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V1419 Sewalong: Steps 4-22

20 Oct

Good morning, sewalongers! This is the week we actually start sewing our coats – aren’t you sooo excited!?! :D Meg will actually be covering this week’s set of steps over on the McCall Blog later this week (she had a family emergency last week, so please be patient if it takes her a couple of days to have the post up), but I thought I’d post here with some tips and progress updates (and personal cheerleading, in case you need it ;) ).

This first set of steps will get you acquainted with attaching the binding, as well as starting some basic construction on the coat – the back belt, the underarm gusset, and attaching the side to the front. It is fairly straightforward – you may not even need the sewalong once you start reading the instructions – although you do need to be very precise. Don’t be afraid to go slow and maybe even do some hand basting on the trickier parts. You got this!

Ok, here are my ~top tips~ for this section:

V1419 Ralph Rucci Sewalong
If you underlined your coat, you will want to remove the basting stitches after you sew each piece together. This is where the silk thread/hand basting comes in handy – it should be very easy to pull out :)

V1419 Ralph Rucci Sewalong
Underlining or not, if your coat fabric is thick, you will definitely want to trim and grade the seam allowances as much as possible when it comes time to apply the bias binding – otherwise, you may have problems getting it to lie flat. I use my Gingher duck-billed applique scissors for this; the flat side keeps any errant fabric from getting caught and accidentally snipped. Obviously you can use regular scissors – just be mindful of where you cut :) I grade down my coating fabric first – as close as I can to the stitching line, without compromising the strength of the stitches – and then trim the remaining seam allowances once I’m ready to fold over the binding.

SPEAKING OF THE BINDING…

V1419 Ralph Rucci Sewalong
Trim off those little triangles before you start applying. It’ll make things a tiny bit easier.

V1419 Ralph Rucci Sewalong
When attaching the binding to the belt, I used my #10 Edgestitching foot to stitch in the ditch on the right side…

V1419 Ralph Rucci Sewalong
Which turned out freaking GORGEOUS, by the way.

V1419 Ralph Rucci Sewalong
V1419 Ralph Rucci Sewalong
The rest of the binding is actually applied flat to the coat, with the topstitching visible on the right side. It can be pretty difficult to get everything even on both sides (catching the binding at the fold on the inside, while still keeping an even topstitching distance on the right side). The pattern has you baste the binding down first, which is a great idea. The only thing I’d add to that is to baste it by hand – yes, I know machine basting is faster, but guess what? It’s also a HUGE PAIN IN THE REAR to remove. Do yourself a favor and baste by hand. Use silk thread if you got it. I basted right along the edge of the binding with dark blue silk thread (so it was visible)(sorry, no photos of this), and then topstitched right inside my basting line on the outside, using one of these little seam guides so I could keep the stitching line straight. Afterwards, you will want to beat the crap out of your seams to get them to lie nice and flat. I give everything a healthy dose of steam, and then smack it with my clapper (I use this clapper & point presser, but honestly, you could use a hunk of wood if you’re feeling cheap. Just make sure you sand it reeeeeeally well so you don’t get a surprise splinter in your coat!).

V1419 Ralph Rucci Sewalong
Oh yeah, and I realized about halfway through this sewing session that it’s probably a good idea to keep a container around to hold all my trimmed seam allowances. There is a LOT of trimming going on around here, and for some reason, I’m incapable of hitting the trash can. Whatever.

Anyway, once you have finished through step 22, you should have something like this -

V1419 Ralph Rucci Sewalong
It’s a coat… front… thing! Yeah!!! Not so bad, huh? :)

Head over to the McCall Blog for Meg’s step-by-step of this part of the process (hopefully up later this week!). In the meantime – how are we doing? Anyone have questions on this section of the sewalong?

Side note/disclaimer: Ok, so I decided to start occasionally using affiliate links on this blog. Sorry if you hate me! :) I am currently only affiliated with Amazon, and I promise I will only be linking things that I personally use and recommend – such as those scissors & that clapper. Y’all will never ever ever see me link something just for the sake of linking it – that’s just crappy. However, please keep in mind that any purchases you make through these links will net a small kickback to me, which I will likely spend immediately on yarn & fabric (and thus pour back into this blog, in the form of content for y’all to read!). Also, no sneaky linkies – I will always describe the item I’m linking so you don’t have to click to see them, if affiliate links squick you out :) I won’t be posting this disclaimer at the end of all my posts, as it seems a little redundant, but you can always view it in my About Me page. That’s all! Thanks for supporting my blog, dudes! ♥

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V1419 Sewalong: Cutting and Prepping

13 Oct

Good morning, sewalongers! (sewalongees?) Today we are going to go over the final prep work before we start sewing (next week! Eep!). This is the last slow post of the sewalong, which gives you another week to perfect your muslin and choose your fabric. Of course, these posts will also be up indefinitely so don’t feel like you have to rush to keep up!

