Tag Archives: Mood Sewing Network

Completed: Another B5526 + Ginger Jeans Get-up

18 May

So sorry to dump this on y’all yet again – another collared shirt + jeans outfit combination. Yawn.

Gingers & B5526

Well, to backtrack – yawn for you, but :D :D :D :D :D for me hahahaha. I will never get tired of this outfit combination. Or, at least, not anytime soon. Maybe never is too strong of a word to use here.

Gingers & B5526

What’s mildly frustrating about writing a long-term blog (at the time of this posting, I’ve accumulated nearly 500 entries since I started waaaay back in 2009, WTF) is that you eventually reach a point when you’re just making the same thing over and over again (well… those of us who don’t make our blog our full-time income fall in this category. I’m sure if I was sponsored out the wazzoo and had all the time I spend at work to spend making content for my blog, it would be a different story, ha.). After re-assessing my wardrobe at the end of 2014 and realizing that I *still* had shitloads of clothing that I made simply for the new and shiny, I have made it a big point to really be honest with myself about whether or not I’ll actually wear something that I make. Like most people, I have a pretty predictable style. And like many sewers, I don’t want to spend a lot of time reinventing the wheel with new patterns if I can get the look I’m going for with an old TNT. So this translates to repeats upon repeats upon repeats.

So, while you might be yawning about the majority of the stuff that’s been posted in 2015… I gotta say, I am elated with the way my closet is looking these days!

Gingers & B5526

Gingers & B5526

With all that being said, there’s not much to report on either of these pieces since I’ve made them soooo many damn times. Jeans + collared shirt is totally my go-to when I want to feel comfortable but still look like I made an effort in the AM. I’ve found my TNT patterns and I feel good about the way they fit and the construction methods that I use.

Gingers & B5526

Gingers & B5526

The top was made using my beloved Butterick 5526. Y’all, I don’t know if I’ll ever sew another button up pattern again! (we all know that’s a lie) I’ve gotten to the point with this one where I can bang one out in a couple of days, which is really nice when you’re coming up on a looming Mood Sewing Network deadline, ha. The fabric is this amazing tigerlily orange cotton voile from Theory, which is a bit more of a coral-y pink than it is orange in real life (I don’t know how the color translates on your screen, but on the Mood Fabrics website it’s definitely pretty muted. The real color is much closer to what you see in my photos. It’s BEAUTIFUL). It has a beautiful chambray weave, which gives the color lots of dimension. This fabric was so so nice to work with – ok, it was a shifty bitch to cut, but once I got past this point, it handled and pressed like a boss. It’s also super comfortable to wear on even the hottest day.

Since the fabric does have a tendency to fray, I used flat-felled seams every where in my shirt. I also left off the sleeves and finished the armhole with self bias binding – it makes the shirt really casual and, again, awesome for hot weather. The pockets are the same pockets that come with the pattern, but I made them slightly smaller because the original size was a little overwhelming on me. Buttons are from my stash; they’re just your standard white shirt buttons. Oh! And the matching thread also came from Mood Fabrics – I noticed that when I was ordering my fabric, there were thread suggestions at the bottom of the page. I figured I’d try out the service – you know, for science – and I’m super pleased with the color match. Even more pleased that I was saved a trip to the fabric store. Mostly because those tend to be very dangerous places for my wallet, ha.

Gingers & B5526

Gingers & B5526

The good thing about running a long-term blog and making a bunch of pattern repeats is that you will eventually bore of just making things that are passable to wear in public, and start focusing on really honing your skills to the next level. Or, at least, that’s how it worked out for me. Look at those clean finished insides! I should wear this shit wrong-side out.

Gingers & B5526

I did shorten the length of the shirt by about 2″ – I think the original length was just sliiiightly too long for my height. This way I can wear it untucked or tied at the waist. If I do a half tuck, it doesn’t pooch out all weird like some of my longer shirts tend to do. As always, I finish my shirt hems with self bias facing. I think it makes for a much cleaner finish, and it’s must easier to press and sew those curves with the bias tape instead of trying to wrangle the hem itself.

Gingers & B5526

Gingers & B5526

For my jeans, I used my now-favorite-ever-pants-pattern, the Ginger Jeans. I’ve made this a few times before (and I definitely don’t plan on stopping – I finally was able to invest in one of the denim kits because YAY) and I’m just really happy with the way this pattern fits my body. The fabric is a cool metallic gold stretch denim. I was actually looking for white denim to make this up, despite me being a stain magnet when it comes to white. At any rate, this denim’s wrong side actually is white flecked with very subtle bits of gold, and these very well almost became white jeans. I talked myself out of it because I was afraid the not-quite-pure-white would make the jeans look like they were dirty, plus again, stain magnet. So I stuck with the gold side. Also, this denim doesn’t have as much stretch as my other denims, so the jeans are a bit tight. I had to let the side seams out to 3/8″ or else I would have never gotten these things over my ass. They’re still a bit tight – mostly around the calves – but I’m hoping that they will loosen up a little with wear.

