Tag Archives: Mood Fabrics

Completed: Ultimate Trousers

14 Aug

Hey look, here I am again – with another pair of polka dotted trousers! Are you surprised? Would you be surprised to know that I have another pair of dotty trousers sitting on my sewing table as we type speak? Do you think I have a problem? I’ve never considered myself a polka dot trouser kind of girl, but these sewing numbers don’t lie!

Sew Over It Ultimate Trousers

This polka dot cotton sateen is actually an old spoil from the Mood Fabrics flagship store in NYC, which I bought while I was there in March. I knew I wanted to make pants with it – what pattern specifically, I couldn’t tell you, but pants for sure! I love using cotton sateen for pants as it’s usually a good weight with a nice, heavy stretch, and the colors are always so lovely and saturated. Plus – polka dots! Yesss!!

Sew Over It Ultimate Trousers

The pattern I eventually ended up using is the Ultimate Trousers from Sew Over it. I actually tested this pattern ‘way back when earlier this year, to help get it ready for it’s print debut. I was on a pretty tight deadline during testing, which meant that I didn’t end up with a finished garment – just a muslin and a loooot of notes. This is actually pretty typical for me as a tester; I don’t always finish the pattern to the effect that it warrants a blog post! Once I got everything back to Lisa, I put the pattern on the backburner since the summer heat was starting to ramp up and I couldn’t handle the thought of wearing pants in this kind of humidity.

Anyway, we’ve got promises of cooler weather lurking on the horizon, which means it’s PANTSSS TIMEEEEE! Yay!

Sew Over It Ultimate Trousers

I did make a few changes to the pattern, both for fitting and general style. Let’s go over the fitting stuff first. Every time I make trousers, I end up doing the same adjustments across the board, especially if the pattern doesn’t include a front zip fly. I realize that trousers are kind of a scary subject for a lot of sewers, so I’m going to show y’all what I do in my fitting and hopefully that’ll shed some light on the whole matter (and even more hopefully – prove that they really aren’t so scary to fit!).

I don’t have muslin photos of this particular pattern, but I do have muslin photos from my archives (super unflattering muslin photos, I might add! Ha!) back when I made the Colette Clovers. Different patterns, but the concept is similar.

 photo CIMG0016.jpg
See all those horizontal wrinkles allll over my damn crotch? This is an indication that the crotch is way too long for me – so it’s wrinkling. The easiest way to fix this is to pinch out the excess into a long horizontal line, and transfer that to your pattern piece with slashing and taping. I’m petite, and while my torso is a pretty standard length, my crotch length is on the short side. So this is an adjustment that I have to make with *most* trouser/pant patterns. The amount can vary depending on the pattern – obviously the Clovers needed a lot taken out, and the Ultimate Trousers didn’t take much (and I just made a pattern the other day that I had to remove 2″ from!) But it’s a common adjustment for me, and this is what it looks like.

 photo CIMG0006-1.jpg
Same muslin, back view – see how tight the ass is? Like, not even flattering tight, just imma-bust-outta-here-like-a-jailbreak tight. This is fixed by adding a wedge to the back crotch depth pattern piece. How much you add will depend on how much room you need (the Ultimate Trousers didn’t need any, but the Clovers clearly needed a lot), but you can easily hack this alteration by just cutting a bigger size right there at the back crotch (this picture from Sunni’s Trouser Sewalong shows where to add length – right in that blue circle).

clover close-up
Here’s a pair of Clovers where I fixed the length issue, but now there’s some weird puffiness around, well, my crotch. Isn’t that flattering! You guys, this particular fit issue took me a LONG time to figure out because it seemed so weird – but it’s really not. Basically, my crotch requires a different shaped crotch curve than what is drafted for most patterns. I’m a J shape, and the majority of patterns I sew are an L shape. This is a stupid easy adjustment – you literally just redraw the curve, and once you’ve done it on one pattern, you can trace that curve to every pattern thereafter. For the first pattern, you’ll have to eyeball it (or find a pair of pants that fits and copy that crotch curve) and adjust until you get it right, which might take a couple tries. Once I figured that out – what it looked like, how to fix it – that really opened the floodgates of trouser making for me. Also, you should read this post on the Fashion Incubator.

Sew Over It Ultimate Trousers
Here is my front pattern piece with the adjusted crotch shape – I’ve already redrawn and cut my piece out, but I put it back on the table so you could see the difference in the curves. For whatever reason, I don’t need quite as aggressive a crotch curve when I’m making pants that have a front fly – it’s just trousers with a smooth front (especially if it’s sewn in a stretch woven).