blog-sewalong-image-650x563

The very first thing you need to do – yes, before you do anything else with that lovely fabric – is pretreat your fabric. How you pretreat your fabric will depend on the fiber you chose, as well as how you plan on cleaning the coat in the future. For those of you who are sewing wool (like meee!), this means you need to get any shrinkage out of your fabric *before* you cut the pattern pieces – otherwise, once you start steaming that bad boy, you may end up shrinking pieces and that’s no good. There are lots of ways to pretreat wool – and none of them involve washing the fabric (please don’t do that!). You can either steam the piece yourself (this involves lots of steam and probably a lot of time), take it to the dry cleaner and have them pretreat it (this involves money)(and also dry cleaning), or you can shrink it up in the dryer (which is what I do). Here’s a blog post outlining the entire process, but basically – you just need to throw your wool in the dryer (finish the edges if necessary to prevent unraveling), add a couple of towels that are soaked in hot water (and then wrung out, so they’re not dripping) and blast the dryer on high heat for however long it takes before everything is dry. Easy! This is the method I use for all my wool fabrics. If you are at all hesitant, try it out on a swatch first :)

For other fabric types that are not wool – you may not need to pretreat (unless you plan on washing the coat in the washing machine? If then, defintely prewash that shit!). If using a cotton or silk, you may want to at least steam the crap out of it just to be sure there is no shrinkage. Polys should be fine and not shrink at all.

Once you’ve pretreated your fabric in whatever way need, then it’s time to cut! I’m not going to go over cutting here – I assume anyone brave enough to tackle sewing a coat is probably fine to cut fabric without guidance :) – but if you need a refresher, here is an old post I wrote about cutting and marking your pattern pieces. One thing I did notice while I was cutting my fabric – I was able to reconfigure the layout and use slightly less fabric. Don’t be afraid to change up the layout if your fabric is wide enough, just be sure that you are keeping all the pattern pieces on the proper grain.

If you are including an underlining for your coat, you will need to cut out pieces 2, 3, 4, 7, 8 & 9 from your underlining fabric.

For the contrast – specifically, all those bias pieces – I found it easier to draw the pattern pieces directly on the fabric, rather than try to pin a bunch of stuff and then try to cut a straight line and nope.

V1419 Sewalong: Prep

The long, straight pieces – I just measured them and use a ruler and marking pencil to draw them on my taffeta. For the big bias contrast pieces (those giant parallelograms), I pinned down the pattern piece, traced around the edges with my marking pencil, and then used a ruler to draw in the lines 2″ apart (as they are on the pattern piece). I did all this on the flat fabric before I cut anything out, and I think it made things a lot easier!

Once you’ve cut out all your pattern pieces, you will need to apply the underlining (assuming you are underlining – if not, skip ahead and start marking your pieces). Underlining is very easy. It is also very time-consuming – so I recommend watching some crappy TV or something equally entertaining while you do it :) For this sewalong, I won’t be going over underlining, but here is a tutorial if you need one. Some things to keep in mind:
– Sometimes you can get away with basting the pieces together by machine. This coat is not the time to try that method. Because the pieces are very large, you run the risk of shifting your fabric – which will give you bubbles or hang weird if you’re not careful. Try to keep things as flat as possible. Meaning: sit at a table, underline by hand. Watch a movie. Drink some wine. Whatever makes you happy!
– I use silk thread to underline, because it removes very easily. I also happen to have several spools on hand in strange colors, so that’s a big part of the reason. I realize silk thread is a bit expensive, so don’t feel like you have to break your budget on some thread that’s about to get pulled out as soon as you sew a seam. Use whatever you got! I would recommend using a threat in a contrasting color, just so it’s easier to see/remove.
– Feel free to use giant stitches. You’re just basting the pieces together to keep them from shifting when you sew them. Big stitches are ok – and they’re easier to remove!
– Sew well within your seam allowances, especially if your fabric shows pin holes (mine does!).
– I like to underline first, *then* mark the pattern pieces on the wrong side. You can also mark, then underline. Up to you – I just think the former is easier! Don’t freak out if you accidentally snip your basting when you cut notches – it’s ok!

V1419 Sewalong: Prep
See? I did it too. No big deal!

Once you’ve finished underlining (or have skipped ahead), you will need to mark your pieces. It is very important to get every stitch line (for the welts and the button holes), dot and notch – it’ll make things muuuuch easier to match up when we start sewing. You may want to use wax tracing paper and a rotary wheel for the lines, and a marking pen (or tailor’s tacks) for the dots. Just snip the notches. We won’t judge you.

Ok, bias binding! This is the same method outlined on the Coletterie, btw – except you are starting with a parallelogram piece, and not creating one from a square (if that makes sense).

V1419 Sewalong: Prep
You should have 3 parallelograms with 2″ diagonal lines drawn on the wrong side of the fabric. Matching the notches and markings, pin the two angled edges together, right sides together, to form a strange off-center tube. The edges will not match at the ends.

V1419 Sewalong: Prep
Sew the seam you just pinned. I used 1/4″ because – well, that’s what I always use. I think this pattern was drafted for 5/8″ – even at the bias binding – and if you sew with that amount, you will need to trim it down to 1/4″ after sewing.

V1419 Sewalong: Prep
Press the seam open.