Gingers & B5526

Gingers & B5526

Gingers & B5526

Not much to report on construction. I used a combination of flat-felled and serged seams (as how most RTW jeans are made) and a triple stitch to really make the topstitching stand out. I would have loved to use topstitching thread, but I couldn’t find a good match with what is admittedly kind of a weird denim color. It’s gold, but it’s also kind of beige. Fortunately, Mood Fabrics REALLY came through with that thread match, as you can see in these close-ups.

What else? I did not interface the waistband (I like my jeans with an uninterfaced waistband; it’s much more comfortable. Not sure how that would work with a lower rise, but for the high rise version, it’s perfect). The jeans button is from Pacific Trimming, and the cotton pocket lining is left over from this crazy blue dress.

I will admit right now that this outfit inspiration came way of my boss’ closet. Since I do all her laundry for her (if you are new to this blog and that sounds REALLY WEIRD, I should probably point out that I’m a personal assistant :) ha!), I’m always lurking on her clothes and I’m always finding inspiration in some of the strangest ways. She has a similar coral chambray shirt – hers has sleeves and a lace inset at the yoke, though – and white jeans. And I wanted that outfit for me. So I made it :P

Gingers & B5526

So, hey, in other news that doesn’t involve me making my fifty billionth b5526 – I’ve got an article out in the current issue of Seamwork Magazine! If you haven’t heard of Seamwork, it’s a sewing magazine that is published online by the masterminds behind Colette Patterns. The magazine is free to read and there are optional pattern downloads with each issue (the patterns you pay for, however). ANYWAY, my article is all about visiting Nashville! I had so much fun writing a city guide about my favorite city in the entire world, and I hope you have fun reading it (and are inspired to come visit because, hey, Nashville is awesome! Really really awesome!). You can read The Seamworker’s Guide to Visiting Nashville at Seamwork. My first published article! Yay!

Completed: A Cardigan, a Skirt, and a Tshirt!

30 Apr

Woohoo y’all get a damn TRIFECTA of garments for today’s post! Lucky you!

Striped Cabernet Cardigan + Yellow Hollyburn

For my monthly Mood Sewing Network post, this month I wanted to focus on that amazing striped sweater knit that you’re probably staring at (you should be staring at it, it’s fucking awesome). But I felt really boring just making *a* sweater (a sweater that took maybe 2 hours, tops, to complete), so I overcompensated and made my entire outfit. Yay!

Striped Cabernet Cardigan + Yellow Hollyburn

We’ll start with the cardigan because it truly is the star of this outfit. It’s another SBCC Cabernet cardigan, this time with my minor adjustments made to the flat pattern (you can see my leopard Cabernet cardigan here, btw!). Since I’ve already made the pattern once, there’s not really anything new to report in terms of construction.

Striped Cabernet Cardigan + Yellow Hollyburn

Striped Cabernet Cardigan + Yellow Hollyburn

I bought the navy and white striped fabric while I was at the Mood Fabrics flagship store in NYC in March. I got soooo much good stuff while I was there, but this particular piece really takes the cake. I swear, if the bolt hadn’t been so heavy, it probably would have jumped off the shelf and fallen directly into my arms. We were like star-crossed lovers when we caught sight of one another.

ANYWAY, gushing aside – what we have here is a cotton double knit that works and feels like the perfect sweater knit. It’s wonderfully thick and squishy, and while it does drape a little bit, it also hold it’s shape quite well. It was really the perfect fabric for this pattern, as it responds really nicely to pressing and topstitching. I was careful in my cutting to not only match up the stripes at the side seams, but also the stripes blending into the sleeve cuffs and hem bands. The neckband is actually the same striped fabric – I just positioned the pattern piece so that the widest navy stripe was the only thing that showed when it’s folded in half. I knew I wanted a solid color at that neckband, but I didn’t want to try to color match, because nope.

Striped Cabernet Cardigan + Yellow Hollyburn

Because the striped knit is so thick, it was a bit of a beast to manhandle. Cutting it was painful (I REALLY need to get my scissors sharpened, dammit!) and the sewn seams were lumpy and wavy before I pressed them. It’s super important to press if you’re dealing with a fabric like this – the flatness is what makes the finished piece look so polished. Topstitching down the seam allowances also helped. As with my last cardigan, I used the straight stitch on my machine and a walking foot. The rest of the seams are serged.

Striped Cabernet Cardigan + Yellow Hollyburn

The skirt is another one of my beloved Hollyburn skirts. I cannot stress this enough, but I LOOVE this pattern. SO MUCH. As soon as I finished the denim polka dot Hollyburn, I started lurking hard for a yellow twill to make another one. I really love this neon delight of a yellow, but it’s hellish looking against my skin – so obviously, the next best thing is a skirt.

