Tag Archives: Mood Sewing Network

Completed: Vogue 1610, in Silk Jersey

23 Apr

All right, y’all, so back to Vogue 1610. If you recall my first make-up of this pattern, I’m happy to report that I finally got my hands on some gorgeous silk jersey and was able to do her her all fancy-like – want to see? :)

Vogue 1610 - silk jersey

Yay, baby’s first ~silk jersey~ DVF ;)

Vogue 1610 - silk jersey

I know, I know – a true 1970s DVF would be made in some ~futuristic~ polyester, but I’m a fine lady with fine tastes and I wanted silk! So silk I got. Ha!

Vogue 1610 - silk jersey

After my first make, I was pretty confident on the sizing and adjustments I needed to do to get this dress really looking it’s best. Y’all should be proud of me – I remembered to *not* hack off the hemline to dangerously short proportions, and I remembered to remove the added length to the bodice so this hits me in the right spot. Other than that, this dress went together almost the same way as my first one – except I left the sleeves off, for a cool 70s kick. Nice, yeah?

Vogue 1610 - silk jersey

Now let’s talk about silk jersey. After lurking the Mood Fabrics website (as well as the store last month!) for a few weeks, I came across this gorgeous this paisley silk jersey by Marc Jacobs. I was looking for something a little groovy that would look like something Diane would use to make one of her iconic dresses, and I think this fits the bills. Also: SILK. Hell, it was expensive, but it was definitely worth it!

Vogue 1610 - silk jersey

This was my first experience working with silk jersey. The texture is quite a bit different than what I had imagined this fabric would feel like – it kind of feels like a really really high-quality ponte (this particular fabric is also a heavier weight of silk jersey; some of the lighter weight in the store, for example, almost felt like straight-up poly. So weird!). A high-quality ponte with a beautiful drape and feels like luscious silk, I might add. The colors on the fabric were SUPER saturated, and there was a nice sheen to the right side.

Vogue 1610 - silk jersey

Vogue 1610 - silk jersey

I say “were” because while they’re still pretty bright, the colors aren’t quite as close as they were when I originally got the piece of fabric in the mail. See, I’m of the camp that anything that cannot be safely washed in the washing machine simply does not belong in my house. For some of my older (and wool!) projects, that usually means they get a good airing out and the occasional hand wash. For everything else, it means I don’t own it. Ha! I hate the dry cleaners, I hate the chemicals, and I don’t want them anywhere near my body! I knew this dress wouldn’t get worn at all if it meant that it was a pain to clean, so I did a little research and ultimately threw the whole yardage in the washing machine and dyer to pretreat before I cut into it. Apparently, silk is a-ok as long as you treat it the same way you will treat the finished garment (in my case – wash on cold, tumble dry medium). Be warned that it will soften the silk and remove the sheen, as well as slightly dull the colors. I figured a little dull color is better than a dress that I never wear, so in the wash it went! No regrets!

Vogue 1610 - silk jersey

Anyway, back to sewing this stuff – my particular fabric (again, like any other jersey, not all silk jerseys are the same!) was pretty stable, so it would be fine for sewing up on a regular machine. For the most part, I treated this fabric the same way I treat any other knit – the seams are constructed on my serger (again, not necessary – but hey, I have a serger and it’s there, so why not?), and I stabilized the shoulders with strips of iron-on interfacing to keep them from stretching out over time.

Vogue 1610 - silk jersey

Vogue 1610 - silk jersey

The few parts that I did sew on my sewing machine, I used a fine 70/10 ballpoint needle and regular polyester thread. What is different here (as opposed to how I normally sew knits) is that I included facings at the arm holes and blindstitched them down, as well as blindstitched the hem and the facing on the skirt overlap. I know, I know – it’s a knit, throw a fucking binding on it and call it a day, yeah? – but I felt like this dress deserved just a little more finesse, it being a silk jersey DVF and all. Since the silk jersey is so, well, robust, it lends nicely to blindstitching as the stitches really sink it and are completely invisible on the right side. Plus, it presses like a dream. Yay silk!

Vogue 1610 - silk jersey

GAH, I mean – just look at that beautiful fabric!

Vogue 1610 - silk jersey

So good.

Vogue 1610 - silk jersey

Vogue 1610 - silk jersey

Here’s what silk jersey looks like once you push it through the wash. Notice that the texture isn’t smooth and shiny – it a little rough, almost slubbed (I hesitate to call it pilling because I feel like this particular fabric probably doesn’t pill, but feel free to chime in if you have a long-term experience with this stuff!). Despite being silk, the end result is very relaxed and casual feeling, but it totally looks nice enough to wear to work or on a date.

Vogue 1610 - silk jersey

Overall, I’m really pleased with how this dress turned out and I can’t wait to test those silk-breathing properties in the dead of summer. Not to mention – how about those colors, eh? Seriously, is it even possible to be unhappy while wearing this dress? :)

Vogue 1610 - silk jersey

So, there you go – silk jersey wraps FTW! What do you think? Are you ready to fall in love with silk jersey yet?

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Completed: Runway-Inspired Separates

25 Mar

So, everyone at the Mood Sewing Network decided a couple of months ago that we would challenge ourselves to make pieces that were inspired by the Spring 2014 runway. Real talk: this shit sent me into a panic. Runway? I can honestly say I have never even so much as glanced at a series of runway photos, let alone determined an outfit based on what I saw (I’m not saying this in an ~ooh, I’m so cool I just don’t even pay attention to fashion~ way, more like, yo clueless!). Furthermore, it’s difficult for me to grab “inspiration” from something without just blatantly copying it. I spent an entire month agonizing over designers, pouring over runway sets at style.com (holy crap, there are a lot of them) and wringing my hands over what to make.

Butterick 5526 & Kelly skirt, made with Mood Fabrics

Then I discovered Alberta Ferretti.

Alberta Ferretti Spring 2014

I still don’t know who this designer is, exactly, but the entire runway show is magical. Bright, saturated colors! Crisp white accents! Flowers! Stripes! This is the kind of inspiration I can get behind! I decided to make myself a *wearable* (emphasis on wearable ;)) version of my favorite look.

Butterick 5526 & Kelly skirt, made with Mood Fabrics

Figuring out the fabric and patterns I would use was almost as difficult as picking a designer! I knew I wanted to make a striped skirt with pleats similar to the runway version, because I just really love how that turned out (plus, who doesn’t love a good striped skirt?), but finding a good striped fabric on the Mood Fabrics website was haaard. I mean, they have all sorts of good stripes to choose from – but very little in that specific combination of wide, irregular stripes in bright saturated colors. I know, I know – this is supposed to be an inspiration, not a literal interpretation. But dangit, I wanted those irregular stripes!

