier to remove!
– Sew well within your seam allowances, especially if your fabric shows pin holes (mine does!).
– I like to underline first, *then* mark the pattern pieces on the wrong side. You can also mark, then underline. Up to you – I just think the former is easier! Don’t freak out if you accidentally snip your basting when you cut notches – it’s ok!

V1419 Sewalong: Prep
See? I did it too. No big deal!

Once you’ve finished underlining (or have skipped ahead), you will need to mark your pieces. It is very important to get every stitch line (for the welts and the button holes), dot and notch – it’ll make things muuuuch easier to match up when we start sewing. You may want to use wax tracing paper and a rotary wheel for the lines, and a marking pen (or tailor’s tacks) for the dots. Just snip the notches. We won’t judge you.

Ok, bias binding! This is the same method outlined on the Coletterie, btw – except you are starting with a parallelogram piece, and not creating one from a square (if that makes sense).

V1419 Sewalong: Prep
You should have 3 parallelograms with 2″ diagonal lines drawn on the wrong side of the fabric. Matching the notches and markings, pin the two angled edges together, right sides together, to form a strange off-center tube. The edges will not match at the ends.

V1419 Sewalong: Prep
Sew the seam you just pinned. I used 1/4″ because – well, that’s what I always use. I think this pattern was drafted for 5/8″ – even at the bias binding – and if you sew with that amount, you will need to trim it down to 1/4″ after sewing.

V1419 Sewalong: Prep
Press the seam open.

V1419 Sewalong: Prep
Starting at once end, begin cutting along the line you drew. You should end up with a looooong string of continuous bias. Do this for all 3 parallelograms.

V1419 Sewalong: Prep
Once you’ve finished cutting all your bias strips, fold them in half with the wrong sides together and press.
(I promise that big yellow spot on my ironing board cover is not pee. That’s actually what happens when you put your iron on top of a piece of tailor’s wax. Whoops.)

V1419 Sewalong: Prep
You should end up with a big pile of bias strips. Mine kind of look like intestines. Cool.

Finally, you will want to staystitch and reinforce your coat pieces as directed in the instructions (steps 1-3 & step 35). For both – use a slightly shorter stitch length (I use 2.0 vs my standard 2.5) and be sure to backstitch at both ends. For staystitching, sew 1/2″ away from the edge. For reinforcing, sew along the stitching line at 5/8″.

Here are the pieces you will be prepping. Lines marked in blue are reinforcement stitching, lines marked in yellow are staystitching.

V1419 Sewalong: Prep

V1419 Sewalong: Prep

V1419 Sewalong: Prep

ONCE LAST THING: Once you’ve reinforced all those tricky edges, you need to clip the seam allowances all the way to the dot.

V1419 Sewalong: Prep

V1419 Sewalong: Prep
Clip to the stitching line, but do not clip the stitching line. This will make it easier to sew those tricky sleeve seams.

And that’s it! Whew! Sorry for the post overload today. Oh, I almost forgot – here’s my fabric!

wool coating
These are the swatch cards I got from Mood. The wool coating I chose is piece piled on the very top (4th one down). It’s a nice, thick virgin wool coating.

taffeta underlining and contrast
I am using 2 different silk taffetas – the brighter red will be the underlining, and the darker red is the binding and contrast.

How are we doing this week, seawlongers? Any questions about the cutting or prep?

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TUTORIAL + GIVEAWAY: The Sewtionary (+ last week’s giveaway winner!)

22 Sep

Sorry, y’all, I’m in giveaway overload this month! Can’t help it if my friends are releasing awesome shit all at once, you know?

Adobe Photoshop PDF

I’m sure most of y’all have heard all about this fabulous little book by now – The Sewtionary, written by Tasia of Sewaholic (one of my FAVORITE sewing pattern companies! Seriously, some top 5 shit right there). A couple of months ago, Tasia reached out and asked if I’d like to be a part of her Sewtionary Blog Tour to help promote the book. While I do realize that blog tours can be a little redundant if you read the same blogs over and over (I know I can sometimes get jaded at looking at the same photos/reading the same gushing daily for 2 weeks or whatever), I really wanted to help promote this book because I really do give a shit about Tasia and her business. She’s one of my friends, and I like to do things for my friends. Plus, the book is beyond excellent- a great resource of 101 sewing techniques, written out like a dictionary. The photos are beautiful, each technique includes why it’s necessary (something my nerdy brain just loves), and it’s spiral-bound, so it’ll lay nice and flat on your sewing table. Lots of wins here!

Anyway, that’s about as much of a review as you’ll get from me (if you want a true review, definitely check out some of the tour stops that I’ll be linking at the bottom of this post!). Today, I wanted to do something different. I’m going to share a tutorial from the book with y’all .Everyone likes tutorials, right? :)

How to Make a Tailor's Ham & Seam Roll - Sewtionary Giveaway

Today’s tutorial: Making a Tailor’s Ham & Seam Roll.

First up – you’re probably thinking, “What the hell are these things and why the fuck would I spend my time making them?” Well, I’m so glad you asked! Both are used as pressing aids – the Tailor’s Ham is a big pillow-shaped tool that is used for pressing curved areas (such as darts and necklines), and the Seam Roll is a long, narrow stuffed tube that is used to press hard-to-reach seams (such as the inside of a sleeve), as well as a helpful way to avoid making seam allowance impressions on the right side of your garment. While I have a Tailor’s Ham that I’ve used for for years (and no lie, my cat literally uses that shit as a pillow when she naps on my ironing board), I’ve yet to get a Seam Roll. They are both great to have, but can easily cost you $20+ a pop when you buy them from the fabric store. So here’s where we learn to make our own – at the delightful price of FREE NINETY-NINE. You heard me!