I found the fabric also while I was in NYC, also at the Mood Fabrics flagship store (sorryyyyy not sorry). I actually spent a good deal of time looking for this one – I knew I wanted yellow twill, but the stuff in the twill section wasn’t quite up to snuff. Too pale, too lightweight, too much of something. This particular fabric was actually located in the denim section – I imagine there is someone, somewhere, who has made an amazing pair of jeans with this fabric.

Striped Cabernet Cardigan + Yellow Hollyburn

This is a stretch cotton twill with lots of lycra in the content, giving it a super heavy stretch. Even though it’s on the lighter side (heavy enough to be considered a bottomweight, however), it has plenty of body that gives this skirt a great structure. The only downside to all that lycra is that it made the fabric really hard to get a good press. I ended up topstitching all the seams to keep them flat, about 1/4″ distance (as opposed to my usual 1/8″). The wider topstitching paired with this fabric really gives it a nice denim-y look, which I like. I thought about topstitching around the pocket bags to give those definition too, and “thought,” I mean I tried it and it looked absolutely terrible so I ripped it out. Don’t do that.

Striped Cabernet Cardigan + Yellow Hollyburn

The back closes with a simple lapped zipper, and all the inside seams are serged. Basic stuff!

Striped Cabernet Cardigan + Yellow Hollyburn

Finally, the most basic of the basics – my tshirt!

Striped Cabernet Cardigan + Yellow Hollyburn

This is SUCH a simple tshirt that it hardly bears a mention, however, we’re here and it’s here so let’s just roll with it. The fabric is this sheer white slubbed rayon jersey, which was WAY more sheer than I was expecting but it’s sort of awesome. It’s suuuuper soft, drapey, and the texture of the fabric makes it a tiny bit more interesting than your average plain white tshirt. I used my always-tweaking-almost-done-tweaking Frankenpattern’d tshirt to make this. The neckline is bound using Megan Nielsen’s bound neckline method, which is hands-down my FAVORITE way to finish a neckline on a slinky knit like this. It just looks really really good, and it’s nice and sturdy. I love the traditional method, of course, but some of the more drapey fabrics don’t do so hot with that method because you have to REALLY stretch them to keep them from being floppy, which ends up with a tight neckline that’s practically gathered.

Speaking of slinky knits, binding that neckline was about the only easy part of sewing this tshirt. Talk about the slinkiest knit ever! It was worth it, though, because I can always use more white tshirts. Even if they are see-through. And yes, the pocket is totally in the wrong place and I’m totally not picking it off because I don’t think the fabric can survive that kind of trama.

Detail shots:

Striped Cabernet Cardigan + Yellow Hollyburn

Striped Cabernet Cardigan + Yellow Hollyburn

Striped Cabernet Cardigan + Yellow Hollyburn

Striped Cabernet Cardigan + Yellow Hollyburn

Striped Cabernet Cardigan + Yellow Hollyburn

Striped Cabernet Cardigan + Yellow Hollyburn

Striped Cabernet Cardigan + Yellow Hollyburn

Striped Cabernet Cardigan + Yellow Hollyburn

(that’s a Sewn with Mood Fabrics tag, by the way! :) )

Striped Cabernet Cardigan + Yellow Hollyburn

Striped Cabernet Cardigan + Yellow Hollyburn

PHEW.

Ok, one more picture:

Striped Cabernet Cardigan + Yellow Hollyburn

Only including this one because I look like I’m about to eat whatever is in my line of vision haha.

** Note: All fabrics for this project were provided to me in exchange for a review post as per my involvement with the Mood Sewing Network.

Completed: The Francoise Dress

11 Mar

Y’ALL. It’s like, practically spring here. After our freak ice and snow storm last week (which was the SECOND one we had this year – never happens! The last big ice storm we had was 20 years ago), the sunshine came back with a vengeance and obliterated the piles of snow (ok, 3″ here. THAT IS A LOT FOR NASHVILLE, OK!) within a couple of days. Thanks to the combination of 60* afternoons and the return of Daylight Savings Time, it’s really starting to feel super good here. Yay for spring!

So, with all that being said – I give you my first official warm-weather make of 2015! Hey, Francoise, how you doin’?

Francoise Dress

Francoise is Tilly’s newest pattern release, and by “new” I mean it’s been around since November. Which is exactly how long I’ve been meaning to make it up. I got my hands on the pattern when I was in London (full disclosure – Tilly gave it to me when we met up and waved her hand when I offered to pay for it. It wasn’t given to me in exchange for a posted review or anything, but, I thought I’d point that out regardless! I know some people feel that a review can be biased if the reviewer didn’t personally pay for the pattern), I made a muslin while I was there, and I looked for my ~perfect~ Francoise fabric on every fabric shopping trip we made. The truth is, I was stunted on fabric choice, so the pattern had to wait while I figured my shit out.