Butterick 5526 & Kelly skirt, made with Mood Fabrics

I’m not going to tell you how long I spent picking through the Mood website with a fine-tooth comb; let’s just say I probably know every apparel fabric they sell now. I did finally find my big prize, though – this amazingly bright orange stripe cotton sateen is the clear winner. Woohoo! Of course, it clashes with my hair like big time crazy bad, but whatever, I picked all this shit out pre-blue LT. Anyway, I just love love LOVE the bright colors of the stripes – it’s not quite the same colors as the inspiration skirt – it’s way more happy springy! Yay spring colors!

Butterick 5526 & Kelly skirt, made with Mood Fabrics

I was originally going to make the fabric in a skirt that is more similar to the runway inspiration – no button front + pleats all the way around – but at the very last minute (like, right before I cut into the fabric, lolz), I changed my mind and decided to go with a pattern I knew I would actually wear and love. Enter the Kelly skirt! Cutting that shit took forever, btw. I agonized for a long time on how to cut the stripes – where each color and wide stripe should hit. I used the inspiration photo to help me decide how to cut the waistband (it was originally going to be a mess of stripes on it’s own, but I like it as one solid, thick stripe!), and was careful to match up the stripes along the side seams, the button front, and the pockets. Like I said, it took forever, but once I got the pieces cut, the actual assembly took no time at all.

Butterick 5526 & Kelly skirt, made with Mood Fabrics

The fabric is described as a lightweight cotton sateen, but it’s weighty enough to work as a bottom weight. There is definitely some texture in the weave, and it stretches quite a bit. I made sure to stabilize the waistband and button placket so the fabric would keep it’s shape in those areas, and used a long stitch on my machine for all the topstitching. It presses very well – really easy to get a sharp crease in there, yeah! – but it also tends to leave pin holes. For areas that needed to be pinned together and topstitched (such as the button band and inside of the waistband), I fused the pieces with a long strip of stitch witchery instead of pinning; this keeps everything in place and makes topstitching SO much easier! Especially if you tend to miss spots and only discover them after you’ve finished topstitching the seam, which means they gotta be ripped out and restitched so you catch the entire fold (er… not that I would know anything about that…). That shit’s not a problem at all when you’ve got Stitch Witchery on your side. Yay, Stitch Witchery!

Butterick 5526 & Kelly skirt, made with Mood Fabrics

Since my skirt is so bright and colorful, I went the boring route with my top and made a classic button-down shirt. I seriously considered adding embellishment – or even making it into a crop top, because, why the fuck not? – but in the end, I stuck with the classic tried and true. Mainly because my wardrobe is sorely lacking a solid white button down with sleeves, so I know this shirt will get quite a bit of wear with other pieces to mix and match. I used this Theory lightweight cotton shirting – which, if you were wondering, took almost as much agonizing as find the perfect stripe. There are SO MANY WHITE SHIRTING FABRICS available at moodfabrics.com! SO FUCKING MANY. Like, how do you even choose? I figured that I’ve had really good experiences with all the Theory denims I’ve bought, so the shirting fabric must be just as excellent. Which ended up being true – this shit is soft as angel’s wings, presses and stitches beautifully, and it’s right along that line of being *almost* sheer because it’s so lightweight. A skin-colored bra is a must with this fabric. The only drawback is that since it’s 100% cotton, it does wrinkle like crazy. Like, when I pulled it out of the dryer, it was a hot mess of wadded wrinkled ball I don’t even know what. Good thing it presses well! :)

Butterick 5526 & Kelly skirt, made with Mood Fabrics

For my pattern, I used Butterick 5526. Like I said, I knew I wanted a classic button-down shirt but nothing in my stash was exactly what I wanted – everything was either a relaxed fit, or had something twee like a peter pan collar or an abundance of ruffles cascading down the front. Which is fine – clearly I like these patterns enough to even have them in my stash – but I wanted something super basic. Butterick 5526 perfectly fit the bill – I went with the princess-seamed version with 3/4 sleeves, and I’m actually a little surprised at how much I like it. I made the size 6 with no muslin, with the hopes that the princess seams would give me enough room to play around with the fitting. It actually came out perfect straight out of the envelope – I KNOW, RIGHT? – although next time, I will shorten the sleeves because they are stupid long. They’re supposed to be 3/4 and they come to right above my wrists – in that weird spot that’s not quite long sleeve, but rather looks like I measured my arms wrong. Wah wah! I’ll just wear these rolled up, I guess. I also may reduce some of the ease out of the sleeve cap in the next version; these were pretty hard to ease in smoothly and there are still tons of wrinkles. But, for the most part – it ain’t bad!

Butterick 5526 & Kelly skirt, made with Mood Fabrics

I did try to jazz up the shirt a little bit by adding topstitching, but for the most part – it’s just a plain jane backdrop to an awesomely loud skirt. I love it!

Butterick 5526 & Kelly skirt, made with Mood Fabrics

Ok, now I have to tell you my secret – I didn’t start sewing this until Saturday morning! On top of that, it had to be finished and photographed before dark on Sunday – and I had a wedding to attend on Saturday night. I spent so long agonizing over my designer inspiration, then the fabric, then the pattern – that by the time I had everything (mostly)figured out, it was time for me to get on a plane and head to NY. When I got home on Monday, I had another more urgent deadline that needed to be taken care of asap (more on that later), which put this project on the backburner for a few days. Needless to say – I was pretty stressed come Saturday morning! I like to think I’m pretty efficient when it comes to making things quickly, but even that’s a stretch for me, especially two garments. I’ll be honest – I was tempted to half ass this one, just for the sake of time, but I decided early on that it wasn’t even worth my while if I didn’t end up making something that would be wearable past this photoshoot. Which means I forced myself to slow down – I made time for fitting, for the details like topstitching, for fixing mistakes (oh yeah, I totally sewed that collar stand on backwards the first time NO BIG DEAL), for eating lunch. But hey, look – not only did I actually get it done, but I actually made something nice without cutting corners.

Butterick 5526, made with Mood Fabrics

Butterick 5526, made with Mood Fabrics
I mean, check out that topstitching!

Butterick 5526, made with Mood Fabrics

Kelly skirt, made with Mood Fabrics
Lots of topstitching on the skirt too, woohoo :)

Kelly skirt, made with Mood Fabrics

Kelly skirt, made with Mood Fabrics

I know my outfit isn’t quite as fashion forward as what I could have done, but I am elated with how both pieces turned out and I can’t wait to give them some proper wear to welcome spring in with loving arms. Come on, spring! I know you’re lurking back there somewhere, time to come out of hiding!

Butterick 5526 & Kelly skirt, made with Mood Fabrics

One last thing – most of y’all are probably aware by now, but just in case you weren’t… By Hand London is going to start printing fabrics on-demand! How freaking awesome is that?? They need some help with costs to get production started, so they’ve got a Kickstarter going to raise funds. You can get some pretty sweet loot in exchange for your money – from tote bags, to coffee mugs, to free patterns, to private sewing lessons – but even $5 helps. Every little bit adds up! I am so so excited for this new venture that the BHL ladies are seeking out, and I really hope they meet their goal so it can become a reality (especially if it means I can start printing wildly tacky fabric to my heart’s desire). You can check out the Kickstarter here – watch the super cute video, and I dare you not to fall in love. I dare you.