You can also see where I tucked out the length horizontally. I didn’t take a photo of the back piece, but I sliced that length to hinge, and the side front has the same removal of length with it tapering to nothing at the center back/crotch, if that makes sense.

So yep, those are my pants adjustments! I know they might seem confusing, and to be honest – I learned all this when I was going through my Clover saga a few years ago (never got those pants to fit right, but I sure learned a lot in the process!). It was a LOT of trial and error, but hopefully my notes will help a least a few people go through less trial and error :) As you can see, there aren’t a whole lot of adjustments needed to get a good fit on pants – but they all work together, and each one affects the other (and they are all adjustments that need to be made BEFORE cutting your fabric, which is why a muslin is SO essential when making pants!). For more fitting help, I strongly recommend investing in a copy of Pants for Real People, which is basically a pants-fitting Bible. So much good information in there, I use that book often!

Ok, now that THAT’S out of the way – let’s go back to talking about this pattern, and the style adjustments I made!

Sew Over It Ultimate Trousers
Sew Over It Ultimate Trousers

This pattern is designed to be worn cropped (or as shorts), with a faced waistline. I have learned that I really don’t care for faced waistlines, so I decided to add a waistband to my pants. I didn’t draft a waistband – I just used the facing pieces and flipped them to the top as waistband pieces (and cut two, so I could face the waistband, as you do). I think, for me, these are a little more wearable with a proper waistband. For interfacing, I used tricot fusible, which I looove because it stabilizes the fabric but doesn’t compromise the stretch of the fabric (which is what makes the darn pants so comfy to begin with!).

Sew Over It Ultimate Trousers

I also kept the length on the longer side, which means I can wear them full-length in the winter (with cool socks!) or fold them up to make them cropped. This length is straight out of the pattern, by the way – I didn’t shorten anything, and I’m 5’2″. Just fyi!

Sew Over It Ultimate Trousers

The one major design change I made to this pattern was to sew it in a stretch woven, as opposed to the firm woven (non-stretch) that the pattern calls for. For one, my muslin was a firm woven and I plain just didn’t like the way they felt! They were too restrictive! I like wearing stretch woven pants, ok. Also, it’s hard to find a good pants-weight print that isn’t a stretch woven, so there’s that. I think these are fine in the stretch fabric, although I should probably go back and size them down a little because I think the legs look kind of loose. I was trying to avoid the stovepipe legs look, just to try something different, but I think these do need a little less ease. These are a size 8, by the way!

Sew Over It Ultimate Trousers

So that’s it! Thanks Lisa (and the Sew Over It team!) for letting me test this pattern, and being so patient with me taking months to make a finished wearable garment :) Londoners, if you’re still afraid to tackle the trousers, there is a whole class for making these (with tea and cakes, omg I wish I was in London) if you still wanna try them!

Those of y’all scared to try trousers – what are your thoughts? Do you think the process looks any easier? Are you going to throw caution to the wind and try anyway? Y’all – pants are fun!

* Oh yeah, and I cut my hair! I hope you like it! Well, I guess it doesn’t matter if you don’t like it – it’s not like I can stick it back on my head lololol

Completed: The Tye-Die Moneta (+ announcements)

11 Aug

Good morning, y’all! I have a couple announcements to make today, and I also have this dress I made a couple weeks ago, so I’m just going to kill two birds with one stone and combine them into the same post-

Tie-Dye Moneta

First up: The Dress

This is another rendition of the Colette Moneta, in a very un-Colette finished dress because this baby is TIE-DYE! Landon kind of hates it; I think he thinks it looks tacky. Whatever!

I actually bought the fabric like that (I’m not at the point of tie-dying my own clothes… yet.) – it’s this cotton/viscose jersey from Mood Fabrics. The colors and style are pretty much unlike anything I EVER wear, so I’m not sure why I was so drawn to it – but I was! I originally had this earmarked for a maxi dress, but I realized it would make a pretty cool short dress with all those dyed stripes.

Tie-Dye Moneta
Tie-Dye Moneta

As far as Monetas go, this one is pretty bastardized. I don’t know if I can even call it a Moneta-proper, because I changed so much of the pattern. The bodice and skirt are Moneta, but I scooped the neckline using the Lady Skater neckline as a guide and added a neck binding. I started with the short sleeves included in the Moneta, but they were all kinds of wrong – too long, too loose (they kind of look like tshirt sleeves) – so I cut them until they were capped and hemmed them a second time.

Tie-Dye Moneta

Speaking of hemming, I broke my twin needle halfway through the skirt of this, so the second half is a zigzag hem. Haha! Whatever, it’s a comfy knit dress. Ain’t no one gonna look at my hem – right?

