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Completed: The Summer DVF Wrap Dress

17 Aug

What? Did you think I was going to make it an entire year without busting out this pattern? Ha ha! Forget about it!

Vogue 1610 // DVF(No idea why I’m standing pigeon-toed in this photo, eh.)

ANYWAY. If you’ve been following my blog for a while now, you’ll know that I loveeeee me some knit wrap dress action. Specifically, some Diane Von Fürstenberg knit wrap dress action. I just think she makes the prettiest dresses and I can’t get enough of them (and by “them,” I mean “knock-offs”) in my closet! I have a few that I made last year – The Wearable Muslin, The Silk Jersey and The Chic Black Wool. And now, here’s #4: The Bold Graphic Print. Just in time for the last few weeks of summer! Vogue 1610 // DVF

I have an original copy of Vogue 1610, which is a (vintage) Vogue American Designer pattern (this one featuring Diane Von Fürstenberg, obviously). I found it – in my size, no less – at an estate sale for around $1 a few years ago. It’s a beautiful pattern that really lends itself well to all the hacking and modifying I’ve put it through. It’s certainly a bummer that Vogue won’t re-release this pattern for the modern sewist – and before you start pointing fingers, this has nothing to do with Vogue and everything to do with DVF not renewing the license. I’m pretty sure the McCall Pattern Company wants to re-release some DVF love just as much as you want to buy it (I mean, can you imagine how much $$ they’d make? Who can say no to that?), but it’s not really up to them to decide. Seems like the designer just doesn’t want her name on sewing patterns anymore :( DIANE, WHYYYY.

Anyway, back to my dress!

Vogue 1610 // DVFVogue 1610 // DVF

Taking a cue from the black wool version, I kept the original bodice from the pattern and changed out the skirt for a simple wrap skirt (specifically, I used Tilly’s Miette skirt and just made it so the wrap is in the front). I added 1″ to the overlap, so I’d have a little bit of fabric to fold back and topstitch. I like the gathered skirt that the pattern is drafted for, but I wanted this version to be a little more sleek. I originally planned this dress to include small cap sleeves – I was going to take them off my Lady Skater dress pattern – but when I tried the dress on sans sleeves, I really liked the way it looked so I kept it as-is.

Vogue 1610 // DVFI also kept a slightly longer skirt length (I know, I know… nothing about “practically knee-length” qualifies as “long,” but considering I’ve basically been exposing ass cheeks all summer, this is long for me), again, something I liked when I tried it on during construction. Vogue 1610 // DVF

Vogue 1610 // DVFI also tried something different with the front band. Normally, I sew it on like how you finish the neckline of a tshirt – stretching the band so that it fits snugly against the bust when worn. However, I lurked in on some actual DVF wrap dresses while I was in Harrod’s last year in London, and noticed that they finish their necklines a little differently. No knit bands to be found anywhere – most of them use a binding or a facing. I was keen to try this myself, so that’s what I did. I cut the band as usual and interfaced it with a lightweight knit fusible (so it has a little bit of structure, but it’s still quite stretchy). I finished one edge, sewed the facing to the outside of the garment, flipped it to the inside and understitched, and then topstitched 1″ away from the edge on the outside. I was 100% certain that I’d fucked up the dress beyond repair at that point – the back had some puckers and everything just looked kind of strange – but it all sorted itself out once I put it on and my body stretched it into shape. The addition of the interfacing gives the neckline a little bit of height, almost – especially around the neck itself. The facing is much smoother and sleeker than any band. And I can pull the dress apart a little and show some 1970s ~natural cleavage~ if I feel so inclined. Yeehaw! Vogue 1610 // DVF

Vogue 1610 // DVFNot really much else to report on construction – much of the same old, same old. I used my serger to construct, my Bernina (+ walking foot // ballpoint needle) to topstitch. For the arm holes, I just serged them and turned the hem under and topstitched with a straight stitch. So easy! I think I finished this whole thing in less than 3 hours. Vogue 1610 // DVF

Isn’t the fabric so good? When I saw it on Mood Fabrics recently, it immediately screamed WRAP DRESS and it knew it had to be mine. Sometimes, I find buying knit fabric online to be a bit of a gamble – you can’t really tell weight/hand/stretch recovery (not to mention color) from a photo and description, and occasionally I end up with stuff that wasn’t at all what I was expecting. This fabric definitely exceeded my expectations – it’s so beautiful! Very dense with a good stretch (and an awesome recovery; I wore this all day last week and it didn’t bag out at all), and the color is super saturated. It’s a little on the heavy side – but not bulky. It feels very fluid and luxurious. I wish all knits were like this. This stuff is awesome! Also, the color is “poppy” which I kept seeing as “poppy,” so, like, there’s that.