You will need:
– Large scraps of wool fabric & cotton fabric. Try to choose something with a dense weave that does not stretch, that is 100% (aka – no poly blends!). I used leftover wool coating from my Vogue Coat and black quilting cotton.
– Something to stuff it with. Traditionally, these things use sawdust. You can also use cedar shavings (from a pet supply store), wool fabric scraps, or even old nylon stockings. For the purposes of this tutorial, I am using sawdust. It is *extremely* messy. It is also extremely free. No lie, I just waltzed right into my local Home Depot and asked for a bag of sawdust, back where they cut wood to spec. I can’t speak for other countries (Tasia tells me that you can’t sell sawdust in Canada, say whaaaat), but here in the good ol’ US of A, lots of hardware stores will give you free sawdust because they would otherwise throw it away. My sawdust man also informed me that it makes a nice mulch for the garden. Isn’t that handy!
– Sewing machine, thread, and hand sewing needles.
– Outdoor space, or a really really good broom. I told you, this shit was messy. You have been warned.

How to Make a Tailor's Ham & Seam Roll - Sewtionary Giveaway
How to Make a Tailor's Ham & Seam Roll - Sewtionary Giveaway
How to Make a Tailor's Ham & Seam Roll - Sewtionary Giveaway

Here are the instructions, Sewtionary-Style. Told y’all that book is just lovely.

Now here are my steps.

TO MAKE THE TAILOR’S HAM:

How to Make a Tailor's Ham & Seam Roll - Sewtionary Giveaway
I found it easiest to start with a paper pattern piece, since the shape is so weird. You’ll want to make your ham 14″ long; 10″ wide at the wide end and 8″ wide at the narrower end. This will result in a bit of an egg shape.

How to Make a Tailor's Ham & Seam Roll - Sewtionary Giveaway
Using your paper pattern piece, cut one egg from both the wool and the cotton.

How to Make a Tailor's Ham & Seam Roll - Sewtionary Giveaway
Pin the pieces, right sides together, leaving a nice 5″ gap at the wide end. PROTIP: Whenever I’m sewing something that requires an unsewn gap, I mark each end with a double pin. This reminds me to stop sewing when I get to the double pin! Otherwise, I’ll just keep going my merry way and complete the circle, which is exactly what we don’t want right now.

How to Make a Tailor's Ham & Seam Roll - Sewtionary Giveaway
Using a 1/2″ seam allowance, sew around the entire circumference of the ham, again leaving that 5″ gap at the wide end. Make sure it’s 5″, too – you’ll need the room for stuffing (don’t make it more than 5″, or you’ll hate yourself for it).

How to Make a Tailor's Ham & Seam Roll - Sewtionary Giveaway
Turn the ham right side out.

How to Make a Tailor's Ham & Seam Roll - Sewtionary Giveaway
Ok, time to get messy! Take that ham outside and start stuffing your stuffing in it! If you are using sawdust, expect a big mess that will get everywhere.

How to Make a Tailor's Ham & Seam Roll - Sewtionary Giveaway
Instead of just quickly trying to fill the ham with sawdust, take the time to pack down the sawdust with each handful. The narrow end of the ham especially needs to be packed pretty tight, or else it will collapse. Once you’ve packed it down, work on the next section and pack that. Again – this IS messy, and it will take longer than you think, because sawdust loves to pretend it’s tightly packed when it’s secretly not. You want the ham to be pretty hard so it will retain it’s shape. When you think it’s full – keep stuffing. Then stuff some more.

How to Make a Tailor's Ham & Seam Roll - Sewtionary Giveaway
In the meantime, here’s a photo of my cat glaring at me for daring to sit outside without her, haha.

How to Make a Tailor's Ham & Seam Roll - Sewtionary Giveaway
Once you are sure the ham is packed as tight as it can go (Are you sure? Are you sure you’re sure?), it’s time to sew it up!

How to Make a Tailor's Ham & Seam Roll - Sewtionary Giveaway
Holding the ham between your legs (do as I say, not as I do – don’t set it on the ground; you don’t want to push the narrow end back in!), turn under the seam allowance on one side and lap it over the opposite side. Using a tight whipstitch, sew the opening shut by hand.

Next, you’ll probably want to beat the shit out of your ham (if it’s covered in sawdust like mine, anyway). I just pounded mine against the porch railing until all the dust was knocked off.

This post is turning into one long “That’s What She Said” joke, isn’t it?

How to Make a Tailor's Ham & Seam Roll - Sewtionary Giveaway
End result: Completed Tailor’s Ham!

TO MAKE THE SEAM ROLL:
How to Make a Tailor's Ham & Seam Roll - Sewtionary Giveaway
Unlike the Tailor’s Ham, I didn’t bother making a pattern piece for this one – I just drew it directly on my cotton with a Chaco pen. Draw a 14″x5″ rectangle and round the four corners.

How to Make a Tailor's Ham & Seam Roll - Sewtionary Giveaway
Cut one of each of these rectangles from both your cotton & wool.

How to Make a Tailor's Ham & Seam Roll - Sewtionary Giveaway
Using a 1/2″ seam allowance, sew the two rectangles, right sides together, leaving a 5″ opening in the middle of one long side of the seam roll (I have no idea why I don’t have a photo of this, but I trust you can work this step out). Turn the roll right side out.

How to Make a Tailor's Ham & Seam Roll - Sewtionary Giveaway
Time to stuff that bad boy!

How to Make a Tailor's Ham & Seam Roll - Sewtionary Giveaway
As with the Tailor’s Ham, really stuff and pack each long narrow end before focusing on the middle of the roll. This will ensure that your roll is nice and tightly packed, and hard enough to hold it’s shape.

How to Make a Tailor's Ham & Seam Roll - Sewtionary Giveaway
Once you’ve packed the roll nice and tight with sawdust, turn one seam allowance under and lap it over the opposite side of the opening. Sew this closed by hand.

Again, you’ll probably want to beat the shit out of that thing to get all the dust off. Be aggressive! Honey Badger Seam Roll don’t care!

How to Make a Tailor's Ham & Seam Roll - Sewtionary Giveaway
And here’s the finished seam roll!

How to Make a Tailor's Ham & Seam Roll - Sewtionary Giveaway
And here’s my new pressing family! Yay!
BTW, be sure to save some of that remaining sawdust – once you use the ham or seam roll, you may find the sawdust settling and thus need to be repacked to firm up the shape. Unless you just really love having an excuse to go to Home Depot – in that case, don’t let me stop you.