Tie-Dye Moneta

I realy like how the tie-dye colorblocking (and stripe matching!) turned out! I tried to keep the white away from my waist, and the yellow away from my face. The overall effect turned out pretty cool, though, it’s almost dip-dyed :)

Tie-Dye Moneta

Well, that’s enough of that! Now I’ve got some housekeeping to attend to -

NEW YORK MEET-UP: I’m gonna be in NYC this week! Yay! I’m teaching a pants making class at Workroom Social this weekend, and I’ll be trolling around the city this Friday beforehand! To my extreme delight, my homegirl Heather Lou (yes, THAT Heather Lou!) is gonna be lurking in the city THE SAME WEEKEND, so we have got some fabric shopping and hanging to take care of it! I plan on hitting up the Garment District around 3pm on Friday 8/15, and then finding a spot to chill in Bryant Park around 7 or 7:30 (whenever we get kicked out of the Garment District, I guess). I’m open to anyone who wants to join for hang-time, so lemme know if you’d like to stop by! Send me an email and I’ll keep you updated on the deets :)

OTHER CLASSES: I just confirmed that I’ll be teaching again at Watkins College of Arm, Design & Film in the fall! I have two classes this year – Intro to Fashion Sewing (9 weeks, Tuesdays) and Intro to Sewing Knits (6 weeks, Thursdays). Any local Nashvillians who are interested in attending should check out the full catalog and can register here.

THE SEWING PARTY: Finally – I’ll be teaching an online class at The Sewing Party! Don’t know what The Sewing Party is all about? From their website:
The Sewing Party Logo
“The Sewing Party” is the first ever online-all-day DIY event in history!

On November 8, 2014, thousands of DIY-ers will gather for a fun-filled day of sewing and crafting classes taught online by leading bloggers and educational experts. It’s all about Connecting. Crafting. And Creating.

Attendees will have access to more than 30 online classes available on the day of the event and for an additional 90 days. There is truly something for everyone! Classes include home décor, fashion sewing, quilting and upcycling, crafting, costume design, techniques for turning your craft into an entrepreneurial venture, and more!

Space is limited and likely to fill up fast! For just $40, “The Sewing Party” participants can attend classes; chat with participants from across the country; interact with top bloggers and educational experts who are teaching; and explore the latest crafting and sewing tips, techniques and products in our marketplace.

This upcoming event is going to be SO FUN, omg! I’ve signed up to teach a class on inserting zippers (both lapped and invisible) so if you’ve ever wanted a little help with getting those perfect zips (or maybe you’re just curious to see how I am on film – I know I am! Curious and TERRIFIED haha!), you should definitely come join my class! There are lots of cool classes to check out during the event – a few being taught by some of my favorite bloggers and friends, including Jennifer, Madalynne, and Devon. I seriously can’t wait! November cannot come soon enough, that’s for sure :)

I guess that’s it! Have a great Monday, everyone!

Completed: Reupholstered Chairs

8 Aug

Soooo this is a little different from what I usually offer up here for my Mood Sewing Network posts – we are gonna talk about home decor fabric today! ::evil laugh:: No wait, come back, I promise it’s not all bad!

Forreal, though, I’ve known about Mood Fabric’s home fabric offerings since, well, the beginning of my Mood-time. And while I’ve never been one to futz much with home decor sewing (I mean, c’mon, wouldn’t we rather all sew clothes for ourselves?), I did have some chairs that needed to be recovered. Like, two years ago. When I bought them.

So, in celebration of Mood Fabric’s new home decor storefront opening (which I’m really excited to visit when I’m in NYC next week! Eep! Next week!), I bring you my chairs that are badly in need of a facelift.

Reupholstered Chairs - before

Lookit that bad boy!

Reupholstered Chairs - before

No, that’s not even the worst – look at THIS! Can you believe I sat on that rank-ass looking thing for over 2 years? Yeah. I blame it on not being able to commit to the perfect fabric. Either that, or laziness. Probably both.

So, finding a good home decor fabric is hard, y’all. The ~free spirited artist~ in me wants something with bright colors and textures and maybe peacocks… but the tiny adult in me knows I should pick something more subdued that will continue to work with my ever-changing decor. I think I found a nice middle ground, though, with this chartreuse geometric cut velvet fabric. Even though it’s chartreuse, it’s pretty mild by home-decor standards (the color doesn’t necessarily “match” my curtains, but it goes well enough), and the geometric design gives it a bit of fun texture and visual interest without assaulting your senses. I like it!

Soo, that brings us to the next step – the upholstering.

Well, first off, let me just say this – it’s really easy, at least with a simple chair like this. Those of you who are diehard professional re-upholsterers, please avert your eyes. I’m sure I’m doing everything wrong here, oh well!