Francoise Dress

Anyway, I think the fabric I ended up with was a pretty PERFECT match, amirite? This gorgeous purple and pink floral cotton sateen is from Mood Fabrics, and it combined with the Francoise is basically a perfect marriage. The small amount of stretch and crisp drape make it perfect for the pattern, and the simple shape and exaggerated flare make the pattern perfect for the fabric. I love it when this shit happens!

Francoise Dress

Francoise Dress

I made the size 1, based on the finished measurements. The only minor change I made was to take a slightly wider seam allowance at the top of the invisible zipper, just because it was gaping a little. I also removed about 3/4″ from the hem length. I’m 5’2″, so taller ladies may want to consider adding some length because it’s a pretty short skirt!

Francoise Dress

Cotton sateen is REALLY easy to work with – like, beginner-level easy (it doesn’t shift, doesn’t fray, presses well, etc) – so construction was super straightforward. You really just need a fresh needle and a hot iron to coax this fabric into submission. I finished all my seams with my serger, and topstitched the neckline, arm holes and hem. The neckline is finished with a facing, and the arm holes are finished with self bias facing. Both of these are covered in the pattern. I followed the pattern directions as they were written for the bias facing on the arm holes, and while they’re great – I prefer my method, as I think it’s a little easier/fool-proof.

Also, looking at that back view just made me realize that the two back prints are mirrored. HAHAHA uhh… oh, look, there’s a rouge thread, too. GOD, I need to get my shit together. Ok, moving on!

Francoise Dress

Because my print is all crazy awesome and takes all the attention, here’s a close-up of the design elements of the dress that actually make is super cute. I love the raglan seams, and the French darts are so pretty! Also – can we talk about how the floral pattern on the fabric looks like watercolors? YUM.

Francoise Dress

Now here is the dress without me or a belt. I will be honest – when I finally finished everything and put it on, I wasn’t crazy about how it looked at me. I think part of it is the color palette (I LOVE that freaking fabric, but I feel like I look like an ass every time I wear pink or purple. It’s not because of my hair color clashing or whatever. I’ve felt that way about pink and purple for a couple years now) and part of it is the fact that the dress doesn’t have a waist seam. I don’t know why, but I feel like a smooth shape with no waist seam doesn’t look right on me (is that weird?). Once I added black tights and a thin belt, I really started to see the cute factor in this dress. I think the black also tones down the overwhelming girly colors, and I like that too. Ideally, I would have loved to put a black collar on the dress, but I didn’t have any black fabric on hand. Maybe in the future I can make a detachable one, idk.

Francoise Dress

Francoise Dress

Believe it or not, I didn’t buy that zipper for this dress. No, I just *happened* to have a perfectly-matched lavender invisible zipper in my stash. Again, I don’t really wear purple (and especially not lavender), so I have no idea how that happened, but I’ve had it for a few years now. Glad I finally put that shit to good use lolol

Francoise Dress

Francoise Dress

Francoise Dress

That’s all for now! Let’s just cross our fingers that I didn’t inadvertently welcome another fucking 6 weeks of winter by announcing spring’s impending arrival. I did that a lot last year and it was way lame.

Francoise Dress

** Note: All fabrics for this project were provided to me in exchange for a review post as per my involvement with the Mood Sewing Network.

Completed: The Portside Travel Set

22 Jan

For the past couple months, I’ve been planning to up my luggage game. Over the years, I’ve made do with a fairly old suitcase (handed down from my parents – I’m not sure exactly it’s age, but I know there are receipts in the pocket from when we went to Disney World in 1994, so at least 20 years!) and a really ratty/cheap duffel bag. My travel schedule is starting to ramp up this year, and one thing I don’t have is a duffel bag that is suitable for a weekend getaway. The aforementioned ratty bag was pretty small and difficult to carry comfortably. Also, I broke the zipper while I was in Paris – rather than repair it (it was really REALLY cheap – even down to the hardware, which I also threw away with the bag haha), I decided to make a new set, courtesy of Mood Fabrics.

Portside Travel Set

The Portside Travel Set is the perfect pattern for my casual luggage needs – a roomy duffel bag, plus a matching dopp kit and a small zippered pouch. The pattern is designed so you can really play with color blocking and fabric options, and it’s not difficult at all to put together. The duffel bag is nice and big (20″ x 11.5″ x 12″), and includes both hand and shoulder straps (the shoulder is adjustable, as well as removable!), a zippered top, and two exterior pockets. The dopp kit has both a zippered top and a zippered exterior pocket, plus a small handle. The little zippered pouch is one of the most basic things ever – like the kind of pouch you’d make in a ‘learn to sew zippers’ class – but I can see it being very useful. And it all matches! Yay!