Completed: A Lacy Georgia (+ a giveaway!)

19 Feb

As much as I’m not really one for ~celebrating~ Valentine’s Day (I’ll take the flowers and the steak dinner, though, thanks!), I *love* the excuse it gives me to make a new dress specially for going out. Last year I wore red lace, this year I decided to go with… lace again. Except this time, I thought I’d ramp up the knockout factor with some black lace and a form-fitting, By Hand London-approved shape.

Georgia dress

So. Meet Georgia.

Georgia dress

When the girls at BHL HQ asked me if I wanted a copy of their newest pattern, I did not hesitate to scream YUSSSS and start prowling the Mood Fabrics site for a perfect lace. I knew I wanted to experiment with emerald underlining black lace (when I was still working for Muna, we had made a swing coat for a client in a similar color scheme and I looooved looking at that thing. LOVED it. Unfortunately, the client didn’t want photos taken of her even though she’s totally gorgeous, so you’ll just have to use your imagination here), so I snapped up this Anna Suit stretch lace and emerald cotton sateen and immediately set to work.

Georgia dress

The prep work for assembling this dress was definitely a labor of love – I underlined every single piece of lace with the green cotton sateen, using long basting stitches and silk thread, by hand. I kept the pieces flat on my tabletop so they wouldn’t shift around, and I bribed myself with episodes of the X-Files while I sewed (two, in case you were curious) (speaking of which, whyyyy didn’t anyone ever tell me about the X-Files?? I’ve just discovered it and I’m OBSESSED! It’s like watching Ancient Aliens, except with a 90s love story. omg.). As I sewed each piece together to assemble the dress, I removed the basting stitches (this is where silk thread comes in handy; it just slides right out effortlessly!) and serged the edges separately so the seam allowances could be pressed open.

Georgia dress
Georgia dress - stabilizing neckline

I used twill tape to stabilize the top edges of the cups, so they would curve against my body and not stretch out over time. This is one of those really easy techniques that takes barely any time at all, but give you fabulous results. You basically do the same method as you would for taping the roll line on a coat – cut the twill tape to the length of the neckline minus 1/4″, then place it inside the seam allowance, up against the seam line. Since the tape is shorter than the neckline, the neckline gets eased into the length of the tape and then stitched down (inside the seam allowance). That’s it! So easy! So effective!

Georgia dress
Georgia dress

I’m really happy with how the hem turned out – I knew I wanted the scallops to roll all the way around the dress, with a wide hem of solid green below (similar to the aforementioned coat). Since the skirt has 6 panels to give it it’s shape, cutting the lace required some forethought and a lot of head-scratching. I’m happy to report that my scallops ended up pretty close to perfect – they go all the way around the hem uninterrupted, even at the zipper! Yeah!! Totally worth that extra effort.

Georgia dress

I changed up the construction of the straps because my fabric was too bulky to pull right side out. Instead, I treated them like belt looks – finished one edge, folded the strap into thirds, and slipstitched everything together. As a result, my straps are really secure and I think they look great!

Georgia dress

The only part about the dress that I’m not happy with is the bodice size – despite my muslin, it ended up toooo small! Whoops! Thankfully, it’s totally wearable (the smallness is in where the bottom seam hits, not in a scandalously-low way or anything), and it’s not terribly noticeable in real life, thanks to the lace. But it’s there, I know it’s there, and next time I will be giving this lady a big ol’ FBA.

Also, in case you were wondering – I can wear my dress with or without a bra. It’s fitted enough to give me some support without a bra, but it also works fine with a strapless bra.

Georgia dress
Georgia dress

What I love most about this dress, though, is the 90s throwback style. It really looks like I’m wearing a Cher Horowitz-approved, super fancy slip. The whole time I was making this dress, this scene from Clueless kept running through my head:

HAHA! But seriously – someone make this shit up in white silk! DO IT NOW!

Georgia dress
Georgia dress
Georgia dress

The pattern itself was very easy to follow, even with my added changes. I made the size 2/6, with the skinny straps and the mini hemline. Just a warning – it is pretty short! If you are considering the mini and you are not a petite person, you may want to consider lengthening it. I personally did not have to make any sizing alterations to the pattern, but like I said earlier, I will be doing a FBA for the next round.

Georgia dress

GIVEAWAY IS NOW CLOSED
Ok, so here’s the prize if you made it through to the end of this post – the gals at By Hand London graciously sent me an extra copy of the pattern, so let’s have a giveaway! If you’d like to win your very own copy of the Georgia dress pattern, simply comment on this post and let me know what fabric you’ll use to make it up. That’s it! This giveaway is open WORLDWIDE and I will close the entries next Wednesday February 26, 2014 at 8AM CST.
GIVEAWAY IS NOW CLOSED

Good luck! Here’s a bonus picture of me and Landon on Valentine’s Day, smug wine smiles and all~

Valentine's Day!

Completed: The Vogue Coat

9 Jan

Ahhh, it’s finished! A little past all my self-imposed deadlines, but whatever – I have a new coat! Finally!

Vogue Coat - Done!

Of course, now I wish I’d given it a catchier name than “the Vogue coat,” but ehhh, too late now. Let’s just look at how nice my coat looks, yeah? :)

Vogue Coat - Done!

I guess there’s not much else to say about the making of this coat- I’ve outlined it pretty heavily here and here. Once I finished with all the pad stitching and steaming and general tailoring funsies, the rest of the coat came together quite quickly – especially since I’d already sewn up my lining and had it waiting for me.

Actually, let’s talk about inserting the lining real quick because I thought it was interesting how the pattern had me do it – I sewed the entire coat to completion – finished the backs of the bound button holes, sewed on the buttons, hemmed the bottom and the sleeves, stitched down the facings with long running stitches – and then inserted the lining by hand with slip stitches. At first, I tried to think up ways to not have to do this so I could just bag the lining like in RTW (one thing I learned how to do at Muna’s, man, we sewed sooo many coats there haha), but I eventually decided to just go with the instructions because I liked the way the finished coat felt with everything securely sewn down (bagging a lining, at least the way I learned, means that the facing and hem are left open and then you have to go back in and thread tack everything, which I sort of hated). Plus, the lining will be easy to remove and re-attach should I ever need to replace it. Considering that I plan on keeping this coat for a long time – or, at least, as long as I continue to fit into it :) – I’ll probably end up shredding the lining long before the coat needs to be repaired.

Vogue Coat - Done!

Oh, you wanted to see the lining? Sure thing!

Vogue Coat - Done!

It’s red! Shiny shiny red!!