Chairs reupholstered with fabric from Mood Fabrics
PART ONE: THE DESTRUCTION
First, we have to remove the chair pad from the chair frame. It should unscrew from the bottom. Take everything apart and stash the screws somewhere safe so you don’t lose them (I should note that I didn’t lose a screw from this chair – it only had 3 to begin with! Someone else’s problem!) (and DUH I only put 3 screws back in the chair. Like I have time to find a 4th screw lololol)

Chairs reupholstered with fabric from Mood Fabrics
Flip the pad over so you can see the staples, and start yanking them out. If you have a staple remover, that would be helpful. If not, you can use a flat head screw driver. Ideally, you want to remove all the staples – not just the ones holding the fabric down. Or you can just be sloppy and rip off the fabric, but seriously, dude, removing staples is kind of fun.

Chairs reupholstered with fabric from Mood Fabrics

Once you’ve completely dissembled your chair seat, you should have something like this. Wooden chair seat pad thing, fabric cover, and padding.

Chairs reupholstered with fabric from Mood Fabrics
PART 2: LAYING THE FOUNDATION
Using your fabric cover as a guide, cut out squares of the new upholstery fabric to size. If you don’t have the old fabric to use, then measure for a 4″ overlap on all sides (so my 16″ pads needed 20″ square covers). Padding can be cut to the same size as the chair seat. I initially cut off the selvedge of my fabric because I thought it looked nicest that way, but when I started ripping the rest of the seats I realized that the original upholsterer left the selvedges on. So my remaining 3 chairs have fabric selvedge, which helps with fraying.

While I did decide to add some new padding to my chairs, I did not completely replace the padding that was there. Upon inspection, it seemed to be in pretty good shape (apart from the whole falling-out-of-the-chair aspect, anyway), so I just added a layer to the top for some extra squish and called it a day. If you are completely replacing your padding, you may want to cut multiple layers.

Chairs reupholstered with fabric from Mood Fabrics
PART 3: THE REBIRTH
Now we get to staple! Stack your padding and fabric with the wooden seat base centered at the bottom. Starting in the middle of one side, staple the fabric to the seat. Now move to the side opposite where you just stapled, pull the fabric taunt, and staple in the center. Continue working around the base of the chair, opposite sides at a time, until all 4 sides are stapled down securely. I found it was easier to do one set of sides at a time (as opposed to working all the way around at once).

Chairs reupholstered with fabric from Mood Fabrics
To miter the corners, fold as shown and staple as you go.

Chairs reupholstered with fabric from Mood Fabrics
Chairs reupholstered with fabric from Mood Fabrics

Your finished seat should look like this. Woohoo!

Chairs reupholstered with fabric from Mood Fabrics
Now screw it back on the chair frame and sit in that chair like the boss you are!

Chairs reupholstered with fabric from Mood Fabrics

THAT IS DAMN SEXY

Chairs reupholstered with fabric from Mood Fabrics

AMIRITE OR AMIRITE?

Chairs reupholstered with fabric from Mood Fabrics

For serious, though, I’m a little embarrassed at how stupidly easy this whole ordeal was. From disassembling, to cutting, to stapling, to screwing, heck – even sweeping the floor – this all took about an hour. That’s it! For four chairs!

Chairs reupholstered with fabric from Mood Fabrics

Chairs reupholstered with fabric from Mood Fabrics

I want to say I should have done it sooner, but damn – I don’t think I would have picked as good a fabric. Sometimes it does pay to wait! Also, this was a fairly inexpensive project – I only needed a yard and a half of fabric (again, my chair seats are 16″ square and I had 4 of ‘em). My fabric was $45 a yard, which is stupid pricey, but the batting was only $8 a yard. All together, the cost of the fabric was less than $80 – I already had the staple gun, but it’s a cheap one that cost less than $10. You could obviously make this a much cheaper project with less luxe fabric or not buying batting, but considering I paid $100 for the table & chairs (plus a matching buffet in the living room – told ya our flea market was wonderful. Oh! My old lady dining room curtains are from there, too!), I don’t think that’s a very bad deal at all! Again, for full disclosure – I received credit for this fabric in exchange for my monthly contribution to the Mood Sewing Network. I got to pick the fabric and project on my own, though :)

What about y’all? Anyone have experience with upholstery or other home decor sewing – or is that something you’d prefer to leave to someone else to do? I made someone lined curtains once (for the 12ft ceilings in his swanky loft), and UGHHH NEVER AGAIN.

Completed: My Finished OAL Dresses!