V1419 Sewalong: Prep
Starting at once end, begin cutting along the line you drew. You should end up with a looooong string of continuous bias. Do this for all 3 parallelograms.

V1419 Sewalong: Prep
Once you’ve finished cutting all your bias strips, fold them in half with the wrong sides together and press.
(I promise that big yellow spot on my ironing board cover is not pee. That’s actually what happens when you put your iron on top of a piece of tailor’s wax. Whoops.)

V1419 Sewalong: Prep
You should end up with a big pile of bias strips. Mine kind of look like intestines. Cool.

Finally, you will want to staystitch and reinforce your coat pieces as directed in the instructions (steps 1-3 & step 35). For both – use a slightly shorter stitch length (I use 2.0 vs my standard 2.5) and be sure to backstitch at both ends. For staystitching, sew 1/2″ away from the edge. For reinforcing, sew along the stitching line at 5/8″.

Here are the pieces you will be prepping. Lines marked in blue are reinforcement stitching, lines marked in yellow are staystitching.

V1419 Sewalong: Prep

V1419 Sewalong: Prep

V1419 Sewalong: Prep

ONCE LAST THING: Once you’ve reinforced all those tricky edges, you need to clip the seam allowances all the way to the dot.

V1419 Sewalong: Prep

V1419 Sewalong: Prep
Clip to the stitching line, but do not clip the stitching line. This will make it easier to sew those tricky sleeve seams.

And that’s it! Whew! Sorry for the post overload today. Oh, I almost forgot – here’s my fabric!

wool coating
These are the swatch cards I got from Mood. The wool coating I chose is piece piled on the very top (4th one down). It’s a nice, thick virgin wool coating.

taffeta underlining and contrast
I am using 2 different silk taffetas – the brighter red will be the underlining, and the darker red is the binding and contrast.

How are we doing this week, seawlongers? Any questions about the cutting or prep?

V1419 Sewalong: Fabric Selection

29 Sep

Vogue Patterns V1419 Ralph Rucci coat pattern sewalong

Good morning & happy Monday, sewalongers! Today, we are going to talk about my favorite part of coat-making (or, really – any sewing project :) ) – fabric selection! Forreal, I could spend all day perusing fabrics and never feel like I’ve seen enough!
(psst – if you’re just here for the discount code, it’s at the bottom of this post :) FYI)

Before we get too ahead of ourselves, though, let’s take a minute and look at the original garment:

coat inspiration

A couple things that immediately come to mind when I see this picture-
1. As far as coats go, there is not a lot of ease in this guy. This is not your wear-everywhere-and-pile-the-thick-sweaters-underneath sort of coat – it’s very fitted and the shape is quite dramatic. Something to keep in mind while choosing your fabric!
2. To get that dramatic shape, we need a choose a fabric with quite a stiff drape and a very firm hand. The original coat is made of a sort of heavy wool garbadine backed with a stiff wool flannel. The resulting fabric is very substantial – stiff and sturdy enough to hold it’s shape. If you make this coat in a fabric with a softer drape, you will not get the same end result. This could be good or bad, depending on how you want the finished coat to look!

Still having problems wrapping your head around the whole drape factor? Don’t know if you even want a coat that’s this dramatic and structured? Go ahead and start your muslin, using a fabric that is a similar weight to what you have in mind (if you can’t find muslin fabric with a stiff enough drape, try inexpensive cotton twill or even home decor fabric). That will give you a good idea of the drape you need to get the coat you want. For more information on fabric drape, check out this post I wrote a couple months ago!

Now let’s talk about possible fabric choices! With all big projects like this, I URGE you to swatch before you commit to anything! You don’t want to spend a lot of money on coating fabric, only to find out that the drape wasn’t as stiff as you were anticipating (been there, done that! And you can’t return fabric most of the time, argh!). Especially when it comes to the contrast for this coat – you want to make sure the colors work together, that the coating is the right weight/drape/hand, and that you actually *like* the way it looks in real life. I’m recommending these fabrics based on the website descriptions, but please don’t take my word for the gospel until you’ve actually touched it in real life.

Also, please keep in mind that this coat is UNLINED. You will want to choose a fabric that can easily slide over your arms – or you will need to underline the coat with something that serves that purpose. As far as I know, there’s not a way to completely line this particular coat (with all the insides hidden and all that). We will be covering underlining in this sewalong, we will NOT be covering lining. Consider yourself warned!

FOR WINTER-WEIGHT COATS WITH A STIFF DRAPE:
virgin wool
For a dense and warm coat with a nice stiff hand, you can’t go wrong with virgin wool. This fabric is not quite as stiff as the original – it will still hold that nice bell shape at the sleeves and skirt, but with softer folds. Virgin wool is actually what I bought for my coat – in a beautiful lipstick red :)

felt
Another great option that will provide lots of warmth and structure is wool felt. Definitely swatch this – you don’t want it to be too thick for all those seams!

boiled wool
Similar to wool felt but not as dense is heavy flannel coating. Check out that purple!

wool twill
I really love wool twill for a nice dense coating. Wool twill comes in many weights, so make sure it’s heavy enough to give the structure this coat needs.

wool twill
Here’s another nice, heavy wool twill – this one is from Marc Jacobs!

wool coating
Classic wool coatings, such as this dark turquoise solid coating will also work, as long as they are stiff enough to give the effect you want.

plum coating
This plum coating is pre interfaced!

velvet
Looking forsomething a little more fancy? Up the luxe factor with this italian velvet.

metallic brocade
Another great fabric option for this pattern (one that I believe Meg is using for her coat – although hers is this beautiful double-sided brocade!) is brocade. I love this metallic brocade!

brocade
Also, this floral brocade if you’re dying to stand out a little more.

silk brocade
Or you could go all out with this bright pink ribbed silk brocade, because YES.