GIVEAWAY IS CLOSED
All right, I promised y’all a giveaway so let’s get on that. To win your own copy of the Sewtionary, simply comment on this post and tell me your favorite sewing technique. Are you a freak about pressing (high five!) or is sewing patch pockets your thing, or…? You tell me! This giveaway is open WORLDWIDE and I will close the entries a week from today, on SEPTEMBER 29, 2014 AT 7:00 AM CST. Good luck!
GIVEAWAY IS CLOSED

If you’d like to buy your own copy of the Sewtionary, you can pick up a signed copy at the Sewaholic website (or a boring ol’ unsigned copy on Amazon). Thanks so much, Tasia, for letting me be part of this book tour & for generously donating a copy to giveaway!

How to Make a Tailor's Ham & Seam Roll - Sewtionary Giveaway

Want to read some more Sewtionary reviews and/or enter some more giveaways? Check out the full blog tour here:

ONE LAST THING – We have a giveaway winner to announce! Lucky number generator says:

winner1

winner2

Donna, you’re a winner! Is this now offically the second time I’ve made your Monday exciting? :) Congratulations! Sending your email now!

Everyone else (and there were a lot of y’all – nearly 400 entries, wow!) – I’m not turning you away completely empty-handed. Kat has generously offered a coupon code, which is awesome! Use the code LLADYBIRD to get 15% off the purchase of the Jenna Cardi from Muse Patterns, good through 9/29. Thanks to everyone who entered the giveaway! Y’all are the best :D

OAL: Hemming & Finishing

14 Jul

Good morning, OAL-gers! Today is the final post in the OAL series (which I’m sure means that a lot of y’all are dancing for joy to hear that there won’t be any more of these posts! Ha!), and we will be finishing our dresses. Yay!

You should have a mostly-finished dress at this point – everything is connected, all seams are finished, and the only thing left to do is hem the dang thing! Of course you can hem however you like (as most of y’all already have at this point), but I wanted to give a couple options for those who are unsure what to do, or just want to try something different. You know how much I love having options!

First things first, try your dress one and determine where you would like the hem to hit. I like my hemlines above the knee, and this dress runs a little long (or, rather, I’m a little short), so I ended up cutting off about 4″ from the hemline. I’ve found that the easiest way to mark my hemline is to measure the length of a skirt that I like, mark that length with a pin on my dress, and then try it on to see if it works. Before you cut, add back a hem allowance (however much you will be turning up before you stitch the hem), otherwise, your skirt will end up a little short :)

Option #1: The Easy Turned Hem

OAL - Hemming
Fold the skirt hem under 1/4″ to the wrong side and press.

OAL - Hemming
Now fold one more time, again to the wrong side, and press. However much you fold under depends on how much of a hem depth you want. I stick with about 5/8″ for this particular type of hem. You can certainly fold more for a deeper hem, but be aware that the curved hemline means that you might have difficulty easing the fullness in (since a curved hem means it’s bigger at the bottom than it is at the top) if it’s too deep.

OAL - Hemming
Now just topstitch that bad boy down!

Some tips for topstitching your hem:
– Start on a side seam so your backstitching doesn’t distract from the beautiful front or back of your dress
– Use a slightly longer stitch length (I use 3.0 over my machine’s standard 2.5 length); the stitches will be a little more defined
– Topstitch from the right side if you can help it – the needle stitches are much prettier than the bobbin stitches
– Use the measurement markings on your throat plate to help ensure you are stitching in a straight line

OAL - Hemming
If you are sewing the version with the notched bodice, don’t forget to tack down your facing to the center front. Catch only the seam allowances and use a couple of handstitches to keep that facing inside the bodice where it belongs.

OAL - Hemming
And done! :)

Option #2: The Extra-Fancy Hem
One thing I like to include with my hems is a strip of seam binding. This vinage-inspired finishing covers the raw edge (so you don’t have to fold twice) and is a fun little surprise whenever someone sees the wrong side of your skirt. You can use seam binding, bias strips, or even lace – in a matching, contrasting, or complementary color. I just think it looks really pretty and it really adds a nice professional finish to an area that most of us tend to rush through (because, duh, we just wanna wear our dresses!). For this hem, I used vintage seam binding and topstitched it down, although you can also sew the hem by hand if you’d like it to be invisible from the outside.

OAL - Hemming
Starting at one of the side seams, pin your hem tape to the right side of your skirt hem, letting the binding hang over about halfway.

OAL - Hemming
Stitch, keeping your needle as close to the edge of the binding as possible.

OAL - Hemming
When you reach the full circle of the hem, overlap the binding by about 1″ and fold the raw edge under, as shown.

OAL - Hemming
OAL - Hemming
Now fold the binding to the wrong side to whatever hem allowance you prefer, measuring all the way around to ensure it is even. Pin into place.

OAL - Hemming
Topstitch on the opposite (unsewn) side of the seam binding – again, sewing as close to the edge of the binding as you can. Press and use steam to ease out any fullness.

OAL - Hemming
Ta da!

And that’s it! Give yourself a pat on the back, pour yourself a stiff cocktail, and do a little dance because YOU FUCKING SEWED A FUCKING DRESS, LIKE A FUCKING BOSS! Whoop whoop!! Don’t forget to post your finished outfit in the Offical OAL Finished Outfits Ravelry Thread – there are already sooo many beautiful dresses and cardigans lurking around there, omg. Remember that you have until 7/31 to post to be eligible for prizessss – so you’ve got a couple more weeks if you’re running behind :) Don’t have a full outfit but want still want to share your dress? You can post that in the Official Unofficial OAL Flickr Group.

Stay tuned for my OAL photos in the next couple of weeks… a friend took them for me, and, well, all I’m going to say is that they are MUCH better than anything I could have tried to do haha!

OAL: Inserting A Lapped Zipper

7 Jul

Good morning, everyone! Hope y’all had a nice weekend (holiday or not!). We are just coming up on the home stretch of our OAL – just a couple more steps left until we are finished and can start rocking our gorgeous dresses! Woohoo!