28 Jul

Good morning, everyone! I hope your AM is filled with lots of sunshine, like mine, and coffee, unlike mine (because, *ahem* someone forgot to mention we were out after he made a pot yesterday). Anyway, that’s neither here nor there – you came here to see finished dresses and sweaters, right? Let’s get to it!

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

Fair warning – this is a pretty picture-intensive post. I have two dresses to show plus a cardigan! (You’re so lucky that I don’t have two sweaters. I tried, but the second one is technically a vest right now soooo…). While I could theoretically stretch this out into 3 posts, I actually really hate it when people do that so I’m just dumping it all in one glorious picture-filled OAL extravaganza! Hope you don’t mind looking at my mug ;)

Speaking of which… you probably noticed the change in scenery, not to mention actual decent looking photos. That’s because I didn’t take them! Ha! All photo credit for this post goes to my lovely friend, Jenna, of Kitty Cat Stevens (you may recognize her photos from last year; she took those ace ones of my Lace trench). She really did an amazing job with these and I just love how they turned out!

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

Dress #1 was made with a lightweight cotton from Mood Fabrics (purchased at the NY location while I was there in March). The bodice is view C with cap sleeves, a softly pleated skirt and a lapped zipper.

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

LOOKS SO GOOD WITH MY HAIR.

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

Dress #2 was made with a gorgeous rayon challis from Grey’s Fabric. I used the same pattern, swapped out the bodice for view B with bias-faced arm holes, a softly gathered skirt and an invisible zipper.

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

The hem on this one is finished with rayon seam binding. So pretty!
OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

Finally – here’s Myrna herself! I guess I can talk a little more about this part of the project since I haven’t really mentioned it much on my blog (unlike that entire OAL full of posts, ha).

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

Can I just say – I LOVE THIS CARDIGAN. It was super fun and super easy to knit, not to mention super fast (how many more times can I say super in this post?). According to my Ravelry, I finished it in just under a month.

I went with the size XS, getting gauge with size 6 needles (which is typical for me + worsted weight yarn + Andi’s patterns).

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

The yarn is (super?)AMAZING, isn’t it? Something I picked up from my local yarn store, Haus of Yarn- I knew I wanted neon yellow to go with the fabric for dress #1, so I took a swatch with me and went lurkin’. Maybe it’s just my yarn store (granted, we have more in this city – actually, a surprising number of really good yarn stores – but this particular store is less than two miles from my house, so obviously I like shopping here best haha), but they never seem to have the color I want in the weight/fiber I prefer! In this case, they only had a couple options for neon yellow worsted weight wool. Because I am an adult, I picked the most expensive option – this is Jill Draper Makes Stuff, and the color is Daffodil. At $26.50 per skein, it was definitely a splurge, but I only needed 2 skeins for this sweater so I figured it was worth it :) Spoiler: It totally was! This yarn was a dream to work with – so soft and squishy, with a beautiful saturated color gradient. I don’t know if this particular yellow looks any good on me, but I also don’t give a fuck because it makes me happy.

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

I knit the pattern 100% as written, and had no issues. Blocked it with a bit of gentle shampoo (I keep meaning to get that special wool washing/no rinse shit they sell at my LYS, but since I went over budget with the yarn I had to put it back. Maybe next time. Maybe never lolz). True story: I forgot to finish the keyhole until after I’d blocked the whole thing, so I had to go back and keep knitting. I’m glad I did, though – I was on the fence about the keyhole because it looks kind of wonky at first, but once it’s finished it really does make a world of difference!

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

The button bands are stabilized with Petersham ribbon. Because this cardigan has a v-neck, I steamed the Petersham with a gentle curve to mimic the shape of the neckline, and stopped it a little above the top button hole (so, before you ask: no, it doesn’t go all the way around the neck). I used this tutorial from Sunni’s blog for guidance – she’s using it to hem a skirt, but it’s the same concept with the neckline, with a less aggressive curve. The vintage glass buttons are from my stash, previously purchased at the flea market.

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

I love how well the sweater goes with dress #2, because that was not planned at all! I didn’t decide to make a second dress until I’d already started the sewalong, and knit about half of the sweater. They do look good together, though. Yay for unintentional matching!

How are y’all doing with your OAL garments? Almost finished? Remember – the deadline to enter is this Thursday, July 31. Don’t forget to post your finished outfits in the Ravelry thread, which will give us all full lurking capabilities and also enter your ass to win some prizes. We also have the Offical Unoffical Flickr Group if you don’t use Ravelry/only finished a dress – but please be aware that your two pieces need to be uploaded to the Ravelry thread to be eligible for the contest :) I’m loving all the dresses and sweaters I’ve seen so far, and I need to see MORE PLS.