Vogue Coat - Done!

I can’t even tell you how happy I am that I decided to go with the silk charmeuse instead of the Bemberg Rayon or China Silk that I was originally considering. This stuff is LUSH. It’s so heavy and wonderful, which makes it easy to sew and press, and it’s so shiny and gorgeous! I can’t get enough of it! Totally takes that coat game up a notch, don’t you think?

Vogue Coat - Done!

I am just really happy with this coat. It’s surprisingly warm, considering how light the wool is and the fact that I only underlined it with silk organza – when I took these pictures, it was like 25* outside, and I felt fine. It’s also pretty lightweight, making it easy to carry around (after I took these pictures, I spent the day at the mall with my BFF and the coat fit easily in my purse strap while I walked around. So nice!).

Vogue Coat - Done!

Not to mention, it’s just awesome. I’ve always wanted a plaid coat. And now I have one!

Vogue Coat - Done!
Vogue Coat - Done!

And unlike mall coats, my plaid actually matches ;)

Vogue Coat - Done!

I love the topstitching on this coat. I used proper topstitching thread so you can really see it, and my machine had no trouble plowing through all the layers of coating and hair canvas.

Vogue Coat - Done!

Here’s a dorky fact about me – I love setting in coat sleeves! Really! Instead of using gathering stitches and all that nonsense, I use this cool little trick that uses a bias strip of fabric (for this coat, it was pajama flannel, ha!) to ease the sleeve head before you attach it to the armhole. Lolita patterns has a great tutorial on exactly how to do this, and even some tips of on what kind of fabric to use. I’ve used this technique for all my coats and I pretty much always get perfect results.

Vogue Coat - Done!

Here’s the coat without my distracting cowl. I ended up going with these black glass buttons as I like how they are simple enough to not distract from all the plaid going on with the coat fabric.

Vogue Coat - Done!

One thing that really upped my game with the coat this year was that I had a new iron to steam the shit out of things with! I ended up getting a gravity feed iron for Christmas (yay! Thank you, mom!!) and I can’t even tell you how delighted I am with the pressing output from that thing. It gets SO HOT, doesn’t auto shut-off (!!!) and I also got a shoe with it so there’s no shine or melting. It’s SO awesome. My coat really benefited, too, as you can tell – see how sharp the creases are at the hems and lapels? Love. Love love love!

Vogue Coat - Done!

Y’all probably already guessed this, but I also made my little knitted cowl to go with my new coat. It seemed appropriate, especially since I had a ball of Cascade 128 in the perfect shade of red just waiting to be used. I used the Blue Streak pattern, which was easy enough to memorize so I just carried the project around in my purse and knitted a row or two during downtime. Which was all the time – Christmas morning, knitting a cowl. Sitting in the movie theater waiting for the previews to end before The Wolf of Wall Street started, knitting a cowl. Waiting in line at emissions testing, knitting a cowl. Whatever, I love how portable knitting is! Ha!

Vogue Coat - Done!

No need to knit new gloves, as it goes perfectly with my childish skeleton gloves ;)

Vogue Coat - Done!
Vogue Coat - Done!

In other cool coat-making news, I finally found a home for my Fabiani coat – my mom! It fits her perfectly, so she’s been wearing it for the past month. Yay!

Vogue Coat - Done!

Anyway, I guess that’s it! Yay for coat-making, and yay for this giant project to finally be over! :)

Completed: A Manly Striped Sweater for Landon

19 Dec

Guys, I’m such a mess. It’s December 19th and this is literally the first Christmas present I’ve come up with – I made Landon a sweater!

Men's Sweater made with wool sweater knit from Mood Fabrics

Or, I should say, I SEWED Landon a sweater. Ain’t fuckin’ around with no Sweater curse.

Men's Sweater made with wool sweater knit from Mood Fabrics

Y’all know I don’t do much sewing with men’s clothing… I think I average about one piece per year, so here’s 2013′s edition! I don’t know what the hang-up is, because every time I get started on a new Landon-garment, I realize that I really enjoy the process of men’s sewing because it’s so straightforward. No weird fitting (I mean, there’s fitting, but not like fitting a woman’s body with boobs and a butt), no frills, and lots of exact topstitching and mitered corners and fun things like that. It’s also very safe.

Men's Sweater made with wool sweater knit from Mood Fabrics

We found this navy/pea striped wool knit on Mood Fabrics and Landon immediately pointed out how much he loved it. I’m not surprised- like 3/4 of his closet consists of these colors, or stripes, or this particular cut of shirt. So I’ve basically just created the holy trinity of sweaters for him, I guess.

Men's Sweater made with wool sweater knit from Mood Fabrics

Anyway, I was iffy about the fabric when I ordered it, but a sweater was promised and I’m a girl who keeps her promises (plus, like I said, I didn’t have to knit is, sooo..). The fabric is actually quite lovely in person – it’s a nice, stable knit, sort of like a ponte, so it holds stitches beautifully without getting all weird and wavy. It’s also wool, which means it steams up beautifully and doesn’t get that weird shine that you sometimes get when you stick a hot iron on ponte. I sewed this up on my serger – because it’s fast and durable (and this is a dude sweater, after all) – but this is totally the type of fabric that can handle a standard sewing machine making the seams, so fear not if you’re part of the serger-less population.

Men's Sweater made with wool sweater knit from Mood Fabrics

I’ll be straight with y’all – this was a very last-minute project. My original plan for December was the glorious plaid coat I’m working on, but I’ve had some issues with time management this month (and hand-tailoring takes foreeeever, and no, I don’t care if Peter can make a beautiful coat in a week STOP COMPARING ME TO A LITERAL SEWING MACHINE), so the coat, while still in the works, is not quite ready for her debut. Fortunately, knits sew up pretty fast, so I had this finished in a couple of hours – just in time to take some pictures and send the man off on a week-long business trip.

I did not use a pattern for this (see above: time management), but simply traced off an existing sweater that already fit him. From there, I sewed up the main pieces (front, back, and sleeves), tried it on him, and then added the binding for length. I somehow messed up the length of the sleeves (pretty certain that the original traced-off sweater had too-short sleeves, since these were exactly the same length, gr), but I was able to adjust the ribbing width and they turned out fine. Speaking of the ribbing, I tried to source a good navy but ended up with nothin’, so I just used this navy ponte knit from Mood Fabrics, left over from last month’s dress. The color match is perfect, and the lack of visible ribs actually looks pretty polished. So there’s that!

Men's Sweater made with wool sweater knit from Mood Fabrics

To get the neckline ribbing to lay nice and flat, it needs to be short enough to stretch perfectly within the opening. Even a fraction of an inch too long, and it will wave and flap out. Not a good look! Since I was working pattern-less and didn’t feel like getting my math on, I switched up the sweater construction so the neck ribbing is applied flat. It’s really easy – see my tutorial on the Papercut Patterns blog. I pretty much get perfect results across the board every time when I use this technique, and it doesn’t require any intense maths or measurements. This is what I love about knits!