Today, we will be inserting zippers into our dresses. In this post, I will be covering the insertion of a lapped zipper, which is my preferred method for this style. I won’t be covering invisible zippers here, but I do have a tutorial on inserting an invisible zipper if you’d like to use one for your dress. I put an invisible zip in my second OAL dress (the one not featured in this post), using the same method as outlined in the tutorial, and it came out beautifully! So that’s an option if you need it :) Otherwise, let’s talk about the lapped zipper!

As I mentioned, I really love a good lapped zipper. I blame Gertie for sparking that obsession, btw. When I was working at Muna’s, she never understood why I preferred to use lapped zippers in most of my garments – she was of the camp that invisible zippers were more elegant. Maybe, I guess, but sometimes I like the design element of having the zipper be visible (or, at least, the stitching line of the zipper being visible). It’s definitely easier to match up seamlines and prints with a lapped zipper, since you can hand-baste into place and sew from the right side. Also, lapped zippers are a bit stronger than their invisible counterparts – which could be important if whatever you made is a little on the snug side. Of course, there’s a time and a place for everything – lapped and invisible zippers included – but for casual sundresses, I just love a beautiful lapped zipper.

Anyway, onto the zipper!

OAL - Lapped Zipper
Start by finishing the raw edges of the center back – from the bottom of the skirt all the way to the top of the bodice. I catch my facings in the serging (or whatever finishing you’ll be using) so I don’t have to tack them down later. Now is also a good time to check and make sure that both back seams are the same length and that the waist seam matches up, so you know everything will also match up when it’s time to put the zipper in.

OAL - Lapped Zipper
Start at the bottom of the skirt and sew up to the zipper stop, as indicated on the pattern. Backstitch a couple of times to make sure everything is secure, then press the seam open. Leave the unstitched part unpressed.

OAL - Lapped Zipper
Now make sure that zipper is the right length for your dress! If it’s a bit long (I have a metric shit load of 22″ zippers, so I forever have to shorten mine), you can easily shorten it. Just mark where the zipper stop needs to go, and sew across the teeth to create a zipper stop. If you are using a nylon zipper, you can do this by machine. For zippers with metal teeth, you’ll want to sew by hand. Once you’ve made your stop (and test it!), cut the teeth about an inch below. Presto: shortened zipper!
Also, just a side note – I always have people tell me that you can’t shorten a metal zipper. Well, I guess I’m some sort of magical sewing unicorn because I shorten pretty much ALL my metal zippers! Ha! The trick is to snip both sides of the tape as far to the teeth as you can, and then you can usually get the teeth to coax apart. Use a pair of crappy scissors in case you need some assistance. Alternately, you can sew the zipper with the excess coming off the top edge of your garment, and your facing/waistband/whatever intersecting seam can act as a zipper stop. But no, it’s not difficult (nor impossible) to shorten metal zippers.

OAL - Lapped Zipper
On the right side of the open seam (or left; however you want your lap to go. I like my lap to be on the left, though), press the seam allowance at 1/2″ to the wrong side of the bodice, all the way down to the stitching.

OAL - Lapped Zipper
On the left hand side, press the seam allowance at 5/8″ to the wrong side, again all the way down to the stitching.

OAL - Lapped Zipper
On the right hand side (or whatever side has the 1/2″ fold), pin your zipper with the teeth right along the edge of the fold. I start my zipper about 1/8″~ from the top of the fabric; but I also don’t use hooks and eyes with my lapped zippers (personal preference! I’ve found they’re not really necessary). If you are using a hook and eye, start your zipper a little lower. As far as the tape at the top of the zipper – you can just fold that under to the wrong side of the dress. If you don’t catch it with your stitching, you can tack it down by hand at the end.

OAL - Lapped Zipper
Now sew your zipper to the garment, about 1/8″ away from the fold. Use a zipper foot and/or move your needle to get close to the edge (but not so close that the zipper won’t function!). If you have trouble starting the stitching at the top of the zipper, pull both thread tails (the needle thread and the bottom thread) very gently while you press the pedal; this will keep the fabric from getting eaten by your feed dogs and making a big thread nest on the underside of your garment.

OAL - Lapped Zipper
Ok, that’s one side! Onto the next!

OAL - Lapped Zipper
OAL - Lapped Zipper
Now take the larger 5/8″ folded edge and place it on top of the zipper, with the fold meeting the stitching line you just sewed. Pin everything down, being careful to only catch the back of your garment – don’t pin all the way through the front! I just slide my hand around the inside to be sure, but you can also put a book inside the bodice and use that to keep from pinning all the way through. Once you’ve pinned the overlap down, check the zipper tape and make sure your pinning is even – it should be down the middle of the zipper tape. If it’s not, readjust.

OAL - Lapped Zipper
It can be helpful to hand baste the zipper tape into place before you use your sewing machine. This will keep the fabric from shifting around and gives you a very precise installation.

OAL - Lapped Zipper
One thing I like to do before I start sewing is to mark my stitching line (otherwise it can be kind of difficult to tell where you are stitching, since the zipper is closed and you can’t see the guidelines on the throat plate!). Go about 1/2″-5/8″ from the fold – this will depend on where you’ve pinned/basted your zipper tape – stick a pin through the marked line and check the wrong side of the tape to be sure it will catch and not be too close to the teeth. If you are sewing a zipper that still has the original zipper stop (aka, you didn’t shorten your zipper), it can be helpful to mark with a pin where the zipper stop is, just so you don’t accidentally sew over it and break your needle.

Now take the dress to the sewing machine and sew along your marked stitching line. Try to keep things as straight as possible, since this stitching is visible :) Keep the zip closed and be careful not to sew through the front of the drss. When you get to the bottom of the zipper (or a couple of stitches before your marked zipper stop), lower your needle, raise the presser foot, pivot, and sew across the bottom of the zipper (be very careful and VERY SLOW if you are sewing in a zipper with metal teeth!). Backstitch a couple of times to keep everything secure.

OAL - Lapped Zipper
OAL - Lapped Zipper
Remove your basting threads, wipe out any markings, and the give the zipper a final press. If you were unable to catch the top of the zipper tape in your first stitching, tack it down now by hand.

And that’s it! Zipper is done! :D As always, please let me know if you have any questions!

OAL: Attaching the Skirt

30 Jun

Good morning, OALgers! Today we are going to attach the skirts to our bodices – which means we’ll have semi-dress-looking things by the end of this post! Yay!