Feeling inspired? Here’s a link to all the tutorials covered during the OAL:
1: Choosing Your Fabric and Size
2: Cutting and Marking Your Fabric
3: Sewing the Bodice
4: Sewing Sleeves or Bias Facing
5: Attaching the Skirt
6: Inserting a Lapped Zipper (see also: My Method for Invisible Zippers)
7: Hemming & Finishing
How to Stabilize a Buttonband with Petersham Ribbon (not part of the official OAL, but useful nonetheless!)
FINALLY, you can see my Myrna Ravelry notes here.

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

Whew! That’s a lotta post for a coffee-deprived Monday morning! ;)

Completed: The Bronte Top

2 Jul

This is totally my new favorite outfit. I TOLD y’all I was gonna wear the hell of out this navy Hollyburn skirt! I love looking like an American Flag, ok.

Bronte Top

Today, though, let’s just focus on the top.

Bronte Top

This is the Bronte top, a new release from Jennifer Lauren Vintage. Sewn up in a knit fabric, this is obviously not your standard tshirt – the lapped shoulder/neckline detail almost make it look like you’re wearing a dainty shrug, and it’s a nice nod to the 40s without looking super costumey vintage. As soon as I saw this pattern, I knew I had to have it. Don’t get me wrong – I love plain, basic tshirts. I make and wear them all the time. But, let’s be real – there are only so many ways you can design a plain tshirt. This pattern gives a little extra oomph in an unexpected way, and I love it!

Bronte Top

Upfront disclaimer: I was given this pattern free of charge, in exchange for a review. Although, I’ll be honest – I was planning on buying it anyway, because it’s a really cute style that’s completely different from anything I’ve seen around the sewing world. I was also madly interested to learn how the neckline was finished. This review is going to sound completely biased because I really love the pattern and how the finished top turned out. Sorry! It’s just that good.

Bronte Top

Like I said, this pattern is designed for knits, and the first couple of pages are dedicated to helping you choose an appropriate fabric and set your machine up to handle sewing it (assuming you don’t have a serger). Pretty helpful stuff if you’re a knit n00b! One part even compares the appropriate fabric to feeling the same way as underwear fabric, which cracked me up to no end (seeing how much I talk about butts on this blog, I’d reckon y’all probably know how much I appreciated that reference ahaha). But, I mean, it makes sense! The same weight of knit fabric that’s used to make comfy undies would be PERFECT for this top. Plus, you could use the extra yardage left over to make, well, undies.

Bronte Top

I sewed up the size 6, and made no alterations. I’m pretty happy with the fit, although I think I got a little too stretch-happy with the binding and now it sort of gathers where it should lie flat. Oops. I’m so used to modifying my bindings for every top I make (I guess I just like them tighter than how they’re drafted), that I did it without even really thinking. Next time I make this, I’ll go with the binding length as written in the pattern, because as you can see in my photos vs everyone else’s – the binding should definitely sit more flat. Oh well, live and learn!

Speaking of the binding, if you’re curious – it’s sewn on the same way as I think most of us are familiar with. Folded in half, sewn to the right side and flipped back. Works pretty well, though!

Bronte Top

I did make a few changes to the construction, just because I like my knits sewn a certain way, which may not necessarily be the “easiest” way (but I think it looks the nicest!). I did not hem my sleeves until the side seams were sewn up – I like my hems to be a complete circle, don’t like a seam cutting them in half. I also only turned the bottom hem up once, instead of doubled-up. The instructions are very beginner-focused, but they’re easy to skip over if you don’t need the hand-holding.

Bronte Top

My fabric is this red and white striped cotton jersey from Mood Fabrics, with the white binding being some leftover cotton knit from Organic Cotton Plus. The jersey is a little lighter than the pattern suggests, but it works out very nicely. Getting the stripes to match wasn’t much of an ordeal as there are only a couple of pattern pieces to deal with. I sewed everything up on my serger, minus the topstitching, which I did with a twin needle.

Bronte Top

The pattern has you tack down the overlap at the very end – if you don’t attach it down somehow, it will flop open and look stupid. I just went back over my topstitching a second time in that one little section (for each side), but you can also use buttons or other trims to embellish the neckline.

