Look at me, I’m like a 1970s Sherwin Williams swatch book all up in hurr.
This is my second corduroy Kelly, same difference as the first, although this cord is a much thicker wale with a softer hand. I snatched it up during my trip to NYC – it was part of a swap, although I am a terrible swapper and I don’t remember who it came from :( Sonja? I know the majority of the goods came from your stash haha :)
Anyway, origin aside, this fabric is pretty fabulous! It’s super soft with a fair amount of body, and the color is one of those great browns that goes with everyyyyything (except the new top I made, apparently, which is not the same top I’m wearing in these pictures btw. Oh well haha!). I love corduroys, but sometimes finding a good one that’s pure cotton with no stretch and a nice color can be surprisingly difficult!
I can’t speak much on this pattern because obviously I’ve already made/discussed it, but I will tell you what I did differently this time ’round. For one, I used sew-in interfacing instead of my regular fusible… corduroy can be kind of finicky when you press it (specifically – you risk squishing the wales flat and ruining your fabric and WAH), and a quick test of the fusible proved that I would be making a huge mistake. I used muslin as my sew-in – just cut the pieces, basted them to the waistband and button hole placket, and then proceeded as usual.
I did topstitch my skirt as directed, but it’s not really noticeable due to the thickness of the fabric. It doesn’t bother me – I like the subtle look – but if you’re planning on making this with a similar fabric and want the topstitching to be visible, you will need to use top stitching thread and the accompanying needle.
Obviously, you want to be careful when pressing corduroy – but some stuff does need a good sharp crease, like these pleats and the hem. To do this, I laid a scrap piece of corduroy on my ironing board, right side up, and put my skirt on top of the scrap right down down (this keeps the nap from getting crushed, as the fabric on the bottom provides some support). I used my silk organza press cloth and steamed the beejeezus out of everything, and then used my clapper to hold everything down until it cooled off.
I love that clapper. I always feel like such a fancy-pants when I use it, ha.
I also omitted the second button on the waistband – I want to wear this skirt with belts, which I can’t do if there’s a giant button in the way. I put in the top button and added a hook and eye where the second button should be.
Here you can see my hook and eye. The skirt in unlined, but it works fine with a slip underneath in the winter, for wearing with tights. Well, the other corduroy one does, anyway, haha.
Oh yeah, my buttons were free too! They’re some faux-leather suiting buttons that my Mamaw gave me. She gave me HUNDREDS of them (and my mom took half… but still… that’s a lot of buttons) and I rarely find a change to use them since they’re just really big. But I think they work here! The color looks great with the color of the fabric.
I almost forgot – look at this cute pocket lining! It’s a tiny little scrap I got at the flea market. The seller threw it in for free (lord, can I say “free” enough in this post??? FREE FREE FREEEEEEEE) with a few other scraps, after I made a purchase pile. It was just big enough to use to line the pockets. I love those colors, wish I could find a big yardage that looked like it!
I guess that it’s! Kind of a boring staple to make, but these kinds of basic pieces get a lot of wear in my life :) Plus, it looks sooo good with my mustard Renfrew, which is always a plus in my book.