Vogue 1610 // DVFHere’s a shot of the inside. Super clean finish, yay! Vogue 1610 // DVFI think the color and style of this dress will be good for transitioning into the fall months here – where we want to pretend like it’s tall boot and wool hat weather, but it’s actually still 90+ degrees. Which means I can wear this and look cool, but still be cool. Also, I am not ready for summer to end just yet – I have a few more projects left to finish!

Note: The fabric for this dress was purchased with my allowance for the Mood Sewing Network. All comments on this blog post are just, like, my opinion, man.

Completed: McCall’s 7119

22 Jul

Allow me to introduce you to my ridiculous summer sundress for 2015.

McCall's 7119I guess it’s not really that ridiculous, but it feels a little over-the-top (for me, that’s a good thing haha). This is totally the time of year for getting away with this sort of loud dressing, but I haven’t really taken advantage of it until now! McCall's 7119

McCall's 7119I used McCall’s 7119 to make this, which was originally sent to me by the McCall Pattern Company (contrary to popular belief, I usually buy my Big 4 patterns because I live in the mystical land of $1 Joann sales, but I’ll take free, too haha). I really love the photo on the envelope and was dying to make my own. I was not, however, dying to plunk down $$ for the 3 yards of fabric necessary to make this sucker up. Damn wrap dresses and long maxi-lengths! As if! McCall's 7119

Anyway, I noticed that this blue cotton poplin paisley went on massive sale at Mood Fabrics for all of $4.99 a yard, and I realized that it was perfect – both in weight and cost – for the dress I was wanting to make. I’ve never been a huge fan of paisley – I’ve made a couple garments in the past with beautiful pieces of paisley fabric, yes (and I have a couple more pieces in my stash as of this writing), but for the most part, I’ve always considered it to be kind of an ugly print. Mostly because it reminds me of the horrible ties that my dad used to work to work in the early 90s haha. Sorry, dad! This paisley, though, is definitely much prettier (or that could be the $5 price tag talking to me, I dunno!). I think it’s due to the monochromatic color scheme, which tones down the tack and lets you focus on the pretty design. Or, again, could be that $5 price tag. Whatever.

McCall's 7119Despite this fabric being inexpensive, it’s not cheap. It has a really nice hand and drape, the colors are beautiful and saturated, and it’s opaque enough to not warrant a lining. The right and wrong side are almost identical, which is good for this sort of dress – as you can see the wrong side through the back hem dip. The fabric cut & sewed like a dream, and it is fairly good at resisting wrinkling (see: these photos after a day of wearing). It also feels reeeeeal nice in this heat, a bonus! McCall's 7119

McCall's 7119The pattern was easy enough to make up – I finished it over a long marathon sewing weekend. I started with a size 6 at the bust and an 8 at the waist/hip, based on the finished measurements. I did make a quick little muslin mock-up of just the bodice, to see how the fit was before I cut into my fabric. The bodice fit well enough, except that the center front gaped like crazy! Surprisingly, the easiest fix was also the most efficient fix – I raised the shoulders by 3/8″, and then took 1/4″ off the side seams starting at the underarm and tapering into the existing seamline below the bust dart. I do think the bust darts are a little high – I should have lowered them after raising the shoulders – but the fit is pretty nice as-is, and the print is busy enough to where you can’t see it. Also, I don’t know what the horizontal fold/wrinkle is doing over my boob. I think it’s from how I’m standing, because it’s normally not there. Except, of course, in these pictures, and it’s making my eye twitch. Argh!

