I am just going to preface this post with a warning: This is my VERY favorite thing I’ve ever made. Forget everything else up to this point. This here, this is the winner.
Also, I tried REALLY hard to cull down the number of pictures, but there are still a lot. Sorry, not sorry.
I initially saw this fabric on the Mood Fabrics Instagram (which, if you’re not lurking that – WHY NOT, THEY POST THE BEST FABRICS!!). Isn’t it fabulous? I immediately called the store and had them set aside 4 yards for me. When I finally had it shipped all the way to Nashville, I was amazed at just how wonderful it was in person. The designer is Marc Jacobs, and it’s a soft silk Georgette with a gorgeous drape and some incredibly saturated color.
Of course, I had no idea what I was going to do with 4 yards of bird silk Georgette. I hoarded it for about 2 months, while plotting and planning.
I had a Sewing Epiphany while on the way to work one morning (does anyone else have those? Aren’t they so awesome?) and realized that the print would work perfectly with a 40s style dress – and the drapiness of the silk would be a 100% match for McCall’s 6113. Yes, the same pattern I used for last month’s Mood dress. What can I say – I love this pattern, and I want to make a million of it’s babies.
Since this was my first time sewing with silk Georgette, I spent a few weeks devising a game plan and learning all I could about this fabric before slicing into my yardage. Georgette – or, at least, this Georgette – is on the sheer side, so it was going to need some sort of underlayer to keep things opaque. I didn’t want to underline the dress and compromise the flow of the fabric, so I decided to make a slip to wear underneath. Bonus: this is quite handy on a windy day! Already tested that theory
I used french seams to construct the entire dress, except at a few sections where it was impossible to sew them – such as the curved yokes. For those parts, I pinked the seams to keep them from fraying. I also stabilized the fabric underneath the yokes with a piece of black silk organza. Since the Georgette is so lightweight and that area gets so much stress, I wanted to give it as much support as possible. I also found the use of my walking foot quite helpful while assembling the dress – it kept the layers from shifting (and me from crying tears of frustration).
Despite having made this dress twice already (my red wool crepe version, plus a boring ol’ muslin), I still encountered some construction challenges unrelated to the fabric. For one, the sleeves gave me HELL when I was trying to set them in. I don’t even understand how it happened – they eased in perfectly with the crepe, but for some reason, it just didn’t work with the Georgette without including a lot of unwanted puckers. I was stumped and let the dress simmer for a few days on my dressform. I even considered leaving it sleeveless, no lie.
Fortunately, I remembered that Casey posted a tutorial on excess sleeve ease on her blog a couple years ago, so I followed the instructions for redrawing the sleeve cap and crossed my fingers.
I am happy to say that it worked! I’m so glad I was able to figure it out – the sleeves really make the dress!!
I just think this pattern is SO PERFECT for such a bright print! Isn’t it beautiful?
I even got super fancy and put a (non-functional) fancy button where the front of the dress fastens.
Now, let’s talk about my slip! I am going to post pictures which I realize is essentially me in my underwear, so bear with me here.
I’m not going to lie – like 99.9% of the reason why I decided to go with the matching slip was so I’d have a chance to get my hands on some 4-ply Silk Crepe. I’ve heard some amazing stories about the stuff, but never had a chance to try it for myself. It tends to run on the expensive side (truth, this silk crepe cost more than the silk Georgette!), but a slip doesn’t require a whoooole lot of yardage, so I sucked it up and put in my order. I didn’t know what to expect when the package arrived at my door.
People. This stuff is INCREDIBLE. Throw out any mean thoughts you had about silk and focus on the 4-ply. It’s not at all slippery – even when I was cutting bias pieces, the fabric stayed put. It’s nice and robust and opaque, and it feels amazing against the skin. It presses beautifully and sews like a dream. I was extremely skeptical before I properly introduced myself, but I really think it deserves the hype.
To make the slip, I used the free Ruby Slip pattern. I spent a lot of time redrafting shit to get it to fit right, and it was kind of a nightmare and I kind of almost gave up (no hate on the pattern itself – I’m just VERY particular about how my slips fit!). I started with the size 8, made a lot a lot a lot of changes, and I’m just going to list them here:
- The original bodice was very small, so I added a 1/2″ FBA using the sew-along tutorial. Truth, I tried to get away with not doing this (I wear a DD cup, but let’s be real here – the only thing “big” about my boobs is the proportion, not the actual size, kwim? I could totally fit into like a C cup if the band was small enough), but my first muslin informed me otherwise.
- I then redrafted the bodice to include a center front seam and underbust gathers, following this tutorial.
- My second muslin showed that now the bodice was too big at the center front, and the gathers were sitting in such a weird place… I looked like I had puffy nipples. So awesome, except not. I wish I could tell y’all I did some mathematical pattern drafting magic and fixed it, but honestly I pinned that fucker to my dress form and manipulated it until I had a decent fit. I pinned out a chunk of the center front seam, redistributed the gathers, and chopped about 1″ width off the back midriff. I readjusted the side seams of the skirt (that shit fit almost perfect with no adjustments, thank god) and crossed my fingers.
- Since the new back midriff was slightly (I’m talking 1/2″ or less) smaller than the skirt, I cut that piece on the bias and carefully eased the two pieces together. I think the result is pretty good – it fits my small back, and the bias makes it easy to pull on and off!
- I also cut about 5 1/2″ off the hem of the skirt. It was long, and I need this slip to be shorter than my skirts!
Finally, I added some beautiful lace around the top and the hem, and a little self-made bow in the middle of the bodice. The straps are just satin ribbon outfitted with strap adjusters and rings – very easy to put together.
Now, here’s the real question: I still have like a yard (maybe more) of this bird fabric left. WHAT SHOULD I DO WITH IT?