While this post is shorter, picture-wise, than the previous posts for this OAL (and thank God for that! The rest of the sewing from here on out is much easier), there are a few things I want to cover here:
– Moving the pockets from the front princess seam, to the side seam
– Converting the gathers to pleats
– A different way to sew gathers

Ready? Let’s start with moving those stupid pockets. Ideally, you’d do this before you cut your fabric out, but it’s really no biggie if you’re doing this right before you sew the pockets in (as I tend to do). Just make sure your marking tool doesn’t bleed through the pattern tissue, or consider removing your fabric from the pattern pieces just to be extra sure.

If you don’t want to move the pockets, that’s perfectly fine – you can skip this step. Just be warned that they are right down the front of the dress – in what I thought was a pretty awkward spot. I don’t know who had the brilliant idea to put the pockets there on this pattern, but as far as I’m concerned, pockets belong in side seams (or over a butt, which is another nice place to put a pocket I suppose), so that’s where I am moving mine to.

OAL - Attaching the Skirt
Start by locating your skirt pieces – the skirt front and skirt side front will have dots marked where the pockets should go. You’ll also want the skirt back piece, as we are going to move some markings over there. I X’d out the old pocket markings (the ones printed on the pattern), so I wouldn’t get confused as to which markings to use.

OAL - Attaching the Skirt
Starting with the skirt side front, measure from the top how far down the pocket marking is – about 3.5″ in this case.

OAL - Attaching the Skirt
Now move to the opposite side of the pattern piece (where there aren’t any pocket markings) and make a dot the same distance from the top.

OAL - Attaching the Skirt
Measure the distance between the two dots and mark the second dot as shown on the side seam.

OAL - Attaching the Skirt
Repeat for the skirt back, marking on the seam that is NOT indicated to be the center back. It’s also a good idea at this point to lay your pieces together so you can be sure the markings match up and your pockets are nice and even.

Ok, onto adding the pockets! These next steps are the same regardless of what seam your pockets are being inserted into…

OAL - Attaching the Skirt
If you’re using a machine to finish your edges, go ahead and do that now. Finish all the raw edges of each of side of each skirt piece, as well as all edges of each of the 4 pocket pieces. If you’re pinking, you can finish as you go.

OAL - Attaching the Skirt
OAL - Attaching the Skirt
Match the markings on the pocket to the markings on each of the 4 skirt pieces with right sides together, and pin. Sew the pocket in place (from top to bottom), using a 3/8″ seam allowance. The smaller seam allowance will help that pocket stay hidden to the inside of the skirt.

OAL - Attaching the Skirt
You should have 4 skirt pieces with a pocket sewn on each one. Take the pieces to the ironing board and press all the seam allowances toward the pocket. If you want to understitch the pockets (I always do), you may do so now.

OAL - Attaching the Skirt
Now match up one skirt back piece with one skirt side front piece (or skirt front with skirt side front), right sides together, and pin the skirt seam above and below the pocket, as well as around the pocket itself. Excuse the cat tail :P

OAL - Attaching the Skirt
Using a 5/8″ seam allowance, sew the skirt and pockets in one long swoop of stitching. Start at the top and sew until you get to the pocket markings.

OAL - Attaching the Skirt
OAL - Attaching the Skirt
Lower your needle, raise the presser foot, and pivot the fabric until you can continue to sew around the pocket. When you get to the second set of pocket markings, lower the needle and pivot again, then continue down the side seam of the skirt.

OAL - Attaching the Skirt
You should have two skirt pieces that look like this.

OAL - Attaching the Skirt
To press the pockets, start by clipping the seam allowance connecting the pocket to the skirt, as shown. Be careful not to snip your stitching lines!

OAL - Attaching the Skirt
Now press the pocket toward the skirt side front (or skirt front), and press open the seam allowances that are above and below the pocket.

OAL - Attaching the Skirt
Sew the last skirt pieces (depending on where you pockets are, you will either be attaching the front or the skirt backs) and press all the seam allowances open. Your skirt should look like this.

For converting the gathers to soft pleats:
OAL - Attaching the Skirt
Pin the skirt to the bodice at all seams and notches (so bodice side seam to skirt side seam, etc).

OAL - Attaching the Skirt
You should have a good amount of excess between each pinned section.

OAL - Attaching the Skirt
OAL - Attaching the Skirt
Working in one section at a time, pinch the excess and manipulate it into small pleats, then pin into place. I like to start with one section and then immediately do the same section on the opposite side (so, center front right then center front left, etc), so I can be sure that my sections are mirrored with the same numbers of pleats that are facing in the same direction. For my dress, I had 1 pleat in the front section, 2 in the section between the side seam and the princess seam at the front, and 3 at the back skirt piece, with all pleats pointing to the center front.

OAL - Attaching the Skirt
Once you’ve pinned your pleats to your liking, baste the entire edge into place and double check from the outside that the pleats are even, mirrored, and facing in the same direction. Then stitch, finish the seam allowance, and press the seam toward the bodice.

OAL - Attaching the Skirt
And done!

For gathering the skirt, read on!

Now, there are a few ways you can gather your skirt. You can do the standard long basting stitches that you pull to gather (using 1, 2, or 3 rows, depending on your preference) – which works perfectly fine, but I always find that my threads snap and that just drives me crazy. I’m going to show you another way to gather, which I find easier, more efficient, and works REALLY well if you’re dealing with a bulky or heavy fabric.

OAL - Attaching the Skirt
You need a long string to gather with. I actually like to use thin crochet thread, but silk thread, button hole twist, really thin yarn – hell, even unflavored dental floss – will all work just as well. For this skirt, I’m using button hole twist because I’ve somehow managed to lose my crochet thread. Oh well. Anyway, cut a length that is a few inches longer than the width of your ungathered skirt.

OAL - Attaching the Skirt
This next part probably won’t make a lot of sense, but just bear with me! Lay your thread on the right side of your fabric, a little less than your seam allowance (so for this skirt, 1/2″ from the edge). Set your sewing machine to do a wide zig-zag stitch and carefully sew over the thread, making sure the needle doesn’t actually puncture the thread – it should just zig zag across either side of the thread.