The last fitting alteration I made was right at the end – where I took off a massive amount of skirt length. I don’t even know how much, because I kept chopping and chopping. I started with about 4″ off the pattern tissue itself – because the measurements on the back showed that the back dip would drag the floor on me (I’m 5’2″, so, yeah). Upon finishing the dress – well, apart from the hem and closing up the facings – I realized it was still waaaay too long and the whole thing – print+style combo – was totally overwhelming on me. I just kept cutting that hem, and curving into the front wrap (definitely don’t cut too much off the front wrap or you’ll end up with something very indecent!) until the length looked good. McCall's 7119

To sew this up, I used a brand new 70/10 Microtex needle and navy thread. The seams are all French seams – except where the hole is in the side seam (to feed the waist tie through), that one is just turned under and topstitched. I finished the neckline facing with tiny little invisible hand stitches, and the bottom hem is machine rolled. I think that’s it? Pretty straightforward pattern if you ask me!

McCall's 7119McCall's 7119

McCall's 7119McCall's 7119

McCall's 7119I don’t know what possessed me to drag the dressform outside for these photos. I mean, they look really nice, but holy hell that thing is heavy! Never doing that again lolol McCall's 7119

McCall's 7119Here’s the inside – look where my fingers are pointing, you can see the hole for the waist tie. There is also a tiny snap right at the bust where the wrap crosses over, to prevent any northern wardrobe malfunctions. Due to the  wrap, a big gust of wind will definitely show some leg at the skirt. I’m ok with this, though. Legggsssssss. Also, see how similar the right and wrong side look? Because of my finishing, it’s actually hard to tell when the dress is inside-out! I have to look for the French seams :) haha! McCall's 7119

Overall, I enjoyed working with this pattern and I’m definitely not opposed to making it up again – although probably a different view, because this particular one is a little fancy for my daily use. I’d like to try the shorter, mullet-less skirt with some contrast on the facings. Maybe in a silk? Fancy without really being fancy, yeah?

Note: Every month, Mood Fabrics gives me an allowance to purchase fabric with, in exchange for writing a post on the Mood Sewing Network. This fabric was purchased with that allowance. The pattern was also given to me by the McCall Pattern Company. I like to think it’s because they love me, because I am forever an optimist :)

Completed: Another B5526 + Ginger Jeans Get-up

18 May

So sorry to dump this on y’all yet again – another collared shirt + jeans outfit combination. Yawn.

Gingers & B5526

Well, to backtrack – yawn for you, but :D :D :D :D :D for me hahahaha. I will never get tired of this outfit combination. Or, at least, not anytime soon. Maybe never is too strong of a word to use here.

Gingers & B5526

What’s mildly frustrating about writing a long-term blog (at the time of this posting, I’ve accumulated nearly 500 entries since I started waaaay back in 2009, WTF) is that you eventually reach a point when you’re just making the same thing over and over again (well… those of us who don’t make our blog our full-time income fall in this category. I’m sure if I was sponsored out the wazzoo and had all the time I spend at work to spend making content for my blog, it would be a different story, ha.). After re-assessing my wardrobe at the end of 2014 and realizing that I *still* had shitloads of clothing that I made simply for the new and shiny, I have made it a big point to really be honest with myself about whether or not I’ll actually wear something that I make. Like most people, I have a pretty predictable style. And like many sewers, I don’t want to spend a lot of time reinventing the wheel with new patterns if I can get the look I’m going for with an old TNT. So this translates to repeats upon repeats upon repeats.

So, while you might be yawning about the majority of the stuff that’s been posted in 2015… I gotta say, I am elated with the way my closet is looking these days!

Gingers & B5526

Gingers & B5526

With all that being said, there’s not much to report on either of these pieces since I’ve made them soooo many damn times. Jeans + collared shirt is totally my go-to when I want to feel comfortable but still look like I made an effort in the AM. I’ve found my TNT patterns and I feel good about the way they fit and the construction methods that I use.

Gingers & B5526

Gingers & B5526

The top was made using my beloved Butterick 5526. Y’all, I don’t know if I’ll ever sew another button up pattern again! (we all know that’s a lie) I’ve gotten to the point with this one where I can bang one out in a couple of days, which is really nice when you’re coming up on a looming Mood Sewing Network deadline, ha. The fabric is this amazing tigerlily orange cotton voile from Theory, which is a bit more of a coral-y pink than it is orange in real life (I don’t know how the color translates on your screen, but on the Mood Fabrics website it’s definitely pretty muted. The real color is much closer to what you see in my photos. It’s BEAUTIFUL). It has a beautiful chambray weave, which gives the color lots of dimension. This fabric was so so nice to work with – ok, it was a shifty bitch to cut, but once I got past this point, it handled and pressed like a boss. It’s also super comfortable to wear on even the hottest day.