Men's Sweater made with wool sweater knit from Mood Fabrics

I also topstitched the ribbing at the neck with a twin needle, making sure to have the seam exactly between the two needles. I just like the way it looks!

Men's Sweater made with wool sweater knit from Mood Fabrics

Men's Sweater made with wool sweater knit from Mood Fabrics

Since I had quite a bit of wool knit left over, I made a quick scarf for Landon as well. Super, super quick – just cut two lengths of fabric, sewed them together down the long side, turned the tube right side out and then closed up the open ends with a bit of Stitch Witchery. Landon loves his scarf, and he promises not to wear it with the sweater like I forced him to in these pictures.

Men's Sweater made with wool sweater knit from Mood Fabrics

I don’t know why I thought modeling the scarf in a bush was a great idea, but it sure seemed hilarious at the time.

Men's Sweater made with wool sweater knit from Mood Fabrics

So, I guess the moral of the story is, when in doubt, make a sweater! Or if you’re super short on time, make a scarf! Either way, my knit scrap stash has just made itself incredibly appealing to me…

Completed: The Sugar Plum Dress (+ a Giveaway!)

25 Nov

This dress is SO awesome and sneaky. Looks like two pieces, but wait- there’s more! It’s actually one dress! Sugar Plum dress made with Oscar de la Renta silk and ponte knit from Mood Fabrics I LOVE these kinds of dresses! Looks like a silk blouse with a high-waisted pencil skirt, without the bother of keeping a shirt tucked in all day and making sure things match in the morning (because, ew, all I wanna do is sleep right now). Extra bonus – the skirt is a ponte knit, so it’s actually a COMFY pencil skirt. Are y’all feeling my excitement right now?? Sugar Plum dress made with Oscar de la Renta silk and ponte knit from Mood Fabrics This is the Sugar Plum, from Lolita Patterns. Full disclosure: Amity sent me this pattern free to try it out and see how I liked it. I guess you probably gathered at this point my reaction to the finished dress – ummm, amazing! I love how it’s totally appropriate for a professional environment (not that I need clothes like that anymore, but, you know, I still like to dress up ;)), but it’s still beautiful and feminine and unique. The pattern is really fun to put together – lots of tiny pieces, clever seam finishes, the kind of stuff that makes me :D Since it doesn’t require a lot of fabric to make up the top half (less than a yard!), I splurged on this amazing Oscar de la Renta silk print from Mood Fabrics. I also bought this navy blue ponte knit for the skirt (omggg so comfy) and lime green china silk for the lining for a bit of a color pop. Sugar Plum dress made with Oscar de la Renta silk and ponte knit from Mood Fabrics This is view B, without the front flounces. I sewed up a size 2. The top fit with no alterations, although I did need to take the skirt in a bit to get it fitted (it’s actually a bit toooo fitted now, whoops. Good thing it’s a knit lol). I did use a much stretchier fabric than suggested by the pattern, so I’m not surprised. The pattern has you use a stretch woven, and pontes tend to be a little more like an actual knit. Based on the way the skirt fits, I suspect you could also use a non-stretch woven and just cut the panels on the bias for the same fitted/comfortable effect. I skipped the pockets and the sleeve gathering detail for a more simple look. Sugar Plum dress made with Oscar de la Renta silk and ponte knit from Mood Fabrics The more I sew with silks, the more I find myself not wanting to make up anything else. The most important thing I’ve learned when it comes to sewing lightweight/slippery/silky fabrics is to make sure that your cutting is super accurate, then the sewing is a piece of cake (or, at least, as much of a piece of cake as it can be!). I always rip my fabric along the cross grain first, to ensure that the edges are perfectly straight, and then pin the selvedges together before I lay down my pattern pieces. This prevents the silk from shifting as I cut it. When it’s time to cut, make sure your scissors are nice and sharp, and try to cut the entire length of the blades (instead of timid little snips). One thing I loove about ordering from Mood Fabrics is that I know the fabric is going to already be on-grain, so I don’t have to worry about straightening the grain before I cut. Just rip the cut edge, pin, and cut those pattern pieces! Sewing with the ponte was much easier than the silk, obviously. I used a serger for all the skirt seams, and my regular sewing machine (treating it like a woven) to attach the silk top to the ponte waistband. I love this ponte because it’s quite a bit more stretchy than other pontes I’ve tried, which means it’s extra extra comfortable. Just be careful when you press it – it definitely gets a shine, so use a press cloth. I keep a big square of silk organza specifically for this purpose. It absorbs the heat of the iron so my fabric underneath doesn’t shine, and it’s sheer so I can actually see what I’m doing :) Sugar Plum dress made with Oscar de la Renta silk and ponte knit from Mood Fabrics Sugar Plum dress made with Oscar de la Renta silk and ponte knit from Mood Fabrics I really enjoyed working on this pattern – lots of tiny details to make me feel challenged as a seamstress, but not so much that I got overwhelmed with the process. A lot of indie patterns run on the easy/beginner side – which is fine, I know there are lots of people who want something simple to make up, and it’s easier to complicate a pattern than simplify it. But sometimes it’s nice to have something that I feel is aimed at a slightly higher level, without me having to run through the steps and find ways to make it harder for myself. Wow, I just made me sound like a total weirdo. What can I say, I like a challenge! Sugar Plum dress made with Oscar de la Renta silk and ponte knit from Mood Fabrics I did make a pretty crappy mistake toward the end of this dress. I was sewing in the invisible zipper and could not get the waistband seams to match up. I was tired, hungry, getting grouchy (you can see where this is going), and I thought, “One more try and then I’m outta here.” While picking out the zip, I somehow managed to detach the teeth from the zipper tape. WHYYYYY. I know I tell y’all that I have millions of zippers in my stash, and I do, but none of them are invisible. I actually have to go out of my way and buy one whenever I need it (because I’m too stubborn to keep those in stock, apparently), which usually ends up with me going to Walmart because they sell invisible zippers and they’re open at 3am when I suddenly need one. So I pretty pissed about destroying this zip, and trying to avoid another trip to Walmart. I ended up cutting the zipper right above where I sliced it open, and just finished the dress with a super duper short zipper – it ends about halfway down the waistband. Since the skirt is so stretchy, this works, kind of. It’s funny to watch me pull it on, ha! And you know the worst part? THE WAISTBAND PIECES STILL DON’T MATCH UP. Whatever, I’m over it! Sugar Plum dress made with Oscar de la Renta silk and ponte knit from Mood Fabrics Sugar Plum dress made with Oscar de la Renta silk and ponte knit from Mood Fabrics I love the little details on this dress that make it so special – the ruffled collar (hemmed using the rolled hem on my serger), the tiny buttons with the tiny button loops, and that BRIGHT LIME GREEN LINING. Really, it’s like a party when I take the dress off! Sugar Plum dress made with Oscar de la Renta silk and ponte knit from Mood Fabrics Sugar Plum dress made with Oscar de la Renta silk and ponte knit from Mood Fabrics Sugar Plum dress made with Oscar de la Renta silk and ponte knit from Mood Fabrics By the way, don’t ever search Oscar de la Renta on the Mood Fabrics site unless you plan on dropping some serious dough on some seriously incredible fabrics. I just fell down the rabbit hole – again! – and discovered violet boucle, boucle with sparkly lurex (!!!), silk floral and some freaking polka dot silk taffeta. I want, I want it all! Sugar Plum dress made with Oscar de la Renta silk and ponte knit from Mood Fabrics