Anyway, let me also point out that making this set gave me an excuse to peruse the home decor section of Mood Fabrics. I rarely sew with home decor fabrics (I know some people love them for clothing, but I’m not much of a fan, unless it’s for a very specific purpose), but I totally jumped at the opportunity! There are SO many cool designs, it was really hard to narrow it down to just 3! I started with this cool turquoise geometric print, matched it to a charcoal grey faux suede, and lined the inside with grey and white polka dots (I’ve been eyeballing that polka dot fabric for over a year now – so glad to finally have an excuse to buy it!).

Portside Travel Set

Portside Travel Set

Portside Travel Set

I went over all this briefly in my post for the Mood Sewing Network; here I’d like to talk a little more about the pattern itself. Overall, it’s a great little pattern – good instructions, the pieces fit together, and I think the end result is really nice. There were a few points in the pattern that I found a bit confusing, though. For one – I completely mixed up the main and contrast fabrics when I was planning my fabrics! I assumed the contrast was the bottom half – i.e., the part I’ve made out of suede. That’s actually the main fabric, as far as the pattern is concerned. The contrast is the top part. This isn’t marked anywhere on the pattern except on the pieces themselves, which meant I ultimately ended up marking the line drawing with a map of what piece was what before I knew what piece to cut from which fabric. The contrast and self changes for the dopp kit and pouch, so I would really recommend at least mapping out the design before you start cutting. I know I would have been PISSED if my bag had ended up with the suede being the top sections, ha.

Speaking of the suede, that wasn’t difficult to sew at all. I used a standard 80/12 needle and my normal machine feet (no need for a special Teflon foot or anything), and since my iron has a shoe, I was even able to press it and fuse interfacing to it. The bag is lightly interfaced – more so to keep the cotton from wrinkling, less for structure. It’s pretty floppy when it’s empty.

Portside Travel Set

The instructions, like I said, are pretty good. The only part that really confused me was assembling the shoulder strap for the duffel bag. I have made plenty of stuff with sliders – hell, even all my bras have adjustable straps with sliders – but this bag uses D-rings for the sliders. I could not figure out how Jen did this, and even googling didn’t really help (turns out everyone else uses sliders too, who woulda thought?). I just ended up playing around with the straps and rings until it worked. Couldn’t tell ya what I did to get to that point, sorry! At least they look good now!

Portside Travel Set

Also, sewing up the little dopp kit was… interesting. Not all the pieces matched up perfectly (I read this in a random google review of the pattern as well – so either we cut it wrong, which is possible, or there’s a minor drafting error. I know Jen is really precise with her drafting so I hesitate to believe that it’s an error on her part, but I thought I would point that out), but I just trimmed off the excess. We are talking about rectangles that form a bag, after all – no crazy fitting or anything. I really struggled to get the bottom sewn on square – it’s passable as it is, but it’s not my best work.

Then again, it’s a dopp kit. I’m not unpicking that shit hahaha.

Portside Travel Set

Portside Travel Set

Portside Travel Set

Portside Travel Set

I love all the neat details in this tiny bag, though! The front zippered pocket is a personal favorite – also love that little leather zipper pull! And check out that print-matching at the top zipper! That was actually unintentional, but it worked out amazingly well. I’d be lying if I said I wasn’t super impressed with myself haha.

Portside Travel Set

Portside Travel Set

Like I said, the pouch was really easy – like, sewn up in under 20 minutes easy. Since it’s unlined, I serged the inside with matching aqua thread (it was almost navy because I didn’t feel like re-threading the serger, until I reminded myself that I paid for this serger specifically because it self-threads haha). The zipper pull – as well as the pulls for the dopp kit – is loosely based on the pattern included in the travel kit. I had to change it up a bit to get it to fit my smaller-than-normal zippers.

Portside Travel Set

One thing I did not anticipate when I started this project was how much all the materials were going to cost me – and how difficult they’d be to source. The fabric wasn’t terribly expensive (and since it’s a project for the Mood Sewing Network, it was free for me), but all those little extras add up! I found my swivel hooks and D-rings at Joann’s – not in the sewing section, but in the… dog-leash making section? Joann’s, keepin’ it weird as usual. I bought my cotton webbing from A Graff Supplies on Etsy. This was after shopping around quite a bit – Joann’s didn’t have the right colors and widths, Mood was sold out of most everything, and any other supplier I found only carried one of the two widths I needed. A Graff Supplies had both widths, with a great selection of colors – and while I did spend $15 on JUST WEBBING, I can’t imagine it being that much cheaper anywhere else. I would have loved to find nylon webbing, but cotton was much more prominent in my searches. All my zippers are from my stash – the black zip on the duffel bag is new (I bought it for a dress, which I obviously never made haha), the rest are vintage. Been looking for a use for those turquoise zippers :) Oh, and the little leather scrap for the pulls is from a shop on Goldhawk Road in London. I bought it because I loved the color, bonus that it matches my bag!