Since the fabric does have a tendency to fray, I used flat-felled seams every where in my shirt. I also left off the sleeves and finished the armhole with self bias binding – it makes the shirt really casual and, again, awesome for hot weather. The pockets are the same pockets that come with the pattern, but I made them slightly smaller because the original size was a little overwhelming on me. Buttons are from my stash; they’re just your standard white shirt buttons. Oh! And the matching thread also came from Mood Fabrics – I noticed that when I was ordering my fabric, there were thread suggestions at the bottom of the page. I figured I’d try out the service – you know, for science – and I’m super pleased with the color match. Even more pleased that I was saved a trip to the fabric store. Mostly because those tend to be very dangerous places for my wallet, ha.

Gingers & B5526

Gingers & B5526

The good thing about running a long-term blog and making a bunch of pattern repeats is that you will eventually bore of just making things that are passable to wear in public, and start focusing on really honing your skills to the next level. Or, at least, that’s how it worked out for me. Look at those clean finished insides! I should wear this shit wrong-side out.

Gingers & B5526

I did shorten the length of the shirt by about 2″ – I think the original length was just sliiiightly too long for my height. This way I can wear it untucked or tied at the waist. If I do a half tuck, it doesn’t pooch out all weird like some of my longer shirts tend to do. As always, I finish my shirt hems with self bias facing. I think it makes for a much cleaner finish, and it’s must easier to press and sew those curves with the bias tape instead of trying to wrangle the hem itself.

Gingers & B5526

Gingers & B5526

For my jeans, I used my now-favorite-ever-pants-pattern, the Ginger Jeans. I’ve made this a few times before (and I definitely don’t plan on stopping – I finally was able to invest in one of the denim kits because YAY) and I’m just really happy with the way this pattern fits my body. The fabric is a cool metallic gold stretch denim. I was actually looking for white denim to make this up, despite me being a stain magnet when it comes to white. At any rate, this denim’s wrong side actually is white flecked with very subtle bits of gold, and these very well almost became white jeans. I talked myself out of it because I was afraid the not-quite-pure-white would make the jeans look like they were dirty, plus again, stain magnet. So I stuck with the gold side. Also, this denim doesn’t have as much stretch as my other denims, so the jeans are a bit tight. I had to let the side seams out to 3/8″ or else I would have never gotten these things over my ass. They’re still a bit tight – mostly around the calves – but I’m hoping that they will loosen up a little with wear.

Gingers & B5526

Gingers & B5526

Gingers & B5526

Not much to report on construction. I used a combination of flat-felled and serged seams (as how most RTW jeans are made) and a triple stitch to really make the topstitching stand out. I would have loved to use topstitching thread, but I couldn’t find a good match with what is admittedly kind of a weird denim color. It’s gold, but it’s also kind of beige. Fortunately, Mood Fabrics REALLY came through with that thread match, as you can see in these close-ups.

What else? I did not interface the waistband (I like my jeans with an uninterfaced waistband; it’s much more comfortable. Not sure how that would work with a lower rise, but for the high rise version, it’s perfect). The jeans button is from Pacific Trimming, and the cotton pocket lining is left over from this crazy blue dress.

I will admit right now that this outfit inspiration came way of my boss’ closet. Since I do all her laundry for her (if you are new to this blog and that sounds REALLY WEIRD, I should probably point out that I’m a personal assistant :) ha!), I’m always lurking on her clothes and I’m always finding inspiration in some of the strangest ways. She has a similar coral chambray shirt – hers has sleeves and a lace inset at the yoke, though – and white jeans. And I wanted that outfit for me. So I made it :P

Gingers & B5526

So, hey, in other news that doesn’t involve me making my fifty billionth b5526 – I’ve got an article out in the current issue of Seamwork Magazine! If you haven’t heard of Seamwork, it’s a sewing magazine that is published online by the masterminds behind Colette Patterns. The magazine is free to read and there are optional pattern downloads with each issue (the patterns you pay for, however). ANYWAY, my article is all about visiting Nashville! I had so much fun writing a city guide about my favorite city in the entire world, and I hope you have fun reading it (and are inspired to come visit because, hey, Nashville is awesome! Really really awesome!). You can read The Seamworker’s Guide to Visiting Nashville at Seamwork. My first published article! Yay!

Completed: A Cardigan, a Skirt, and a Tshirt!