Now time for the fun part – a giveaway! Amity has generously offered a copy of Sugar Plum to one lucky winner, yeeeah!! Still having reservations? Just know that the sizing goes aaaaall the way up to 24 (yes!) and there is an entire sew-along on the blog for anyone who needs some hand-holding. You have no excuses, people! To enter, just leave a comment on this post and let me know what you’d make your Sugar Plum up in (Personally, I’m lurking on a second version with a leopard blouse and a denim skirt, like, ahem, Leila’s. Yes. Exactly like that. Sorry boo!). This giveaway is open to WORLDWIDE and I will close the entries a week from today, Monday, December 2 8:00AM CST. Good luck!

GIVEAWAY IS NOW CLOSED.

Completed: the Zinnia Skirt

8 Nov

Who doesn’t love to wear wool in the winter time?

Zinnia Skirt made with plaid wool from Mood Fabrics

I feel like a broken record when I start singing the praises of wool, but foreal you guys – this stuff is awesome. It’s super warm and cozy, breathes very well (so you don’t get overheated in all that warm and cozy-ness), and it’s also antimicrobial, which means it naturally repels odors. Which means now you know why I wear so much wool and still manage to keep up with the laundry – it doesn’t need to be washed very frequently! Airing out is fine for day-to-day. Yay for being lazy!

Zinnia Skirt made with plaid wool from Mood Fabrics

So obviously, I was ready to bust the wool out just as soon as the temperatures started dipping. I’ve had my eyeball on that Zinnia pattern, and I paired it up with this beautiful lightweight wool plaid suiting from Mood.

Zinnia Skirt made with plaid wool from Mood Fabrics

I didn’t take any special precautions when sewing this – it’s wool, it’s just easy! The stitches sink in (bad for unpicking, but great for hemming since you can’t see the top stitching ;)), it presses beautifully, and as weird as this is gonna sound – it was really fun to cut, too. My scissors just sliced right through that yardage. I love the colors and it looks just as good paired with black as it does with navy. Double duty fabric and all that.

Zinnia Skirt made with plaid wool from Mood Fabrics

For the skirt, I cut the size 2 (although I did end up taking in the waist so maybe the 0 would have been better). I left the skirt unlined and shortened the hem by about 3″ so I could have a mini. The waistband is cut on the bias and, despite what you might think you see, I promise that the plaid matches up at the side seams :)

Zinnia Skirt made with plaid wool from Mood Fabrics

See?

Zinnia Skirt made with plaid wool from Mood Fabrics

Oh yeah, and I did totally just change shirts. We’ll discuss those in a second.

Zinnia Skirt made with plaid wool from Mood Fabrics

So. About working with this skirt in a plaid fabric. It works – kind of. Matching those side seams was HELL ON EARTH and I’m not really sure why. There are only two pattern pieces, for fuck’s sake! That was also the same day I got my kidney stone (which, if you’re still wondering… it’s still here. Just hangin’ out. Ugh ugh ugh), so I blame it on the pain meds. Anyway, I don’t really think this patterns works very well with a stripe – at least not the stitched-down-pleats version. They just look like a hot mess at the front and back. Might want to save your plaids – or at least your large-scale plaids – for another project.

Zinnia Skirt made with plaid wool from Mood Fabrics

I also had to drastically shorten the hemline – like I said, 3″ and WOO IT’S A MINI – because the longer length just looked dumpy as hell on me. Which means my plans for using a border print probably won’t work with this pattern, at least not the print I had in mind. It’s just too tall for the skirt length.

Zinnia Skirt made with plaid wool from Mood Fabrics
Zinnia Skirt made with plaid wool from Mood Fabrics

Also, the fabric I chose maaaay be a little too much for this pattern – seeing as how it sticks out like I have a teeny petticoat underneath it, ha – but I actually like the flared look.

Renfrew top made with wool knit from Mood Fabrics

Oh yeah, my tops! This is a Calvin Klein wool jersey, also from Mood Fabrics (attached link isn’t the same color – looks like they’re sold out of the grey, SORRY – but it’s the same fabric type) and it is deeeelicious. So soft and cozy, and not itchy at all! I used the Renfrew pattern and made the cowl version with 3/4 sleeves. I just love the way the fabric drapes at the cowl – it has enough body so it’s not droopy, yet it’s also not huge and standing up on it’s own or anything.

Also, sorry about the rouge leaf. Didn’t see that during the photos, haha!

Renfrew top made with rayon knit from Mood Fabrics

I made the navy v-neck because I felt like my contribution was a little boring, and also because I wanted to see how good navy looks with this skirt (it does! it does!). I used a rayon jersey from Mood Fabrics that’s been in my stash for ages – originally considered for leggings, until I realized that it was a tiny bit too sheer aka I would be baring my bum. I’m so glad I found a use for it, though, because it is some of the most luxurious fabric I have ever handled! It may just be a rayon knit, but it’s silky smooth and amazing. I really wish I had it in every color! I’m also, like, stupid proud of how that V turned out, by the way.

As usual, I took waaay too many pictures, so I’m just going to dump the rest here.

Zinnia Skirt made with plaid wool from Mood Fabrics

Zinnia Skirt made with plaid wool from Mood Fabrics

Zinnia Skirt made with plaid wool from Mood Fabrics

Renfrew top made with wool knit from Mood Fabrics

Renfrew top made with rayon knit from Mood Fabrics

Zinnia Skirt made with plaid wool from Mood Fabrics

Zinnia Skirt made with plaid wool from Mood Fabrics

The tiny belt loops are my favorite part! So tiny and cute!

Zinnia Skirt made with plaid wool from Mood Fabrics

See what I mean about the plaid? It looks like a hot mess at the pleats. Oh well.