FOR WINTER-WEIGHT COATS WITH A SOFTER DRAPE:
silk wool
How gorgeous is this silk wool? This fabric would give you a much softer drape than the ones above – think less of an exaggerated bell shape for the skirt and sleeves, and softer folds at the arms.

cashmere
Of course, you can’t go wrong with black cashmere coating – a true classic!

cashmere-wool
Doesn’t this wool cashmere coating just look SO snuggly? It’d be like wearing a blanket 24/7.

boiled wool
For a lighter wool weight with a very soft drape, consider boiled wool. I just love this bright purple color!

FOR A LIGHTER-WEIGHT COAT:
cotton twill
Those of y’all with milder winters – no worries, I’ve got ya covered! You have a few options for making this coat in a lighter weight, while still retaining the dramatic shape. First up – consider cotton twill! I love this organic cotton twill – especially that hot pink color, yes! – but any cotton twill will work as long as it’s heavy enough to hold it’s shape. Try to avoid anything with lycra (or any stretch), as it will make sewing this coat more difficult.

silk faille
You could also make a very beautiful, very dressy lightweight coat out of silk faille.

cotton sateen
Want the shine of the silk without the price tag? Try cotton sateen – again, be sure you are getting one with no stretch and a heavier weight.

denim
I’m thinking this coat would also look really cool (in a super casual way) if it was made up in denim! Am I crazy? Give it some gold topstitching and brass buttons and it’s like the fanciest denim jacket in the world. This heavyweight Theory denim even comes pre-interfaced!

Obviously there are many, many more options for coating – including non-natural fibers (I’m not linking these because I personally don’t like to wear or sew with polyester anything! Sorry!) – but this should be enough to get the ideas flowing. In the meantime, let’s talk about underlining and contrast fabrics.

FOR UNDERLINING AND/OR CONTRAST:
For my coat, I knew I needed to underline with something because I’d otherwise have a difficult time pulling the coat on. I initially thought about using silk chaurmeuse, because I just love it, but ultimately decided to stick with the stiff drape theme and use silk taffeta. Silk taffeta is also recommended for all the contrast (as is chaurmeuse, but just between you and me – I don’t recommend the latter. Unless you just looove sewing bias chaurmeuse binding; in that case, don’t let me stop you!), so I actually bought two colors. I love silk taffeta! Obviously, you can use poly taffeta if that’s all your budget allows – but I like the added warmth that silk provides, so that’s why I went with that. Anyway, if you are underlining – you will want to buy the same amount of underlining as you are coating fabric. For contrast, buy whatever the pattern instructs you to buy.

silk taffeta
Check out this kelly green silk taffeta from Oscar de la Renta! Swanky! For something a little more understated, there is also this caviar black silk taffeta from Ralph Lauren.

poly taffeta
Love the look of silk taffeta but hate the price? There are also some beautiful polyester taffetas available, including this cool checked taffeta. This coat really isn’t suitable for plaids as the outside fabric – but as far as the contrast is concerned? Go for it!

For those of y’all who are not underlining and only need contrast for the binding, you might also consider shantung or dupioni. On a super budget? Check out cotton sateen.

Another thing to consider with the contrast fabric – there is contrast on both the outside of the coat (for the bound button holes, belt, and pocket), as well as the inside (bound seams). Keep in mind that, while the pattern is written for all contrast to be the same fabric – you don’t have to sew your coat that way. Use the fancy stuff for the outside, and bind the inside with something fun (even a woven cotton, if that’s your thing.). You’re the designer here! Just make sure to swatch so you know that you like the way your contrast looks next to your main fabric.

Couple more things, while on the fabric subject!
– Concerned about warmth, but don’t want to make the coat too bulky? Stick with natural fibers (wool coating, silk underlining) and consider interlining your coat with silk organza for an additional layer of warmth.
– Found your dream fabric but it’s just a *smidge* too drapey? Get some good interfacing and block-fuse that baby! Fashion Sewing Supply has a great super crisp interfacing, or even fusible hair canvas. FYI, this coat does not call for interfacing at all – so you only need to buy it if your fabric requires some extra heft.

Whew! I think that’s enough fabric talk for today. For sticking through it this far, I’ve got a discount for ya! Use the code “lladybird1013″ to get 10% off your entire order at Mood Fabrics (not including PV codes or dress forms). This code is good through 10/13/14, so you’ve got time to swatch :)

I promise I will share photos of my fabric as soon as I receive it (still stalking the mailbox, daily. Ha!). In the meantime – what about you? What fabrics are you eyeballing? Do you have any fun ideas for the contrast? Is your coat a lighter weight? Let’s talk!