30 Apr

Woohoo y’all get a damn TRIFECTA of garments for today’s post! Lucky you!

Striped Cabernet Cardigan + Yellow Hollyburn

For my monthly Mood Sewing Network post, this month I wanted to focus on that amazing striped sweater knit that you’re probably staring at (you should be staring at it, it’s fucking awesome). But I felt really boring just making *a* sweater (a sweater that took maybe 2 hours, tops, to complete), so I overcompensated and made my entire outfit. Yay!

Striped Cabernet Cardigan + Yellow Hollyburn

We’ll start with the cardigan because it truly is the star of this outfit. It’s another SBCC Cabernet cardigan, this time with my minor adjustments made to the flat pattern (you can see my leopard Cabernet cardigan here, btw!). Since I’ve already made the pattern once, there’s not really anything new to report in terms of construction.

Striped Cabernet Cardigan + Yellow Hollyburn

Striped Cabernet Cardigan + Yellow Hollyburn

I bought the navy and white striped fabric while I was at the Mood Fabrics flagship store in NYC in March. I got soooo much good stuff while I was there, but this particular piece really takes the cake. I swear, if the bolt hadn’t been so heavy, it probably would have jumped off the shelf and fallen directly into my arms. We were like star-crossed lovers when we caught sight of one another.

ANYWAY, gushing aside – what we have here is a cotton double knit that works and feels like the perfect sweater knit. It’s wonderfully thick and squishy, and while it does drape a little bit, it also hold it’s shape quite well. It was really the perfect fabric for this pattern, as it responds really nicely to pressing and topstitching. I was careful in my cutting to not only match up the stripes at the side seams, but also the stripes blending into the sleeve cuffs and hem bands. The neckband is actually the same striped fabric – I just positioned the pattern piece so that the widest navy stripe was the only thing that showed when it’s folded in half. I knew I wanted a solid color at that neckband, but I didn’t want to try to color match, because nope.

Striped Cabernet Cardigan + Yellow Hollyburn

Because the striped knit is so thick, it was a bit of a beast to manhandle. Cutting it was painful (I REALLY need to get my scissors sharpened, dammit!) and the sewn seams were lumpy and wavy before I pressed them. It’s super important to press if you’re dealing with a fabric like this – the flatness is what makes the finished piece look so polished. Topstitching down the seam allowances also helped. As with my last cardigan, I used the straight stitch on my machine and a walking foot. The rest of the seams are serged.

Striped Cabernet Cardigan + Yellow Hollyburn

The skirt is another one of my beloved Hollyburn skirts. I cannot stress this enough, but I LOOVE this pattern. SO MUCH. As soon as I finished the denim polka dot Hollyburn, I started lurking hard for a yellow twill to make another one. I really love this neon delight of a yellow, but it’s hellish looking against my skin – so obviously, the next best thing is a skirt.

I found the fabric also while I was in NYC, also at the Mood Fabrics flagship store (sorryyyyy not sorry). I actually spent a good deal of time looking for this one – I knew I wanted yellow twill, but the stuff in the twill section wasn’t quite up to snuff. Too pale, too lightweight, too much of something. This particular fabric was actually located in the denim section – I imagine there is someone, somewhere, who has made an amazing pair of jeans with this fabric.

Striped Cabernet Cardigan + Yellow Hollyburn

This is a stretch cotton twill with lots of lycra in the content, giving it a super heavy stretch. Even though it’s on the lighter side (heavy enough to be considered a bottomweight, however), it has plenty of body that gives this skirt a great structure. The only downside to all that lycra is that it made the fabric really hard to get a good press. I ended up topstitching all the seams to keep them flat, about 1/4″ distance (as opposed to my usual 1/8″). The wider topstitching paired with this fabric really gives it a nice denim-y look, which I like. I thought about topstitching around the pocket bags to give those definition too, and “thought,” I mean I tried it and it looked absolutely terrible so I ripped it out. Don’t do that.

Striped Cabernet Cardigan + Yellow Hollyburn

The back closes with a simple lapped zipper, and all the inside seams are serged. Basic stuff!

Striped Cabernet Cardigan + Yellow Hollyburn

Finally, the most basic of the basics – my tshirt!