Zinnia Skirt made with plaid wool from Mood Fabrics

One last thing – I wanted to thank y’all for all your advice regarding my muslin, as well as my kidney stone. I’ve decided to set the muslin aside for now; I may revisit it in the future but I think my coat for 2013 will have to be a totally different pattern! So I guess I’ve got that to figure out. As far as the kidney stone… well, it’s still there, taking up residence. Y’all will probably be able to hear me scream from the rooftops once it finally emerges haha. A few people urged me to to go the doctor, and I did want to follow up and let y’all know that I went to both a doctor and a specialist last week, got the x-rays as well as a variety of medications. There’s not much else we can do at this point beyond surgery or shooting lasers (which my uninsured ass is reeeeally trying to avoid), which means I gotta shoot it out! For the past couple days I’ve been on an essential oil regimen, and tonight I will be trying some Coke/asparagus concoction that sounds fucking disgusting but is supposed to work. Anyway, sorry for the TMI, keep thinking happy kidney stone thoughts! haha!

Zinnia Skirt made with plaid wool from Mood Fabrics
Zinnia Skirt made with plaid wool from Mood Fabrics

Completed: Plaid Flannel Archer (+ Draping winner!)

10 Oct

Finally, a successful Archer button-up – in my dream plaid flannel, no less (seriously, I keep eyeballing all the other colors… do I take the plunge and buy them all?? Because I want to!)

Lumberjack Archer; Ponte Leggings

I am pretty proud of this shirt, so let’s be honest – there are lots of pictures in this post.

Lumberjack Archer; Ponte Leggings

Although the more I look at these pictures, the more they appear to just be the same picture at a slightly different angle or pose. Oops :(

Lumberjack Archer; Ponte Leggings

ALSO, please forgive my awful editing and how the color changes in every picture. I bought a new photo editing software with my new laptop (Corel Paintshop Pro, if you’re curious!) and I’m still trying to get used to it :) BUT HEY, I can edit out zits and stuff now, so that’s pretty freaking awesome!

Lumberjack Archer; Ponte Leggings

Anyway, ok, let’s talk about this Archer I made! Using my failed linen Archer as a wearable muslin, I shortened the sleeves by about 1″ and left the body length intact (you’ll recall that the linen one I ended up cutting too short. Or maybe you don’t recall, see if I care). I think my sleeves are still a little long, but I also anticipate this shrinking more in the dryer (I only washed the flannel once before cutting, sorry, I was just excited!) so hopefully they won’t end up too short!

Lumberjack Archer; Ponte Leggings

I also made the pocket smaller! No rhyme or reason to how I did it, I just eyeballed until it looked “right.”

Lumberjack Archer; Ponte Leggings

Making this shirt was super fun, from cutting (what can I say… I love matching up plaids haha) all the way through sewing. I forgot how much I love sewing really precise things like button-down shirts. Makes me want to sew another shirt for Landon, maybe. What’s funny is I actually caught myself starting to rush through the construction of this – not because I was on a deadline, but because it’s starting to get cold and I wanted to wear this shit nooooooow – and I decided to force myself to slow down by sewing flat-felled seams instead of just serging the seam allowances off. Even the arms are flat-felled. I’m so glad I did, because the end result turned out pretty fabulous if I do say so myself.

Lumberjack Archer; Ponte Leggings

I cut the back yoke, pocket, and front button band on the bias. Everything else is straight and painstakingly matched. The only boo-boo I made was that I put the button band on the wrong side – oops! I originally chose the opposite side of the flannel as the right side, then changed my mind when I started sewing. Since the front pieces are not mirrored, this meant I had to compromise my button band side. Oh well, I am just pretending that it’s actually a men’s shirt, haha!

Lumberjack Archer; Ponte Leggings

At any rate, the side seams match up beautifully. Look at that shit!

Lumberjack Archer; Ponte Leggings

I changed out the buttons for pearl snaps, so I can hulk my way out of this shirt when the urge strikes. Funny thing about those pearl snaps – they actually started out white, and while it looked ooookay, it also just looked like I bought the wrong color pearl snap. I can’t get black snaps locally (and DAMMIT that I SAW them in Chicago and was like “nah I don’t need that” lol oh Lauren, hindsight is 20/20 or some shit) and I couldn’t wait sooo… I painted these with black nail polish. Black glitter nail polish, to be precise. Hey, it works!

Lumberjack Archer; Ponte Leggings

Lumberjack Archer; Ponte Leggings

I sewed the size 0, as I did last time, except the side seams are sewn at 5/8″ instead of the pattern’s 1/2″. This makes for a slightly (very slightly) smaller fit.

Lumberjack Archer; Ponte Leggings

The collar stand turned out fucking perfect, which I’m VERY proud of! I followed Andrea’s tutorial and I had no unpicking with that method. I’m sold, and Andrea, I owe ya a beer for that. Thanks bb♥

Lumberjack Archer; Ponte Leggings

I also changed out the sleeve plackets and used the ones from the Negroni pattern. I just think these look so much better with the flannel check, plus they are more conductive for rolling up sleeves. I also find this type of placket easier to sew. Man, I love sewing plackets.

Lumberjack Archer; Ponte Leggings

Oh, I also made my leggings! You can’t really see any detail because they are black, wah, but I did make them! I used the Ooh La Leggings pattern and a black ponte knit from Mood Fabrics. My take on ponte leggings – AWESOME. So so awesome!! I actually wore these when I traveled to/from Chicago (so, 18+ hours total) and they were SO comfortable – and they actually look like pants! Guys, I am so sold on these.

I don’t have much else to say, so have some pictures -

Lumberjack Archer; Ponte Leggings

Glitter buttons, yeah? :)

Lumberjack Archer; Ponte Leggings

Collar stand pride~

Lumberjack Archer; Ponte Leggings

Lumberjack Archer; Ponte Leggings

Placketz

Lumberjack Archer; Ponte Leggings

Flat-felled seam, curved hem

Lumberjack Archer; Ponte Leggings

Proof that these are actually leggings and not some black blob.

Lumberjack Archer; Ponte Leggings

This outfit has basically become my fall uniform. Seriously! The flannel is so warm and cozy – and easy to throw on if I’m chilly (which is always. Yes, I have worn this shirt every day since I finished it, don’t judge me). I am really happy with how both turned out, and definitely plan on making more. Question – is it really dorky to make me & Landon matching plaid flannel shirts? Because I’m totally about to go there.

One last thing – We have a winner for the Draping book! Random number generator, who do you choose?

random

yaywinner

Congratulations, Jennifer Stephenson! I can’t wait to see what vintage recreations you end up making!

Completed: Polka Dot Peter and The Wolf Pants

26 Sep

Remember when I was trying to hunt down the perfect polka dot fabric for these Peter & The Wolf pants? And then I couldn’t find it and I was sad but I made them anyway? Well! Look what I found!

Peter & The Wolf - Polka Dots

My dream stretch polka dots pants fabric – a polyester wool suiting with flocked polka dots (right?! right?!)!

Peter & The Wolf - Polka Dots

I got a fistful of swatches from Mood about a month ago, this swatch being one of them. I immediately zeroed in on those flocked polka dots and called the store to get a couple yards sent to me. I should also mention this was like day #2 post-surgery, and I was laying on the couch totally hopped up on painkillers and I’m fairly certain that the dude on the other end of the line thought I was a crazypants. Whatever! Joke’s on him, now I HAVE the crazypants!