One last thing – time to announce the Sewtionary Giveaway winner! Lucky number generator says:

winner1

winner2

Congratulations, Jin! Crossing your scissors apparently worked :) I’ll be in touch to get that book out to ya asap :) Everyone else – if you’d like to pick up your own copy of the Sewtionary, you can order a signed copy at the Sewaholic website. The Sewtionary is also available on Amazon!

Announcing the Vogue 1419 Sewalong!

17 Sep

Hey guys and gals! Remember this coat we all made fun of?

V1419

Then remember when I tried it on and realized it was actually amazing?

"Yeah, like the girl in the $10,000 coat is gonna hold the elevator for the guy who doesn't make that in four months." #COMEON #gobbluth #ralphrucci #thisreallyisa10kdollarcoat #voguepatterns #latergram

YAY $10K DESIGNER COAT!!

Well, here’s the thing. I want this dang Ralph Rucci coat for my very own – and I want to make it. After chatting with The McCall Pattern Company – and realizing that a lot of y’all are hankering for your own Ralph Rucci Dream Coat – we’ve decided to partner up together and host a sewalong for Vogue 1419! LET’S ALL MAKE FANCY DESIGNER COATS, Y’ALL!

Vogue Patterns V1419 Ralph Rucci coat pattern sewalong

The sewalong officially kicks off on 9/29, which gives you plenty of time to buy your pattern and begin sourcing fabrics. Don’t worry – the first couple of weeks will be nice and slow, with tips on fabric selection (and yes, I’m working on snagging y’all a sweet discount!), muslin-making, and prepping all your pieces so we can dive straight into sewing in mid-October. We will finish our coats on 11/10, with a finished coat parade on 11/17. The sewalong posts will alternate weekly between here and on The McCall Pattern Blog, so make sure you’re following both!

Keep in mind that while this is a coat pattern – it’s not a traditional tailored coat, so there will be no scary pad stitching or lining (although I will be underlining my version, so we’ll have some tips on that as well :) ). While I wouldn’t recommend this pattern to a true beginner, I think a super adventurous/advanced beginner could probably swing this – just make a muslin, take your time and aim for accuracy! We’ll be photographing every step, which will make construction easier (and of course, the posts will be up indefinitely if you decide that you need to revisit your couture coat dreams at a later date :) ). The McCall Pattern Company has lots of interior shots of the coat in this Pinterest board if you want to see more of the deets. It’s a really beautiful coat that lends itself to lots of fun customization!

Here’s the full schedule of events:
9/22/2014 Social media: official hashtags, Flickr group, Pinterest board & blog badges
9/29/2014 Selecting your fabric
10/6/2014 Making your muslin
10/13/2014 Prep week: cutting your fabric; marking your pattern pieces; underlining (if applicable); creating bias binding; reinforcing and staystitching (Steps 1-3 and step 35)
10/20/2014 Attaching the gusset, binding, belt & side seams (steps 4-22)
10/27/2014 Sewing the sleeves & back (steps 23-50)
11/3/2014 Assembling the pockets (steps 51-63)
11/10/2014 Finishing: Facing, button holes, buttons, and hem (steps 64-86)
11/17/2014 Parade of coats

I know that sounds like a lot of work for each week, but keep in mind that most of the steps involved are instructing you to sew bias binding. Those of us who have made unlined bias bound coats before know that once you get into a groove, it’s not so bad :) Plus, I don’t want this to drag on forever! I want to take my coat to London, dangit! :)

McCall Pattern Company Tour

Ready to join in the coat-making fun? AWESOME! Don’t forget to buy your pattern – there’s a sale going on right now through 9/19, yay! – and make sure to follow The McCall Pattern Blog if you’re not already doing so. Next week, we’ll have all the official badges and hashtags so you can pretty up your blogs :)

In the meantime… who’s in? What’s your dream Ralph Rucci coat look like? I’m currently manhandling some of the most gorgeous red wool coatings, can’t wait to make this baby up! :)

Completed: My Finished OAL Dresses!

28 Jul

Good morning, everyone! I hope your AM is filled with lots of sunshine, like mine, and coffee, unlike mine (because, *ahem* someone forgot to mention we were out after he made a pot yesterday). Anyway, that’s neither here nor there – you came here to see finished dresses and sweaters, right? Let’s get to it!

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

Fair warning – this is a pretty picture-intensive post. I have two dresses to show plus a cardigan! (You’re so lucky that I don’t have two sweaters. I tried, but the second one is technically a vest right now soooo…). While I could theoretically stretch this out into 3 posts, I actually really hate it when people do that so I’m just dumping it all in one glorious picture-filled OAL extravaganza! Hope you don’t mind looking at my mug ;)

Speaking of which… you probably noticed the change in scenery, not to mention actual decent looking photos. That’s because I didn’t take them! Ha! All photo credit for this post goes to my lovely friend, Jenna, of Kitty Cat Stevens (you may recognize her photos from last year; she took those ace ones of my Lace trench). She really did an amazing job with these and I just love how they turned out!