Striped Cabernet Cardigan + Yellow Hollyburn

This is SUCH a simple tshirt that it hardly bears a mention, however, we’re here and it’s here so let’s just roll with it. The fabric is this sheer white slubbed rayon jersey, which was WAY more sheer than I was expecting but it’s sort of awesome. It’s suuuuper soft, drapey, and the texture of the fabric makes it a tiny bit more interesting than your average plain white tshirt. I used my always-tweaking-almost-done-tweaking Frankenpattern’d tshirt to make this. The neckline is bound using Megan Nielsen’s bound neckline method, which is hands-down my FAVORITE way to finish a neckline on a slinky knit like this. It just looks really really good, and it’s nice and sturdy. I love the traditional method, of course, but some of the more drapey fabrics don’t do so hot with that method because you have to REALLY stretch them to keep them from being floppy, which ends up with a tight neckline that’s practically gathered.

Speaking of slinky knits, binding that neckline was about the only easy part of sewing this tshirt. Talk about the slinkiest knit ever! It was worth it, though, because I can always use more white tshirts. Even if they are see-through. And yes, the pocket is totally in the wrong place and I’m totally not picking it off because I don’t think the fabric can survive that kind of trama.

Detail shots:

Striped Cabernet Cardigan + Yellow Hollyburn

Striped Cabernet Cardigan + Yellow Hollyburn

Striped Cabernet Cardigan + Yellow Hollyburn

Striped Cabernet Cardigan + Yellow Hollyburn

Striped Cabernet Cardigan + Yellow Hollyburn

Striped Cabernet Cardigan + Yellow Hollyburn

Striped Cabernet Cardigan + Yellow Hollyburn

Striped Cabernet Cardigan + Yellow Hollyburn

(that’s a Sewn with Mood Fabrics tag, by the way! :) )

Striped Cabernet Cardigan + Yellow Hollyburn

Striped Cabernet Cardigan + Yellow Hollyburn

PHEW.

Ok, one more picture:

Striped Cabernet Cardigan + Yellow Hollyburn

Only including this one because I look like I’m about to eat whatever is in my line of vision haha.

** Note: All fabrics for this project were provided to me in exchange for a review post as per my involvement with the Mood Sewing Network.

Completed: The Francoise Dress

11 Mar

Y’ALL. It’s like, practically spring here. After our freak ice and snow storm last week (which was the SECOND one we had this year – never happens! The last big ice storm we had was 20 years ago), the sunshine came back with a vengeance and obliterated the piles of snow (ok, 3″ here. THAT IS A LOT FOR NASHVILLE, OK!) within a couple of days. Thanks to the combination of 60* afternoons and the return of Daylight Savings Time, it’s really starting to feel super good here. Yay for spring!

So, with all that being said – I give you my first official warm-weather make of 2015! Hey, Francoise, how you doin’?

Francoise Dress

Francoise is Tilly’s newest pattern release, and by “new” I mean it’s been around since November. Which is exactly how long I’ve been meaning to make it up. I got my hands on the pattern when I was in London (full disclosure – Tilly gave it to me when we met up and waved her hand when I offered to pay for it. It wasn’t given to me in exchange for a posted review or anything, but, I thought I’d point that out regardless! I know some people feel that a review can be biased if the reviewer didn’t personally pay for the pattern), I made a muslin while I was there, and I looked for my ~perfect~ Francoise fabric on every fabric shopping trip we made. The truth is, I was stunted on fabric choice, so the pattern had to wait while I figured my shit out.

Francoise Dress

Anyway, I think the fabric I ended up with was a pretty PERFECT match, amirite? This gorgeous purple and pink floral cotton sateen is from Mood Fabrics, and it combined with the Francoise is basically a perfect marriage. The small amount of stretch and crisp drape make it perfect for the pattern, and the simple shape and exaggerated flare make the pattern perfect for the fabric. I love it when this shit happens!

Francoise Dress

Francoise Dress

I made the size 1, based on the finished measurements. The only minor change I made was to take a slightly wider seam allowance at the top of the invisible zipper, just because it was gaping a little. I also removed about 3/4″ from the hem length. I’m 5’2″, so taller ladies may want to consider adding some length because it’s a pretty short skirt!