Peter & The Wolf - Polka Dots

Then I got my fabric and I rolled around in it for a couple of weeks because that is what you do when you are in love.

Peter & The Wolf - Polka Dots

Again, I used the Peter & The Wolf pants from Papercut Patterns, with just a couple modifications from the last time I made them. I already had the pattern pieces modified to reflect the changes I made – sizing, crotch length, crotch curve, all that good stuff – but I went ahead and made a quickie muslin just to be SURE before cutting into this precious stuff. I added another 1/2″ of length to the legs and swapped out the waistband for a curved waistband – specifically, I used the waistband from my Clovers. I definitely prefer the way this fits over the straight band – and it’s a good height, too. It just barely covers my bellybutton, which I like.

Peter & The Wolf - Polka Dots

I lined my pockets with a little scrap of Bemberg rayon lining and it’s kind of amazing. I feel so posh whenever I stick my hands in my pockets now, ha!

Peter & The Wolf - Polka Dots

Also, I’m very happy to report that the grainlines are totally straight on these pants (since I didn’t have to do emergency pants-weightloss surgery while sewing them), and as a result the hem scallops are straight as well. Yay!

Peter & The Wolf - Polka Dots

The only part about all this that I was NOT digging was when it came time to actually press my seams. Lord, that polyester refused to do anything that involved heat. I solved most of the issue by doing a lot of top stitching – front and back leg center seams, the yokes, the pockets, the waistband. Basically everything I could get my needle into.

Peter & The Wolf - Polka Dots

I think it worked out quite well in the end, though! And yay, all my seams match up!

Peter & The Wolf - Polka Dots

Next time I make these, I will stabilize the zipper opening. It’s just a little too wavy – which, I mean, I could fix, but I also got those seams matched up fucking PERFECT and I’ll be dammed if I’m ripping that shit out again. Nope.

Peter & The Wolf - Polka Dots

To get the bottom scallops to have a nice sharp edge (remember, the polyester wanted nothing to do with that iron), I had to improvise and figure things out as I went along. I did include the facing, which I under stitched and then top stitched (I find under stitching is VERY helpful when you are sewing something that is difficult to press, as it forces facings to roll to the inside). To press the edges, I used my sleeve board and a silk organza press cloth and steamed the shit out of each section. After it got nice and hot, I used my clapper to hold down the fabric until it was completely cool. This is probably the closest I’ll get to a good press on this fabric, and hey – no shine! Woohoo!

Peter & The Wolf - Polka Dots

God, I love these pants.

Peter & The Wolf - Polka Dots

I also really love these labels. They speak the truth, at least as far as these pants are concerned.

Peter & The Wolf - Polka Dots

Sorry ’bout the creeper hand.

Peter & The Wolf - Polka Dots

Peter & The Wolf - Polka Dots

Peter & The Wolf - Polka Dots

I added arrowhead tacks to the bottom pocket opening, because why not? I used embroidery floss and followed this tutorial on the Coletterie (I also see that I commented about a western shirt I was going to make. Obviously that never happened, but it SHOULD. Ooh!)

Peter & The Wolf - Polka Dots

Really thinking about making a wool version for the cold weather – maybe lengthen the legs to full-length, omit the pocket detailing and scallops? What do you think?

(psst! If you were wondering – my wrap top is handmade, and my shoes are from Clark’s ;))

Completed: A Luscious Silk Anna

28 Aug

Hey guys. I would like to introduce you to Anna, my newest piece for the Mood Sewing Network.

Anna Maxi

So, Oona and Sonja originally planned this silk challenge, in which they both would make Anna dresses with a notoriously difficult fabric. Once I got wind of what was going on, I walked straight into that party and invited myself to be the third wheel. I can’t help it; I love being part of a Mood Fabrics sandwich. Especially when it involves Thakoon Crepe de Chine. I mean, COME ON.

Anna Maxi

So, as we all know at this point – this is the Anna dress, the newest offering from By Hand London. For mine, I decided to try my hand at the maxi version with the slash neckline, after getting good results with my wearable muslin shorter version. Since the dress itself is very simple, it was the perfect excuse for getting my hands on the aforementioned silk Crepe de Chine.

Anna Maxi

Anna Maxi

I’ve never sewn with this type of fabric before, so I was admittedly a little nervous. Would I regret my decision?

Anna Maxi

Anna Maxi

Really, though, it wasn’t so bad! The crepe texture of this fabric actually made everything a LOT easier – it gave the pieces something to “grab” onto (as opposed to being all slinky and slippery all over the place). For cutting, I did pin my selvedges together to keep everything intact, and I used a lot of pins on the actual pattern pieces as well. One protip – make sure you use silk pins; this stuff is very delicate and normal pins may leave holes! I also used a microtex/sharp needle on my machine. The fabric fed through very smoothly (again, thanks crepe, for your grabby lil hands!) and it pressed with very little fuss. I like this stuff!

Anna Maxi

Anna Maxi

Construction was very straightforward. I finished every seam with a french seam, and tackled miles of blind stitching by hand along the thigh split, sleeves, and bottom hem (I just want y’all to know that I watched the Great British Sewing Bee while doing this, and as a result I am celebrity-in-love with Patrick. Don’t tell Landon.). The facing and zipper edges are finished with pinking – I actually deliberated on this a lot, pinking isn’t necessarily my favorite seam finish, but I felt it was important that the edges were not detectable from the outside of the dress as this silk is very thin. Fortunately, it doesn’t want to unravel much so I’m not concerned about that.

Anna Maxi

I also stabilized the slash neckline with scraps of selvedge from the silk – just pinned them within a bit of the seam allowance and staystitched them down with a tiny stitch. Keeps things nice and gape-free!

“Hold the phone, Lauren – did you say thigh high split???”

Anna Maxi

Uh huh, I sure did.

Anna Maxi

Truth, I normally don’t have much of a reason in my life to wear something like a floaty silk maxi dress with a thigh split. However, it was a fun project and I am totally fine with scheming up date ideas as an excuse to give this silk lady the exposure she deserves! Do you think eating pizza in this dress would be the worst idea ever? ;)

Anna Maxi

Anna Maxi

Now, I leave you with some walking photos. What would this post be worth without a couple action shots, amirite?

Anna Maxi
Anna Maxi

WOULD YOU JUST LOOK AT HOW THAT SILK FLOATS AND FLOWS.

Finally, here I am giving my best Angelina Jolie impression:
Anna Maxi

What do you think? Silk Anna yeah, or Silk Anna fuck yeah?

Psst! Mood Fabrics is running a one day flash sale for 20% off fabrics sitewide! If there was ever a good time to dip your toes into the world of silk, that would be now.

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