OAL - Attaching the Skirt
It’ll look like this when you’re done.

OAL - Attaching the Skirt
Now, pin your skirt to your bodice, again matching up all seams and notches.

OAL - Attaching the Skirt
OAL - Attaching the Skirt
There will be quite a bit of excess between each pinned section. To gather, just pull the thread you zig zagged over and distribute the gathers as you like. Twist the excess thread around a pin at each end of the skirt, to keep it in place so you can manipulate the gathers.
(I don’t know why this photo won’t show. You can see it if you click on it and go straight to Flickr. It’s just a picture of how to twist the thread around your pins.)

OAL - Attaching the Skirt
This is a MUCH easier way to gather than the standard basting stitch, as you’re much less likely to break your thread (and thus have to start over again). The best way I’ve found to do this is to pull the threads until the skirt is the same width as the bodice, twist the ends around a pin so the gathers stay in place, and then slide the skirt fabric around and redistribute the gathers until they are even across every section. Leave yourself at least 5/8″ wide ungathered sections of the skirt at the center back – it’ll make it easier to insert your zipper.

OAL - Attaching the Skirt
Once you’ve got the skirt the way you like it, sew into place at your 5/8″ seam allowance (you can baste first to check the outside, if you like). I sew mine with the gathers facing up, so I can keep an eye on them and make sure they’re not doing anything crazy while they’re being sewn.

OAL - Attaching the Skirt
OAL - Attaching the Skirt
Once sewn, just give the gathering thread a nice pull and it should slip right out of the zig zag stitches – which means you can totally use it again :) Now finish the seam allowance and press it toward the bodice, being careful not to flatten the gathers.

OAL - Attaching the Skirt
And done! Yay!

Two more things-
– A few of y’all were asking if we were planning on opening a Flickr Group for you to share your OAL photos. While Andi & I weren’t intending on doing so – the Official Hangout Thread is on Ravelry – we realized that some of y’all might only be doing the sewing portion and/or don’t have a Ravelry account. SO. We’ve created the Official Unofficial OAL Flickr Page, which you can join and post to (photos or discussions) if you feel so inclined! Please keep in mind that this page is strictly for sharing/discussion purposes – i.e., anything solely posted here will not be included in the prize drawing (if you want prizes, you gotta post your finished outfit on the FO thread on Ravelry), but share away! We absolutely don’t want to leave anyone out :)
– Also, don’t forget to enter to win the Fashionary Sketchbook giveaway, if you haven’t already done so. Giveaway ends on Wednesday!

As always, let me know if you have any questions! :)

OAL: Sewing Sleeves or Bias Facing

23 Jun

Hiya OAL-gers! Today we are going to attach our sleeves and/or finish our arm hole edges with bias facing (depending on which version of the bodice you are sewing). Again, this is a long, picture-heavy post, so sorry! I will be covering my favorite way to sew bias facing (as I mentioned in my silk cherry Vogue 1395 post last week), so you may want to check this out even if you’re not sewing along with us :)

For the version with sleeves, read on!

OAL 2014 - Sleeves and Bias Binding
You should have a bodice and two sleeves. If you have not already done so, you may want to baste the edges of the facing along the arm hole, as that will all get attached in just a moment.

OAL 2014 - Sleeves and Bias Binding
Make sure your pleat markings for the sleeves are marked on the RIGHT SIDE of the fabric. I used chalk so it will just brush out and not leave a permanent mark.

OAL 2014 - Sleeves and Bias Binding
OAL 2014 - Sleeves and Bias Binding
To form the pleat the top of the sleeve, fold the fabric exactly along the solid line and bring it to the dashed center line. Pin in place. Do this for both sides, forming two pleats.

OAL 2014 - Sleeves and Bias Binding
OAL 2014 - Sleeves and Bias Binding
Baste the pleats into place.

OAL 2014 - Sleeves and Bias Binding
Now you are going to sew two lines of basting stitches. The first line of stitching is along the curve of the sleeve cap, starting at one set of notches and ending at the opposite set, at exactly 5/8″ from the raw edge*. Leave long thread tails. This basting will be used to ease the sleeve into the arm hole. The second line of stitching is along the hem edge of the sleeve, from end to end, at 5/8″ as well. This basting will be used to hem the sleeve. You can leave it off if you feel confident in your sleeve-hemming skills, though!
* Note: Lots of people like to ease their sleeves in with two lines of basting, at 5/8″ and 1/2″. You are more than welcome to do that if that’s your jam, but I’ve found that I get much more gentle easing with less puckering if I use one line at 5/8″. Totally up to you!

OAL 2014 - Sleeves and Bias Binding
Sew the underarm seam of the sleeve, right sides together. Finish the edges and press.

OAL 2014 - Sleeves and Bias Binding
OAL 2014 - Sleeves and Bias Binding
To hem the sleeve, first fold up the bottom edge 1/4″ and press. Fold up the remaining hem allowance, exactly along the line of basting stitches that you created, and press again. All raw edges should be encased inside the hem at this point.

OAL 2014 - Sleeves and Bias Binding
Topstitch the sleeve hem into place and press again. If you’d like, you may use a slightly long stitch length (I use 3.0 to my normal 2.5) – I personally just think it looks a little nicer :)

OAL 2014 - Sleeves and Bias Binding
OAL 2014 - Sleeves and Bias Binding
Time to stick that shit in the arm hole! Starting at the bottom, match up the side seam with the underarm seam, and match the notches. Match the dashed line at the sleeve cap (the one that both pleats are folded to) to the shoulder seam. Your sleeve will be obviously too big for the arm hole, that’s fine, we are going to fix that.

OAL 2014 - Sleeves and Bias Binding
OAL 2014 - Sleeves and Bias Binding
OAL 2014 - Sleeves and Bias Binding
Very gently pull the line of basting stitches, easing the sleeve excess to fit the arm hole. We don’t want to create big gathers here – we just want the sleeve to be a little smaller so it fits smoothly. Once you’ve got the sleeve eased in, pin everything into place.
* Note: Easing sleeves can be a little difficult! These sleeves will ease in smoothly, but if you are having problems with puckers, you may want to open up your pleats at the top of the sleeve and make them a little bit deeper. That’ll use up some of the excess ease :) Don’t go too crazy with that, though, as you do need a little bit of easing so the sleeve has a pretty curve and enables you to move your arms around and all that.