Francoise Dress

Cotton sateen is REALLY easy to work with – like, beginner-level easy (it doesn’t shift, doesn’t fray, presses well, etc) – so construction was super straightforward. You really just need a fresh needle and a hot iron to coax this fabric into submission. I finished all my seams with my serger, and topstitched the neckline, arm holes and hem. The neckline is finished with a facing, and the arm holes are finished with self bias facing. Both of these are covered in the pattern. I followed the pattern directions as they were written for the bias facing on the arm holes, and while they’re great – I prefer my method, as I think it’s a little easier/fool-proof.

Also, looking at that back view just made me realize that the two back prints are mirrored. HAHAHA uhh… oh, look, there’s a rouge thread, too. GOD, I need to get my shit together. Ok, moving on!

Francoise Dress

Because my print is all crazy awesome and takes all the attention, here’s a close-up of the design elements of the dress that actually make is super cute. I love the raglan seams, and the French darts are so pretty! Also – can we talk about how the floral pattern on the fabric looks like watercolors? YUM.

Francoise Dress

Now here is the dress without me or a belt. I will be honest – when I finally finished everything and put it on, I wasn’t crazy about how it looked at me. I think part of it is the color palette (I LOVE that freaking fabric, but I feel like I look like an ass every time I wear pink or purple. It’s not because of my hair color clashing or whatever. I’ve felt that way about pink and purple for a couple years now) and part of it is the fact that the dress doesn’t have a waist seam. I don’t know why, but I feel like a smooth shape with no waist seam doesn’t look right on me (is that weird?). Once I added black tights and a thin belt, I really started to see the cute factor in this dress. I think the black also tones down the overwhelming girly colors, and I like that too. Ideally, I would have loved to put a black collar on the dress, but I didn’t have any black fabric on hand. Maybe in the future I can make a detachable one, idk.

Francoise Dress

Francoise Dress

Believe it or not, I didn’t buy that zipper for this dress. No, I just *happened* to have a perfectly-matched lavender invisible zipper in my stash. Again, I don’t really wear purple (and especially not lavender), so I have no idea how that happened, but I’ve had it for a few years now. Glad I finally put that shit to good use lolol

Francoise Dress

Francoise Dress

Francoise Dress

That’s all for now! Let’s just cross our fingers that I didn’t inadvertently welcome another fucking 6 weeks of winter by announcing spring’s impending arrival. I did that a lot last year and it was way lame.

Francoise Dress

** Note: All fabrics for this project were provided to me in exchange for a review post as per my involvement with the Mood Sewing Network.

Completed: Vogue 1419 (At Last!)

18 Nov

Well, no that the V1419 Ralph Rucci Sewalong has officially wrapped, I guess I can finally show y’all my coat! For those who didn’t catch my post on the Mood Sewing Network yesterday to see my completed coat a day early – your patience is finally being rewarded, including some never-before-seen shots that weren’t included in the original post! How exciting!

Anyway, coat!

V1419 Ralph Rucci Coat - Completed!

Considering how much I went over the making of this coat at length (see all my posts tagged v1419 here), I won’t be going over the construction so much in this post. If you want more info, feel free to check the tag – or just holler out some questions in the comments (I don’t expect anyone who didn’t actually sew along with the sewalong to have actually read the posts – they were pretty intense, and I find sewalong posts kind of boring if I’m not part of the action, you know? Anyway, snaps to you if you did read the posts! I hope you learned some new coat-making tips and tricks ;) ). Here’s a general rundown of the basic information, for those who are dropping in for the Big Reveal:
Pattern: Vogue 1419
Fabric: From the Mood Fabrics flagship NYC store – I enlisted the help of my favorite Mood dude, George, to assist me in finding my perfect red wool coating – and he knocked it out of the park! This coating is red virgin wool, it’s nice and thick with a great amount of body to give the coat it’s lovely shape. The wool itself is soft and easily malleable (very necessary for all the crazy intersecting seams of this pattern!), and the color is just PERFECT! The pattern itself does not call for lining, but I did add a layer of bright red silk taffeta as an underlining, to help the coat slide on and also as an additional layer of warmth. The contrast (inside binding, bound button holes, belt trim) is also silk taffeta, in a darker red that matches the wool coating. I think it gives a nice bit of textural interest and keeps the coat from being just straight up loud and red. Both silk taffetas were also purchased from the Mood Fabrics store in NYC, and the colors were chosen with the help of George.
Notions: Just thread and buttons! I had my buttons custom-made here in Nashville by a local lady who sells them through Textile Fabrics. Since my coating is SUPER thick (way too thick for those sad little button kits that you can buy), it needed some heavy-duty machinery to get the fabric on. I’ve used this service in the past for previous coat buttons, and the quality is excellent.
Sizing & Alterations: I cut the size 6 and sewed the coat exactly as drafted, except at the waistline where I used a 1/2″ seam allowance instead of the standard 5/8″ (just to give myself a tiny bit of eating room ;) ). I only altered the length – removed 3″ from the hemline and 1″ from the sleeve length.