Portside Travel Set

The bag is REALLY floppy when it’s empty (to get these photos, it’s stuffed with every pillow from my couch, plus a couple of blankets), so it was hard to get an inside lining shot! The lining is all polka dots – the self fabric at the bottom is actually a fabric-covered removable piece of thin plastic, to keep the bottom from sagging open.

Portside Travel Set

This isn’t in the instructions (hence why it’s self-fabric – I ran out of lining!), but it’s a trick I learned when I made one of those Amy Butler Weekender bags years ago (which I still have, and yes, it’s too small for a weekend! More like an overnight bag haha). You cut the plastic the same size as your bottom, remove the seam allowances, and make a fitted sleeve to cover it. I like that it’s removable because now I can roll the duffel up if I need to. As far as sourcing plastic – I ended up buying it on Amazon. The EZ Quilting Template Plastic is 18″ x 24″, which I needed (anything sold at a craft store is usually 12×12) for the base. It’s quite a bit flimsier than what I wanted – I doubled up and bought two, but it’s still not as rigid as my Weekender. Still, it’s better than nothing. Plus, I have quite a bit left that I can use for bra pattern templates, yay!

So, in case you couldn’t tell – this bag is pretty big. Like, I could probably squish myself into it if I tried hard enough:

Portside Travel Set

But, like I said – it folds down pretty flat for storage (or putting in a suitcase, which is what I usually do – then I have a bag for all the fabric I buy hahahahaha):

Portside Travel Set

Anyway, I’m happy to check this off my to-do list – and I can’t wait to put it to good use! It’ll definitely come in handy for my trip to Philly at the end of this month. Now I guess I just need to start looking for a new suitcase – mine is starting to give signs of wearing out (wires poking out, the zipper is struggling, corners are threadbare – I told you it was old! And very well-used ;) ).

Portside Travel Set

Just look at that unintentional print-matching. If that doesn’t make you want to run out and SEW ALL THE DUFFLES, then I don’t even know who you are anymore.

** Note: All fabrics for this project were provided to be as per my involvement with the Mood Sewing Network. Notions and pattern were purchased by me!

Completed: Albion Jacket for Landon

5 Jan

Happy New Year, everyone, and welcome to 2015! I’d like to start ringing in the new year by showing you something that I made last year (lolz, sorry). It was for Landon, aka unselfish sewing, which makes for a delightful turn of events.

Albion Toggle Jacket for Landon

An Albion jacket! Yay!

Fair warning – we took a lot of photos (if you don’t recognize the background, that’s cos these were taken in the Smoky Mountains! FANCY!), and I had a really hard time narrowing them down. This dude is just so damn gorgeous looking. I’m sorry, but you’ll just have to deal.

Albion Toggle Jacket for Landon

Anyway, I initially planned this coat with Landon earlier in 2014 – according to my Mood orders, it was sometime in January/February. We ordered swatches, settled on fabric and design changes, and I made a muslin. That’s when things just stopped and stayed that way. The muslin was all kinds of wrong and I didn’t feel like dealing with it. I was afraid I might have even cut the wrong size. So, I did what seemed like the most logical solution – I shoved everything in a box and didn’t think about it until a couple of weeks ago, when Landon started asking me again about when he might get his coat. Bless his heart.

Albion Toggle Jacket for Landon

Albion Toggle Jacket for Landon

Enough time had passed to heal my wounds, so I dug out the old muslin and we tried again. The only thing I remembered being wrong was that the sleeves were all kind of haywire – super twisted all down his arm, and the hem went up near his elbow when he raised his arms. I wasn’t sure if the issues were because of how the sleeves were drafted, or if I had just somehow managed to cut the muslin off-grain (totally possible), but I ripped one sleeve off and cut another – on-grain – to test. It must have been a grain issue, because that solved the problem. Other than tweaking a little bit of sizing at various points, and adding some length, the rest of the jacket seemed to fit pretty well. I made one more muslin with all the changes to verify that we were good to go.

As I mentioned, this is the Albion by Colette Patterns. We chose to make the shorter jacket version in a size XS (based on Landon’s measurements and his personal preferences for ease), and added 1/2″ to the side seams for a little more wearing ease (I probably could have cut up one size – but I’d already shredded the remaining tissue, and this was easier. Actually, he says the arm holes fit really well so it’s probably best we stayed with the small size). I also added 1/4″ to the CB fold, just to give him a little more room back there. The sleeves were mostly fine – except I added 1/4″ to the seams below the elbow, and removed 1/8″ above the elbow. I also added 3.5″ to the sleeve length (NO idea why it was so short!). I think those are all the fitting changes I made. Pretty minor stuff.