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

Dress #1 was made with a lightweight cotton from Mood Fabrics (purchased at the NY location while I was there in March). The bodice is view C with cap sleeves, a softly pleated skirt and a lapped zipper.

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

LOOKS SO GOOD WITH MY HAIR.

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

Dress #2 was made with a gorgeous rayon challis from Grey’s Fabric. I used the same pattern, swapped out the bodice for view B with bias-faced arm holes, a softly gathered skirt and an invisible zipper.

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

The hem on this one is finished with rayon seam binding. So pretty!
OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

Finally – here’s Myrna herself! I guess I can talk a little more about this part of the project since I haven’t really mentioned it much on my blog (unlike that entire OAL full of posts, ha).

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

Can I just say – I LOVE THIS CARDIGAN. It was super fun and super easy to knit, not to mention super fast (how many more times can I say super in this post?). According to my Ravelry, I finished it in just under a month.

I went with the size XS, getting gauge with size 6 needles (which is typical for me + worsted weight yarn + Andi’s patterns).

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

The yarn is (super?)AMAZING, isn’t it? Something I picked up from my local yarn store, Haus of Yarn- I knew I wanted neon yellow to go with the fabric for dress #1, so I took a swatch with me and went lurkin’. Maybe it’s just my yarn store (granted, we have more in this city – actually, a surprising number of really good yarn stores – but this particular store is less than two miles from my house, so obviously I like shopping here best haha), but they never seem to have the color I want in the weight/fiber I prefer! In this case, they only had a couple options for neon yellow worsted weight wool. Because I am an adult, I picked the most expensive option – this is Jill Draper Makes Stuff, and the color is Daffodil. At $26.50 per skein, it was definitely a splurge, but I only needed 2 skeins for this sweater so I figured it was worth it :) Spoiler: It totally was! This yarn was a dream to work with – so soft and squishy, with a beautiful saturated color gradient. I don’t know if this particular yellow looks any good on me, but I also don’t give a fuck because it makes me happy.

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

I knit the pattern 100% as written, and had no issues. Blocked it with a bit of gentle shampoo (I keep meaning to get that special wool washing/no rinse shit they sell at my LYS, but since I went over budget with the yarn I had to put it back. Maybe next time. Maybe never lolz). True story: I forgot to finish the keyhole until after I’d blocked the whole thing, so I had to go back and keep knitting. I’m glad I did, though – I was on the fence about the keyhole because it looks kind of wonky at first, but once it’s finished it really does make a world of difference!

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

The button bands are stabilized with Petersham ribbon. Because this cardigan has a v-neck, I steamed the Petersham with a gentle curve to mimic the shape of the neckline, and stopped it a little above the top button hole (so, before you ask: no, it doesn’t go all the way around the neck). I used this tutorial from Sunni’s blog for guidance – she’s using it to hem a skirt, but it’s the same concept with the neckline, with a less aggressive curve. The vintage glass buttons are from my stash, previously purchased at the flea market.

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

I love how well the sweater goes with dress #2, because that was not planned at all! I didn’t decide to make a second dress until I’d already started the sewalong, and knit about half of the sweater. They do look good together, though. Yay for unintentional matching!

How are y’all doing with your OAL garments? Almost finished? Remember – the deadline to enter is this Thursday, July 31. Don’t forget to post your finished outfits in the Ravelry thread, which will give us all full lurking capabilities and also enter your ass to win some prizes. We also have the Offical Unoffical Flickr Group if you don’t use Ravelry/only finished a dress – but please be aware that your two pieces need to be uploaded to the Ravelry thread to be eligible for the contest :) I’m loving all the dresses and sweaters I’ve seen so far, and I need to see MORE PLS.

Feeling inspired? Here’s a link to all the tutorials covered during the OAL:
1: Choosing Your Fabric and Size
2: Cutting and Marking Your Fabric
3: Sewing the Bodice
4: Sewing Sleeves or Bias Facing
5: Attaching the Skirt
6: Inserting a Lapped Zipper (see also: My Method for Invisible Zippers)
7: Hemming & Finishing
How to Stabilize a Buttonband with Petersham Ribbon (not part of the official OAL, but useful nonetheless!)
FINALLY, you can see my Myrna Ravelry notes here.

OAL 2014: Completed Simplicity 1803 + Myrna Cardigan

Whew! That’s a lotta post for a coffee-deprived Monday morning! ;)

OAL: Hemming & Finishing

14 Jul

Good morning, OAL-gers! Today is the final post in the OAL series (which I’m sure means that a lot of y’all are dancing for joy to hear that there won’t be any more of these posts! Ha!), and we will be finishing our dresses. Yay!

You should have a mostly-finished dress at this point – everything is connected, all seams are finished, and the only thing left to do is hem the dang thing! Of course you can hem however you like (as most of y’all already have at this point), but I wanted to give a couple options for those who are unsure what to do, or just want to try something different. You know how much I love having options!