OAL 2014 - Sleeves and Bias Binding
Now you can sew the sleeve in! Sew exactly along the 5/8″ line of basting, being careful to make sure there are no puckers or gathers and that your sleeve in eased in smoothly. I like to sew my sleeves in with the gathered side facing up – that way, I can periodically lower my needle, raise the presser foot, and adjust the easing as I go.

OAL 2014 - Sleeves and Bias Binding
Once you’ve got the sleeve sewn in, double check both sides to be sure that there is no gathering or puckering. Your sleeve will probably have a bunch of excess at the seam allowance like I have here – that’s fine! As long as it’s smooth at the stitching line :) Now go ahead and finish your seams.
* Note: The instructions tell you to sew a second line of stitching right by the first one. Honestly, I’ve never done this before – even before I had a serger – and I’ve never caused a Sewing Apocalypse, so take that as you will.

OAL 2014 - Sleeves and Bias Binding
Press the seam allowances (I press toward the bodice) and steam the sleeve cap to remove any excess fullness.

OAL 2014 - Sleeves and Bias Binding
Finished: Cute little cap sleeves! Yeeeahhh!!

For the sleeveless, read on for the bias facing tutorial!

OAL 2014 - Sleeves and Bias Binding
The first thing we want to do is remove some of the seam allowance from the arm hole of our bodices. This bodice is designed to be sewn with a 5/8″ seam allowance, and we will be attaching our bias strips at 1/4″. So you’ll want to shave off about 3/8″ from the entire circumference of the arm hole.

OAL 2014 - Sleeves and Bias Binding
Now measure the arm hole, so you know how long to cut your bias strips.

OAL 2014 - Sleeves and Bias Binding
Next, we are going to cut bias strips from our fashion fabric (or cool contrasty fabric, if you want!). There are lots of tutorials on how to do this; I am just showing you my preferred method :) Start with a piece of fabric that has two straight edges at a right angle. For the cross grain, you can just rip your fabric, which will give you a perfect straight edge without cutting.

OAL 2014 - Sleeves and Bias Binding
OAL 2014 - Sleeves and Bias Binding
Fold the ripped edge up to meet the top straight edge, thus forming a diagonal line. Cut along the diagonal line (you may want to gently press first, if you need a guideline); you have just created a bias edge.

OAL 2014 - Sleeves and Bias Binding
OAL 2014 - Sleeves and Bias Binding
Now cut two strips on the diagonal/bias – 1″ wide and the length of your arm hole measurement. I like to draw my lines with chalk and cut with scissors; you can also use a ruler and rotary cutter if that’s your jam.

OAL 2014 - Sleeves and Bias Binding
Sew each little bias strip into a circle with the right sides together, using a 1/4″ seam allowance. Press the seam allowances open.

OAL 2014 - Sleeves and Bias Binding
Next, we want to make sure the facing will fit inside the arm hole before we actually sew it in. *Generally* speaking, most bias facing is fine at 1/2″ shorter than the measurement of what it’s being sewn into (which is why we cut our strips at the measurement of the arm hole – 1/4″ seam allowance x2 = 1/2″), but some stretchier fabrics – such as my rayon challis – require a shorter bias strip. So we are going to check that measurement now. This pinning/sectioning also makes it easier to sew the bias strips in if you’re a newb.
Anyway, section your arm hole and bias strips into 4 equal sections, and mark with pins.

OAL 2014 - Sleeves and Bias Binding
Pin the bias facing to the arm hole, starting with the seam matching the side seam, with right sides together (so your bias facing is on the outside of the garment). Match each section, so your bias facing is pinned at 4 points. From there, check one section and see if the facing is short enough for the arm hole – you just need to be able to gently stretch it to match the length of the bodice arm hole (gently, I say! We are not sewing ribbing onto tshirts here!). If it’s too long, pull it out and shorten the bias strip accordingly, then repin. I had to shorten mine by another 1/2″ to get it to fit.
* Note: If you want your bias facing on the OUTSIDE of your garment (again, cool contrasty thing), you will need to pin it to the inside of the arm hole.

OAL 2014 - Sleeves and Bias Binding
Once your facing is the correct length and pinned into place, sew it down with a 1/4″ seam allowance, catching the edges of the bodice facing in your stitching as you come across them. Again, the bias facing needs to be on the outside of the garment, right sides together.

OAL 2014 - Sleeves and Bias Binding
Now take the whole thing to the ironing board and press the seam allowances toward the facing.

OAL 2014 - Sleeves and Bias Binding
Fold the facing down toward the arm hole, wrong sides together, matching the raw edge of the facing with the stitching line you just created. Press.

OAL 2014 - Sleeves and Bias Binding
Fold the entire thing down one more time, along the stitching line, to the inside of the arm hole (or outside, if you’re going that route). All raw edges should be completely encased at this point.

OAL 2014 - Sleeves and Bias Binding
This is what your pressed/unstitched facing should look like. Note that I also caught my bodice front facing in the stitching/binding, so it’s all encased and won’t need to be tacked down later.

OAL 2014 - Sleeves and Bias Binding
Now topstitch your facing to the arm hole, about 1/8″ from the fold. Try to keep your stitching line consistently spaced, as this will show on the outside of your garment. You may need to gently stretch the binding as you sew the curves. Alternately, you can slipstitch this binding if you don’t want the stitching to show on the outside, but I’ve found that works best if you have underlining to sew it to (otherwise you may have little thread puckers).

OAL 2014 - Sleeves and Bias Binding
Once you’ve sewn down your bias facing, take it back to the iron and give it one last press, to ease out any wrinkles or fullness, and to make the edges nice and sharp.

OAL 2014 - Sleeves and Bias Binding
And that’s it! A gorgeous bias facing that doesn’t require using a fiddly tool (man, those things can be obnoxious). I LOVE this method and I find it much easier than any other binding method I’ve used before. This works for both necklines and arm holes, and can be done either flat or in-the-round as I demonstrated.