V1419 Ralph Rucci - Inspiration Watercolor

Here’s my original inspiration, in watercolor :)

V1419 Ralph Rucci Coat - Completed!

I think it turned out pretty close, if not better! :)

V1419 Ralph Rucci Coat - Completed!

Don’t you love the photos? These were taken by my friend and fellow knitter, Alannah Arnold, who was almost as excited about this coat as I was! Alannah and I meet with a group of ladies every Monday for a casual (and, um, booze-filled, haha!) knitting night at my favorite local bar. She’s listened to me talk about this coat for weeks at this point – and offered to take photos once it was done. Which is awesome, because they turned out WAY better than anything I could have shot in front of my shed!

I met with her in East Park, in East Nashville, to take these photos. That’s a feat in itself – anyone who knows me, knows I will kick and scream when it comes to crossing the river into East Nashville. Never mind that driving into East Nashville is like driving into Brooklyn – it’s actually not that bad (unless there’s a Titans game – if then, forget about it!), it’s just fun to complain about :) Regardless, East Nashville has the prettiest fall trees, and this park is undeniably beautiful. So, I made some sacrifices (har har) and ended up with a pretty great set of pictures to match my pretty great coat! Yay!

V1419 Ralph Rucci Coat - Completed!

Ooh, and I even found a Porsche while I was at it :) haha!

V1419 Ralph Rucci Coat - Completed!

V1419 Ralph Rucci Coat - Completed!

V1419 Ralph Rucci Coat - Completed!

V1419 Ralph Rucci Coat - Completed!

V1419 Ralph Rucci Coat - Completed!

V1419 Ralph Rucci Coat - Completed!

V1419 Ralph Rucci Coat - Completed!

V1419 Ralph Rucci Coat - Completed!

If I haven’t already made it completely obvious – I’m SO happy with my finished coat! Sewing it up was so satisfying, and absolutely worth it. It is very dramatic and theatrical – so it’s a bit excessive for daily wear. I don’t think I’ll be bringing this to London, unfortunately, as it’s definitely not very practical (it’s too fitted to really accommodation multiple layers, plus I could see those bell sleeves getting real annoying real fast after 2 weeks of daily wear). However, it is the PERFECT topper for all these upcoming holiday parties that are just around the corner ;)

Let’s also not forget how this is one of few instances where sewing can actually save you money – this coat cost less than $200 in materials, whereas the original designer version has been rumored to run closer to $10,000. Sure, making a little cotton sundress will probably set you back more than whatever you would paid from a mall retailer – but knocking off couture? That’s where the savings really start to show ;)

I will leave you with this photo of me, wearing my knock-off designer coat, throwing leaves in front of a rich person’s house. Probably the same person who owns that Porsche, to be honest:
V1419 Ralph Rucci Coat - Completed!

Be sure to check out the McCall Pattern Company blog to see Meg’s completed coat, if you haven’t already done so! Big thumbs up to everyone who participated in the sewalong – and big, huge thanks to Meg for agreeing to cohost this beast of a sewalong alongside me. Couldn’t have done it without you! :) Don’t forget to use the hashtag #V1419sewalong so it will show up on this tagboard. We encourage you to upload your photos to the V1419 Flickr group, the Vogue Patterns Facebook page, and pin it to the Pinterest board

Didn’t join the sewalong but still want to make your own designer Ralph Rucci? Check out my V1419 tag and the McCall Pattern Company Blog for all the posts pertaining to this sewalong. I can’t wait to see everyone’s finished coats!

What do you think? Would you ever tackle a crazy long intense project like a coat? What about THIS coat? Man, I love making coats!

Disclaimer: My pattern was provided to me free of charge from the McCall Pattern Company, and the fabric was provided from Mood Fabrics as part of my monthly allowance for participating in the Mood Sewing Network. Still, I definitely made this entire coat myself – sooo, that should count for something ;)

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