Albion Toggle Jacket for Landon

Albion Toggle Jacket for Landon

The actual construction took almost no time at all! I had it done within about a week, working off and on as I had time. Since it’s not a proper coat, it doesn’t require any sort of crazy tailoring – really just the same techniques you’d use to make, say, a lined dress. I did add a back stay – I just used leftover muslin – to keep the back from stretching out from all those hugz Landon gives me (aw). I also added interfacing to the places where it made sense to include it – the plackets, the sleeve tabs. It seemed weird that the pattern didn’t mention it, but maybe that’s because it’s written for a heavier coating.

For fabric, I used cotton twill for the outer, and plaid wool flannel for the body lining. The sleeves are lined with silk charmeuse (to aid with getting the jacket on, and also for warmth – cotton isn’t very warm, but wool and silk are!).

Albion Toggle Jacket for Landon

Albion Toggle Jacket for Landon

I also added an interior patch pocket for his phone, as well as a hanging loop at the back neck. The interior pocket is cut on the bias, but it’s lined with silk cut on the straight grain (to keep it from bagging out as it gets used). For the hanging loop, I just used the pattern piece from the Minoru Jacket. Not trying to reinvent the wheel here!

Albion Toggle Jacket for Landon

Albion Toggle Jacket for Landon

Albion Toggle Jacket for Landon

I knew I didn’t want to buy toggles (they’re expensive and they never look quite right), so I made them. I started with these horn toggles from Mood Fabrics, and used scrap leather (given to me by Elizabeth) and cotton cording to make them. I just goggled ‘how to make your own toggles’ (I know, I’m so creative) until I found a tutorial I liked – this was the one I used. I attached the cording to the leather patches at both ends, just for additional strength.

To attach the toggles, I marked their placement on the jacket and then stuck them down with double-sided tape. I traced around the entire toggle – patch and all – with chalk (this is helpful so it’s easy to brush off – I like my chaco liner, personally!) to be really sure of the placement, but the tape mostly helped with keeping things in place while I topstitched. I used my #10 edgestitching foot and just sewed really slow, stopping with the needle down when I needed to turn. Didn’t even need to change my needle – the leather was thin enough for the 80/12. Done and done!

Albion Toggle Jacket for Landon

Albion Toggle Jacket for Landon

I like the 3 piece hood! I like that it stays put, and it has a nice shape (you know how some hoods just kind of suck in around your head? I hate that.). I cut the center piece on the bias to ~add interest~.

Albion Toggle Jacket for Landon

Albion Toggle Jacket for Landon

I REALLY love the lining! I was initially sad to not keep it for myself (that is one helluva a wool flannel, is all I have to say about that), but it’s really perfect for this coat – and those are totally Landon’s colors. When cutting, I just made sure the side seams were matched and that was good enough (and easy!). I’m also really glad we lined the sleeves in silk, because I can’t imagine how awful it would be to try to pull this thing on without slippery sleeves, yeesh. Plus, silk charmeuse. mmm :)

Albion Toggle Jacket for Landon

Anyway, I’m happy to report that Landon loves his coat! He has been wearing it nonstop (seriously put it on as soon as I finished it – to wear around the house hahaha), and been showing it off to all his friends. I’m just happy to make him happy (not to mention be off the hook for another year :P). Oh, and in case you’re wondering – that’s a me-made shirt Landon is wearing, too. Gah, I am the best girlfriend.

**Disclaimer: All fabrics were provided to be as per my involvement with the Mood Sewing Network. The Albion pattern was given to me as a gift from my sponsor, Indie Stitches.

Completed: Vogue 1419 (At Last!)

18 Nov

Well, no that the V1419 Ralph Rucci Sewalong has officially wrapped, I guess I can finally show y’all my coat! For those who didn’t catch my post on the Mood Sewing Network yesterday to see my completed coat a day early – your patience is finally being rewarded, including some never-before-seen shots that weren’t included in the original post! How exciting!

Anyway, coat!

V1419 Ralph Rucci Coat - Completed!

Considering how much I went over the making of this coat at length (see all my posts tagged v1419 here), I won’t be going over the construction so much in this post. If you want more info, feel free to check the tag – or just holler out some questions in the comments (I don’t expect anyone who didn’t actually sew along with the sewalong to have actually read the posts – they were pretty intense, and I find sewalong posts kind of boring if I’m not part of the action, you know? Anyway, snaps to you if you did read the posts! I hope you learned some new coat-making tips and tricks ;) ). Here’s a general rundown of the basic information, for those who are dropping in for the Big Reveal:
Pattern: Vogue 1419
Fabric: From the Mood Fabrics flagship NYC store – I enlisted the help of my favorite Mood dude, George, to assist me in finding my perfect red wool coating – and he knocked it out of the park! This coating is red virgin wool, it’s nice and thick with a great amount of body to give the coat it’s lovely shape. The wool itself is soft and easily malleable (very necessary for all the crazy intersecting seams of this pattern!), and the color is just PERFECT! The pattern itself does not call for lining, but I did add a layer of bright red silk taffeta as an underlining, to help the coat slide on and also as an additional layer of warmth. The contrast (inside binding, bound button holes, belt trim) is also silk taffeta, in a darker red that matches the wool coating. I think it gives a nice bit of textural interest and keeps the coat from being just straight up loud and red. Both silk taffetas were also purchased from the Mood Fabrics store in NYC, and the colors were chosen with the help of George.
Notions: Just thread and buttons! I had my buttons custom-made here in Nashville by a local lady who sells them through Textile Fabrics. Since my coating is SUPER thick (way too thick for those sad little button kits that you can buy), it needed some heavy-duty machinery to get the fabric on. I’ve used this service in the past for previous coat buttons, and the quality is excellent.
Sizing & Alterations: I cut the size 6 and sewed the coat exactly as drafted, except at the waistline where I used a 1/2″ seam allowance instead of the standard 5/8″ (just to give myself a tiny bit of eating room ;) ). I only altered the length – removed 3″ from the hemline and 1″ from the sleeve length.