First things first, try your dress one and determine where you would like the hem to hit. I like my hemlines above the knee, and this dress runs a little long (or, rather, I’m a little short), so I ended up cutting off about 4″ from the hemline. I’ve found that the easiest way to mark my hemline is to measure the length of a skirt that I like, mark that length with a pin on my dress, and then try it on to see if it works. Before you cut, add back a hem allowance (however much you will be turning up before you stitch the hem), otherwise, your skirt will end up a little short :)

Option #1: The Easy Turned Hem

OAL - Hemming
Fold the skirt hem under 1/4″ to the wrong side and press.

OAL - Hemming
Now fold one more time, again to the wrong side, and press. However much you fold under depends on how much of a hem depth you want. I stick with about 5/8″ for this particular type of hem. You can certainly fold more for a deeper hem, but be aware that the curved hemline means that you might have difficulty easing the fullness in (since a curved hem means it’s bigger at the bottom than it is at the top) if it’s too deep.

OAL - Hemming
Now just topstitch that bad boy down!

Some tips for topstitching your hem:
– Start on a side seam so your backstitching doesn’t distract from the beautiful front or back of your dress
– Use a slightly longer stitch length (I use 3.0 over my machine’s standard 2.5 length); the stitches will be a little more defined
– Topstitch from the right side if you can help it – the needle stitches are much prettier than the bobbin stitches
– Use the measurement markings on your throat plate to help ensure you are stitching in a straight line

OAL - Hemming
If you are sewing the version with the notched bodice, don’t forget to tack down your facing to the center front. Catch only the seam allowances and use a couple of handstitches to keep that facing inside the bodice where it belongs.

OAL - Hemming
And done! :)

Option #2: The Extra-Fancy Hem
One thing I like to include with my hems is a strip of seam binding. This vinage-inspired finishing covers the raw edge (so you don’t have to fold twice) and is a fun little surprise whenever someone sees the wrong side of your skirt. You can use seam binding, bias strips, or even lace – in a matching, contrasting, or complementary color. I just think it looks really pretty and it really adds a nice professional finish to an area that most of us tend to rush through (because, duh, we just wanna wear our dresses!). For this hem, I used vintage seam binding and topstitched it down, although you can also sew the hem by hand if you’d like it to be invisible from the outside.

OAL - Hemming
Starting at one of the side seams, pin your hem tape to the right side of your skirt hem, letting the binding hang over about halfway.

OAL - Hemming
Stitch, keeping your needle as close to the edge of the binding as possible.

OAL - Hemming
When you reach the full circle of the hem, overlap the binding by about 1″ and fold the raw edge under, as shown.

OAL - Hemming
OAL - Hemming
Now fold the binding to the wrong side to whatever hem allowance you prefer, measuring all the way around to ensure it is even. Pin into place.

OAL - Hemming
Topstitch on the opposite (unsewn) side of the seam binding – again, sewing as close to the edge of the binding as you can. Press and use steam to ease out any fullness.

OAL - Hemming
Ta da!

And that’s it! Give yourself a pat on the back, pour yourself a stiff cocktail, and do a little dance because YOU FUCKING SEWED A FUCKING DRESS, LIKE A FUCKING BOSS! Whoop whoop!! Don’t forget to post your finished outfit in the Offical OAL Finished Outfits Ravelry Thread – there are already sooo many beautiful dresses and cardigans lurking around there, omg. Remember that you have until 7/31 to post to be eligible for prizessss – so you’ve got a couple more weeks if you’re running behind :) Don’t have a full outfit but want still want to share your dress? You can post that in the Official Unofficial OAL Flickr Group.

Stay tuned for my OAL photos in the next couple of weeks… a friend took them for me, and, well, all I’m going to say is that they are MUCH better than anything I could have tried to do haha!

OAL: Inserting A Lapped Zipper

7 Jul

Good morning, everyone! Hope y’all had a nice weekend (holiday or not!). We are just coming up on the home stretch of our OAL – just a couple more steps left until we are finished and can start rocking our gorgeous dresses! Woohoo!

Today, we will be inserting zippers into our dresses. In this post, I will be covering the insertion of a lapped zipper, which is my preferred method for this style. I won’t be covering invisible zippers here, but I do have a tutorial on inserting an invisible zipper if you’d like to use one for your dress. I put an invisible zip in my second OAL dress (the one not featured in this post), using the same method as outlined in the tutorial, and it came out beautifully! So that’s an option if you need it :) Otherwise, let’s talk about the lapped zipper!

As I mentioned, I really love a good lapped zipper. I blame Gertie for sparking that obsession, btw. When I was working at Muna’s, she never understood why I preferred to use lapped zippers in most of my garments – she was of the camp that invisible zippers were more elegant. Maybe, I guess, but sometimes I like the design element of having the zipper be visible (or, at least, the stitching line of the zipper being visible). It’s definitely easier to match up seamlines and prints with a lapped zipper, since you can hand-baste into place and sew from the right side. Also, lapped zippers are a bit stronger than their invisible counterparts – which could be important if whatever you made is a little on the snug side. Of course, there’s a time and a place for everything – lapped and invisible zippers included – but for casual sundresses, I just love a beautiful lapped zipper.