Bronte Top

One surprising thing I really LOVED about this whole experience was the printing part. Ok, actually, I hate printing PDF patterns – like, I’ll go out of my way to avoid it. First I have to find a fucking printer (which I don’t have – well, not one that works – and yes I know it’s the 21st century), then I have to print a bunch of test pages to get the sizing right, then I have to take the thing home and tape it together before I can even start sewing! Argh! Taping together is the worst part, forreal. So, let me back up. I didn’t enjoy the actual printing of this pattern (which I’m pretty sure no one does, amirite), but the taping part was significantly less traumatizing than it normally is. The way the pages are taped together means that each piece gets it’s own set of taped pages – so, instead of ending up with a giant swath of tiled paper (that’s the part I hate – it’s always too big for my table, and takes up the entire floor and I have to crawl around it like a fucking insect. Whyyyy), you’ve got a little stack of smaller tiled papers, each one with one pattern piece to cut out. GENIUS. That shit is pure genius. Why doesn’t everyone tile their PDFs like this?

I also used a tape gun to stick the whole thing together, which made the whole process move a helluva lot faster. Mine’s not pink, though, I kind of wish it was now.

Bronte Top

So that’s it! Overall, I really like the pattern and I’ll definitely sew it again (I’d love to try the long sleeve version, but I’m going to wait until the temperature here is a little less like Hell). You can buy the pattern here, should you feel so inclined :)

Also, just a fun fact – but my name is Jennifer Lauren too :) Obviously I go by my middle name, but HOW COOL IS THAT.

A couple more things!
– Say helloooo to my newest sponsor, Indie Sew! Indie Sew doesn’t just sell sewing patterns (but they do – they have lots of great PDFs from various designers); they are also a sewing community for sharing and discovering new blogs. I especially love how they have a gallery where you can upload your creations – and it shows up on the pattern sales page (which I find EXTREMELY helpful, since sometimes the pattern artwork doesn’t necessarily appeal to me for whatever reason). I just love what they’re doing and I’m super excited to watch this community grow and flourish. Check them out!
– This has been EXPLODING across the blogosphere last week, so sorry to cram this shit down your throats again – but have you heard about Capital Chic Patterns? Run by Sally of Charity Shop Chic, these patterns are a little different from what we currently have on the market. For one – the styles are very fashion-forward, runway-influenced. Don’t get me wrong, I love vintage styles, but Sally’s right in that we kind of already got the market cornered on that ;) For second – the patterns themselves are aimed for intermediate to advanced sewists, not beginners. Can I get a halleluiah?! MAN. I love me some quick’n’easy beginner patterns, and I know the beginners sure love them – but it sure is nice to have patterns that are aimed to flexing our sewing skills. If these two points haven’t convinced you, just take a lurk at the lookbook and drool away.
With all that being said – I actually tested the Cosmopolitan (but I only got as far as a muslin for fit and instructions, as my time was very limited during testing), and I can’t wait to get my hands on some nice wide lace so I can sew it up proper; it’s GORGEOUS. I’ve also got my hands on that White Russian, which I will be sewing up when, again, it’s not Hell Fahrenheit down here.
– We have a winner for the Fashionary Giveaway! Lucky number generator says….

wins1

wins2

Woohoo, congratulations, Trinity (and high-five for committing to a lifetime of crafty!)! Hope you love the book as much as I do :D

Thanks so much for entering and playing along, y’all! It was EXTREMELY interesting to read what kind of crafty/artsy things everyone is into – seems like we have a lot of knitters, musicians, and scientists who hang out over here :) While I’m sorry to say that I only had one Fashionary to give away – otherwise I’d give all y’all one – you can still buy the red book if you want to join Team Matchy :) (go on, do it, you know you wanna~!)

Completed: Vogue 1395

18 Jun

Confession: I don’t like cherries. Not for eating, anyway.

Vogue 1395

What I DO love are cherry prints, though (or any fruit, for that matter!). It probably makes me look like a total asshole wearing a fruit I won’t even eat (I’m currently having flashbacks to my high school days, back when I used to make fun of kids for wearing band tshirts of bands they’d never actually listened to. No, really, who does that?? High school kids, that’s who), but you know what? No fucks given. Go ahead and judge me.

Vogue 1395

Whatever, anyway, my point is – I like wearing cute prints. Cute prints can be hard to find though – and when you do find them, at lot of them tend to be printed on, like, quilting cotton. Or worse – silk chiffon (seriously, who the fuck is buying up all those crazy silk chiffon prints? I am so intrigued!). I feel like 3/4 of my sewing time is spent just trying to source cute prints that are printed on the type of fabric I actually like to sew and wear.

Vogue 1395

Sooo, with that being said – I was pretty excited to find this Anna Sui cherry print at Mood Fabrics. Not only is it basically the cutest fabric in the history of ever – it’s silk crepe! So glorious! Unfortunately for y’all, they are also completely sold out of it. Whomp whomp.

Vogue 1395

Immediately after securing a length of this stuff for my very own, I zeroed in on Vogue 1395 as my dream match pattern. Pretty cute, right? Vogue has really been stepping up their game with the last pattern release – as in, they had more than one wearable pattern this time (yay, Vogue!). Vogue 1395 intrigued me with it’s loose fit and strange overlay, and I thought the casual shape would look really nice with such a sweet fabric.