V1419 Ralph Rucci - Inspiration Watercolor

Here’s my original inspiration, in watercolor :)

V1419 Ralph Rucci Coat - Completed!

I think it turned out pretty close, if not better! :)

V1419 Ralph Rucci Coat - Completed!

Don’t you love the photos? These were taken by my friend and fellow knitter, Alannah Arnold, who was almost as excited about this coat as I was! Alannah and I meet with a group of ladies every Monday for a casual (and, um, booze-filled, haha!) knitting night at my favorite local bar. She’s listened to me talk about this coat for weeks at this point – and offered to take photos once it was done. Which is awesome, because they turned out WAY better than anything I could have shot in front of my shed!

I met with her in East Park, in East Nashville, to take these photos. That’s a feat in itself – anyone who knows me, knows I will kick and scream when it comes to crossing the river into East Nashville. Never mind that driving into East Nashville is like driving into Brooklyn – it’s actually not that bad (unless there’s a Titans game – if then, forget about it!), it’s just fun to complain about :) Regardless, East Nashville has the prettiest fall trees, and this park is undeniably beautiful. So, I made some sacrifices (har har) and ended up with a pretty great set of pictures to match my pretty great coat! Yay!

V1419 Ralph Rucci Coat - Completed!

Ooh, and I even found a Porsche while I was at it :) haha!

V1419 Ralph Rucci Coat - Completed!

V1419 Ralph Rucci Coat - Completed!

V1419 Ralph Rucci Coat - Completed!

V1419 Ralph Rucci Coat - Completed!

V1419 Ralph Rucci Coat - Completed!

V1419 Ralph Rucci Coat - Completed!

V1419 Ralph Rucci Coat - Completed!

V1419 Ralph Rucci Coat - Completed!

If I haven’t already made it completely obvious – I’m SO happy with my finished coat! Sewing it up was so satisfying, and absolutely worth it. It is very dramatic and theatrical – so it’s a bit excessive for daily wear. I don’t think I’ll be bringing this to London, unfortunately, as it’s definitely not very practical (it’s too fitted to really accommodation multiple layers, plus I could see those bell sleeves getting real annoying real fast after 2 weeks of daily wear). However, it is the PERFECT topper for all these upcoming holiday parties that are just around the corner ;)

Let’s also not forget how this is one of few instances where sewing can actually save you money – this coat cost less than $200 in materials, whereas the original designer version has been rumored to run closer to $10,000. Sure, making a little cotton sundress will probably set you back more than whatever you would paid from a mall retailer – but knocking off couture? That’s where the savings really start to show ;)

I will leave you with this photo of me, wearing my knock-off designer coat, throwing leaves in front of a rich person’s house. Probably the same person who owns that Porsche, to be honest:
V1419 Ralph Rucci Coat - Completed!

Be sure to check out the McCall Pattern Company blog to see Meg’s completed coat, if you haven’t already done so! Big thumbs up to everyone who participated in the sewalong – and big, huge thanks to Meg for agreeing to cohost this beast of a sewalong alongside me. Couldn’t have done it without you! :) Don’t forget to use the hashtag #V1419sewalong so it will show up on this tagboard. We encourage you to upload your photos to the V1419 Flickr group, the Vogue Patterns Facebook page, and pin it to the Pinterest board

Didn’t join the sewalong but still want to make your own designer Ralph Rucci? Check out my V1419 tag and the McCall Pattern Company Blog for all the posts pertaining to this sewalong. I can’t wait to see everyone’s finished coats!

What do you think? Would you ever tackle a crazy long intense project like a coat? What about THIS coat? Man, I love making coats!

Disclaimer: My pattern was provided to me free of charge from the McCall Pattern Company, and the fabric was provided from Mood Fabrics as part of my monthly allowance for participating in the Mood Sewing Network. Still, I definitely made this entire coat myself – sooo, that should count for something ;)

Follow

Get every new post delivered to your Inbox.

Join 2,575 other followers