Anyway, onto the zipper!

OAL - Lapped Zipper
Start by finishing the raw edges of the center back – from the bottom of the skirt all the way to the top of the bodice. I catch my facings in the serging (or whatever finishing you’ll be using) so I don’t have to tack them down later. Now is also a good time to check and make sure that both back seams are the same length and that the waist seam matches up, so you know everything will also match up when it’s time to put the zipper in.

OAL - Lapped Zipper
Start at the bottom of the skirt and sew up to the zipper stop, as indicated on the pattern. Backstitch a couple of times to make sure everything is secure, then press the seam open. Leave the unstitched part unpressed.

OAL - Lapped Zipper
Now make sure that zipper is the right length for your dress! If it’s a bit long (I have a metric shit load of 22″ zippers, so I forever have to shorten mine), you can easily shorten it. Just mark where the zipper stop needs to go, and sew across the teeth to create a zipper stop. If you are using a nylon zipper, you can do this by machine. For zippers with metal teeth, you’ll want to sew by hand. Once you’ve made your stop (and test it!), cut the teeth about an inch below. Presto: shortened zipper!
Also, just a side note – I always have people tell me that you can’t shorten a metal zipper. Well, I guess I’m some sort of magical sewing unicorn because I shorten pretty much ALL my metal zippers! Ha! The trick is to snip both sides of the tape as far to the teeth as you can, and then you can usually get the teeth to coax apart. Use a pair of crappy scissors in case you need some assistance. Alternately, you can sew the zipper with the excess coming off the top edge of your garment, and your facing/waistband/whatever intersecting seam can act as a zipper stop. But no, it’s not difficult (nor impossible) to shorten metal zippers.

OAL - Lapped Zipper
On the right side of the open seam (or left; however you want your lap to go. I like my lap to be on the left, though), press the seam allowance at 1/2″ to the wrong side of the bodice, all the way down to the stitching.

OAL - Lapped Zipper
On the left hand side, press the seam allowance at 5/8″ to the wrong side, again all the way down to the stitching.

OAL - Lapped Zipper
On the right hand side (or whatever side has the 1/2″ fold), pin your zipper with the teeth right along the edge of the fold. I start my zipper about 1/8″~ from the top of the fabric; but I also don’t use hooks and eyes with my lapped zippers (personal preference! I’ve found they’re not really necessary). If you are using a hook and eye, start your zipper a little lower. As far as the tape at the top of the zipper – you can just fold that under to the wrong side of the dress. If you don’t catch it with your stitching, you can tack it down by hand at the end.

OAL - Lapped Zipper
Now sew your zipper to the garment, about 1/8″ away from the fold. Use a zipper foot and/or move your needle to get close to the edge (but not so close that the zipper won’t function!). If you have trouble starting the stitching at the top of the zipper, pull both thread tails (the needle thread and the bottom thread) very gently while you press the pedal; this will keep the fabric from getting eaten by your feed dogs and making a big thread nest on the underside of your garment.

OAL - Lapped Zipper
Ok, that’s one side! Onto the next!

OAL - Lapped Zipper
OAL - Lapped Zipper
Now take the larger 5/8″ folded edge and place it on top of the zipper, with the fold meeting the stitching line you just sewed. Pin everything down, being careful to only catch the back of your garment – don’t pin all the way through the front! I just slide my hand around the inside to be sure, but you can also put a book inside the bodice and use that to keep from pinning all the way through. Once you’ve pinned the overlap down, check the zipper tape and make sure your pinning is even – it should be down the middle of the zipper tape. If it’s not, readjust.

OAL - Lapped Zipper
It can be helpful to hand baste the zipper tape into place before you use your sewing machine. This will keep the fabric from shifting around and gives you a very precise installation.

OAL - Lapped Zipper
One thing I like to do before I start sewing is to mark my stitching line (otherwise it can be kind of difficult to tell where you are stitching, since the zipper is closed and you can’t see the guidelines on the throat plate!). Go about 1/2″-5/8″ from the fold – this will depend on where you’ve pinned/basted your zipper tape – stick a pin through the marked line and check the wrong side of the tape to be sure it will catch and not be too close to the teeth. If you are sewing a zipper that still has the original zipper stop (aka, you didn’t shorten your zipper), it can be helpful to mark with a pin where the zipper stop is, just so you don’t accidentally sew over it and break your needle.

Now take the dress to the sewing machine and sew along your marked stitching line. Try to keep things as straight as possible, since this stitching is visible :) Keep the zip closed and be careful not to sew through the front of the drss. When you get to the bottom of the zipper (or a couple of stitches before your marked zipper stop), lower your needle, raise the presser foot, pivot, and sew across the bottom of the zipper (be very careful and VERY SLOW if you are sewing in a zipper with metal teeth!). Backstitch a couple of times to keep everything secure.

OAL - Lapped Zipper
OAL - Lapped Zipper
Remove your basting threads, wipe out any markings, and the give the zipper a final press. If you were unable to catch the top of the zipper tape in your first stitching, tack it down now by hand.

And that’s it! Zipper is done! :D As always, please let me know if you have any questions!

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