Phew! That’s all for this week! As always, let me know if you have any questions :)

Tutorial: How to Stablize a Buttonband with Petersham

20 Jun

Stablizing a buttonband with Petersham

A promised, here is the much-requested tutorial for adding Petersham ribbon to the button band of your handknits! This is a little trick I’ve done for nearly all my handknits since I started cranking ‘em out… it’s not 100% necessary for finishing your knits (so please don’t be freaking out if you’ve never heard of this technique before!), but it is super handy if you wear knits with negative ease and have problems with the button band/button holes gaping open. We are basically going to take a firm woven ribbon and sew it to the inside of the button band, so it will stabilize the knit and prevent it from stretching and thus gaping open.

I know there are a million ways to do this particular technique; this is my personal favorite TNT. It involves hand sewing and machine-worked button holes (although they are not sewn through the sweater as done in (Tasha’s tutorial from a few years ago). I personally like to use Petersham ribbon as my stabilizer – it’s relatively inexpensive, wears well and feels luxurious. You can also use grosgrain ribbon, seam binding, firm lace, satin ribbon, or even fabric selvedge – whatever you want! I ain’t here to judge :)

Stabilizing a button band with petersham
You will need: your finished+blocked cardigan, a length of petersham ribbon (this will vary depending on the length of your sweater, but aim for approximately the length of your button band x2 plus a couple inches to fold under), and your buttons.
NOTE: I am using 1″ wide petersham for this particular sweater. The width of your petersham may vary, depending on how wide your button band is. Always measure to be sure!

Stabilizing a button band with petersham
Measure your ribbon to the length of your button bands plus about 1″ extra (for 1/2″ overhang at both the top and bottom of the button band), and cut two pieces to this length.

Stabilizing a button band with petersham
OPTIONAL: You may want to interface one piece of the petersham, so the button holes are reinforced. Just cut a strip of interfacing on the straight grain and fuse it to one side of one piece of ribbon. Set the non-interfaced ribbon aside for now.

** Yes, your interfacing will show slightly on the outside of your sweater, if your gauge is loose enough. If this is a concern (obviously it’s not a concern with this sweater; but I could see how using white interfacing+black sweater miiiight look a little weird!), you might consider making a Petersham sandwich and using two lengths of the ribbon with the interfacing in between. I haven’t personally tried this, but it makes sense in my head. Also, now I want a sandwich. I just ate breakfast. Fuck.

Stabilizing a button band with petersham
Pin the interfaced ribbon to wrong side of the button band with the button holes, interfacing side on the inside, and fold under the top and bottom edges by 1/2″. Try to center the ribbon so that there is about a stitch’s worth of overhang on the outside edge of the button band.

Stabilizing a button band with petersham
Use a marking tool to mark a small dot in the center of each button hole, on the interfaced side of the petersham. You may want to use chalk or disappearing ink; I used a sharpie because I’m a terrible person with no morals.

Stabilizing a button band with petersham
Take the petersham off the button band and, using your sewing machine, stitch button holes at each of the markings you made. Dab each button hole with a drop of Fray Check (this is optional, but I think it makes for a cleaner/non-hairy button hole) and allow to completely dry. Carefully cut all the button holes open.
PROTIP: Test your button hole size first on a scrap of interfaced petersham so you can be sure that your buttons fit the holes! Ain’t nobody got time for wrong size button holes.

Stabilizing a button band with petersham
Open your sweater up and pin the petersham to the inside of each button band. Match the petersham with the buttonholes to the button band with the button holes (being careful to make sure that each button hole is aligned so that they can be used!), and match the other petersham on the button side of the button band. On both bands, fold the petersham under 1/2″ at the top and bottom. Again, try to center the ribbon so that there is about a stitch’s worth of over hang on the outside edge of each button band (this is just so it looks nice :) ).

Stabilizing a button band with petersham
Here’s a close-up of my ribbon pinned to the button band. You can see there is a little bit of button band overhang on either side of the ribbon.

Stabilizing a button band with petersham
Now is a good time to check and make sure that the button bands are the same length on your sweater. If one is longer than the other (which can totally happen if you stretched the button band while pinning everything down), unpin and readjust until they are the exact same length.

Stabilizing a button band with petersham
Now time to stitch! Using doubled-up thread, whipstitch all the way around all 4 sides of the petersham, starting at the top and working your way around. Do this to both button bands.

Stabilizing a button band with petersham
Here’s another photo of the handstitching. Try to keep your stitches evenly spaced (this will give them more strength, in addition to just looking nice!) and try not to gouge a big chunk your sweater yarn with each stitch.

Don’t worry about stitching around the edges of the button holes. I always leave mine loose, and I’ve never had a problem with the buttons getting stuck and/or not being stabilized enough. I imagine if you were using super huge buttons – like, 2″ big buttons – you might want to sew around the edges, but for buttons smaller than 3/4″ it’s fine to leave them unsecured.

Stabilizing a button band with petersham
Once your button bands are stabilized with ribbon, lay them petersham sides together and raw edges matching.

Stabilizing a button band with petersham
Stabilizing a button band with petersham
Stick a pin down the center of each button hole.

Stabilizing a button band with petersham
Stabilizing a button band with petersham
Gently pull the button bands apart, pulling the head of the pin through the button hole and leaving it sticking in the button side of the ribbon.

Stabilizing a button band with petersham
Now you can use the pins as a guideline for where to sew your buttons! This ensures that they are exactly centered in the button band and also aligned with the button holes.

Stabilizing a button band with petersham
And there you go! Stabilized button bands with NO GAPE!

Stabilizing a button band with petersham

Stabilizing a button band with petersham

Stabilizing a button band with petersham
God, is that just like, the sexiest button band or what.

Hetty
And here’s the sweater on me! (Hetty, in case you missed the post!) Notice that the lacework is nice and open, thanks to the negative ease – but the button band is strong and secure and there is no pulling at the button holes. Oh petersham, how I love you ♥

Aaaaaand, that’s it! Told y’all this was an easy technique :) Now, go forth and conquer that button gape once and for all!

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