Vogue 1395

Sewing up this pattern (and fabric, for that matter) was pretty easy, although I did make some changes to the construction. The pattern calls for you to sew everything with a double-stitched seam – as in, literally two lines of stitching next to each other, and then finished. I couldn’t wrap my head around that one – why? for extra… strength? what? – so I compromised and used french seams for construction. I figured – hey, it’s technically a double-stitched seam, right? Plus, a french seam just looks way more elegant than a serged seam.

The armholes and neckline (sorry, didn’t take a photo, whoops) are finished with self-made bias binding (aka SILK CREPE bias binding). It looks really beautiful, if I do say so myself. It was also way less of a bitch to sew on than you’d think – despite the fact that we’re talking about bias silk crepe here. I used a lot of steam and manhandled that shit into submission. I also didn’t follow the directions on the pattern for adding the binding – they kind of had a weird method of construction, and I have a better one (sorry, but it’s true. Stay tuned for a photo tutorial during the OAL!). One big awesome plus is that the bias binding is applied flat, so you don’t have to worry about it stretching out and not fitting the area it’s binding – you can just cut the excess off! Hells yeah!

Vogue 1395

Size-wise, I cut the smallest size, which is an 8 in this design (anyone know why some patterns go all the way down to a 4 and some stop at 6 or 8? What’s up with that?). It fits ok – the arm holes, though. Whoa. Those arm holes were TERRIBLE. When I say they showed my bra, I don’t mean they just showed the very top edge. I mean they showed the ENTIRE SIDE of my bra (and a little bit below it!). Suffice to say, the arm holes were way too low! The back overlay does cover some of that, but it’s a moot point once you start moving around.

I fixed my dress in the most MacGyver way possible – I just pulled the shoulders up and gave them a new seamline. This was actually really easy thanks to my french seams, haha! I ended up pulling off about 1.5″ from the top of the shoulders – which yeah, that’s a lot! – and now the dress fits a hell of a lot better. The neckline obviously raised a lot too, but that’s ok – I kind of like it higher, I think it looks better with the shape/length. Plus, now I can bend over without fearing the gapeage.

Vogue 1395

Trying to figure out how the dress is pieced together? It’s really simple – there’s a front and back bodice (unlined, so make sure your fabric is opaque!), and the back bodice has an overlay that is only stitched down about 4″ at the center back. The slightly curved skirt is lined (I used china silk), and there is an elastic waist.

Vogue 1395

The back overlay crosses the side seams and ties at the front, which gives the dress a little bit of shape (that you can totally loosen after you’ve eaten a bunch of cupcakes because, fuck yeah, elasticized waist). Keep in mind that the wrong side of the ties show – it’s just a rolled hem all the way around, no lining – so you want to make sure you use a fabric that is relatively the same on both sides. The wrong side of this fabric is a little lighter than the right side, but it’s hardly noticeable.

Vogue 1395

What else did I change about the instructions? Well, I hated the way they had you hem stuff – lots of basting, pressing, and trimming. BOOORING! I used my rolled hem foot and finished much faster (with better results to boot!). I also could not FOR THE LIFE OF ME figure out how they had you attach the shoulders of all 3 layers. It just plain didn’t make sense, and I was french seamin’ that shit anyway (this was before the Armhole Disaster), so I did it my way and used french seams. Best way, I think!

Vogue 1395

Vogue 1395

Per usual, I threw both silks in the washing machine on cold before cutting, so now I don’t have to dryclean this guy! Yay! Talk about a casual day dress. I did notice that the black faded quite a bit on this silk crepe – so it’s more like, I dunno, light black or dark grey – but I don’t even care. It’s worth it just to know that I don’t have to schlep out to the dry cleaner every time I want to wear this. Which, btw, I would never do, because dry cleaning is the worst. Not because it’s terrible for the environment (although I reckon that’s a factor), but because I actually have to GO somewhere and PAY for it. Ew! Nope!

Vogue 1395

Anyway, cute new summer dress for meeee! I love it when my casual duds crossover into involving luxe fabrics. THIS, my friends, is why I sew.

As a sidenote – my pal Beth is gearing up to release her first pattern, and she needs testers! I know a lot of y’all were dying to dip your toes in to the tester pool, so here’s your chance to shine! Check out this blog post to see the skirt pattern in question (it’s super cute – I was actually on the list to test this, but my schedule this month has blown up all crazy so I had to bow out) and go ahead, throw your name in the hat :) You know you wanna :)

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